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%%%%%%%%%%%%%%%%%%%%   Colección de ABCs de  la Taberna   %%%%%%%%%%%%

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X:16262
T:T'as perdu tes gants
R:Maraichine
A:Poitou
O:France
M:2/4
L:1/8
Q:1/4=130
K:G
B>G B>d|B>A AG|BB BA/2G/2|B2A2:|
|:B>G B>A|(3GFE Dd|1d>c A>c|B2G2:|2d>c A>B|G2 z2||


X:16263
T:Ta hit en fiol
S:Uppt. efter Viktor Andersson
R:Minuet
M:3/4
L:1/16
O:Finland
A:Jeppo, \"Osterbotten (Finland)
K:D
{e}a2z(b a2)^ga b2a2 | fdfa {b}a2^ga b2a2 |\
gfga b2a2 g2eg | f2ed e8 ::\
{ef}e2zd c2d2 efed | cdef g2eg f2d2 |\
efed cdef gfed | cdef g2eg f2ed |\
g2zg b2b2 a2a2 | cdec d8 :|


X:16264
T: Taam Haman
M: 3/4
L: 1/4
Q: 1/4=200
K: C
 F2F|F2E|G2G|E2z|D2D|D2C|E2D|C3|
|:"C"C2G|G2E|"F"F2A|"G7"G3|"C"C2D|"G7"E2D|"F"FE"G"D|"C"C3:|
"C"c2c|c2G|"Am"A2B|cBA|"G7"G2F|"C"EDC|"F"FED|"C"C3|:
"F" F2F|F2E|"G7"G2G|"C"E2z|"Dm"D2D|D2C|"C"E2D|"C"C3:|
"C"GFE|GFE|GFE|E2z|G3|"F"A3|"G"BAG|"C"c3|


X:16265
T:Tabhair Dom Do Lámh
T:Give Me Your Hand
M:6/8
L:1/8
Q:70
C:Attr. to Rory Dall Ó Catháin
S:Appears in O'Neill's Music of Ireland as #406
D:The Chieftans 5
Z:O'Neill's version is missing measure 17.
Z:Measues 8 & 9 may also be played |(EG).G g2 G|(EG).G g2 D|, per
Z:O'Neill.
K:G
D|(EG).G G2 D|(EG).G G2 D|(EG).G (GA).B|Bed B2 (A/2G/2)|.A(Ae)
.B(Bd)|.A(A/2B/2A/2G/2) E2 D|(EG).G G2 D|
(EG).G G2 D|(EG).G (ga).b|.d(d/2b/2a/2b/2) g2 G|(EG).G (GA).B|Bed B2
(A/2G/2)|.A(Ae) .B(Bd)|
.A(AB/2d/2) e2 (d/2B/2)|d(de) g2 (e/2d/2)|g(ga) b2 (d/2e/2)|.g.g(d/2e/2)
.g.g(d/2e/2)|.g.g.a b3 |.b.b.b b2 (a/2g/2)|
(a/2g/2a/2b/2)(a/2b/2) a2 (g/2f/2)|.e.e(g/2e/2) .d.d(e/2d/2)|.B.B(d/2B/2
)
A2 G|GG(B/2d/2) =f2 (d/2B/2)|
eeg e2 (d/2B/2)|.d(dg) .B(Bd)|.A(c/2B/2A/2G/2) JG2||


X:16266
T:Tableau Clog
R:Hornpipe
M:4/4
L:1/8
K:G
(3def|a>gd>B A>GB>d|f>ec>A E2_E2|D>FA>g f>ed>e|B>c^c>d e>de>f|
a>gd>B A>GB>d|f>ec>A E2_E2|D>FA>g f>dA>d|G2B2 G2:|
K:D
B>_B|A>gB>^B c>ba>g|f>ad>f B>Af>d|c>eA>c G>Ac>B|A>B (3cde f>dA>F|
A>gB>^B c>ba>g|f>ad>f B>Af>d|c>Bg>e (3dcB (3ABc|d2f2 d2:|


X:16267
T:Tabulature de la troisieme partie de l'Allemande 
R:
C:Trad.
S:Thoinot Arbeau
N:qui se dance par mesure binaire, comme la courante, avec les mouuements.
A:Champaigne
B:Orchesographie (1589)
O:France
Z:<eric.forgeot@caramail.com> -- http://anamnese.fr.st
M:8/2
L:1/2
Q:1/2=150
K:C
FF GG AA BB | Bd cB AG FF ||


X:16268
T:Tabulature du Fifre, ou Arigot du troisiesme ton. (*)
R:
S:Thoinot Arbeau
A:Champaigne
B:Orchesographie (1589)
O:France
Z:<eric.forgeot@caramail.com> -- http://anamnese.fr.st
M:8/2
L:1/2
Q:1/2=150
K:C
%%MIDI nobarlines
%%MIDI transpose 0
G G A B c z z z | G G A B c B c d | c d c B/ A/ B2 |
B A/ B/ c/ B/ A/ G/ A2 | A G A/ B/ A/ G/ F/ G2 | G F E D E2 | E D E F G2 | /.../


X:16269
T:Tabulature pour iouer du Fifre ou Arigot en mesure ternaire. (*)
R:
S:Thoinot Arbeau
A:Champaigne
B:Orchesographie (1589)
O:France
Z:<eric.forgeot@caramail.com> -- http://anamnese.fr.st
M:6/2
L:1/2
Q:1/2=150
K:C
z2 z GAB | c2c GAB | c3/2 d/ c GAB | c2 c B/c/d/c/ B/A/ | 
B3 A/B/c/ B/A/G/ | A3 G/A/B/ A/G/F/ | G3 FED | E3 EDF | E3 EDF | E3 D/E/F/E/D/C/ | D3 CDED
/.../ G3 F/G/A/G/F/G/ |  /.../


X:16270
T:Tadie's Wattle
M:C|
K:G
G2BG BddB| cBcd efg2| G2BG Bdge| dcBG "tr"A2G2::\
g2ag/a/ bggd| edef gdBG| 
g2ag/a/ bggd| edcB B2A2|\
bgaf gfed| egfa gdBG| GBAc Bdge| dcBG "tr"A2G2:|


X:16271
T:Tae the Beggin'
R:reel
D:Kevin Crawford: In Good Company
Z:Devin McCabe
M:C|
L:1/8
K:EMin
g2fg agfa|gefg d~B3|g2fg agfa|1gefd ~e3f:|2gefd ~e3g|
!d~B3 dGBd|dGBd cAAe|d~B3 defd|1g/2a/2g fd eage:|2g/2a/2g fd edef||


X:16272
T:Taffy & Mally. BF13.108
M:6/8
Q:110
C:In hand "B"
S:MS13,c1850,Lakes,Browne Coll..
R:Quadrille
O:England
A:Lakes
N:I felt the need to do some tidying up on this one, but the original is
N:so ambiguous I've left it there for you to admire..CGP
Z:vmp.Chris Partington
K:D
"Unedited Version"
A2|d/d/ dcd|f d/c/ d2|ece Ace|g3ef|g2ge e|f2fd d|e2d cBc|d3d2::!
A2A2GFG|A2d fed|c2e2g2e2|f2d2e2|f2gab2|g2f2d2|c2A2g2e2|c2c4:|]!
"Edited Version"
A|d2d dcd|f2d c2d|ece Ace|g3-gef|g2g ee2|f2f dd2|e2d cBc|d3-d2::!
A|A3 GFG|A2d fed|c2e g2e|f3d2e|f2g ab2|gf2d3|c2A ge2|d3-d2:|]


X:16273
T:Tail Toddle
M:C
K:G
G/G/G BG c2GE| G/G/G BG A2FD| \
G/G/G BG cABG| A/B/c B/c/d A2FD::
c2GE EcGE| c2GE DAFD| \
c2GE (d/c/B/A/) BG| A/B/c B/c/d A2FD ::
G/G/G BG cABE| G/G/G BG ADFD| \
G/G/G BG cABG| A/B/c B/c/d c2AF::
c2Ec EcGE| c2Ec DAFD| \
c2Ec (d/c/B/A/) BG| A/B/c B/c/d A2FD:|


X:16274
T:Tailor's Thimble, The
R:reel
H:Also in Edor, #572
Z:id:hn-reel-585
M:C|
K:Ador
cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega||
|:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB||


X:16275
T:Tailor's Thimble, The
R:reel
H:Also in Ador, #585. 
Z:id:hn-reel-572
M:C|
K:Edor
GE~E2 E2AF|GE~E2 AFDF|GE~E2 EFGA|1 BcdB AFDF:|2 BcdB ABde||
|:f2df efde|fedB ABde|f2df efdA|1 BcdB ABde:|2 BcdB AFDF||
"variations"
|:GEED E2AF|GE~E2 AFDF|GEED EFGA|1 B2dB AFDF:|2 BcdB ABde||
|:fddf e2de|fddB ABde|fddf e2dc|1 BcdB ABde:|2 B2dB AFDF||


X:16276
T:Tailor's Thimble, The
M:C|
R:reel
H:Also in Ador, #585.
Z:Michael Hogan, 16/12/1998
K:Edor
GE~E2 E2AF|GE~E2 AFDF|GE~E2 EFGA|1 BcdB AFDF:|2 BcdB ABde||
|:f2df efde|fedB ABde|f2df efdA|1 BcdB ABde:|2 BcdB AFDF||
"variations"
|:GEED E2AF|GE~E2 AFDF|GEED EFGA|1 B2dB AFDF:|2 BcdB ABde||
|:fddf e2de|fddB ABde|fddf edcA|1 BcdB ABde:|2 B2dB AFDF||


X:16277
T:Tailor's Thimble, The
R:reel
D:Danú: Think Before You Think
Z:Devin McCabe
M:4/4
L:1/8
K:BMin
dBcA BAFA|:dcde f2 ec|d ~B3 BAFA|BdcA B3 c|
!dBBA ~F3A|dcde fdec|dBBA BAFA|BdcA B3 c|
!d2 Bc dcde|f2 bf afea|fdBc ~d3 e|fbaf e^deg|
!fdBc ~d3|f2 bf aefa|b ~f3 aefa|bfaf e^deg|fedc BAFA:|


X:16278
T:Tailor's Thimble, The
R:reel
H:Also in Edor, #572
Z:id:hn-reel-585
M:C|
L:1/8
K:Ador
cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega||
|:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB||


X:16279
T:Tailor's Thimble, The
M:C|
R:reel
H:Also in Edor, #572
Z:Henrik Norbeck
K:Ador
cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega||
|:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB||


X:16280
T:Tailor's Twist
Z: id:dc-hornpipe-62
M:C|
L:1/8
K:D Major
BAF|DA,FD AFdA|Bged cbag|fedc Bged|(3cdc (3BcB (3ABA (3GFE|!
DA,FD AFdA|Bged cbag|fedc Bgec|d2dc d:|!
efg|a^gaf defa|bagf eAce|gfge cdef|(3gag (3fgf egfe|!
dfec dAFA|Bged cbag|fedc Bgec|d2dc d:|!


X:16281
T:Tailor's Twist, The
R:hornpipe
D:Paul McGrattan: The Frost is All Over
Z:id:hn-hornpipe-85
M:C|
K:D
FE|DAFD AFdA|Bged cbag|fedc Bged|cdBc AGFE|
DAFD AFdA|Bged ceag|fedc Bgec|d2dc d2:|
|:zb|~a3f deed|bagf eAce|~g3A (3Bcd ef|g2fg egfe|
d2dc dAFA|Bged ceag|fedc Bgec|d2dc d2:|


X:16282
T:Tais-toi
C:trad.
A:Alsace
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=130
K:G
d/2e/2d/2c/2|B2B>A|B>A GF|G2G/2A/2B/2c/2|
|:d2d>d|g>f ed|d2d/2e/2d/2c/2|B2B>A|B>A GF|1G2G/2A/2B/2c/2:|2G2dd|
B2B2|BG/2B/2dd|BGdd|B2B2|BG/2B/2dB|AG/2A/2B/2c/2|
|:d2d>d|g>f ed|d2d/2e/2d/2c/2|B2B>A|B>A GF|1G2G/2A/2B/2c/2:|2G2dd|
B2B2|BG/2B/2dd|BGdd|B2B2|BG/2B/2dB|AG/2A/2B/2c/2||


X:16283
T:Taitou
R:Polka piqu\'ee
O:France
M:4/4
K:G
d2e2d4|cdcB ABcA|d2e2d4|cdcBA4::\
B2G2F2G2|ABAGF2D2|c2AcB2GB|1A2GAB2G2:|2A2F2G4||


X:16284
T:Taitou
R:Polka piquée
O:France
M:4/4
L:1/8
Q:1/4=230
K:G
d2e2d4|cdcB ABcA|d2e2d4|cdcBA4::
B2G2F2G2|ABAGF2D2|c2AcB2GB|1A2GAB2G2:|2A2F2G4||


X:16285
T:Take A Dance. JB.37
M:6/8
L:1/8
Q:140
S:James Biggins MS, Leeds, 1779.
R:Jig
O:England
A:Yorkshire
N:Like a Kerry Slide, which in my view makes it like Nae Guid Luck &c.
Z:vmp.Nick Barber & Chris Partington
K:D
B2cd2e|fedc3|B2cd2e|f2g fdB|B2cd2e|!fedc3|A2Bc2d|e2a ecA:|
|:a2fg2e|f2dc3|!B2cd2e|f2g fdB|aaf gge|ffdc3|A2Bc2d|e2a ecA:|]


X:16286
T:Take a Message to Julie
R:reel
C:Brian Finnegan
D:Brian Finnegan: When the Party's Over
Z:Devin McCabe
M:C|
L:1/8
Q:255
K:EDor
EBAG A~E3|GBdB c~A3|EBAG A~E3|GBdG GBdG|
!EBAG A~E3|GBdB c~A3|edBA B~E3|1DEFD ~E3D:|2DEFD e3d|
!:e~B3 GBeB|d~A3 GAdG|=c~G3 EGcG|cAA d2 AeA|
!e~B3 GBeB|d~A3 GAdG|EDGB A~F3|1DEGF e3D:|2DEGF ~E3D||


X:16287
T:Take the Bull by the Horns
M:6/8
L:1/8
R:Jig
K:D
|:a2e cee|f2e cBA|a2e cee|fed cBA|
a2e cee|fed cBA|dfd cec|BcBA2B:|
|:A2B cBA|aed cBA|dfd cec|BcB Bcd|
A2B cBA|aed cBA|dfd cec|BcBA3:|
|:cAA eAA|cAA eAA|dBB fBB|dBB fed|
cAA eAA|cAA eAA|dfd cec|BcBA3:|


X:16288
T:Taladh Eirisgeach 
R:air
S:Mary Macinnes of Isle of Eriskay
N:Was noted by Marjory Kennedy Fraser
M:3/4
L:1/8
W:Horo lady bhig, Horo eile,
W:Horo lady bhig, Horo eile,
W:Horo lady bhig, Horo eile.
W:A luidh biodh na stuadhan 'gad luasgadh gu braudar
W:Horo lady bhig, Horo eile,
W:Horo lady bhig, Horo eile,
W:Horo la Horo la.
K:G
B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E3 D B2, | D3 E F2 | G4
G2 | B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E2 D2 B2, | D3
E F2 | G4 G2 | B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E3 D B2,
| D3 E F2 | G4 G2 | B3 A B2 | G6 | B3 A B2 | (G6 | G6 | G6) :|]


X:16289
T:Tales Of Barnagrove
R:reel
C:Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:What we feel in Paddy Kavanaugh's verses we can also 
N:hear in Ed's tunes: the simplicity of country people, 
N:their old roads and villages, and the nearby rising 
N:Monaghan hills. Tales of Barnagrove tells how Ed 
N:felt about his early native experiences in that 
N:region of Ireland.
K:A
cd|eA (3cBA EAcd|eAce aecd|eA (3cBA agec|dB=GB d2 cd|
eA (3cBA EDCD|EAcd ef=gd|ea (3aga =gece|dB=GB A2:||
cd|ea (3aga bgag|ea (3aga edcd|eg (3gfg agfg|(3ef=g fg gdBG|
ea (3aga bgag|edcB cdef|gfge a^gec|dBGB A2:||


X:16290
T:Talk me out of it
S:Andy Hornby
R:Other
O:England
N:1994
M:4/4
C:Andy Hornby
A:Lancaster
K:D
A>G|F>Ad>c B>AG>F | G>Ee>d c>BA>G | \
F>Ad>c B>Ge>d | c>BA>^G A2-A>=G | \
F>Ad>c B>AG>F | G>Ee>d c2a>g | \
f>ed>c B>ge>c | d2d>cd2::\
e>f | g>bg>e c>de>c | f>af>d B2c>d | \
e>ge>d c>ec>B | A>BG>A F2 (3def | \
g>bg>e (3fga f>d | e>ge>c d>ef>g | \
a>fg>e (3fed e>c | d2d>c d2:|**
W:Copyright Andy Hornby


X:16291
T:Tam Lin
T:The Howling Wind
T:Ceilidh Funk
R:Reel
N:Nathan Curry
M:4/4
L:1/8
Q:1/4=200
K:Am
AB|AE~E2 AcBA|~F2AF cFAF| ~G2BG dGBG| cBAG (3EFG AB|
AE~E2 AcBA|~F2AF cFAF| ~G2 BG dGBG| cBAG A2:|
eg|ae ~e2 ceAg| ae ~e2 ceAf|gB~B2 gBaB|gfga gfeg|
ae ~e2 ceAg| ae ~e2 ceAE| ~F2FE FA{d}cA|BAGB A2:|


X:16292
T:Tam Lin
T:Howling Wind
R:reel
H:Often first played in Dm a few times round,
H:then in Am (#782) a few times round
Z:id:hn-reel-234
M:C|
K:Dm
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC|
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:|
|:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec|
dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:|


X:16293
T:Tam Lin
T:Howling Wind
M:C|
L:1/8
S:Session in Sligo 1991
R:reel
N:First played in Dm a few times, then in Am a few times
K:Dm
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC|
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:|
|:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec|
dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:|


X:16294
T:Tam Lin
T:Howling Wind
M:C|
L:1/8
S:Session in Sligo 1991
R:reel
N:First played in Dm a few times, then in Am a few times
K:Am
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG|
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:|
|:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg|
ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:|


X:16295
T:Tam Lin
M:C
L:1/8
K:A minor
A2|EAcA EAcA|FAcA FAcA|GBdB GBdB|cedB cBAG|!
EAcA EAcA|FAcA FAcA|GBdB GBdB|cABG A2:|!
e2|a^gae cAA2|a^gae cAA2|gBBB gBaB|gBBB e^fge|!
a^gae cAA2|a^gae cAA2|FAcA GBdB|cABG A2:|!


X:16296
T:Tam Lin
T:Howling Wind
R:reel
H:Often first played in Dm (#234) a few times round,
H:then in Am a few times round
Z:id:hn-reel-782
M:C|
K:Am
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG|
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:|
|:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg|
ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:|


X:16297
T:Tam Lin
Z: id:dc-reel-327
M:C
L:1/8
K:A minor
G|EAcA EAcA|FAcA FAcA|GBdB GBdB|cedB cBAG|!
EAcA EAcA|FAcA FAcA|GBdB GBdB|cABG A3:|!
e|a^gae cAA2|a^gae cAA2|gBBB gBaB|gBBB e^fge|!
a^gae cAA2|a^gae cAA2|FAcA GBdB|cABG A3:|!


X:16298
T:Tam Lin
T:Howling Wind
R:reel
N:First played in Dm a few times round, then in Am a few times round
Z:id:hn-reel-234
M:C|
K:Dm
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC|
A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:|
|:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec|
dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:|
K:Am
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG|
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:|
|:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg|
ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:|


X:16299
T:Tam Lin
Z: id:dc-reel-328
M:C
L:1/8
K:D Minor
C|A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FAGE FEDC|!
A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FDEC D3:|!
A|d^cdA FDD2|d^cdA FDD2|cEEE cEdE|cEEE A=BcA|!
d^cdA FDD2|d^cdA FDD2|B,DFD CEGE|FDEC D3:|!


X:16300
T:Tam Lin
M:C
L:1/8
K:D Minor
D2|A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FAGE FEDC|!
A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FDEC D2:|!
A2|d^cdA FDD2|d^cdA FDD2|cEEE cEdE|cEEE A=BcA|!
d^cdA FDD2|d^cdA FDD2|B,DFD CEGE|FDEC D2:|!


X:16301
T:Tam Lin (Howling Wind)
M:4/4
L:1/8
S:Paddy O'Brien Tune Collection
R:Reel
N:Paddy O'Brien played this in Dm, but we play it in Em around
N:here.....The original name is Tam Lin, he renamed it with "The Howling
N:Wind" because he thought it needed a better name.
K:EMin
B,E (3EFE DEFD|C2EC GCEC|D2FD ADFD|CDEG FEDC|!
B,E (3EFE DEFD|C2EC GCEC|D2FD ADFA|1GFED B,EED:|2GFED B,EEB|!
|:eBBA GEGB|eBBA GEGB|dA (3AAA FAAB|dAAB defd|!
eBBA GEGB|eBBA GEDE|CB,CD EDEF|1GBAF GEGB:|2GBAF GEE2||!


X:16302
T:Tam Lin Reel 
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:Gm
D2GD BDGD|E2GE BEGE|F2AF BAGF|Gfdc BAGF|
D2GD BDGD|E2GE BEGE|F2AF BAGF|BAGFG4:|
|:g^fgd BAG2|g^fgd BAG2|Af-f A f-f Af|f2ga ^a=agf|
g^fgd BAG2|g^fgd BAGD|E2GE BEGE|BAGFG4:|


X:16303
T:Tam's Hunting Horn
% Nottingham Music Database
S:AA, via EF
M:6/8
K:C
P:A
(3G/2G/2G/2|"C"ceG ceG|"C"c2e g2g|"F"a2a "C"g2e|"Dm"d3 -d2G|
"G"BdG BdG|"G7"B2d f2f|"G7"g2f e2d| [1"C"e3 "G7"e2:|
 [2"C"c3 c2||\
P:B
d/2c/2|"G7"BGG d2B|"C"cGG e2c|"F"fcA cfa|
"G7"g3 -g2G|"C"gec gec|"C"G2c cdc|"G7"B2G GBd|"C"c3 c2:|


X:16304
T:Tambourine
M:C|
K:D
"Moderato"\
f2e/f/g f2e2| dfed ("tr"c2B)A| \
d2c/d/e d2(e/f/g)| fagf e4|\
f2e/f/g f2e2| dfed "tr"c2BA| 
d2c/d/e d2e/f/g| fdAc d4::\
a2g/a/b ad'fg| ab/a/ g/f/e/d/ "tr"c2BA|
d2c/d/e d2e/f/g| fagf {f}e4|\
f2d/e/f/g/ f2e2| dfed c2BA| d2c/d/e d2e/f/g| fdAc d4:|


X:16305
T:Tank,The. GS.075
M:2/4
L:1/8
Q:400
S:George Spencer m/s, Leeds,1831
R:Misc.
O:England
A:Leeds
N:"1" The chord at the end of the A music  has a vertical curved line,
N:like a vertical slur  n front of it...'1831' is written on the stave
N:after the last double bar.
H:1831
Z:vmp.Cherri Graebe
K:BB major
B2b2 | G2g2 | (fd).c.B | (ec).B.A | .d.e f2 |! .e.f.g2 | fga2 | 
"1"[B4b4]:||:d2dd | f3 d |! (ge) (ec) 
 (cA) (AF) | d2 de | f3 b | gecA | [D4B4]:||


X:16306
T:Tank. JC.157
M:2/4
L:1/8
Q:400
S:John Clare,Poet,Helpstone (1793-1864)
R:Misc.
O:England
A:Northamptonshire
N:
Z:P Headford
K:G
G2g2|E2e2|dedc|BAG2|BcdB|cdec|d2g2g4:|!
|:B2d2|d2cB|eccA|AFFD|B2d2|d2cB|ecAF|G4:|]


X:16307
T:Tansey's Favourite
R:Jig
S:Seamus Tansey (flute)
D:Clare FM broadcast. From the Miltown Malbay flute recital.
H:The Tansey of the title is another Tansey, not the player.
H:The transcription here is somewhat rationalised
M:6/8
Z:Bernie Stocks
K:G
|: BdB (3ABcA | BdB {d}B2G | BGB dBG | ABA DFA | ~B3 ~A3 | GBd g2g | edc BcA | AGF G3
:|
|: dcB gdB | GBd g3 | cAc fcA | GBd g3 | BAG AGF | GBd g3 | edc BcA | AGF G3 :|


X:16308
T:Tansey's Favourite
R:reel
S:Tommy Peoples & Dermot Byrnes
H:
N: Also on John Carty: Last Night's Fun 
D:Concert, Galway.
Z:Adrian Scahill
M:4/4
L:1/8
K:G
G2DG EGDG|GABG AEE2|G2BG (3EFG AB|1 cedc BcAB:|2 c2Ac BGG2||\
gdd2 eBB2|(3dcB AB GEE2|gdd2 edcd|(3Bcd gd BGG2|\
g2fg eBdB|c3B AGEG|c3d edfa|gedc BcAB||


X:16309
T:Tant Tivey. JMT.010
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (06)
R:Jig
O:England
A:Northumbria
H:1841
Z:vmp.John Adams
K:D
A| d2d B2G | F2G A2d | B2d ceg | f3 e2A | 
d2d f2d | B2B e2d | c2c BAB | A3 zcd |!
 e2c A2A |f2d A2A | f2d A2d | cd/2e/2 f a2 f |
 f3 e2A |FGA Bcd | efg afd | B2e d2c | d3 d2  A/2A/2 |!
 A3 A3 |A-d2 d2 A/2A/2 | AFA AFA |  (Ad)d d2(c/2d/2) | 
e3 e3| (e-a).a .a2 c/2d/2|ece ece | (ea)a a2a|!
fdd d2f | eAA A2a | fdd d2f | eAA A2 B/2c/2 |
d2f d2f  | d3 z2 A/2A/2 | d2f d2f | a3 z2 (A/G/) |!
FGA Bcd | efg afd | B2e d2c | d3 a3 | 
f2f ede | a3 g3 |  f2f ede | ddd d2|]


X:16310
T:Tant Tivey. JMT010
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (06)
R:Jig
O:England
A:Northumbria
H:1841
Z:John Adams
K:D
A| d2d B2G | F2G A2d | B2d ceg | f3 e2A | 
d2d f2d | B2B e2d | c2c BAB | A3 zcd |!
 e2c A2A |f2d A2A | f2d A2d | cd/2e/2 f a2 f |
 f3 e2A |FGA Bcd | efg afd | B2e d2c | d3 d2  A/2A/2 |!
 A3 A3 |A-d2 d2 A/2A/2 | AFA AFA |  (Ad)d d2(c/2d/2) | 
e3 e3| (e-a).a .a2 c/2d/2|ece ece | (ea)a a2a|!
fdd d2f | eAA A2a | fdd d2f | eAA A2 B/2c/2 |
d2f d2f  | d3 z2 A/2A/2 | d2f d2f | a3 z2 (A/G/) |!
FGA Bcd | efg afd | B2e d2c | d3 a3 | 
f2f ede | a3 g3 |  f2f ede | ddd d2|]


X:16311
T:Tar Road to Sligo
R:Jig
Z:added by Alf Warnock
M:6/8
L:1/8
K:D
e|fdB Bcd|ecA BAG|FAA ABc|dcd efg|
fdB Bcd|ecA BAG|FAA Aag|1 fdc d2e:|2 fdc d2B||
Aff Aff|gfg efg|afd dcd|Bed cBA|
Aff Aff|gfg efg|afd bge|edc d2B|
Aff Aff|gfg efg|afd dcd|Bed cBA|
fdB gec|afd bge|a^ga b=ge|edc d2|]


X:16312
T:Tar Road to Sligo
R:Jig
Z:added by Alf Warnock
M:6/8
L:1/8
K:D
e|fdB Bcd|ecA BAG|FAA ABc|dcd efg|
fdB Bcd|ecA BAG|FAA Aag|1 fdc d2e:|2 fdc d2B:||
Aff Aff|gfg efg|afd dcd|Bed cBA|
Aff Aff|gfg efg|afd bge|edc d2B|
Aff Aff|gfg efg|afd dcd|Bed cBA|
fdB gec|afd bge|a^ga b=ge|edc d2|]


X:16313
T:Tar Road to Sligo, The
T:Coleman's
R:jig
D:Bothy Band 1975
Z:id:hn-jig-70
M:6/8
K:D
fdB Bcd|ecA BAG|FGA ABc|dcd efg|fdB Bcd|ecA BAG|FGA Aag|1 fdc d2e:|2 fdc d2B||
|:Adf Adf|~g3 efg|afd dcd|Bed cBA|1 Adf Adf|~g3 efg|afd bge|
edc d2B:|2 fdB gdc|afd bge|~a3 bge|edc d2e||


X:16314
T:Tara Hill
R:Hornpipe
C:Ed Reavy
M:4/4
L:1/8
Z:Joe Reavy
N:A little-known hornpipe of Ed's that could 
N:in time become one of his most popular compositions.
K:G
(3def|gd^cd BGDC|B,DGB edcB|cAFD ^CDFA|
(3cBc ed cAFA|BGDC B,G,B,D|GABd cAFA|
fed^c =cAFA|GDB,D G2:||(3def|gdcd edcd|
eaa^g a2 ef|gfge fdcA|Gggf gedc|BGDC B,G,B,D|
GABd cAFA|fed^c =cAFA|GDB,D G2:||


X:16315
T:Tarantella
C:Y. Dour: Accordéons diatoniques
M:6/8
L:1/8
K:G
ded BGB|ded AFA|cdc AFA|cdc BGB|\
ded BGB|ded AFA|ABc dcB|ABA G3:|
|:+G2d2+ +Gd+ +G2B2+ +GB+|+G2d2+ +Gd+ +F3A3+|\
+F2c2+ +Fc+ +F2A2+ +FA+|+F3d3+ +G3B3+|\
+G2d2+ +Gd+ +G2B2+ +GB+|+G2d2+ +Gd+ +F3A3+|\
ABc dcB|ABA G3:|
|:ded BGB|ded +A3-f3-+|+A2f2+ +Af+ +A3e3+|\
+A3f3+ +B3-g3-+|+B2g2+ +Bg+ +B3d3+|\
+B3g3+ +A3-f3-+|+A2f2+ e fed|cBA G3:|


X:16316
T:Tarantella
R:Tarantella
O:Other
M:6/8
K:Am
a2a e2e|a2a e2e|f2f fgf|e3 efe|\
d2d ded|c2c cdc|B2B BcB|1 A3 Ace :|2 A3 |:
A2B|\
cBc dcB|cBc dcB|cBA ^GAB|A3 A2B|\
cBc dcd|ede fed|cBA ^GAB|A3 :|
A2G|\
c2c cde|g2g gag|f2f fgf|e2G GAB|\
c2d e2f|g2g a2g|bag fed|c3 e2f|
gfg a2g|f3 d2e|fef g2f|e3 e2g|\
fed d2d|edc c2d|e2d c2B|(A3 A2)||


X:16317
T:Tarantella
R:Tarantella
O:France
M:6/8
K:Am
a2a|e2e a2a|e2e efe|f2f afb|e2e cde|\
d2d Bcd|c2c ABc|BAB dcB|A3:|\
|:A2B|cBc dcB|c2c ABc|BAB dcB|A3:|


X:16318
T:Tarantella di Montemarano
C:Mario Salvi
S:Organetto diatonico
M:12/8
L:1/8
K:C
e f2e|:d2e f2e ded c2B|A2c e2d cdc B2A|\
B2c d2e ded c2B|1 +Ace+z+Ace+ \
efe ez+Ace+ f2e:|2 Az+Ace+ +A3c3e3+ z2c cdc||
|:Bz2 BcB B2d ded|cz2 ABA A2c cdc|\
c2B B2c Bcd c2B|1 A2A ABA A2c cdc:|2 +A6-c6-e6-++A2c2e2+e f2e||
|:dzd d2c Bcd c2B|czc c2d efe d2c|\
BzB B2c ded c2B|1 AzA A2B cBA cBA:|2 +A6-c6-e6-++A2c2e2+A B2c||
|:d2z BcB B2B c2d|c2z ABA A2A B2c|\
ded B2c ded c2B|1 AzA ABA AzA B2c:|2 +A3c3e3+ efe cAc efe||
|:cAc efe ded cdc|B2z ded BEB ded|\
BEB ded cdc BcB|Az2 efe cAc efe|
cAc efe ded cde|f3-fde fed fed|\
edc edc dcB dcB|1 Az2 efe cAc efe:|2 A3 eze fzf efe\
|:dzd dcd eze ded|czc cBc dzd cdc|\
c2B BzB cBc dcd|1 e3 ede fzf efe:|2 c2B B2c ded c2B|\
A3 +A3c3e3+ cBA A3|G2 +GBd+ +G3B3d3+ e2z d2z||
K:G
|:dzA z2d d2e d2c|d2B BcB e2d e2d|\
d2c cBc d2e d2c|1 Bcd Bcd ezd e2d:|2 B3 Bcd eee ded||
|:cdc cBc ded cdc|BcB Bcd eee ded:|cdc cBc d2e d2c|B3 Bcd ez2 dz2|
A2z ABc dz2 cz2|Bz2 Bcd ez2 dz2|Az2  ABc dz2 cz2|Bz2 Bcd ez2 dz2|
Azd Azd d2e d2c|dcB Bcd eze ded|\
czc cBc d2e d2c|+G3-B3-d3-++GBd+z2 BcB B2d|
d2A ABA c2A ABA |c2B BcB BcB B2d|d2A ABA c2A ABA |c2B Bcd e2d e2d|
fzf f2d f2d f2d|gzg g2d g2d g2d|fzf f2d f2e d2c|+G6B6d6+ z2B c2d||
|:eze ede f2e d2c|B2d dcd e2d c2B|1 A2c cdc BcB ABc|
d2B BcB BzB c2d:|2 A2c cdc BcB ABA|\
G2 +GBd+ +G6B6d6+ d3|c2 +ceg+ +c3-e3-g3-++c2e2g2+=f fef||
K:C
|:e2d cde d3d3|c2e c3 (2fe fef|\
e2d cde d3d3|1 c3 +c3e3g3+ z2 f fef:|2 +c6-e6-g6-+ +c2e2g2+c d2 e||
|:a2 aba aza b2a|g2g c'g ege geg|\
f2e d2c B3d3|1 c2e c2e czc d2e:|2 c2e +c3e3g3+ f2e f2e||
|:d3d3 e2d e2d|c3c3 f2e f2e|\
ded dcd e2d e2d|1 c3c3 f2e f2e:|2 c3 c3 f3 +^F3A3d3+||
K:G
G2 +GBd+ +G3B3d3+ ez2 dz2|:dzA z2d d2e d2c|dzB BcB e2d e2d|\
d2A ABA d2e d2c|1 Bcd Bcd e2d e2d:|2 +G3B3d3+ BcB A2c Bzc|\
ded BcB Aze d2c|BcB dcB A2c B2c|ded BcB Aze d2c|B2d ded d2c B2c|\
ded ded d2c B2c|ded ded d2c B2c|d6 +c3e3+ +d3f3+|+d6g6+ +d3f3+ +c3e3+|\
+b3d3+ ded d2c B2c|ded ded d2c B2A|G2z z2 +G6B6d6+||


X:16319
T:Tarbolton
R:Reel
H:This set comes from the playing of Michael Coleman.
N:Often played as a set: Tarbolton/The Longford Collector/The
N:Sailor's Bonnet.
Z:id:hn-reel-21
M:4/4
L:1/8
Q:1/4=200
K:Edor
|:Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF|
Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:|
|:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF|
GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:|


X:16320
T:Tarbolton
M:C
L:1/8
K:E Dorian
D|Eeed e2AF|GBAF GEEF|Dddc d2AF|GBAG FDDF|!
Eeed efge|fedf edBA|GABG F2Ac|BGAF GEE:|!
f|gfef gebe|gebe gfec|defg a2AF|GBAG FDDF|!
G2BG F2AF|Eeef gfed|BcdB AGFA|BGAF GEE:|!


X:16321
T:Tarbolton
Z: id:dc-reel-329
M:C
L:1/8
K:E Minor
D|Eeed e2AF|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|!
Eeed efge|fedf edBA|GABG F2Ac|BGAF GEE:|!
f|gfef gebe|gebe gfe^c|defg a2AF|GBAG FDDF|!
G2BG F2AF|Eeef gfed|BcdB AGFA|BGAF GEE:|!


X:16322
T:Tarbolton Lodge
Z:Footnote: 16 July 1996
M:4/4
L:1/8
Q:212
K:E
Eee^d e2BA|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|Eee^d efge|fedf B2BA|GABG FGAF
|BGAF GEEF|
W: Em Em B Em D A D D7 Em Bm Em Em D B7 Em
Eee^d e2BA|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|Eee^d efge|fedf B2BA|GABG FGAF
|BGAF GEEf|
W: Em Em B Em D A D D7 Em Bm Em Em D B7 Em
gfef gebe|gebe geef|defg adfd|ABAG FDDF|G2BG F2AF|E2ef geBA|GABG FGAF|BG
AF GEEf|
W: Em Em Em D A D D7 Em B Am Em Em Dm B Em
gfef gebe|gebe geef|defg adfd|ABAG FDDF|G2BG F2AF|E2ef geBA|GABG FGAF|BG
AF GEE
W: Em Em D A D D7 Em B Am Em Em Dm B Em


X:16323
T:Tarbolton reel, The
R:Reel
O:Ireland
M:4/4
K:EDor
E2eB e2BA|GBAF AGEF|D2dc d2AG|FDAG FDDF|\
EBed efge|fedf edBA|GABG FGA=c|BGAF GEE2::\
g/a/g/f/ ef (3gfe be|(3gfe be gfec|\
(3ddd fd adfd|(3Bcd AG FDDF|\
(3GGG BG (3FFF AF|EG ef gfed|\
B2 (3dcB AFA=c|BGAF GEE2:|


X:16324
T:Tarbolton, The
R:reel
H:Originally Scottish: "Tarbolton Lodge"
N:Often played as a set: The Tarbolton/The Longford Collector/The Sailor's Bonnet.
N:This set comes from the playing of Michael Coleman.
Z:id:hn-reel-21
M:C|
K:Edor
Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF|
Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:|
|:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF|
GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:|
"Variations:"
|:e2~e2 eBBA|GBAF GFEF|Dddc d2AG|FAGE FEDF|
~B3d efge|fedf eBBA|GBAG FGA=c|BGAF GEE2:|
|:~e3f gfef|gebe gfef|d2fd Adfd|cdAG FDEF|
~G3B ~F3A|E2ef gfed|ed=cB ABGA|(3Bcd AF GEE2:|


X:16325
T:Tarbolton, The
T:Cooleen Bridge, The
T:Hatton Burn
S:Johnny Cronin, Paddy Cronin, James Kelly \& Johnny McGreevy
N:transcribed by Alan Ng
H:Made popular by Michael Coleman's recording
D:on {\it My Love Is In America}, Green Linnet 1110
Z: id:ng-reels-6 transcribed by Alan Ng agng@students.wisc.edu 1995
E:13
M:C|
R:reel
K:EDor
GB|:Eeed eBBA|GBAF GFEF|Dddc dAAG|FDAG FDDF|\
Eeed efge|fedf edBA|GABG FGAF|BGAF GE E2:|*
|:gfef gebe|gebe gfec|d2 fd Adfd|GBAG FDDF|\
GABG FGAF|E2 ef gfed|B2 =cB AGFG|BGAF GE E2:|**
\bigskip


X:16326
T:Tarbolton, The
T:Cooleen Bridge, The
T:Hatton Burn
S:Johnny Cronin, Paddy Cronin, James Kelly \& Johnny McGreevy
N:transcribed by Alan Ng
H:Made popular by Michael Coleman's recording
D:on {\it My Love Is In America}, Green Linnet 1110
Z: id:ng-reels-6 transcribed by Alan Ng agng@students.wisc.edu 1995
E:13
M:C|
R:reel
K:EDor
GB|:Eeed eBBA|GBAF GFEF|Dddc dAAG|FDAG FDDF|\
Eeed efge|fedf edBA|GABG FGAF|BGAF GE E2:|*
|:gfef gebe|gebe gfec|d2 fd Adfd|GBAG FDDF|\
GABG FGAF|E2 ef gfed|B2 =cB AGFG|BGAF GE E2:|**
\bigskip


X:16327
T:Tarbolton, The
R:reel
H:This set comes from the playing of Michael Coleman.
N:Often played as a set: The Tarbolton/The Longford Collector/The Sailor's Bonnet.
Z:id:hn-reel-21
M:C|
K:Edor
Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF|
Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:|
|:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF|
GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:|
"Variations:"
|:e2~e2 eBBA|GBAF GFEF|Dddc d2AG|FAGE FEDF|
~B3d efge|fedf eBBA|GBAG FGA=c|BGAF GEE2:|
|:~e3f gfef|gebe gfef|d2fd Adfd|cdAG FDEF|
~G3B ~F3A|E2ef gfed|ed=cB ABGA|(3Bcd AF GEE2:|


X:16328
T:Tarnbrook rant
R:Hornpipe
O:England
M:3/2
N:A hamlet on the edge of the Forest of Bowland
A:Lancashire
B:Winder
K:Dm
FEA2 Bcd2 gfed | e2E4 c2cBAG |\
FEA2 Bcd2 gfef | d2D4 c2cBAG :|*
|:gfed gfa2 gfed | e2E4 c2cBAG |\
gfed gfa2 gfed | e2E4 c2cBAG :|*
|:BGA2 Bcd2 G2FG | c2E4 c2 cBAG |\
GFA2 Bcd2 GFA2 | d2D4 c2cBAG:|**


X:16329
T:Tartar's Plaid. WM.040
M:C
L:1/8
Q:180
S:Wm.Mittell's MS,New Romney,Kent,1799
R:Reel
O:England
A:Kent
Z:vmp.Chris Partington
K:D
f/g/|adfd adfd|ad fg/a/ be ef/g/|adfd adfd|gbag fdd:|!
|:d|AdFd Adfd|AdFd eEEd|AdFd Acfa|gbag fddd|!
AdFd Adfd|AdFd eEEg/a/|bgaf gefd|gbag fdd2:|] 


X:16330
T:Tartar's Plaid. WM040
M:C
L:1/8
Q:180
S:Wm.Mittell,1799
R:Reel
O:England
A:Kent
Z:C.G.P
K:D
f/g/|adfd adfd|ad fg/a/ be ef/g/|adfd adfd|gbag fdd:|!
|:d|AdFd Adfd|AdFd eEEd|AdFd Acfa|gbag fddd|!
AdFd Adfd|AdFd eEEg/a/|bgaf gefd|gbag fdd2:|] 


X:16331
T:Tatter Jack Walsh
R:jig
I:speed 350
E:10
M:6/8
K:DMix
de|~f3 ded|cAB c2d|cAF GFG|Ad^c d2e|\
fef ded|cAB c2d|cAF GFG|Ad^c d2:|*
A|dfa afd|dfa afd|ceg gfg|ceg gag|\
fef ded|cAB c2d|cAF GFG|Ad^c d2:|**


X:16332
T:Tatter Jack Walsh
R:jig
D:Gerry O'Connor
Z:id:hn-jig-153
M:6/8
K:Dmix
~f3 ded|cAB c2A|dcA GFG|Add efg|
fef ded|cAB c2A|dcA GFG|1 Ad^c d2e:|2 Ad^c d2A||
|:dfa afd|dfa a2f|~g3 gag|e^cd efg|
fgf ded|cAB c2A|dcA GFG|1 Ad^c d2A:|2 Ad^c d2e||
"Variations:"
|:faf ded|cAB cde|dcA GFG|Add efg|
fdd ded|cAB c2e|dcA GFG|1 Ad^c d2e:|2 Ad^c d2A||
dfa dfa|dfa agf|~g3 gag|e^cd e2g|f/g/af ded|cAB cde|dcA GFG|Ad^c d2A||
dfa afa|dfa afa|~g3 gag|gef gfg|afd fed|cAB cde|dcA GFG|Ad^c d2e||


X:16333
T:Tatter Jack Walsh
R:Jig
E:10
M:6/8
L:1/8
K:Dmix
de|~f3 ded|cAB c2d|cAF GFG|Ad^c d2e|
fef ded|cAB c2d|cAF GFG|Ad^c d2:|
A|dfa afd|dfa afd|ceg gfg|ceg gag|
fef ded|cAB c2d|cAF GFG|Ad^c d2:|


X:16334
T:Taur Polka, The
R:polka
S:Session at Fleadh Ceol in Sligo, 1990
Z:id:hn-polka-24
M:2/4
L:1/8
K:Dmix
AD FA|d^c AB|=c>B cE|EF GE|AD FA|d^c AB|=c>B cE|ED D2:|
|:fg/f/ ed|^cA Ae|fg/f/ ef|ag e=f|fg/f/ ed|^cA AB|=c>B cE|ED D2:|


X:16335
T:Taur Polka, The
S:Denis Brooks
R:polka
E:9
I:speed 450
M:2/4
K:D
B|{AB}A2D2 .F.GA2|d2c2 A2B2|=c3 z {d}c2G2|{EG}D2F2 {c}G2B2|{AB}A2D2 .F.GA2|d2c2 A2B2|=c3 z {d}c2E2|{GEF}E2.D2 D3:|
e|{a}f2gf e2.d2|c2.A2 A2d2|f2d2 e2f2|{a}g4 a2.g2|{a}f2gf e2.d2c2.A2 A2B2|=c3 z {d}c2E2|{GEF}F2.D2 D3:|


X:16336
T:Tavol Turkey
M:3/4
L:1/8
R:waltz
Z:bil@blueskiesink.com
K:A
cc c2 A2|cc c2 A2|cc c2 d2|c2 B4|
BB B2 G2|BB B2 G2|BB B2 c2|B2 A4:|!
cB A2 c2|e2 a4|aa a2 e2|c B4|
BA G2 B2|d2 g4|ff e2 f2|1d2 c4:|2 g2 a4||


X:16337
T:Tawny Gate Corner. BF11.08
M:6/8
L:1/8
C:Browne A hand
S:MS11,c1800?.,Browne Coll.,Lakes
R:Jig
O:England
A:Lakes
N:See 'Fill the Tankard"
Z:vmp.Cherri Graebe.
K:A major
g|a2ag2e|fga g2e|a2f ecA|B3B2g|!a2ag2e|fga g2e|a2f edc|A3A2:|!
|:d|c2Ac2e|fgag2e|a2f ecA|B3B2d|!c2Ac2e|fga g2e|a2f edc|A3A2:||


X:16338
T:TawnyGate Corner
M:6/8
L:1/8
S:Armitt MS
N:See 'Fill the Tankard"
K:A major
g|a2ag2e|fga g2e|a2f ecA|B3B2g|a2ag2e|fga g2e|a2f edc|A3A2:||:d|c2Ac2e|
fgag2e|a2f ecA|B3B2d|c2Ac2e|fga g2e fa f edc|A3A2:||


X:16339
T:Tay In The Bog
R:Jig
C:Seamus Quinn
S:(Sharon Shannon)
H:
N:See also Dog Big and Dog Little/Seamus Quinn
D:Galway Arts Festival Concert
Z:Adrian Scahill
M:6/8
L:1/8
K:D
A,DD DED|FAA A2B|AFB AFD|B,EE EDB,|\
A,DD DED|FAA A2B|AFB AFD|B,EC D3:||\
ABc dAF|B3 AFD|D2d dAF|EBB B2F|\
ABc dAF|B3 AFE|D2F AFD|B,EC D3:||


X:16340
T:Teague's Ramble
S:WB Olson, irtrad-l, 11/97
N:A New Selection of the most Admired Original Irish Airs,
N:Hime:Dublin, n.d. (c 1800). one of 22 tunes.
N:Copy at Lib. of Congress
H:From a Scots MS of the 1740's. Rebinding narrowed margins and
H:obscured some text. There are broadside copies extant, but I
H:haven't seen one. A shorter copy of the song is in the later
H:Scots Mansfield/ St. Clair MS. The similar American song
H:"Nottamun/Nottingham town" is probably to some extent derived
H:from this.]
Q:56
L:1/8
M:6/8
K:Dm
A|d3/2e/2d/2e/2 f3/2a/2g/2f/2|ecc c2A|\
d3/2e/2d/2e/2 f3/2a/2g/2f/2|eAA A2f/2g/2|\
a3/2b/2a/2b/2 g3/2a/2g/2a/2|\
f/2e/2f/2a/2g/2f/2 {f}e2e|\
f/2e/2f/2g/2a/2f/2 g/2f/2g/2a/2b/2g/2|add d2|]
W:Dear Catholick sister thou son of great M[ars
W:I've been at the fighting where there was no w[ars
W:no guns or no swords, but a great deal of arm[s
W:to kill our poor friends that wou'd do us no ha[rms
W:I set out for Dublin, next michael mass pas[t
W:and Gallop't to Chester in a Damnable has[te
W:but the seas blow'd a storm, & the winds they di[--
W:which cast me away on the shore by my sho[--
W:I having no haste did ride post to the mar[--
W:Dear sister pray hear my poor sorrowful [--
W:My] horse standing still, She threw me in the dirt |f.187.
W:I] doubed all my flesh & sore bruised my shirt
W:I] being of Courage I mounted again
W:And] on my ten toes I tript over the main
W:The]re taking a nap for six days on the ground
W:In th]ree I arrived in fair London Town
W:And] when I came there not a shoul cou'd I see
W:The] Crowd was so thick they stood staring at me
W:Not] one word did thee speak but made damnable pime?  [pain?
W:--] my feet were worn out & my Brogues grown so thin
W:Then] nevertheles standing still I did go
W:--]e for hide peark & enquire for the shew?          [Hyde Park
W:By] my shoul Cry'd the people but nothing did say
W:The] army is here tho the Camp's march'd away
W:To f]ind out new pleasures I was at a loss
W:So] shuting my eyes, I perceiv'd Charing Cross
W:The]re a man sat on horse back upon a cold stone
W:Wi]th thousands about him good fait all alone
W:--]ult'd off my head to his majesties Graces
W:I ask'd him the way to, I do not know what pl[aces |f. 187v
W:but he was so Brazen, he wou'd not come do[wn
W:Nor shew me the way for an Irish half Cro[wn
W:So by my own self I went stumbling on
W:Quite tired to death, with the Damnable C[?]h[--
W:at last to hide Park good fait I die Con[--
W:by the beat of a Trumpet & Sound of a Dru[m
W:Heat[?] soldiers on horseback stood here & lay cher[e?-
W:With their left wing in the front & their right in the [rear
W:and horse men on foot in an open Defence
W:broke open open [sic] their files with a brave allie[nce?
W:Then by my fait they began to retire
W:when the Conel cry'd march, present they gave [fire
W:Without powder or Ball such a noise the[y] did mak[e
W:as made the earth tremble & Clouds for to quake
W:The noise being over, tho' none did I hear
W:I went to the Baker to Buy me some Bee[r
W:and having no trust I payd Chink for my Ch[--
W:I took Hakney Coach & away I did walk
W:Then down to the Thames I made my appro[ach
W:I] took me a place in the flying stage coach
W:So] long we did Roll on the watery main
W:At la]st we arrived at Salisbury plain
W:I']s quite Choak'd with dust tho' it rained all the day
W:I ho]ld for a pint to drive Gladness away
W:But] ever I cou'd drink it, I heard a great noise
W:'Twas] nothing at all but Hallo my boys
W:The] King and the Prince & a great many more
W:All] coming behind us just going before
W:And] all keeping silence the[y] loudly did sing
W:They] kept on their hats for to honour the King
W:Be]ing Contented to sit on my seat
W:I'm] still and went out to the midst of the street
W:The]re the Bishop of Salisbury he did rehearse
W:A p]iece of good Latine in old English verse
W:It] pleased his majestys grace to protest
W:Bu]t it was a fine Altho meanly dres'd
W:The]n out came the Clergy in a black scarlet Gown
W:To] kiss the King's hand for the sake of the Crown
W:But all the while that the Condects[?] did run       |f. 188v
W:There was good rost beef & Backon & best o[f rum ?
W:There was Baskets of Claret & white wine was [---
W:on Tables for firemen to eat when they red[---
W:I took such a surfeit now at this fine fe[ast
W:as did not disturb my poor shoul in the le[ast
W:but if ever I go to see London again
W:The Devil may be after taking Teague for h[im]
N:This verse must be sung after the 10th
W:There was Hollands Genever run thro' every [---
W:and horses made fast for Greeting of win[--
W:By my shoul I admired their wisdom & p[---
W:With Sword on their shoulders & Guns [in their s[---


X:16341
T:Teatotaller, The
T:Temperance reel, The
R:reel
Z:id:hn-reel-29
M:C|
K:G
G2GF GABc|dBge dBAc|BEED EFGA|BGEF GFED|
G2GF GABc|dBge dBAc|BEED EFGA|BGEF G4:|
|:Beed e2ef|geaf gfed|Bdd^c d2de|fdfa gfed|
Beed e2ef|geaf gfed|BEED EFGA|BGEF G4:|
"Variations:"
DGGF GABc|dgeB dBAc|BEED EFGA|BGAF GFEF|
DGGF GABc|dgeB dBAc|BEED EFGA|BGAF G4:|
|:Beed e2ef|gaaf gfed|Bdd^c d2de|fdfa gfed|
Beed e2ef|gaaf gfed|BEED EFGA|BGAF G4:|


X:16342
T: Teddy O Neill
M:3/4
R:waltz
L:1/8
Z:added by Alf warnock@magma.ca
K:G
D2| "G"B2 B3B|"Gmaj7"B3A B2| "Am"c3E A2| "D7"G2 F2 E2|
"G"D3E F2| "Em"G3F G2| "Am9"B2 A2 G2| "D7"A4 DG|
"G"B2 B3B|"Gmaj7"B3A B2| "Am"c3E A2| "D7"G2 F2 E2|
"G"D3G B2| "Em"d2 c2 B2| "D7"A2 E2 F2| "G"G4 G2||
"D7"A3A A2| A3A B2| "Am"c3B A2| "G"B2 G2 G2|
"Em"G3G G2| G3F G2| "A7"B2 A2 G2| "D7"A4 DG|
"G"B3B B2| "Gmaj9"B3A B2| "Am"c3E A2| "D7"G2 F2 E2|
"G"D3G B2| "Em"d2 c2 B2| "D7"A2 E2 F2| "G"G4 D2|]


X:16343
T:Teen
O:Armenia
M:2/4
L:1/8
Q:1/4=180
K:DMix
B,CDz|.D2.D2|.D2.E2|=F4|E=FG2|G2E2|D4|E2D2|
E=FG2|G2E2|D4|E2D2|EDED|EDED|E2D2|D4|


X:16344
T:Teen
O:Armenia
M:2/4
L:1/8
Q:1/4=180
K:DMix
B,CDz|.D2.D2|.D2.E2|=F4|E=FG2|G2E2|D4|E2D2|
E=FG2|G2E2|D4|E2D2|EDED|EDED|E2D2|D4|


X:16345
T:Teetotaller's Reel
% Nottingham Music Database
S:Kerrs/Eric Foxley
M:4/4
L:1/4
K:G
P:A
(3D/2E/2F/2|"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\
"Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"Em"B/2G/2A/2F/2 "D7"G/2F/2E/2D/2|
"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\
"Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:|
P:B
B|"Em"B/2e/2e/2d/2 e3/2f/2|"Em"g/2e/2a/2f/2 g/2f/2e/2d/2|\
"D"A/2d/2d/2^c/2 d3/2e/2|"D"f/2d/2a/2f/2 g/2f/2e/2d/2|
"Em""C"B/2e/2e/2d/2 e3/2f/2|"Em""C"g/2e/2a/2f/2 g/2f/2e/2d/2|\
"Em""G"B/2A/2G/2F/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:|


X:16346
T:Teetotaller's Reel
% Nottingham Music Database
S:Kerrs/Eric Foxley
M:4/4
L:1/4
K:G
P:A
(3D/2E/2F/2|"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\
"Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"Em"B/2G/2A/2F/2 "D7"G/2F/2E/2D/2|
"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\
"Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:|
P:B
B|"Em"B/2e/2e/2d/2 e3/2f/2|"Em"g/2e/2a/2f/2 g/2f/2e/2d/2|\
"D"A/2d/2d/2^c/2 d3/2e/2|"D"f/2d/2a/2f/2 g/2f/2e/2d/2|
"Em""C"B/2e/2e/2d/2 e3/2f/2|"Em""C"g/2e/2a/2f/2 g/2f/2e/2d/2|\
"Em""G"B/2A/2G/2F/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:|
(3G/2A/2^A/2|BB/2A/2 B/2c/2d/2e/2|g/2B/2d/2B/2 g/2B/2d/2B/2|\
g/2e/2B/2g/2 e/2B/2g/2B/2|gg f/2e/2d/2c/2|
BB/2A/2 B/2c/2d/2e/2|g/2B/2d/2B/2 g/2B/2d/2B/2|g/2e/2B/2g/2 e/2B/2g/2B/2|\
f/2e/2d/2c/2 B:|
B|e/2g/2g/2f/2 gg/2a/2|b/2g/2c'/2a/2 b/2a/2g/2f/2|d/2f/2f/2e/2 ff/2g/2|\
a/2f/2c'/2a/2 b/2a/2g/2f/2|
e/2g/2g/2f/2 g3/2a/2|b/2g/2c'/2a/2 b/2a/2g/2f/2|e/2d/2c/2B/2 A/2B/2c/2d/2|\
ed/2c/2 B:|
(3B/2c/2^c/2|dd/2c/2 d/2e/2g/2a/2|b/2d/2g/2d/2 b/2d/2g/2d/2|\
b/2g/2e/2b/2 g/2e/2b/2e/2|bb a/2g/2f/2e/2|
dd/2c/2 d/2e/2g/2a/2|b/2d/2g/2d/2 b/2d/2g/2d/2|b/2g/2e/2b/2 g/2e/2b/2e/2|\
a/2g/2f/2e/2 d:|
d|G/2B/2B/2A/2 B3/2c/2|e/2B/2f/2c/2 d/2c/2B/2A/2|F/2A/2A/2G/2 AA/2B/2|\
d/2A/2e/2A/2 c/2c/2B/2A/2|
G/2B/2B/2A/2 B3/2c/2|e/2B/2f/2c/2 d/2c/2B/2A/2|g/2f/2e/2d/2 c/2B/2A/2G/2|\
AB/2c/2 d:|


X:16347
T:Teetotaller's Reel
M:4/4
L:1/8
K:G
(3DEF|G2 GF GABc|d2 eB dcAc|BEED EFGA|BGAF GFED|!
G2 GF GABc|d2 eB dcAc|BEED EFGA|BGAF G2:|!
|:GA|Bee_e =e2 =ef|geaf gfed|Bdd^c d2 de|fdfa gfed|!
Bee_e =e2 =ef|geaf gfed|BEED EFGA|BGAF G2:|!


X:16348
T:Teetotaller's Reel Descant
% Nottingham Music Database
S:Kerrs/Eric Foxley
M:4/4
L:1/4
K:G
P:A
(3G/2A/2^A/2|"G"BB/2A/2 B/2c/2d/2e/2|"G"g/2B/2d/2B/2 g/2B/2d/2B/2|\
"Em"g/2e/2B/2g/2 e/2B/2g/2B/2|"Em"gg "D7"f/2e/2d/2c/2|
"G"BB/2A/2 B/2c/2d/2e/2|"G"g/2B/2d/2B/2 g/2B/2d/2B/2|\
"Em"g/2e/2B/2g/2 e/2B/2g/2B/2|"D7"f/2e/2d/2c/2 "G"B:|
P:B
B|"Em"e/2g/2g/2f/2 g3/2a/2|"Em"b/2g/2c'/2a/2 b/2a/2g/2f/2|\
"D"d/2f/2f/2e/2 ff/2g/2|"D"a/2f/2c'/2a/2 b/2a/2g/2f/2|
"Em""C"e/2g/2g/2f/2 g3/2a/2|"Em""C"b/2g/2c'/2a/2 b/2a/2g/2f/2|\
"Em""G"e/2d/2c/2B/2 A/2B/2c/2d/2|"D7"ed/2c/2 "G"B3/2:|


X:16349
T:Tell Her I Am
R:jig
H:See also #156
Z:id:hn-jig-290
M:6/8
K:G
edB ~G3|DED G2B|DED ~c3|BGE EBd|
edB ~G3|DED G2B|AGF GBA|1 GFE DBd:|2 GFE Ddc||
|:~B3 dBG|~B3 dBG|AcB AGA|BGE Edc|
~B3 deg|age d2B|cBA GBA|1 GFE Ddc:|2 GFE DBd||
|:efg efg|dgd Bcd|B~c2 aga|bge fed|
[1 efg efg|dgd Bcd|agf gba|gfe d2g:|
[2 def ~g3|gfe d2B|cBA GBA|GFE D2d||
"version 2"
|:edB GAB|~D3 GAB|~D3 c2A|BGE GBd|
edB GAB|~D3 GAB|AGF GBA|GFE D2d:|
|:~B3 dBG|BAB dBG|ABA DBD|AGF E2D|
BAB deg|bge d2B|BAF GBA|GFE D2d:|
|:efg efg|dBG GBd|eaa aga|bge ~e2d|
[1 efg efg|dBG GBd|agf gba|gfe d^cd:|
[2 efg agf|gfe d2B|BAF GBA|GFE D2d||


X:16350
T:Tell Her I Am
R:jig
S:Session in Miltown Malbay 1991
H:See also #290
Z:id:hn-jig-156
M:6/8
K:G
d|edB GAB|~D3 GAB|~D3 cBA|AGE GBd|edB GAB|~D3 GAB|~D3 cBA|AGF G2:|
|:c|~B3 def|gfe dBG|~A3 AGA|BAG ~E3|1 ~B3 def|gfe dBG|
~A3 cBA|AGF G2:|2 ~g3 aga|bge dBG|~A3 cBA|AGF G2||


X:16351
T:Tell Her I Am
Z: id:dc-jig-126
M:6/8
L:1/8
K:G Major
d|edB GFG|DED GFG|DED cBA|BGE E2d|!
edB GFG|DED GAB|AGF GBA|GFE D2:|!
d|BAB dBG|BAB dBG|ABA AGA|BGE E2D|!
BAB deg|age d2B|cBA GBA|GFE D2:|!
d|efg efg|dBG GBd|eaa aga|bge e2d|!
[1 efg efg|dBG GBd|gfe dgb|age e2:|!
[2 def gba|gfe d2B|cBA GBA|GFE D2|]!


X:16352
T:Tell Her I Am
S:Trad, arr. Paddy O'Brien
R:jig
E:9
I:speed 350
M:6/8
K:DMix
B/2d/2|edB GFG|DED GFG|DED ~c2A|BGE EBd|\
edB GFG|DED GFG|AGF GBA|GFE D2:|\
d|BAB dBG|BAB dBG|ABA ABA|AGF E2d|\
BAB deg|age ~d2B|BAF GBA|GFE D2:|\
d|:efg efg|dBG AGE|~A2 a aga|bag ~e2 d|1\
efg efg|dBG AGE|agf gba|gfe d^cd:|2\
def gba|gfe ~d2B|BAF GBA|GFE D2||**
\vfill\eject


X:16353
T:Tell Her I Am
M:6/8
L:1/8
K:G Major
d|edB GFG|DED GFG|DED cBA|BGE E2d|!
edB GFG|DED GAB|AGF GBA|GFE D2:|!
d|BAB dBG|BAB dBG|ABA AGA|BGE E2D|!
BAB deg|age d2B|cBA GBA|GFE D2:|!
d|efg efg|dBG GBd|eaa aga|bge e2|!
[1 d|efg efg|dBG GBd|gfe dgb|agf e2:|!
[2 e|def gba|gfe d2B|cBA GBA|GFE D2|]!


X:16354
T:Tell Her I Am
R:Jig
S:Paddy Canny and Peter O'Loughlin, Clare (fiddles)
N:As played (P O'L much the louder)
Z:Bernie Stocks
H:Played with 44
M:6/8
K:G
|: edB G3 | DED ~G3 | DED c2A | BGE E2d | edB G3 | DED ~G3 | AGF GBA 
|1 GFE DBd :|2 GFE D3 |: ~B3 dBG | ~B3 dBG | A3 ABA | AGF E3 | ~B3 deg | 
age d2B | cBA GBA | GFE D3 ::  efg efg | dBG (3.G.G.GG | eaa aga | bge e2d 
|1 efg efg | dBG GBd | agf gba | gfe d3 :|2 def gaf | gfe d2B | cBA GBA | GFE D3 ||


X:16355
T:Tell Her I Am
R:jig
H:See also #156
Z:id:hn-jig-290
M:6/8
K:G
edB GAB|~D3 GAB|~D3 c2A|BGE GBd|
edB GAB|~D3 GAB|AGF GBA|GFE D2d:|
|:~B3 dBG|BAB dBG|ABA DBD|AGF E2D|
BAB deg|bge d2B|BAF GBA|GFE D2d:|
|:efg efg|dBG GBd|eaa aga|bge ~e2d|
[1 efg efg|dBG GBd|agf gba|gfe d^cd:|
[2 efg agf|gfe d2B|BAF GBA|GFE D2d||


X:16356
T:Tellings hopsa
S:Hans Ole
R:Hopsa
O:Denmark
M:2/4
L:1/8
K:D
D | B2 c/B/^A/B/ | G2D2 | B2 c/B/^A/B/ |ed cB |\
A2B/A/^G/A/ | F2D2 | A2B/A/^G/A/| fe dc |\
B2c/B/^A/B/ | G2D2 | B2c/B/^A/B/ | ed cB |\
A2B/A/^G/A/ | f3 e | dc BA | G2 z ::\
K:D
A|fA fA | aA fA | gA eA | fA dA | \
fA fA | aA fA | gA Bc | d2 z::\
K:G
d3 e | d2B2 | b2 ag | f2 z2 |\
c3d | c2A2 | fe dc | B3z |\
d3e | d2B2 | e3f | e2c2 | f3f | (3fed (3cBA |\
G2 [B2g2]:|**


X:16357
T:Temperance
Z: id:dc-reel-330
M:C
L:1/8
K:G Major
D|G2GF GABc|dBge dBAc|BEED EFGA|BdAF GFED|!
G2GF GABc|dBge dBAc|BEED EFGA|BdAF G3:|!
A|Beed e3f|geaf gfed|Bdd^c d3e|fgaf gfed|!
Beed e3f|geaf gfed|BEED EFGA|BdAF G3:|!


X:16358
T:Temperance
M:C
L:1/8
K:G Major
D|G2GF GABc|dBge dBAc|BEED EFGA|BdAF GFED|!
G2GF GABc|dBge dBAc|BEED EFGA|BdAF G3:|]!
A|Beed e3f|geaf gfed|Bddc d3e|fgaf gfed|!
Beed e3f|geaf gfed|BEED EFGA|BdAF G3:|]!


X:16359
T:Temperance Reel
T:Teetotaller's Reel
S:David Bromberg, sessions
M:C|
R:reel
K:G
(3DEF|"G"G2GF GABc|dBge dBAc|"Em"BE E/E/E EFGA|"D"BGAF GFED|
"G"~G3F GABc|dBge dBAc|"Em"BEED EFGA|"D"BGAF "G"G2:|
A2|"Em"Beed e3g|fgaf gfed|"D"Bdd^c d3 e|fgafgfed|
"Em"Beed e2 eg|fgaf gfed|BEED EFGA|"D"BGAF "G"G2:|


X:16360
T:Temperance Reel
T:Teetotaller's Reel
S:David Bromberg, sessions
M:C|
R:reel
K:G
(3DEF|"G"G2GF GABc|dBge dBAc|"Em"BE E/E/E EFGA|"D"BGAF GFED|
"G"~G3F GABc|dBge dBAc|"Em"BEED EFGA|"D"BGAF "G"G2:|
A2|"Em"Beed e3g|fgaf gfed|"D"Bdd^c d3 e|fgafgfed|
"Em"Beed e2 eg|fgaf gfed|BEED EFGA|"D"BGAF "G"G2:|


X:16361
T:Temperance Reel
T:Teetotaller's Reel
R:Reel
M:C|
L:1/8
Q:1/4=200
K:G
D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED|
~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:|
A|Beed e3g|fgaf gfed|Bdd^c d3e|fgaf gfed|
Beed ~e3g|fgaf gfed|BEED EFGA|BGAF G3:|


X:16362
T:Temperance Reel, The
T:Teetotaller's Reel, The
S:John B. Walsh
M:C|
E:7
R:reel
K:G
|:D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED|
~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:|
|:A|Beed e3g|fgaf gfed|Bdd^c d3 e|fgafgfed|
Beed ~e3 g|fgaf gfed|BEED EFGA|BGAF G3:|


X:16363
T:Temperance reel, The
T:Teatotaller, The
R:Reel
O:Ireland
M:4/4
K:G
D|G2 GF GA Bc|dB ge dB Ac| BE ED EF GA\
|1BG AF GF ED :|2BG AF G3:|*
|:A|Be ed e3f |ge af gf ed\
|1Bd d^c d3e|f2 af gf ed\
:|2BE ED EF GA| BG AF G3:|**


X:16364
T:Temperance Reel, The
T:Teetotaller's Reel, The
M:C|
E:7
R:reel
K:G
D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED|~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:|
A|Beed e3g|fgaf gfed|Bdd^c d3 e|fgafgfed|Beed ~e3 g|fgaf gfed|BEED EFGA|BGAF G3:|


X:16365
T:Temperley Hornpipe
% Nottingham Music Database
S:Mick Peat
M:2/2
K:D
A3/2d/2|"D"f2A2 a3/2f/2e3/2d/2|"A"e2A2 a3/2e/2d3/2c/2|"Bm"d2B2 b3/2f/2e3/2d/2|\
"F#"d3/2c/2c3/2^B/2 c3/2F/2^A3/2c/2|
"D"f2A2 a3/2f/2e3/2d/2|"A"e2A2 a3/2e/2d3/2c/2|\
"G"B3/2b/2g3/2e/2 "A"e3/2d/2d3/2c/2|"D"d2f2 d2A3/2d/2:|
"A"e2A2 f2A2|g3/2f/2g3/2e/2 c3/2A/2B3/2c/2|\
K:F
"Dm"d2A2 f2d2|a2f2 d'3/2a/2f3/2d/2|
K:F
"Gm"b3/2^a/2b3/2g/2 d3/2B/2G3/2D/2|"Dm"a3/2^g/2a3/2f/2 d3/2A/2F3/2D/2|\
K:D
"A"g3/2f/2g3/2e/2 c3/2A/2B3/2c/2|"D"d2f2 d2||
A3/2d/2:|


X:16366
T:Tempest
Z: id:dc-reel-331
M:C
L:1/8
K:D Dorian
d2cA GEE2|DEcE dEcE|d2cA GEE2|EDCD EDD2|!
d2cA GEE2|DEcE dEcE|DEFA GEcE|EDCD EDD2:|!
d2ed cAGc|AdcA GEE2|d2ed cdef|edcA d2ag|!
eage dcAB|cAGc AEGE|DEFA GEcE|EDCD EDD2:|!


X:16367
T:Tempest Jig
M:6/8
L:1/8
K:G
d/c/|B2 B Bgf|e2 e efg|ded dcB|BAA A2 d/c/|!
B2 B Bgf|e2 e efg|ded cBA|AGG G2:|!
|:g/a/|b2 g a2 f|gfe d2 c|Bdf gdB|cAA A2 g/a/|!
b2 g a2 f|gfe agf|ded cBA|AGG G2:|!


X:16368
T:Tempest of War,The. BC.04
M:C|
L:1/8
Q:180
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
N:Is this a bad translation of "Tempesta Di Mare"(Storm at Sea) Opus 8 &
N:Opus 10. By Vivaldi ? Anybody know the tune?CGP.
Z:John Bagnall
K:G
GA | B2 Bc d2 cB | A2 AB c2 BA | G2 GA B2 AG | D2 DD D2 :|!:
Bc | d2 ((3gfe) d2 AB | c2 ((3edc) B3 c | BdBG AcAF | G2 GG G2 :|]


X:16369
T:Tempest of War,The. BC.04
M:C|
L:1/8
Q:180
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
N:Is this a bad translation of "Tempesta Di Mare"(Storm at Sea) Opus 8 &
N:Opus 10. By Vivaldi ? Anybody know the tune?CGP.
Z:vmp.John Bagnall
K:G
GA | B2 Bc d2 cB | A2 AB c2 BA | G2 GA B2 AG | D2 DD D2 :|!:
Bc | d2 ((3gfe) d2 AB | c2 ((3edc) B3 c | BdBG AcAF | G2 GG G2 :|]


X:16370
T:Tempest, The
T:Angry Carpenter, The
R:reel
H:See also #722
H:Some friends of mine came up with the second name. A carpenter was
H:working outside their window while they were having a session.
H:After about 37 reels he stuck his head in the window and
H:shouted: "Could you stop playing the same tune all the time!".
Z:id:hn-reel-282
M:C|
K:Ddor
d2cA GEE^F|GEcE dEcE|d2cA GEE^F|GEcE EDD2|
d2cA GEE^F|GEcE dEcE|DEFG AGcA|GECD EDD2:|
|:~d3e cAGc|AdcA GE~E2|~d3e cdef|edcA daag|
~f3d edcd|cAGc AcGE|DEFG AGcA|GECD EDD2:|
"Variations:"
d2cA GE~E2|DEcE dEcE|AdcA GE~E2|DEcE EDD2|
d2cA GE~E2|DEcE dEcE|DEFA G2cA|GECD EDD2:|
|:d2ed cAGc|AdcA GE~E2|Adde cdef|edcA dgag|
f2ed cAAB|cAGc AcGE|DEFA GEcA|GECD EDD2:|


X:16371
T:Tempest, The
M:C|
L:1/8
R:reel
Z:Devin McCabe
K:DDor
d2cA G~E3|DEcE dEcE|d2cA G~E3|DEcE EDD2|
!d2cA G~E3|DEcE dEcE|DEFA GEcE|EDCD EDD2:|
!|:d2ed cAGc|AdcA GE~E2|d2ed cdef|edcA daag|
!~f3d edcd|cAGc AcGE|DEFA GEcE|EDCD EDD2:|


X:16372
T:Tempest, The
R:reel
S:Live recording of Matt Molloy from Miltown -82
H:See also #282.
N:I'm not sure exactly what grace notes he's using (e.g. c or B),
N:but the ones I've written out should give you an idea, anyway.
Z:id:hn-reel-722
M:C|
Q:1/2=105
K:Dmix
(3ded cA {c}GE~E2|DEcE dEcE|AdcA GEcE|{A}EDCD {A}ED.D2|
(3d{a}d{f}d cA GE~E2|DE~E2 cE~E2|DE=FG AGcG|{A}EDCD {A}ED.D2|
(3ded cA {c}GE~E2|DEcE dE.c2|AdcA GEcE|{A}EDCD {A}ED.D2|
(3d{a}d{f}d cA GE~E2|DE~E2 cE~E2|DE=FA GEcG|{A}EDCD {A}ED.D2||
(3ded ed cAGc|JA2cA GE~E2|.d2{a}ed cde^f|{a}edcA .d2{c'}ag|
(3e^fg dg {a}edcA|cAGc AE~E2|DE=FA {c}GEcG|{A}EDCD {A}ED.D2|
(3ded ed cAGc|(3A{c}A{G}A cA GE~E2|.d2{a}ed cde^f|{a}edce .d2{c'}ag|
(3e^fg dg {a}edcA|cAGc AE~E2|DE=FG AGcG|{A}EDCD {A}ED.D2||


X:16373
T: Temple Change, The (Cockle Shells)
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
A2|F3 G A2c2| A2 d2 cAGF| A2 G2 G2 FG| A2 G2 G2 D2|F3 G A2 c2| A2 d2 cAG
F|\
A2 D2 D2 C2| F2 D2 D2::\
C2|DCDC A2 C2|DCDC a2 gf|f2 g2 g2 fg|a2 g2 g2 C2|DCDC A2 C2|DCDC a2 gf|A
2 D2 D2 C2| F2 D2 D2::\


X:16374
T:Temple House
R:Jig
O:Scotland
M:6/8
K:Em
B, |\
EFE G2E | B2E G2E | DED F2D | A2D F2D |\
EFE G2E | B2E G2E | BcB cBA | BGE E2 :|
f |\
gbg ege | gbg ege | faf dfd | faf def |\
gbg ege | gbg ege | gbg faf | bge e2f |
gbg ege | gbg ege | faf dfd | faf def |\
gfe agf | bag fed | BcB cBA | BGE E2 ||


X:16375
T:Templecross Hornpipe, The
S:Treoir, 1993. 
C:R.L. O'Mealy
I:speed 250
M:C
K:D
|:AF | FGAF D3F | defd (3Bcd AG | FAdf {a}gfed | (3Bcd ef e2 AG |
FGAF D2 (3AAA | defd (3Bcd AG | FAdf {a}gfed |[1dfec d2:|[2d2(3fgf d2||
(3ABc | d2 fd ec (3ABc | d2 fd ecAG | FAdf {a}gfed | (3Bcd ef e2 (3ABc |
d2 fd ec (3ABc | d2fd ecAG | FAdf {a}gfed | dfec d2 (3ABc |
d2 fd ec (3ABc | d2 fd ecAG | FAdf {a}gfed | (3Bcd ef e2 AG |
FGAF D2 (3AAA | defd (3Bcd AG  | FAdf {a}gfec | dfec d2||


X:16376
T:Templehouse
Z: id:dc-jig-158
M:6/8
L:1/8
K:E Dorian
D|EDE G2A|BAB G2E|DED FEF|AdB AFD|!
EDE G2A|BAB gfe|dBA GBA|GEE E2:|!
f|gfg e2f|gfg efg|fef d2e|fef def|!
[1 gfg e2f|gfg edB|dBA GBA|GEE E2:|!
[2 gfg aga|bge edB|dBA GBA|GEE E2|]!


X:16377
T:Templehouse
M:C
L:1/8
K:E Minor
EFGA BGFE|D2FD ADFD|EDEF GABc|dBAc BEE2:|!
g2ef g2eg|fdd2 Add2|g2ef gfed|BdAc BEE2|!
g2ef g2eg|fdd2 Add2|efge afge|dBAc BEE2|]!


X:16378
T:Templehouse
Z: id:dc-reel-332
M:C
L:1/8
K:E Minor
EFGA BGFE|D2FD ADFD|EDEF GABc|dBAc BEE2:|!
g2ef g2eg|fdd2 Add2|g2ef gfed|BdAc BEE2|!
g2ef g2eg|fdd2 Add2|efge afge|dBAc BEE2|]!


X:16379
T:Templehouse, The
R:reel
D:Matt Molloy
D:Noel Hill and Tony MacMahon: I gCnoc na Gra\'i
Z:id:hn-reel-262
M:C|
K:Em
EFGA BFAF|D2 (3FED ADFD|EFGA BE~E2|1 B2Ad BEED:|2 B2Ad BE~E2||
g2ef gfeg|fdde fd~d2|g2ef gfed|(3Bcd Ad BE~E2|
g2ef gfeg|fdd^c dfaf|~e3f gfed|(3Bcd Ad BEED||


X:16380
T:Tempo Waltz,The. CJF.217
M:3/8
L:1/16
Q:45
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Waltz
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:At the "1" mark, the beamed pair appear on the MS to have been
N:semiquvers, but with an attempt to scratch out one of the beam bars.
N:They are therefore shown as quavers. - PJH.
Z:P J Headford 2000
K:G
"p"(fg)|G2 (dB) c2-|cA (dc) (F2|G2) (fg) bg|"1".f2.a2 (fg)|\
"p"G2 (dB) c2-|c.A (dc)(AB)|G2 (dB)(cA)|
G4:||:!"f"d2|(dc) a2 (.Ac)|(Bd) G4-|G3cAF|G2g2 d2|dc a2.c2|\
cB g2 A2|A3ecA|G4:||:!B2|
(BG) (fg) G2|(AF) .D2.c2|.B2GB(dB)|(Ac)(ec)(Ac)|\
(BG) (fg) G2|(cA) (^ga) A2|(dB)(ec)(fd)|g4:||


X:16381
T: Ten Pound Lass
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:Gm
A2 A2 D4| ^F3 G A2 c2|B2 G2 G2 A2|B2 cB A2 G2|A2 A2 D4|^F3 G A2 c2|\
B2 G2 G2 A2 |B2 cB A2 G2::\
A2 A2 f4| =e2 f2 g2 fe|d2 d2 g2 a2| b2 c'b a2 g2|f2 f2 f4|^F3 g A3 c|B2 
G2 G2 A2|B2 cB A2 G2:|


X:16382
T:Teneriff. JC.223
M:6/8
L:1/8
Q:110
S:John Clare,Poet,Helpstone (1793-1864)
R:Jig
O:England223
A:Northamptonshire
N:
Z:P Headford
K:C
G"$"|:(G2c)(c2e)|e2gg2e|f2de2c|BcdG2G|!
G2cc2e|e2gg2e|def Bcd|c2ec2:|!
|d|d2BB2G|g2dd2B|c2AB2G|^FAdd2d|!
d2BB2G|g2ee2c|B2GA2^F|GA^F GE^F|c2ec2|]


X:16383
T:Tengo de ponete un ramo (MQ 009)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Típica canción de ronda, aunque yo ya la he oído algunas veces cantar mientras un corro bailaba una especie de danza prima.
N:No es de ninguna zona determinada pues se canta por casi toda la región.
N:B. Fernández la armonizó para voz y piano.
A:Asturies
B:Cancioneru de Baldomero Fernández
Z:Manolo Quirós 009
M:3/4
L:1/8
Q:1/4=100
K:Am
E/E/
|: AAcBAA|c2 B B/c/ dc|B2 B3 B/c/|ddee c/d/c/B/|A2 B2 G/A/G/F/|[1 E4 z
E/E/ :|[2 E6|


X:16384
T:Tengo de subir al puertu (MQ 039)
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción tradicional que incluyen prácticamente todos los cantantes de tonada en su repertorio.
A:Asturies
Z:Manolo Quirós 039
M:3/4
L:1/8
Q:1/4=50
K:Cm
|: C3 D E/F/G/A/|G4 F/G/4F/4E/F/|G6 :|
|c2 G2-G (3G/A/G/|FB B3 A|G{A}G/F/ =E4-|
=E2 C2 D2|E4 D/C/=B,/C/|D2-D3/2E/4D/4 C2|
|: G2 GG AF|G2 GG AF|G2 G4-|G6|
G2 GG AF|G2 GG AF|G2 G2 ED|C2 D/E/F ED|G>E C2 (3D/E/D/ C/=B,/|C6|


X:16385
T:Tengo tres cabritines
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Curdión
M:2/4
L:1/8
Q:1/4=150
K:C
CE|: G2 GF|G2 E2|G2 G/F/E/F/|G4-|[1 G2 CE :|[2 G2 EG|
|F2 DF|E2 C2|D2 D/C/B,/C/|D4-|D2 DF|F2 GA|G2 E2|F2 DF|E4-|E2 CE|


X:16386
T:Tengo tres cabritines
C:Trad.
M:2/4
L:1/8
Q:1/4=150
K:C
CE|: G2 GF|G2 E2|G2 G/F/E/F/|G4-|1 G2 CE :|2 G2 EG|
|F2 DF|E2 C2|D2 D/C/B,/C/|D4-|D2 DF|F2 GA|G2 E2|F2 DF|E4-|E2 CE|


X:16387
T:Tennessee Waltz
M:3/4
R:waltz
L:1/8
Z:added by Alf warnock@magma.ca
K:F
FG|"F"A2 c2 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|
"F"fc4c|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG|
"F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|
"F"fc3 A2|"C7"B2 A2 G2|"F"F6|"F"F4 fg||
"F"a4 aa|"A7"g4 ag|"Bb"f3d f2|"F"dc3 de|
"F"f2 c2 A2|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG|
"F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|
"F"fc3 A2|"C7"B2 A2 G2|"Bb"F6|"F"F6|]


X:16388
T: Tennessee Waltz
M:3/4
R:waltz
L:1/8
Z:added by Alf warnock@magma.ca
K: F
FG|"F"A2 c2 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc4c|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG|
"F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc3 A2|"C7"_B2 A2 G2|"F"F6|"F"F4 fg||
"F"a4 aa|"A7"g4 ag|"Bb"f3d f2|"F"dc3 de|"F"f2 c2 A2|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG|
"F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc3 A2|"C7"_B2 A2 G2|"Bb"F6|"F"F6|]


X:16389
T:Tenpenny Bit
Z: id:dc-jig-127
M:6/8
L:1/8
K:A Dorian
gf|eAA eAA|BAB GBd|eAA eAA|def g2f|!
eAA eAA|BAB GBd|ede gdB|BAG A:|!
zd|eaa aga|bab ged|eaa aga|bab g2d|!
eaa aga|bab ged|def gdB|BAG A:|!


X:16390
T:Tenpenny Bit
M:6/8
L:1/8
K:A Dorian
g|eAA eAA|BAB GBd|eAA eAA|def gag|!
eAA eAA|BAB GBd|ede geB|BAG A2:|!
d|eaa aga|bab ged|eaa aga|bab g2d|!
eaa aga|bab ged|def gdB|BAG A2:|!


X:16391
T:Tenpenny Bit
% Nottingham Music Database
S:EF
M:6/8
K:Am
P:A
c/2d/2|"Am"eAA eAA|"G"BAB GBd|"Am"eAA eAA|"G"de^f gfg|
"Am"eAA eAA|"G"BAB GBd|"C""Am"de^f "G/b""G"gBB|"Am""F"BAA A2:|
P:B
B|"Am"A2a aga|"G"bge dBG|"Am""F"A2a aga|"G"bge g3|
"Am"A2a aga|"G"bge dBd|"C""F"edB "G/b""F"gBB|"Am""G"BAA A2:|


X:16392
T:Tenpenny Bit
M:6/8
L:1/8
C:Trad
R:jig
K:G
eAA eAA | BAB GBd | eAA eAA | def gfg | eAA eAA | BAB GBd | efg edB | BA
G A3 :|
eaa aga | bab ged | eaa aga | bab g2 d | eaa eaa | bab ged | efg edB | B
AG A3:|


X:16393
T:Tenpenny Bit, The
T:Three Little Drummers, The
R:jig
Z:id:hn-jig-16
M:6/8
K:Ador
eAA eAA|BAB GBd|eAA eAA|def gfg|eAA eAA|BAB GBd|~e3 gdB|BAG A3:|
|:eaa aga|bab age|eaa aga|bgf ~g3|eaa aga|bab ged|~e3 gdB|BAG A3:|


X:16394
T:Tenpenny bit, The
R:Jig
O:Ireland
M:6/8
K:AMix
A|\
eAA eAA|BAB GBd|eAA eAA|def gfg|\
eAA eAA|BAB GBd|edB gBB|BAA A2 :: B |\
A2a aga|bge dBG|A2a aga|bag a2d|\
e2a aga|bge dBd|edB gBB|BAA A2:|


X:16395
T:Tenpenny Bit, The
R:jig
Z:id:hn-jig-262
M:6/8
K:G
edB G2A|Bed Bcd|edB G2A|BAF GFE|
DBD G2A|Bed Bcd|edB gdB|ABG ABd:|
|:e2f ~g3|eag fed|e2f ~g3|efg ~a3|
bag agf|gfe daf|gfe edB|ABG ABd:|
"variations"
|:edB G2A|Bcd Bcd|edB G2A|BAF GFE|
DED G2A|Bcd Bcd|edB gdB|1 BAG A2g:|2 BAG ~A3||
|:e2f ~g3|eag fed|e2f ~g3|efg ~a3|
bag agf|gfe def|gfg edB|1 BAG ~A3:|2 BAG A2g||


X:16396
T:Tente redde
C:MCTB 1/48
M:3/8
L:1/16
K:C
G2|c2B2A2|G4c2|Bcd2f2|e2c2G2|\
c2B2A2|G4c2|Bcd2B2|c4:|
|:G2|c2Bcde|d2gag2|f3dec|B2G2G2|\
c2Bcde|d2gag2|f2e2d2|g4:|
|:eg|fedefd|e2c2c2|Bcdefg|f2d2eg|\
fedefd|e2c2c2|BcdedB|c4:|


X:16397
T:Tenth of June, The
M:C|
K:ADor
EAAB c2(ce)| d(c"tr"BA) GABG| \
AE E/E/E c2ce| dBgB A/A/A A2 ||\
agea geae| gddg| BGdB|1	
agea geae| fdgB| A/A/A A2 :|2\
cAdB| ecfd| (f/e/f/g/ a).c A/A/A/ A2||


X:16398
T:Teribus
R:March
O:Scotland
M:2/4
L:1/8
K:D
A|\
dA d>e|fa fd|g>f ed|ce cA|\
dA d>e|fa fd|g>f ea|fd d ::\
g|\
a2 a>g|fa fd|g>f e>d|ce cA |1\
 a2 a>g|fa fd|g>f da|fd d:|2\
 dA d>e|fa fd|g>f ea|fd d||


X:16399
T:Teribus ye Teri Odin
N:the Hawick border tune noted by J. Fingland
S:NLS Acc.8985/103(1), Francis Collinson papers
M:2/4
L:1/8
Q:1/4=100
K:AMix
% sixth gap because the tune doesn't go that high or low
A>A A/B/c|e>e cA|A>A A/B/c|dd  Bd |\
c>d ee   |e>e cA|A>A A/B/c|d>d Bd |
cA  AA   |ce  cA|BG  GG   |Bd  BG |\
A>A AA   |ce  cA|B>A GA   |Bd  BG|]


X:16400
T:Ternberger Hochzeitsstückln I+II
N:2. terzparalelle Stimme eine Terz tiefer.
B:"Wer tanzt nach meiner Pfeife", Sepp Pichler, Steirisches Volksliedwerk, Graz o.J.. 
N:in the book in F, in the source in D
S:"Bauernmusi", Österreichische Volksmusik, 2.Teil, R.Zoder und R.Preiss,1925
A:Thernberg, um 1800
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:G
dedc BcdB|cdcB ABcA|B2(BA) G2(FG)|
ABAG F2D2|dedc BcdB|
cdcB ABcA|B2AG FGAF|G2B2G4:|
|:D2B2 D2B2|c2(cB)c4|B2(BA) G2(FG)|A2(AG) F2D2|
D2B2 D2B2|c2(cB)c4|B2(AG) FGAF|G2B2G4:|
|:(d3c) B2d2|{A}c2A2 .A2.G2|d3c B2d2|{A}c2A2 A2G2|
"_"B4"_"A2"_"B2|"_"c4"_"B2"_"c2|"_"d4"_"c2"_"B2|A8:|
|:A3B c2A2|(BA)Bc .d2.B2|(A^G)AB .c2.A2|(BA)Bc .d2.B2|
"_"e4"_"d2"_"c2|"_"d4"_"e2"_"c2|.B2.B2 (AG).A.B|G8:|


X:16401
T:Ternberger Hochzeitsstückln I+II
M:2/4
L:1/16
K:G
dedc BcdB|cdcB ABcA|B2(BA) G2(FG)|\
ABAG F2D2|dedc BcdB|
cdcB ABcA|B2AG FGAF|G2B2G4:|\
|:D2B2 D2B2|c2(cB)c4|B2(BA) G2(FG)|
A2(AG) F2D2|\
D2B2 D2B2|c2(cB)c4|B2(AG) FGAF|G2B2G4:|
|:(d3c) B2d2|{A}c2A2 .A2.G2|d3c B2d2|{A}c2A2 A2G2|\
"_"B4"_"A2"_"B2|"_"c4"_"B2"_"c2|"_"d4"_"c2"_"B2|A8:|
|:A3B c2A2|(BA)Bc .d2.B2|(A^G)AB .c2.A2|(BA)Bc .d2.B2|\
"_"e4"_"d2"_"c2|"_"d4"_"e2"_"c2|.B2.B2 (AG).A.B|G8:|


X:16402
T:Terry "Cuz" Teehan's
C:Terry "Cuz" Teehan
R:highland
Z:id:hn-hf-16
M:C|
L:1/8
K:Edor
B2BA B2BA|dBAF DEFA|B2BA B2ef|1 edcd BEFA:|2 edcd BE~E2||
Beef g2fe|d2 (3Bcd ADFA|1 Beef g2fe|dBAF FEFA:|2 Beed BAFA|DEED EFGA||


X:16403
T:Terry Teehan's
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:D
"Em"e3 B2A|GFE B2E|"D"FED A2A|d2D A2D|"Em"e3 B2A|GFE B2E|"D"FED F2A|"Em"F2E E3\
:|
"Em"B2e ede|"D"f2a afa|"Bm"baf a2f|"D"e2d B2A|"Em"B2e ede|
"D"f2a afa|"Bm"baf a2f|"Em"e3 e2d|"Em"B2e ede|"D"f2a afa|"Bm"baf a2f|
"D"e2d B2A|"D"faf f2e|"Bm"ded B2A|"D"FED F2A|"Em"F2E E3||


X:16404
T:TES PETITS SABOTS
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=85
K:Bb
|:GA/2B/2GA Bcdc|d/2c/2d/2e/2dc/2B/2 BAG2:|
dd/2e/2dc BGBA|
|:d/2c/2d/2e/2dc/2B/2 BA/2G/2BA|d/2c/2d/2e/2dc/2B/2 BAG2:|


X:16405
T: Teton Mountain Stomp
Z: originally transcribed by Deborah Jones
M: 2/4
L: 1/8
Q: 1/4=120
K: D
P:A
[A2e2][A2D2]| [G,D][G,D] [A2D2] | A A/A/ B=c| c2 [A2a2]|
P:B
|: "D" A2 A>^G| BA F2| "G" EE/E/ ED| ED G,2|
 "D" A,A, D2|"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/|[1 D z FE :|[2 D z D2|
P:C
"G" GG/G/ GG/D/| GA B2|"D" AA/A/ A/A/B| AF D2|
"E" EE/E/ A2 | "E7" ^GG/G/ B2| "A7" AA GG| FF E2|
"D" A2 A>^A| BA F2| "G" EE/E/ ED | ED G,2| "D" A,A, D2|
"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/ | D z d2| 
P:D
K: G
"G" GG/G/ GG| G/F/G/A/ B2| GG/G/ GA| GE D2|
GG B2| GG B2| cB AG| "D7" F2 D2| AA/A/ AA|
A2 D2| AA/A/ AA| AF D2 | AA c2 |AA c2|
dcBA|"G" G2 "D7" d2| "G" GG/G/ GG| GA B2|
GG/G/ GG|GE D2| GG B2| GG B2|
BA A#G| A2 A2| ee/e/ ee| ec A2|
dd/d/ dd| dB G2|"D" AA c2| AA c2| "G" BB "D7" |G z "A7" A2|


X:16406
T: Teton Mountain Stomp
Z: originally transcribed by Deborah Jones
M: 2/4
L: 1/8
Q: 1/4=120
K: D
P:A
[A2e2][A2D2]| [G,D][G,D] [A2D2] | A A/A/ B=c| c2 [A2a2]|
P:B
|: "D" A2 A>^G| BA F2| "G" EE/E/ ED| ED G,2|
 "D" A,A, D2|"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/|[1 D z FE :|[2 D z D2|
P:C
"G" GG/G/ GG/D/| GA B2|"D" AA/A/ A/A/B| AF D2|
"E" EE/E/ A2 | "E7" ^GG/G/ B2| "A7" AA GG| FF E2|
"D" A2 A>^A| BA F2| "G" EE/E/ ED | ED G,2| "D" A,A, D2|
"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/ | D z d2| 
P:D
K: G
"G" GG/G/ GG| G/F/G/A/ B2| GG/G/ GA| GE D2|
GG B2| GG B2| cB AG| "D7" F2 D2| AA/A/ AA|
A2 D2| AA/A/ AA| AF D2 | AA c2 |AA c2|
dcBA|"G" G2 "D7" d2| "G" GG/G/ GG| GA B2|
GG/G/ GG|GE D2| GG B2| GG B2|
BA A#G| A2 A2| ee/e/ ee| ec A2|
dd/d/ dd| dB G2|"D" AA c2| AA c2| "G" BB "D7" |G z "A7" A2|


X:16407
T:Teviot Bridge
% Nottingham Music Database
P:AAB
S:Athole p 134, via EF
M:6/8
K:A
P:A
f|"A"ecA E2A|"D"F2A "A"E2A|"A"EFE E2c|"Bm"d2c "E7"B2f|
"A"ecA E2A|"D"F2A "A"E2c|"D"d2f "A"ecA|"E7"B3 "A"A2:|
P:B
f|"A"ecA Ace|"D"fgf fga|"A"ecA AcA|"E7"BGE E2f|
"A"ecA Ace|"D"agf "A"edc|"D"d2f "A"ecA|"E7"B3 "A"A2f|
"A"ecA Ace|"D"fgf fga|"A"ecA AcA|"E7"BGE E2f|
"A"ece "D"fdf|"D"agf "A"edc|"D"dfa "A"ecA|"E7"B3 "A"A2||


X:16408
T:Teviot Bridge
M:6/8
L:1/8
Q:180
K:G
edB GD2|GE2 GD2|GDE DD2|Bc2 BA2|GdB GD2|GE2 GD2|Bc2 edB|GA3G2|e
W: G C G G D7 G C G C G D7 G
dB GD2|GE2 GD2|GDE DD2|Bc2 BA2|GdB GD2|GE2 GD2|Bc2 edB|GA3G2|e
W: G C G G D7 G C G C G D7 G
dB GGB|def eef|gdB GGB|GAF DD2|edB GGB|dgf edc|Bce2dB|GA3G2|e
W: G C G D7 G C G C G D7 G
dB GGB|def eef|gdB GGB|GAF DD2|edB GGB|dgf edc|Bce gdB|GA3G2|z
W: G C G D7 G C G C G D7 G


X:16409
T:Teviot bridge
R:Jig
O:Scotland
M:6/8
K:A
f |\
ecA E2A | F2A E3 | EFE E2c | d2c B2A | \
ecA E2A | F2A E2c | def ecA | B3 A2 :|
|: c |\
ecA Ace | fgf fga | ecA AcA | BGE E2c |\
ecA Ace | agf edc | dfa ecA | B3 A2 :|


X:16410
T:Texedora (CT 268)
R:Trabayu
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Empleaban esta canción las tejedoras de Grau, acompañando la labor.
N:Hoy esta industria va despareciendo, hasta el punto que es difícil encontrar un telar en dicho pueblo, y por consiguiente, la melodía transcrita perdió su vitalidad, conservándose únicamente en la memoria de alguna vieja ex-tejedora.
O:Grau
A:Asturies
Z:Cancioneru de Torner 268
M:2/4
L:1/8
Q:1/4=72
W:Texedora, texe, texedora,
W:texedora, texe, texedora,
W:téxeme la tela
W:del mio camisón,
W:que entre los telares
W:te daré mi amor,
W:texe, texedora
W:del mio corazón.
W:
W:Texedora,
W:ya fai cuatro meses
W:que tienes el filo;
W:texes lo de todos
W:y dexes lo mio.
W:
W:Probe majo, to filáu nun sirve;
W:mio telar nun texe tan basto.
W:¿Como quies que texa
W:yo el to camisón
W:de texido gordo
W:mezcla de estopón?
W:Probe, probe majo
W:nun lu texo, non.
W:
W:Probe majo,
W:toma lleva el filo
W:gordu por demás
W:a la texedora
W:de más acuyá.
K:G
GA|:(B3/2 (3c/4B/4A/4 G2)|B{BA}G B{BA}G|A2 A2-|Az BA|(B3/2 (3c/4B/4A/4 G2)|
B{BA}G BB|(c3/2 (3d/4c/4B/4 A2-)|A2 AA|dd ee|dc BA|G4|
B{BA}G B{BA}G|A2 A2|dc BA|G4|B{BA}G B{BA}G|A2 A2|
dc BA|G4-|Gz GG|(c2 B/2c/4B/4A/2B/4A/4)|G4|Gc cc|
({A}B3/2(3c/4B/4A/4 G2)|GG cc|({A}B3/2(3c/4B/4A/4 G3/2A/4G/4)|F4|GG cc|
({A}B3/2(3c/4B/4A/4 G2)|FG AB|(A2- A3/2B/4A/4)|G4-|[1 Gz GA:|[2 Gz3||


X:16411
T:Tha Mi Sgith
T:Cutting Bracken
M:4/4
L:1/8
K:AMin
% A mixolydian/dorian/minor pentatonic
A2 a2  g<eg2 |e>dB>A G>AB<G|
A2 a2  g<eg2 |e>dB<e A2 A2:|
e>dB>A G>AB<G|e>dB<A B<dd2 |
e>dB<A G>AB<G|e>dB<e A2 A2:|


X:16412
T:Thady Casey's
M:4/4
L:1/8
R:reel
D:Laurence Nugent: The Windy Gap
Z:Devin McCabe
K:G
B2 BA B/2c/2d ed|ABBA B~E3|BAGA B/2c/2d ef|gefd e2dc:|
!BEEF FG2E|D2F/2E/2D BEEF|G3 A B2BA|BEED BEEF|
!G3 E D2F/2E/2D|BEEF FG2A|B2 BA Beed||


X:16413
T:Thady Regan
R:polka
D:John McKenna & James Morrison 1928 (Columbia)
Z:id:hn-polka-96
M:2/4
L:1/8
K:D
FG AB/c/|de de/f/|ge fd|1 BA A>G:|2 BA A2||
fa af|ed de|fa af|ed e2|fa af|ed de/f/|ge fd|BA A>G||


X:16414
T:Thalassaki
O:Greece
M:7/8
K:Dm
|:D3G2FG|A4BAG|G2GFEDE|F5ED|F2ED4:|
G3GGFG|A2GF2EC|D3A2AG|GFGFED2|E2GFGEC|D5z2|
G3GGFG|A2GF2EC|D3A2AG|GFGFED2|E2GFGEC|D4BAG|
F2EDCDE|F2GABAG|FEGFGEC|D3z4||


X:16415
T:Thames Hornpipe
% Nottingham Music Database
S:BSDB, KCC p23
M:4/4
L:1/8
R:Hornpipe
K:G
P:A
dc|"G"BgdB "D7"AecA|"G"GdBG "D7"FcAF|"G"GDEF GABc|"A7"^cded "D7"fed=c|
"G"BgdB "D7"AecA|"G"GdBG "D7"FcAF|"G"GDEF GABc|"D7"^cdef "G"g2:|
K:D
P:B
A2|"D"Adcd edcd|"Em"Be^de fede|"A7"gfed cBAG|"D"FA"E7"^GB "A7"A2A2|
"D"Adcd edcd|"Em"Be^de fede|"A7"gfed cABc|"D"d2f2 d2:|


X:16416
T:That's All
% Nottingham Music Database
S:Chris Collings, via PR
M:4/4
L:1/4
K:A
c/2B/2|"A"A/2B/2c/2d/2 ea|"D"fe "A"e2|"D"af "A"ec|\
"Bm"d/2c/2B/2A/2 "E7"G/2E/2F/2G/2|
"A"A/2B/2c/2d/2 ea|"D"fe "A"ea/2f/2|"A"e/2c/2d/2c/2 "E7"BE|"A"A2 A:|
f/2g/2|"D"af fa/2f/2|"A"f/2e/2A c2|"A"A/2G/2A/2B/2 ca/2f/2|\
"D"e/2c/2A/2c/2 "E"Bf/2g/2|
"D"af fa/2f/2|"A"f/2e/2A c2|"B7"B/2c/2^d/2e/2 f/2a/2g/2f/2|"E"e2 ef/2g/2|
"D"af fa/2f/2|"A"f/2e/2A c2|"A"A/2G/2A/2B/2 cB/2A/2|"D"FE "E7"EC/2B,/2|
"A"A,/2A,/2A,/2B,/2 C/2C/2C/2E/2|"A"A/2A/2A/2B/2 c/2e/2f/2g/2|\
"D"ac "E7"d/2c/2B|"A"A2 A||


X:16417
T:That's More of It
M:6/8
L:1/8
C:Carl Hession
R:jig
D:Mick Conneely: Selkie
Z:Devin McCabe
K:G
GAB cAG|FGA c A/2B/2c|dBd cAc|BGd AFD|
!GAB cAG|FGA c2c|dgg efd|1cAA d2d:|2cAA d2g|
!:efd cAA|cde a2g|fge ded|cBc A2~f-|
!f2d cAA|cde a2g|fge dcA|1G3 G B/2c/2d:|2ABG FGA||


X:16418
T:That's Right Too
M:4/4
L:1/8
C:Liz Carroll
Z:alf.warnock@nrc.ca
K:D
|: "D"D2FA FED2| "G"d2ef edBA| "D"D2FA FED2| "G"BcdD "A"FEE2|
"D"D2FA FED2| "G"d2ef edBA| "D"dDDD "G"BcdB| "A7"AFEF "D"D4:|
b| "D"afef d3A| "G"B2AF "D"EDDb| "D"afef "Em"d3d| "A7"efaA f3c|
"D"d2ef edBA| "G"BcdD "D"FEEc| "D"dDDD "G"BcdB| "A7"AFEF "D"D4:|


X:16419
T:The 16th of October
M:2/4
L:1/16
S:Armitt MS
K:D Major
d4 fede|f2d2d2c2|B4efed|c2A2A2c2|d4fede|f2d2d2c2|B2e2{d}c2Bc|d4D4:||:AG|
F2A2A2G2|F2A2A2G2|F2A2d2f2|d2cB A2G2||F2A2A2G2|F2A2A2c2|d2f2 gfed|a4"D.C
."A4:|
|


X:16420
T:The 22nd. Regts. Quick Step.
M:2/4
L:1/8
K:G
E|AcB>A|BAAE      |AcBA  |(d/c/B/A/)   G
d|AcBA |BA A(f/g/)|a>fg>e|(d/c/B/A/)   G:|
d|e>fed|eAAd      |e>fe>g|(d/c/)(B/A/) G
d|e>fed|eA A(f/g/)|afge  |(d/c/)(B/A/) G:|


X:16421
T:The 29th of May
% Nottingham Music Database
P:AAB
M:4/4
L:1/4
K:D
P:A
"D"af "G"gf|"Em"e/2d/2c/2B/2 "A"Af|"G"gB "A7"cB/2c/2|"D"dA "A7"GF/2E/2:|
P:B
"D"FA -AG/2F/2|"G"GB -"Em"BB|"A7"c/2d/2e c/2d/2e|"A7"cB/2c/2 Ad/2e/2|
"D"fe/2f/2 "D7"de/2f/2|"G"gf/2g/2 "A"ef/2g/2|"G"aB "A7"cB/2c/2|"D"d2 d||


X:16422
T:The 29th of May - or The King enjoys his own again
M:4/4
L:1/4
R:March
K:D
AAdd|e/2f/2g/2a/2f se/2f/2s|gBc sd/2e/2s|fe{d}d2:|!
e/2d/2c/2d/2e>f|e/2d/2c/2d/2e>f|gBcd|e/2d/2c/2B/2 A f/2g/2|!
a/2b/2a/2g/2 f e/2d/2|e/2f/2g/2a/2f e/2f/2|gBc sd/2e/2s|f e{d} d2:|


X:16423
T:The 48 Bar Polka
T:Pere Plumet's Polka
M:2/2
L:1/8
Q:240
C:Trad
S:Blowzabella
K:D
FG|A2 d2 c2 B2|ABAG F2 EF|G2 E2 E2 DE|FGFE DFG^G|!
A2 d2 c2 B2|ABAG F2 EF|G2 E2 c2 Bc|[1e2 d2 d2:|[2e2 d2 d4||!
|:A2 A2 FAFA|d2 c2 B2 A2|G2 G2 EGEG|B2 _B2 A4|!
A2 A2 FAFA|d2 cd e2 ef|edcB AGFE|D2 FA d4:||!
|:G2 DG B4|B2 GB d4|dedB =c2 A2|A=cBA B2 G2|!
G2 DG B4|B2 GB d4|dedB =c2 BA|[1G2 B2 G4:|[2G2 B2 G2|!


X:16424
T:The 79ths Farewell to Gibraltar
C:John Macdonald
G:pipe march
M:2/4
L:1/16
K:A
% major/mixolydian hexatonic, A-final in the G-gap hexatonic pitch set
c>d|e3f   e2c2  |A4     A2a2 |f2e>c  e>fe>d|c2B2 B2
c>d|e3f   e2c2  |A4     A2a2 |f2e>c  e>fa>e|c2A2 A2:|
a2 |f2e>c e>fa>e|f<ae>c B2a2 |f2e>c  e>fa>e|f2B2 B2
a2 |f2e>c e>fa>e|f<ae>c B2a2 |f2e>c  e>fa>e|c2A2 A2:|
c>B|A3B   c2a2  |f2e>c  B2c>B|A>Bc>d e>fe>c|f2B2 B2
c>B|A3B   c2a2  |f2e>c  B2a2 |f2e>c  e>fa>e|c2A2 A2:|
c>d|e3f   e2c2  |e4     e2a2 |f3e    f2a2  |f3e  c2
a2 |f2e>c c2B<A |B<AB>c e2a2 |f2e>c  e>fa>e|c2A2 A2:|


X:16425
T:The ?????????? has got his wife again
M:2/2
L:1/8
S:Armitt MS
N:No key signature is given, but it is written on the same page as Lord
N:Cornwallis's March, in a different handwriting, starting part way along
N:a line which has the key signature and the last couple of bars of LCM,
N:I think it is intended to follow on in the same key.  The lines of the
N:stave in the B music are almost non-existent in places.  The second
N:four quavers in the first full bar are dubious, and the four B's in the
N:next bar might be C's
K:D major
B2|dABF A/2A/2A AB|dABF E/2E/2E Ee|dABF Agfe|dBAF D/2D/2D D2:||:g|fdaf f
gfe|fdaf B/2B/2B Bg|fdafegfe|dBAF D/2D/2D D2:||


X:16426
T: The Aardvark Man
C:Rich Holmes
N:Rich Holmes is/was a morris musician living in Syracuse, New York State
R:hornpipe
M:4/4
L:1/8
Q:1/4=120
K:G
(3DEF|:GG GG GA GA| GG (3GBd g2 e2|dd de de db|AA BG AD EF|
GG GG GA GA|GG (3GBd g2 a2|ba bg ag (3def|1 ge dB G2 (3DEF :|2 ge dB G2 gf|:
eB BB Bc Bc|BA (3GA^A B2 gf|eB dc BA (3GA^A|BA GF E2 gf|
eB BB Bc Bc|BA (3GA^A B2 eg|ba bg ag (3def|1 ge dB G2 gf :|2 ge dB G2 z2 ||


X:16427
T: The Aardvark Man
C:Rich Holmes
N:Rich Holmes is/was a morris musician living in Syracuse, New York State
R:hornpipe
M:4/4
L:1/8
Q:1/4=120
K:G
(3DEF|:GG GG GA GA| GG (3GBd g2 e2|dd de de db|AA BG AD EF|
GG GG GA GA|GG (3GBd g2 a2|ba bg ag (3def|1 ge dB G2 (3DEF :|2 ge dB G2 gf|:
eB BB Bc Bc|BA (3GA^A B2 gf|eB dc BA (3GA^A|BA GF E2 gf|
eB BB Bc Bc|BA (3GA^A B2 eg|ba bg ag (3def|1 ge dB G2 gf :|2 ge dB G2 z2 ||


X:16428
T:The Ace and Deuce of Pipering
M:2/4
L:1/8
C:unknown
S:Reavy's Corktown Book
R:Reel
Z:blame mckenty@quadnet.net for bad transcription
K:G
|:1dc|B2 cA BdcA|BdcA BAGB|d2 e^c d2 ec|dfe^c dcBA|e2 fd ed^cB|Add^c d2
=cA|BGcA B2 AG|FGAB c2 BA| G2 (3gag) fdcA|FGAB cAFG|AGGF G2 FG|AGGF G2 :
||:GF| G2  =f2 e2 f2 | G2 =fg fdcA| G2 g2 ^f2 g2 |d2 ga gfdc|A (3=fgf) e
2 f2 |d^cde =fefg|ag^fa gfdc|BGcA B2 AG|G (3gag) fdcA|FGAB cAFG|AGGF G2
FG|AGGF G2 :|


X:16429
T:The Alderman's Hat
% Nottingham Music Database
S:Playford
M:4/4
L:1/4
K:Gm
P:A
D|"Gm"GB2G|"D7"^Fd2D|"Gm"GB2G|"D7"^FA2D|"Gm"GB2G|"D"^Fg -"Cm"gc|\
"Gm/d"B2 "D7"A2|"Gm"G3:|
P:B
d|"Gm"dg2d|"Gm"gb2d|"F"cf2c|"F"fa2c|"Eb"Be2d/2c/2|"Gm"dg -"Cm"gc|\
"Gm/d"B2 "D7"A2|"Gm"G3:|


X:16430
T:The Ale is Dear
G:reel for pipes or fiddle
M:4/4
L:1/8
K:BMin
% dorian/minor hexatonic
e|f2ef B2fe|faef cAAe|   f2ef B2fe|faec B3:|
c|B3 c d2cB|A3 B ABcA|[1 B3 c d2cB|efec B3:|
                      [2 d2fd c2ec|efec B3|]


X:16431
T:The Alston Fiddle
M:4/4
L:1/8
C:Taz Tarry
S:Copyright B.Tarry, November 1988
R:Reel
K:D
E2BA FAFA|defe cAFD|E2BA FAGA|Adef aecA|!E2 BA FAGA|BAGA BAcA|Adef gecB|
1A2d2d2D2:|2A2d2d2A2:|!
f2af gecA|DFAd efge|f2 af gfed|cAceg2g2|!f2af gecA
|DFAd efge|fdge fdec|d
BAF D2D2:|


X:16432
T:The American Dwarf
% Nottingham Music Database
S:FTB, via EF
M:6/8
K:D
P:A
"D"|"G""D"|"D"|"G""Em"|"A7""D"|"G""D"|"D"|"G""A7"|"D"B:|"D""D""B7"|"G""Em""A7"\
|"D""D""B7"|"Em"|"A7""D""D""B7"|"G""Em""A7"|"D""A7"|"D"|
:|


X:16433
T:The Amorous Goddess.
M:2/4
L:1/8
K:D
f2 e/f/g |faag|fedc|dAA2|f2(e/f/g)|faag|fedc|d2d2::
f2(f/e/d)|eaac|dfed|cAA2|aeec     |fBBd|c2B2|A3 z |
f2(e/f/g)|faag|fedc|dAA2|f2(e/f/g)|faag|fedc|d2d2:|


X:16434
T:The Angiam (?) Walts
M:3/8
L:1/16
S:Armitt MS
N:The pause is very clearly and definately written over the E.  In all
N:duplets and triplets the number is written in the slur.  After the last
N:double bar there is the regular 'end of tune' sign  The following three
N:bars are in a different hand.  No final bar line is given, but the
N:program insists on putting one in
K:G major
(Bd)|(g2f2) (ce)|("pause"e2d2 (Bd)|(d2c2) (Ac)|(e2d2) (Bd)|g2f2 (ce)|(e2
d2) (Bd)|d2c2 AF|G4:||:(Bd)|((2cec) c2e2|(e2d2) (Bd)|((3cdc) A2c2|(e2d2)
 (Bd)|(g2f2) ce|(e2d2) Bd|(e2c2) (AF)|G4:||:d2|((2ded) ((2b2a2)|((2gag)
d
2B2|((2cdc) A2e2|((2gbg) d2B2|((2ded) (b2a2)|((2gag( (dB)|((3cdc) A2f2|g
4:||:d2|c2A2f2|(gb) ((2ded)|((3cdc) A2f2|g2b2 d2|((3ded) (b2a2)|(gag) d2
B2|((2cdc) A2f2|g4:|| "see note"E2(GB) E2(Ac)|B2Bd A4 (ce)|E2(GB)E4Ac e2
d2 BGA4


X:16435
T:The Anvil
M:C|
L:1/8
S:Shetland reel, don't remember the composer
R:reel
K:Am
E2AE EAAE|E2AB cBAE|F2AB cBAE|F2AB cBAF|
G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:|
|:edcB ABcd|edcB ABAE|F2AB cBAE|F2AB cBAF|
G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:|
|:eaed cBAe|eaed cBAE|F2AB cBAE|F2AB cBAF|
G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:|


X:16436
T:The Archers
M:6/8
L:1/8
R:Jig
K:G
B2c|d2Bg2e|d2BG3|d2Bg2f|e3d3|d2Bg2e|d2BG3|A2d ^cde|d3 d3||e2f gfe|c2d ed
c|B2c dcB|A3 A3|d2Bg2e|d2BG3|d2g fga|g3g3| 


X:16437
T:The Argyll & Sutherland Highlanders at Modder River
N:commemorates a catastrophic defeat in the Boer War
C:Wm. Robb
S:Peter Henderson's tutor
M:2/4
L:1/16
R:March
K:BMin
f2|BBBc B2ce|f2ae f2ec|AAAB AAce|f2aA c2BA|
   BBBc B2ce|f2ae f2ec|BABc Bfec|c2B2 BB :|
ce|f3a  f2e2|fefa f2ec|AAAB AAce|f2aA c2BA|
[1 f3a  f2e2|fefa f2ec|BABc Bfec|c2B2 BB :|
[2 BBBc B2ce|f2ae f2ec|BABc Bfec|c2B2 BB ||
f2|BBBc fBce|fBBB f2ec|AAAB AAce|faga f2ec|
   BBBc fBce|fBBB f2ec|BABc Bfec|c2B2 BB :|
ce|fefa fece|faga f2ec|AAAB eAce|faAa f2ec|
[1 fefa fece|faga f2ec|BABc Bfec|c2B2 BB :|
[2 BBBc fBce|fBBB f2ec|BABc Bfec|c2B2 BB |]


X:16438
T:The Arklow Mountain
S:Tommy Peoples, Donegal (fiddle)
D:Demo tape - 197?
R:Reel
N:As played
C:Tony Sullivan
Z:Bernie Stocks
M:4/4
K:D
Ad~d2 AGFG | Addf g=c~c2 | Ad~d2 efge | ~a3f ~g2fg | Ad~d2 AGFG | Addf g=c~c2 |
dB{d}=cA BGAF | GBAG {FG}FDD2 :| ~a3f ~g3e | dafd {cd}cAA2 | ~a3f ~g3e |
dfaf df{a}ge | +A2a2+(3.a.a.f gfge | dafd {cd}cAFG | Ad{e}dB ~=c3A | GBAG FDD2 :|


X:16439
T:The Artusi Polka
% Nottingham Music Database
S:John Goodacre 1985, via PR
M:4/4
L:1/4
K:D
"A7"AB/2c/2 d/2e/2f/2g/2|"D"af de/2f/2|"A7"eg AB/2c/2|"D"df a2|
"A7"AB/2c/2 d/2e/2f/2g/2|"D"af de/2f/2|"Em"eg "A7"cf/2e/2|"D"d2 d2::
"D"af dA|"A7"ge c2|"A7"ge cA|"D"df "A7"A2|"D"af dA|"A7"ge c2|\
"Em"eg "A7"cf/2e/2|"D"d2 d2:|


X:16440
T:The Auld Man ill ne'er die
M:C|
K:G
GBdG e2eg| dBGB A/A/A A2|\
GBdB e2ef| gagd B/B/B B2::
g(a"tr"ge) dedB| g(a"tr"ge) agab|\
gage dega| gegd B/B/B B2|
gage dedB| gage f/e/f/g/ ab|\
gb eg dega| b/a/g/f/ gd B/B/B B2|]


X:16441
T:The Back Grace Note Jig
Z:Jack Campin <http://www.purr.demon.co.uk/jack/> version 1.0 September 2001
N:Named by GS's son George MacLennan
C:Pipe Major George S. McLennan
S:Gordon Highlanders Pipe Music Collection volume II
B:NLS Mus.D.s.19
R:Jig
M:6/8
L:1/8
Q:3/8=124
K:Hp
e|f{g}ef B{d}c{e}B|f{g}ef B{d}c{e}B|e{g}ce A{d}B{e}A|e{g}ce         A{d}B{e}A|
  f{g}ef B{d}c{e}B|f{g}ef B{d}c{e}B|c{e}Bc AB{d}c   |d{e}B{G}B {gBG}B2      :|
c|d{e}cd B{d}c{e}B|d{e}cd B{d}c{e}B|c{e}Bc A{d}B{e}A|c{e}Bc         A{d}B{e}A|
  d{e}cd B{d}c{e}B|d{e}cd B{d}c{e}B|c{e}Bc f{g}ef   |d{e}B{G}B {gBG}B2      :|


X:16442
T:The Back-40 Jig
R:jig
C:Bruce Osborne  --  Apr.26 1993
M:6/8
L:1/8
K:G
B/c/|dBG DGD|G,B,D GBG|AcA DFA|ed^c dB=c|
dBG DGD|G,B,D GBG|AcA DEF|G4 -G:|
|:B/c/|dgd BdB|GAB D2 G|AcA DFA|ed^c dB=c|
dgd BdB|GAB D2 G|AcA DEF|G2 -G3:|


X:16443
T:The Baker
T:Scott Skinner's
R:Reel
S:(Sean Keane)
H:
N:
D:?
Z:Adrian Scahill
M:4/4
L:1/8
K:A
cAED CEAc|dFBA GBed|cAED CEAc|1 dfBg aAAd:|2 dfBg aAAg||\
aAAa fedc|BFBA GBeg|a2 A2 (3eee Aa|gebg aAAg|\
aAAa fedc|BFBA GBed|cAED CEAc|dfBg aAA2:||


X:16444
T:The Ballydesmond Polka #1
M:2/4
L:1/8
Q:300
C:Trad
R:polka
K:ADor
B|c2 B2|A2 G>A|Bd ed|g3 d|!
ea g/2a/2g/2e/2|dB GA/2B/2|ce dB|A2 A:|!
B/2d/2|ea ag/2e/2|dg g>d|ea ab|g2 ed|!
ea g/2a/2g/2e/2|dB GA/2B/2|ce dB|A2 A:|!


X:16445
T:The Ballydesmond Polka #2
M:2/4
L:1/8
Q:300
C:Trad
R:polka
K:A Dor
EA A>B|cd e2|GF GA|GE ED|!
EA A>B|cd e>f|ge dB|A2 A2:|!
a2 a>b|ag ef|g2 g>a|ge ed|!
ea a>b|ag ef|ge dB|A2 A2:|!


X:16446
T:The Ballydesmond Polkas No 1
% Nottingham Music Database
S:via PR
M:2/4
L:1/4
K:G
"Am"E/2A/2 A/2B/2|c/2d/2 e|"G"G3/4F/4 G/2A/2|G/2E/2 E/2D/2|"Am"E/2A/2 A/2B/2|\
"Am"c/2d/2 e3/4f/4|"G"g/2e/2 d/2B/2|"Am"A A::
"Am"a3/4g/4 a/2b/2|"Am"a/2g/2 "D"e/2f/2|"G"g3/4f/4 g/2a/2|g/2e/2 e/2d/2|\
"Am"e/2a/2 a/2b/2|"Am"a/2g/2 "D"e/2f/2|"G"g/2e/2 d/2B/2|"Am"A A:|


X:16447
T:The Ballydesmond Polkas No 2
% Nottingham Music Database
S:via PR
M:2/4
L:1/4
K:G
"Am"c/2d/4c/4 "G"B/2c/4B/4|"F"A/2B/4A/4 "Em"G3/4A/2||"G"B/4c/4d/2 "D"e/2d/2|\
"G"g3/2d/2|"Am"e/2a/2 g/2e/2|"G"d/2B/2 G/2A/4B/4|"Am"c/2e/2 "G"d/2B/2|"Am"A A::
"Am"e/2a/2 a/2g/4e/4|"G"d/2g/2 g/2d/2|"Am"e/2a/2 a/2b/2|"G"g3/4f/4 g/2d/2|\
"Am"e/2a/2 g/2e/2|"G"d/2B/2 G/2A/4B/4|"Am"c/2e/2 "G"d/2B/2|"Am"A A:|


X:16448
T:The Baltimore Salute
M:C|
L:1/8
Q:250
C:Josie McDermott
S:Tionol
R:reel
A:Co. Sligo
D:Seamus Egan, SHA 29020
K:G
GA|B2eB dBGA|B2GB ABGE|DGGF GABd|e2dB A2GA|\
B2ge dBGA|B2GB ABGE |DGGF GABd|e2dB G2:||:
GA|BG~G2 gG~G2|gdeg dG~G2|GFGA BABd|eaag e2ga|\
b2ab gdde|g2eg dGGD|G2EG Dgge|dBAB G2:||


X:16449
T: The Banks of Allan
M:6/8
L:1/8
Q:200
C:Playford
O:Playford
A:English
K:D
A|FGF FED|FAA A2 d|Bdd Add|Bdd Add|FGF FED|FAA A2 d|BdB AGF|FAA A2d|Bdd 
Add|\
Bdd Add|FGF FED|FAA A2 d|BdB AGF|GEE E2|| g|fgf {g}fed|faa a2 g|fgf fed|
\
fbb bag|f>ga efg|def fed|BdB {b}agf|GEE E2:|


X:16450
T:The Banshee
T:McMahon's Reel
R:Reel
C:James McMahon
A:Irish
M:4/4
L:1/8
B:Bulmer and Sharpley
D:Barde
K:G
DE|:"G"~G3 D EDEG | "D"AGAB ~d2 Bd | "G"efge "Em"dBGA | "C"BAGE "D"EDDE |
"G"GFGD EDEG | "D"AGAB ~d2 Bd | "G"efge dBGA | "D"BAGE EDD2 :| 
"Am"eaag efge | "Em"dBBA ~B3 d | "G"eB~B2 egfg | "C"eBBA "D"B3d|
"Am"eaag efge | "Em"dBBA B3d | "G"efed BAGA | "D"BAGE ED D2 :|
%%newpage


X:16451
T:The Banshee
M:4/4
R:Reel
Z:Steven Palm, 25/4/2000
K:D
  |: G3 DEDEG | AGAB d2Bd | e2 gedBGA | BAGEED D2 :|
  | eaagefge | dBBA B3 B  | gBfB eBBA | B4 eaag    |
  | efgedBBA | B3 de3 d   | B2 GABAGE | ED (D D6) ||


X:16452
T:The Banshee
T:McMahon's Reel
R:Reel
C:James McMahon
A:Irish
M:4/4
L:1/8
B:Bulmer and Sharpley
D:Barde
K:G
DE|:"G"~G3 D EDEG | "D"AGAB ~d2 Bd | "G"efge "Em"dBGA | "C"BAGE "D"EDDE |
"G"GFGD EDEG | "D"AGAB ~d2 Bd | "G"efge dBGA | "D"BAGE EDD2 :| 
"Am"eaag efge | "Em"dBBA ~B3 d | "G"eB~B2 egfg | "C"eBBA "D"B3d|
"Am"eaag efge | "Em"dBBA B3d | "G"efed BAGA | "D"BAGE ED D2 :|
%%newpage


X:16453
T:The Barley Mow
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:G
"G"G2G "D"A2A|"G"B2c dBG|"C"E2E c2B|"Am"ABG "D7"FED|"G"G2G "D"A2A|"G"B2c dBG|\
"C"EcB "D7"AGF|"G"G6:|
"G"d2d "C"e2e|"G"d2g dBG|"G"d2d "C"e2e|"G"dBG "D"A3|"G"d2d "C"e2e|"G"d2g g2f|\
"A7"egf ed^c|"D7"d3 D3||
"G"G2G "D"A2A|"G"B2c dBG|"C"E2E c2B|"Am"ABG "D7"FED|"G"G2G "D"A2A|"G"B2c dBG|\
"C"EcB "D7"AGF|"G"G6||


X:16454
T:The Barmaid
S:Glenallan Collection p19
M:C|
L:1/8
K:AMix
% but with no f's
e|a2 e>c A<Ae>c|B>GG>B g>ed>B|a2 e>c A<Ae>c|B>GG>B e2A:|
a|c>AA>a c<Ae>c|B>GG>g B<Gd>B|c>AA>a c<Ae>c|B>GG>B e2A:|


X:16455
T: The Basque Jig
C: Marin Marais (1656-1728) French Composer and Bass Viol Player
D: "Barn Dance" by the English Country Dance Band
M: 6/8
L: 1/8
Q:1/4=167
K:G % 1 sharps
d|:"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|"C"gfe"G"d2d|
"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|1 "G"g3 "D"z2d :|2 "G"g3 "D"f3|:
"C".e.ee "D"f2e|"G".d.dd "C"e2d|"C".c2c "D"d2c|"G"B2c"C"d3|
"C".e.ee "D"f2e|"G".d.dd "C"e2d|"C"c2A "D"FGA|"G"G4 z2 :|


X:16456
T: The Basque Jig
C: Marin Marais (1656-1728) French Composer and Bass Viol Player
D: "Barn Dance" by the English Country Dance Band
M: 6/8
L: 1/8
Q:1/4=167
K:G % 1 sharps
d|:"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|"C"gfe"G"d2d|
"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|1 "G"g3 "D"z2d :|2 "G"g3 "D"f3|:
"C".e.ee "D"f2e|"G".d.dd "C"e2d|"C".c2c "D"d2c|"G"B2c"C"d3|
"C".e.ee "D"f2e|"G".d.dd "C"e2d|"C"c2A "D"FGA|"G"G4 z2 :|


X:16457
T:The Bath
M:C|
L:1/8
Q:120
K:GMix
g3d g3d|gfed g2B2|c2A2 d2d2|A4A4|GGGG GABc|ddde d2B2|cdec d3c|B8||


X:16458
T:The Bath Medley
M:6/8
L:1/8
K:G
D|G2g fed|efg dBG|ecA dBG|F2G AF
D|G2g fed|efg dBG|ecA dBG|DEF G2:|
g|f2g afd|e2f g3 |B2c dBG|F2G AF
D|G2g fed|efg dBG|ecA dBG|DEF G2:|


X:16459
T:The Battle Hymn of the Republic
Z:Jack Campin  *  May 2000  *  http://www.purr.demon.co.uk/jack/
N:Final rest in part A extended to fill the bar.
M:6/8
L:1/8
V:1
V:2
K:D
V:1
A|A2A A2G|F2A d2e|f2f f2e|d3  d2c|B2B B2c|d2c d2B|A2B A2F|A3  A2A |
V:2
F|F2F F2E|D2F F2G|A2A A2G|F3  F2A|G2G G2A|B2A B2G|F2G F2D|F3  F2F |
V:1
  A2A A2G|F2A d2e|f2f f2e|d2z d3 |e3  e3 |d3  c3 |d6     |d2z z3 ||
V:2
  F2F F2E|D2F F2G|A2A A2G|F2z F3 |G3  G3 |F3  E3 |F6     |F2z z3 ||
%
V:1
  A3  A2G|F2A d2e|f6     |d3  d2z|B3  B2c|d2c d2B|A6     |F3  F2z |
V:2
  F3  F2E|D2F d2e|A6     |F3  F2z|G3  G2A|B2A B2G|F6     |D3  D2z |
V:1
  A3  A2G|F2A d2e|f6     |d2z d3 |e3  e3 |d3  c3 |d6     |d2z z2 |]
V:2
  F3  F2E|D2F F2G|A6     |F2z F3 |G3  G3 |F3  E3 |F6     |F2z z2 |]


X:16460
T:The Battle Hymn of the Republic
Z:Jack Campin  *  May 2000  *  http://www.purr.demon.co.uk/jack/
M:6/8
L:1/8
Q:80
K:D
"A" [FA] | [F2A2] [FA] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A2f2] [A
f] [A2f2] [Ge] | [F3d3] [F2d2] [Ac] | [G2B2] [GB] [G2B2] [Ac] | [B2d2] [
Ac] [B2d2] [GB] | [F2A2] [GB] [F2A2] [DF] | [F3A3] [F2A2] [FA] | [F2A2]
[FA] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A2f2] [Af] [A2f2] [Ge] | [
F2d2] z [F3d3] | [G3e3] [G3e3] | [F3d3] [E3c3] | [F6d6] | [F2d2] z z2 ||
"B" [F3A3] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A6f6] | [F3d3] [F2d2
] z | [G3B3] [G2B2] [Ac] | [B2d2] [Ac] [B2d2] [GB] | [F6A6] | [D3F3] [D2
F2] z | [F3A3] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A6f6] | [F2d2] z
 [F3d3] | [G3e3] [G3e3] | [F3d3] [E3c3] | [F6d6] | [F2d2] z z2 ||]


X:16461
T:The Bay of Biscay
M:3/4
L:1/8
R:Waltz
K:G
dC|B2 BdcB|A2 AcBA|GD 3)EFG AB|C6|e2 cB A2|Bc dB AG|D2 G2 F2|G4:||
dC|B2 Bcde|=f2 d2 d2|cA 3)Bcd ef|g4 ag|f2 d2 ed|c2 A2 AG|F2 d2 ^c2|d4 dc
||


X:16462
T:The Bear Dance
M:2/4
L:1/8
Q:300
C:Trad Belgian
R:polka
K:Am
eA A2|eA A>B|cc Bc|dd cd|!
ee dd|cc B2|A/2B/2c BG|A2 A2:|!
A/2B/2c A/2B/2c|BG G2|A/2B/2c A/2B/2c|d2 cd|!
ea ea|ea e>d|cA BG|A2 A2:|!


X:16463
T:The Bearded Fiddler
R:jig
C:Ed Reavy
M:6/8
L:1/8
Z:Joe Reavy
N:Farley was a great tramp fiddler who roamed 
N:through Monaghan and Cavan on fair days. His 
N:daughter sold the family wares as he played 
N:to the delight of their customers. Ed recalled 
N:one day that Farley played so beautifully that 
N:the daughter threw her arms around him in a 
N:burst of spontaneous joy. Ed never forgot the 
N:wholesome feelings expressed there, nor did 
N:he fail to recognize the life-warming 
N:secrets shared by those who love the 
N:music of Ireland.
K:D
A/2G/2|FAd fAF|GBd gAG|FAd fAF|GEF GFE|FAd fAF|
GBd gag|fed edc|d3 d2:||f/2/g/2|afd Adf|gec Afg|
afd AGF|G3 GAG|FAd fAF|GBd gag|fed edc|d3 d2:||


X:16464
T:The Beauty of the North
R:strathspey
M:4/4
L:1/8
K:D
A "A"|\
"D"A,<D D>E F>G A<B | "E7"B,<B, E>D "A7"C<A, A,2 | "D"A,<D D>E F<G A<f | "A7"e<c d/c/B/A/ "D"d2 d :|
f "B"|\
"D" d>f A<f d<f a>f | "Em"g>f e>d "A7"c<A A<f | "D"d<fA>f d/e/f/g/ a<f | "A7"g<e d/c/B/A/ "D" d2 de |
"D"f<d A<F "Bm"d<A F<D | "Em"G>F E>D "A7" C<A, A,2 | "D"A,<D D>E F<G A<f | "A7"e<c d/c/B/A/ "D"d2d |]


X:16465
T:The Beauty Spot
R:Reel
S:
H:
N:
D:
Z:Adrian Scahill
M:4/4
L:1/8
K:G
A2GB A2dB|c3G EFGB|A2GB A2dB|c3G EDEG|\
A2GB A2dB|c3G EFGB|A3c B3d|c3G EDD2||\
edd2 ed(3Bcd|edd2 egg2|edd2 edcB|ABcd edd2|\
e2dg ed(3Bcd|edd2 egg2|afge fded|ABcd edd2||


X:16466
T:The Beauty Spot
R:Reel
S:Unknown piper (Tommy Keane?)
D:Clare FM broadcast. From the Miltown Malbay pipe recital.
M:4/4
Z:Bernie Stocks
K:D
|: (3ABA GB A2dB | =cBcG EFGB | ABGB ADdB | =cBcE {G}EDD2 :| eddf edcd | edcd eg~g2 | 
eddf ed=cA | GA=cd edd2 | eddf edcd | edcd eg~g2 | (3efg ed d=cAG | GA=cd egdc ||


X:16467
T:The Bedrock Reel
R:reel
C:Brenda Stubbert, SOCAN
O:20th century Cape Breton
S:Tune ofthe Month, November 2000
A:http://www.capebretonisland.com/Music/Stubbert
N:Contacts ...
N:..... <brenda@cranfordpub.com
N:Tune books and related recordings
N:..... Cranford Publications <http://www.cranfordpub.com>
H:Copyrights:Published by Stubbert Music, and Cranford Publications
Z:Paul Stewart Cranford <psc@cranfordpub.com>
Q:288
L:1/8
M:C|
K:Eaeo
GFED B,EEG|F2 DB, A,B,DF|GFED B,EEF|GBAd eEEF|!
GFED B,EEG|F2 DB, A,B,DF|G2 BG F/F/F AF|[1GBAF GEEF:|[2GBAF GEEz||!
|:gfed Beeg|fdAd FDAf|gfed Beef|gbaf geef|!
gfed Beeg|fdAd FDef|gbaf gfed|[1BdAF GEef:|[2BdAF GEFD|]!


X:16468
T:The Beggar Girl
M:6/8
L:1/8
S:Armitt MS
N:The grace notes are shown as semi-quavers, but as yet I can't persuade
N:the program to do that.  The pause is shown as the conventional sign
K:D major
a>gf a>gf|e>de f/2c/2d/2e/2f/2g/2|a>gf a>gf|{f/2} e>ded2a|a>gf a>gf|e>de
 f>ga|a>gf a>gf|e>de d2z|Adf Aef|Agf{f/2} ede|AdcB2g/2g/2|{g}fed "pause"
a2z|a>gf {g}a>gf|{f/2}e>de f>ga|a>gf bc'"pause"d'|f>ged2z|


X:16469
T:The Beggar Girl. TLY.004
M:6/8
L:1/8
Q:100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Misc.
O:England.
A:Lancashire.
N:Bar 12, crochet d has a rall. sign above it - can't reproduce this in
N:ABC
H:1860.
Z:Taz Tarry.
K:G
d>cB d>cB|A>GA B3|d>cB d>cB|A>GA G2d|d>cB d>cB|!
 A>GA B>cd|d>cB d>cB|A>GA G2z:||DGB DAc|DcB {B}A>GA|!
DG=F E2 "*"c/c/|BAG d2 c|d>cB d>cB|A>GA B>cd|d>cB e
>fg|B>cA G2 z||
%Uneven note rhythm at end of bar 3, B strain,but ABC won't do it.


X:16470
T:The Begger Boy
M:6/8
L:1/8
Q:90
R:Jig
N:This tune is in the rare Phrygian mode--suggested chords are given
H:The tune name may derive from the song "The Begger Boy of the North"
H:(c. 1630)
W:From ancient pedigree, by due descent
W:I well can derive my
W:generation
W:Throughout all Christendome, and also Kent
W:My calling
W:is known both in terme and vacation
W:My parents old taught me to be
W:bold
W:Ile never be daunted, whatever is spoken
W:Where e're I come,
W:my custome I hold
W:And cry, Good your worship, bestow one
W:token!
W:--Roxburghe Ballads
K:APhry
"Am"AAA "Dm"f2f|"Am"ec2 "Bb"d2c|"Dm"AF2 "C"G2G|"F"A2B"Am" cA2|
"Am"AAA "Dm"f2f|"Am"ec2 "Bb"d2c|"Dm"AF2 "Gm"G2G|"Dm"A2B "Am"cA2||
"F"AAA f2f|"C"ec2 "Bb"d2c|"F"Ac2 "C"ede|"F"fA2 "C"G3|
"F"Acc "C"e>dc|"Bb"dfg/2f/2 efd|"F"cAF "Gm"G2G|"Dm"A2B "Am"cA2||


X:16471
T:The Bellharbour Reel
R:reel
C:Chris Droney
S:Tune of the Month, Dec. 2001,Tune of the Month, Nov. 2001,Silver Apple News 8
Q:333
L:1/8
M:C|
K:G
DG G2 DGBd|g2 dg egdB|A2 AG AcBA|GBAF GFEG|!
DG G2 DGBd|g2 dg egdB|GA (3(Bcd) gedc|1(3(Bcd) AF G2 GE:|2(3(Bcd) AF GABc||!
|:dggf gGBd|gbaf gfed|eaag abag|eaag edBc|!
dggf gGBd|gbaf gedB|GA (3(Bcd) gedc|1(3(Bcd) AF GABc:|2(3(Bcd) AF G2 GE|]!


X:16472
T:The Bens of Jura
C:John McLellan
B:8th (The Argyllshire) Battalion Argyll and Sutherland Highlanders: A
B:Collection of Pipe Tunes (Paterson's Publications Limited, July 1933)
M:2/4
L:1/16
K:D
   A>d|f4   agef|d2A2 A2dc|BGBc defa|e4 e2
   Ad |f4   agef|dedc B2ag|fafd Acec|d4 d2:|
   f>g|aAAA fAAA|dedc B2dc|BGBc defa|e4 e2
[1 fg |aAAA fAAA|dedc B2ag|fafd Acec|d4 d2:|
[2 A>d|f4   agef|dedc B2ag|fafd Acec|d4 d2|]


X:16473
T:The Bent Pin
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:D
"A7"A|"D"D2F A2d|\
%  Couldn't find expected triplet here
"G7"^A2\
P:5
B \
P:4
"D"=AFD|\
%  Couldn't find expected triplet here
"G7"^A2B "D"=AFD|"E7"
P:4
=FDF "A7"EDB,|"D"D2F A2d|\
%  Couldn't find expected triplet here
"G7"^A2B "D"=AFD|"E7"=FDF "A7"EDB,|"D"D3 -D2::
d|1  [1"G7"B2d e2=f| [1"D"f  [2dB A2d|"G7"B2d e2=f|"D"fdB A2d| [1"G7"B=Fd e2=f\
| [1"D"f  [2dB "Bm"ABA|\
%  Couldn't find expected triplet here
"E7"=FD
P:4
F "A7"EDB,|"D"D3 -D2:|


X:16474
T:The Big One
R:polka
C:Composed by Gavin Atkin
S:Copyright Gavin Atkin 1997
M:2/4
L:1/8
Q:150
K:D
de |: "D" .f2 .f.d | "A" ec .A2 | "Bm" Bd "A" ce | "G" Bd "F^m7" ce | 
"D" .f2 fd | "A" ec .A2 | "Bm" Bd "A" ce | "G" .d2 "D" de |
"D" .f2 .f.d | "A" ec .A2 | "Bm" Bd "A" ce | "G" Bd "F^m7" ce | 
"D" .f2 fd | "A" ec .A2 | "Bm" Bd "A" ce| "G" .d2 "D" de |
| "D" .f2 .f.d | "A" .e2 ec | "A" .e2 "E7" ^g2 | "A" aAde | 
"D" .f2 .f.d .| "A" e2 "E7" e^g | "Bm" .bb "A" a>.b | "G" a=g "A7" fe |
"D" .f2 .f.d | "A" .e2 ec | "A" e2 "E7" ^g2 | "A" .aAde | 
"D" .f2 .f.d | "A" .e2 "E7" e^g | "Bm" .bb "A" a>.b | "G" a=g "A7" fe :|
% Output from ABC2Win  Version 2.1 f on 15/08/98


X:16475
T:The Big Ship
% Nottingham Music Database
S:Nan Fleming Williams, via EF
M:4/4
L:1/4
K:G
P:A
D|"G"GG/2A/2 B/2A/2B/2c/2|"G"d/2e/2d/2c/2 BG|"D7"c/2d/2c/2B/2 A/2F/2A|\
"G"d/2e/2d/2c/2 "D7"BD|
"G"G/2F/2G/2A/2 B/2A/2B/2c/2|"G"d/2e/2d/2c/2 BG|\
"C"c/2d/2c/2B/2 "D7"A/2G/2F/2A/2|"G"GB G:|
P:B
d|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd/2c/2 BG|"Am"cc/2B/2 "D7"AA|\
"G"d/2e/2d/2c/2 "G7"Bd|
"C"g/2a/2g/2f/2 e/2f/2g/2e/2|"G"d/2e/2d/2c/2 BG|\
"C"c/2d/2c/2B/2 "D7"A/2G/2F/2A/2|"G"GB G:|


X:16476
T:The Bird in the Bush
R:Reel
A:Ireland
D:Oisin: Over the Moor to Maggie.
Z:id:hn-reel-38
M:C|
K:G
d2eB dB~B2|dBAB GAAG|EGAd BG~G2|BGBd g2ge|
d2eB dB~B2|dBAB ~G3E|DEGA B2eB|dBAd BG~G2:|
|:Bdef g2fg|afdf gfed|Bdef ~g3b|agab ~g3a|
bg~g2 agef|~g3e dBGE|DEGA B2eB|dBAd BG~G2:|


X:16477
T:The Bird in the Bush
R:Reel
A:Ireland
D:Oisin: Over the Moor to Maggie.
Z:id:hn-reel-38
M:C|
K:G
d2eB dB~B2|dBAB GAAG|EGAd BG~G2|BGBd g2ge|
d2eB dB~B2|dBAB ~G3E|DEGA B2eB|dBAd BG~G2:|
|:Bdef g2fg|afdf gfed|Bdef ~g3b|agab ~g3a|
bg~g2 agef|~g3e dBGE|DEGA B2eB|dBAd BG~G2:|


X:16478
T:The Birks of Invermay
R:Strathspey
M:4/4
L:1/8
K:G
B>c|d3e     d>BA>G|A>GA>B E3G  |D>ED>B, D2G>D |B,2D>E D2
G>B|d2ef/g/ d<BA>G|c>BAG  E2B>A|G>ED>B, D2G>A |B2A>G  G2||
D>C|B,3D    E>DE<G|A>GA<B E2e2 |d>ed>B  c>BA<G|c>dc>B A2
d>c|B>de>f  g3e   |d>BA>G E2B>A|G>ED>B, D2 G>A|B2A>G  G2|]


X:16479
T:The Bishop
M:6/8
L:1/8
Q:110
R:Jig
B:Thompson's Compleat Collection v4 (1780)
H:Mr. Bishop was a dancer at Covent Garden Theatre in 1776-77.  He made
H:his debut on Nov. 23 at Covent Garden dancing a "new pastoral dance"
H:with a Miss Tinte, and at his benefit on Apr. 26, 1777, he danced a
H:minuet with one of his pupils.
K:G
g3 d3|B3 G2D|EGE FAF|GBc def|g3 d3|B3 G2D|EGE FAF|G3 G,3:|
ded bgd|cdc afc|BcB gdB|AFD AFD|ded bgd|cdc afc|BdB cAF|G3 G,3:|


X:16480
T:The Black Bird
% Nottingham Music Database
S:KMM1 p41, via EF
M:4/4
L:1/4
K:D
D/2|"G"B"C"=c/2(3d/4c/4B/4 "A7"AB/2^c/2|\
"D"d/2(3e/4d/4c/4d/2A/2 (3"A7"G/4A/4G/4F/2"(D"D3/4"A7)"E/4|"D"F/2G/2A/2B/2 "C"=c3/4A/4G/2A/2|"G"G/2(3A/4G/4F/4D/2D/2 "D"
P:pause
D3/2D/2|"G"B(3B/4=c/4B/4G/2 "A7"A3/4^G/4A/4B/4c/4A/4|\
"D"d/2(3e/4d/4c/4d/4c/4A/4F/4 "G"G/4A/4G/4F/4"D"D3/4"(A7)"E/4|
"D"F/2G/2A/2f/4e/4 "G"d3/4c/4"(D)"A/4G/4F/4A/4|\
"G"G/4A/4G/4F/4"(D"D/2"G)"D/2 "D"
P:pause
D3/2"A7"A/2|"D"d3/4e/4f/2g/2 "D/f+"a3/4g/4f/2a/2|\
"G"g/2(3a/4g/4f/4g/2a/2 F3/4"A7"g/4a/4g/4f/2"(D"d/2"A7)"A/2|"D"d3/4e/4f/2g/2 "D/f+"a3/4g/4f/2a/2|"G"g/2a/8g/8f/8e/8"A7"d/2d/2 "D"
P:pause
F3/2(3"A7"e/4f/4g/4|"D"a3/4g/4f/2a/2 "G"gf/2e/2|"D"d/2(3e/4d/4c/4d/2e/2 
P:pause
=f"A7"^f3/4e/4|"D"d3/4c/4A/2F/2 "G"G3/4B/4A/2G/2|"D"F/2D/2"G"D/2D/2 "D"
P:pause
D3/2||


X:16481
T:The Black Cock o' Whickham
C:Trad
S:Northumbrian Minstrelsy
M:2/4s
K:G
Bc | d2 dc| BGGB |d2 dc|B2 Bg |dedc| BGGB| cAFA| c2 :: dg| bgdg |Bgdg|\
bgfa| g2 ga| bgdg| BgdB| cAFA| c2 dg|bgdg | Bgdg| bgfa| gfga| bgaf|\
gedB| cAFA| c2:|


X:16482
T:The Black Dance.
M:2/4
L:1/16
K:G
   dB  |G2G2 ABcA|dedc  B2dB |G2G2 ABcA|(dcBA) G2::
(3(def)|g2g2 g2fe|d2d2 (dcBA)|G2AB c2BA| G2G2  G2:|


X:16483
T:The Black Duck Brook French Center Waltz
R:waltz
C:Emile Benoit
M:3/4
L:1/8
Z:Gerry Strong
K:D
FG|:A2 d3 c|B2 E2 EF|G2 GA Bd|A2 D2 DE|F3 F EF|E2 A,2 EF|G2 F2 E2|1A4 FG
:|2D4 FG||!
A2 d3 e|f2 d2 F2|G3 A GF|E2 A,2 CB,|A,2 C2 E2|c2 B2 A2|B2 A3 G|F3 G FE|D
2 DF Ad|f2 d2 F2|G3 A GF|E2A,2 CB,|A,2C2E2|c2B2A2|G2F2E2|D6||


X:16484
T:The Black Ewe
M:4/4
L:1/4
S:Henry Atkinson 1694/5 transcribed John Stokoe 1883
K:G Major
g|d>B d/2B/A/G/|G2D2|EGBA/2G/2|A3g|d>B d/2B/2A/2G/2|F2D2|EGBd|g3||B|c>d 
e/2d/2e/2f/2|f>ede/2f/2|g/2e/2gBA/2G/|A3g|d>B d/2B/2A/2G/2|B/2c/2dD2|EGB
d|g3||


X:16485
T:The Black Haired Lass
R:reel
C:traditional
O:Irish
D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce)
S:Silver Apple News,1994
N:Contacts ...
N:..... Cranford Publications <http://www.cranfordpub.com>
N: ..... Harry Bradshaw, Dublin
Z:This abc transcription is for personal use only, 
Z:provided this notice remains attached.
Z:Paul Stewart Cranford <psc@cranfordpub.com>
Q:300
L:1/8
M:C|
K:Ador
AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|!
AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|!
(3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]!


X:16486
T:The Black Haired Lass
R:reel
C:traditional
O:Irish
D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce)
S:Silver Apple News,1994
N:Contacts ...
N:..... Cranford Publications <http://www.cranfordpub.com>
N: ..... Harry Bradshaw, Dublin
Z:This abc transcription is for personal use only, 
Z:provided this notice remains attached.
Z:Paul Stewart Cranford <psc@cranfordpub.com>
Q:300
L:1/8
M:C|
K:Ador
AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|!
AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|!
(3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]!


X:16487
T:The Black Haired Lass
R:reel
C:traditional
O:Irish
D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce)
S:Silver Apple News,1994
N:Contacts ...
N:..... Cranford Publications <http://www.cranfordpub.com>
N: ..... Harry Bradshaw, Dublin
Z:This abc transcription is for personal use only,
Z:provided this notice remains attached.
Z:Paul Stewart Cranford <psc@cranfordpub.com>
Q:300
L:1/8
M:C|
K:Ador
AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|!
AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|!
(3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]!


X:16488
T:The Black mans Antic
M:6/4
L:1/4
S:Henry Atkinson 1694/5 transcribed John Stokoe 1883
N:'The second part is the same as in Gee woa Dobbin in Old English Song'
N:-
N:comment, presumably JS
K:B _ Major
fgab2a|g>fgfd2|e>dcfBc|c2BB3||BFEDB,2|E>F G/2F/2GC2|DEFGAB|B2AB3||


X:16489
T:The Black Mull
T:The Muilean Dubh
S:NLS MS.21743, tunebook of Archibald Clark, fifer in the 42nd, 1813
G:reel for fife or flute
M:C|
L:1/8
K:ADor
% dorian/mixolydian hexatonic
B|edef g2(fe)|dedB dedB|edef gage|dBgB A2A:|
B|eAed eAAB  |dGdB dGGB|eAed eAAf|gedB A2A:|


X:16490
T:The Blackbird
R:Set Dance
H:Learned from Mick Mulkere of Ennis
S:Josie Nugent,Clare (fiddle)
D:Private tape
N:As played
Z:Bernie Stocks
M:4/4
K:G
dc || BGBd (3cBc Bc | AGFG AB (3.c.B.A | d^cde dcAF | GAGF D2DE |
E {GFE}F2G A2(3.g.f.e | dzde dcAF | GAGF {E}D2CE | D2dc |
BzBd B {dcB}c2 B | AGFG AB(3.c.B.A | d^cde dcAF | GAGF D2DE |
E {GFE}F2G A2(3.g.f.e | dzde dcAF | GAGF {E}D2CE | D2de ||
{a}fede (3fef (3gfg  | abag fg(3.a.g.f | g2gf gbag | fg{a}fe d^cde |
{a}fede (3fef (3gfg  | abag fa(3.a.g.f | gagf d2(3.e.d.c | defg |
a3g fgaf | ga{a}ge e {afe}f2e | dcAG ABcd | ef(3.g.f.e aza2 |
ABAG FGAB | B {dcB}c2e d^cAF | GAGF {E}D2CE | D3e :||


X:16491
T:The Blackbird
% Nottingham Music Database
S:Nan Fleming-Williams
M:4/4
L:1/8
R:Hornpipe
K:G
(3DFA|"D"B2AF A2Bc|"Bm"dcdF "A7"G2FG|"D"A2fe "A7"dBAG|"D"F2D2 "A7"D2(3DFA|
"D"B2AF A2Bc|"Bm"dcdF "A7"G2FG|"D"A2fe "A7"dBAG|"D"F2D2 "A7"D4|
"D"defg a2af|"G"gfga (3"A7"gagfe|"D"defg "A7"abag|
"D"f2d2 "A7"d2fg|"D"a2fd "G"g2fe|"D"dcdB "G"g2fe|"D"d2A2 "A7"ABAG|"D"F2D2 D2||


X:16492
T:The Blackrock Shore
R:Hornpipe
C:Ed Reavy
M:4/4
L:1/8
Z:Joe Reavy
N:Aunt Ann used to sing the 
N:Maid of the Blackrock Shore, and 
N:she never missed a verse. Ed recalls part 
N:of the song, but these lines stuck in him memory: 
N:For seven long years
N:I waited on the maid 
N:from the Blackrock Shore. 
N:Ed loved the old songs that were sung by the people of his region.
K:D
g|fedc dAFA|GFGF EDCE|DFAF EGBG|FAdf gfed|
fefd gfec|defd AGFA|GFEG FEDF|1EDCE D3 z:|
2EDCE D2 EF||GFED CEA,C|DFAc d2 cd|edef gfga|
bgec dAFA|dfaf bgec|defd AGFA|GFEG FEDF|
1EDCE D2 EF:|2EDCE D3||


X:16493
T:The Blackthorn Stick
R:jig
M:6/8
L:1/8
K:A
 e |aga faf|ecA BAF|EAA GBB|Acc B2 e|aga baf|ecA BAF|EAA GBB|cAA A2:|e |
fee aee|fee aee|fee agf|edc B2 e|aga baf|ecA BAF|EAA GBB|cAA A2:|


X:16494
T:The Blarney Pilgrim
M:6/8
R:Jig 
A:Ireland
K:G
"G"~D3 DEG|"D"A2G ABc|"G"BAG "Em"AGE|GEA "D"GED|
"G"~D3 DEG|"D"A2G ABc |"G"BAG "Em"AGE|GED "D"D3:|
"G"ded dBG|"C"AGA "G"BGE|ded dBG|"C"ABA "G"GBd|
g2e dBG|"C"AGA "G"BGD|"Em"~B3 "D"AGE|~G3 GFG:|
"D"ADD "G"BDD|"D"ADD ABc|"G"BAG "Em"AGE|GEA "D"GED|
ADD "G"BDD|"D"ADD ABc |"G"BAG "Em"AGE|GED "D"D3:|


X:16495
T:The Blarney Pilgrim
M:6/8
L:1/8
S:Tommy Peoples, Donegal (fiddle)
R:Jig
D:From a 70's demo tape
N:As played
Z:Bernie Stocks
H:All the 'A3's are unisons
K:G
DED DEG | A3-ABc | BAG AGE | GEA GED | +D3A,3+-DEG | (3.A.B.AG ABc |
{c}BAG AGE | (3.G.G.ED D3-| DED DEG | (3ABAG ABc | (3.B.d.BG (3.A.A.AE |
GEA GED | +D3A,3+-DEG | (3.A.B.AG ABc | {c}BAG AGE | GED D3 |: ~d3 dBG |
(3.A.A.GA BGE | ~d3 dBG | AGA {GF}G3 | (3gfge dBG | AGA (3.B.B.GE |
{BA}B2G AGE |1 GAG {GF}G3 :|2 GAG GED || (3.B.d.BD (3.A.A.AD | (3.A.A.AD ABc | 
{c}BAG AGE | GEA GED | A3 (3.B.d.BG | (3.A.A.AG ABc | {c}BAG AGE | GED D3 | 
+AD+(3.D.D.D +BD+(3.D.D.D | ADD ABc | {c}BAG AGE | (3.G.G.EA GED | 
(3.A.B.AA (3.B.d.BG | (3.A.B.AG ABc | {c}BAG AGE | GED +D3A,3+ ||


X:16496
T:The Blarney Pilgrim
M:6/8
R:Jig 
A:Ireland
K:G
"G"~D3 DEG|"D"A2G ABc|"G"BAG "Em"AGE|GEA "D"GED|
"G"~D3 DEG|"D"A2G ABc |"G"BAG "Em"AGE|GED "D"D3:|
"G"ded dBG|"C"AGA "G"BGE|ded dBG|"C"ABA "G"GBd|
g2e dBG|"C"AGA "G"BGD|"Em"~B3 "D"AGE|~G3 GFG:|
"D"ADD "G"BDD|"D"ADD ABc|"G"BAG "Em"AGE|GEA "D"GED|
ADD "G"BDD|"D"ADD ABc |"G"BAG "Em"AGE|GED "D"D3:|


X:16497
T:The Blessings of Silver
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
R:Reel
N:Written for Lou and Mary Quinn's 
N:twenty-fifth wedding anniversary. Ed loved the connotations of 
N:the title: the blessings of twenty-five years of marriage, the 
N:blessings of a couple growing old together, and the many rewards 
N:of family life. Ed admired Lou not only because of his musical 
N:talent, but also because he was a self-made man who set high standards
N: 
N:for other immigrants who followed him to the New World.
Z:Joseph Reavy
K:Bb
G/2A/2|BdBF DGGF|(3D=EF CF DFCF|DGGA Bcdg|g^fdg fdcA|Bdce dcBA|DGBG ^FD
CA,|DGGA Bcdg|^fdcA G3:||
g|bfa^f gfdc|=Bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc|=Bc
d=e fefa|gbag ^fag=e|1=fdcA BGG:|2=fdcA BGG||


X:16498
T:The Blessings of Silver
R:Reel
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:The Blessings of Silver. Written 
N:for Lou and Mary Quinn's 
N:twenty-fifth wedding anniversary. 
N:Ed loved the connotations of 
N:the title: the blessings of twenty-five 
N:years of marriage, the blessings of a 
N:couple growing old together, and the many rewards 
N:of family life. Ed admired Lou not 
N:only because of his musical talent, but also because he 
N:was a self-made man who set high standards 
N:for other immigrants who followed him to the New World.
K:Bb
g>A.|BdBF DGGF|(3d=EF CF DFCF|DFFA Bcdg|{a}g^fdf fdcA|
Bdce dcBA|DGBG ^FDCA,|DFFA Bcdg^fdcA G3:||g|bfa^f gfdc|
=bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc|
=Bcd=e {fg}fefa|gbag ^fag+e|1=fdcA BGG:|2=fdcA BDD||


X:16499
T:The Blessings of Silver
C: Ed Reavy
B: Where_The_Shannon_Rises, By Ed Reavy
H:Use 9 11 10 8
M:C|
R:Reel
K:Gm
E:10
G/2A/2 | BJdBF DGGD | (3DEF CF DFCF | DGGA Bcdg |\
 {a}g^fdg fdcA | Bdce dcBA |*
E:9
DGBG ^FDCA, | DGGA Bcdg | ^fdcA G3 ::\
  g | bga^f gfdc | =Bcd=e fdcd | bgae ~f2 ge |*
E:10
fdcA BG+GG,+g |  (3bag (3ag^f gfdc | =Bcd=e ~fefa |\
gbag ^fag=e | =fdcA BGG :| G8||**


X:16500
T:The Blue Angel
M:6/8
L:1/8
R:Jig
D:Session tape - Corofin, Clare
Z:Bernie Stocks
K:D
d2e |:fdd dcd | Bdd Add | Gdd Fdd | cBA bag | fdd dcd | Bdg Adf |\
GBe FAd | eBc d2e :: fdB BAB | fdB Bcd | cAF FEF |\
fgf edc | fdB BAB | fdB Bcd | cAF fge | dBB B3 :|


X:16501
T:The Blue Bell of Scotland
M:2/4
L:1/8
Q:1/4=80
K:D
A|d2cB|A2Bc/d/|FFGE |D3:|
A|FDFA|d2Bc/d/|cAB^G|A2B|
c|d2cB|A2Bc/d/|FFGE |D3|]


X:16502
T:The Bluebell Reel
% Nottingham Music Database
S:via PR
M:2/4
L:1/4
K:G
D/2|"G"G/2A/2 B|"D7"A/2B/2 c/2B/4c/4|"G"d3/4e/4 d/2B/2|G B/2d/2|\
"Am"c3/4d/4 c/2B/2|
"D7"A B/2c/2|"G"d3/4e/4 d/2B/2|G/2D/2 G/2A/2|"G"B A/2B/2|"D7"c/2A/2 B/2c/2|\
"G"d3/4e/4 d/2B/2|
G B/2d/2|"Am"c3/4d/4 c/2B/2|"D7"A B/2c/2|"G"B/2G/2 "D7"A/2F/2|G B/2d/2||
"G"g3/2f/2|"C"e/2f/2 g/2e/2|"G"d3/4e/4 d/2B/2|G B/2d/2|"Am"c3/4d/4 c/2B/2|\
"D7"A B/2c/2|"G"d3/4e/4 d/2B/2|G B/2d/2|
"G"g3/2f/2|"C"e/2f/2 g/2e/2|"G"d3/4e/4 d/2B/2|G B/2d/2|"Am"c3/4d/4 c/2B/2|\
"D7"A B/2c/2|"G"B/2G/2 "D7"A/2F/2|"G"G3/2||


X:16503
T:The Boar's Head
% Nottingham Music Database
P:AAB
S:Vic
M:4/4
L:1/4
K:C
G|"C"c2 cc|"G"Bc "C"G3/2E/2|"F"FF "Dm"AF|"G"GA/2B/2 "C"c:|
"C"ee "G"dd|"Am"AA "Em"G3/2E/2|"F"FF "Dm"AF|"G"GA/2B/2 "C"c||


X:16504
T:The Boatman
M:2/4
L:1/16
K:G
eeee d2d2|e2e2 d4|e2ee d2B2|AGAB G2G2||B3B A2G2|d4 d2GA|B2cB A2BA|G4 G3A
|B2B2 A2Bc|d2d2G3A|B2cB A2BA|G4G4||g4g4|a2g2 e4|dded BBdB|AABA G2G2||


X:16505
T:The Bog of Allen
R:Reel
C:Ed Reavy
S:The Collected Compostions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:The Bog of Allen. Mentioned eloquently in Joyce's 
N:short story, "The Dead" (in Dubliners). This 
N:desolate region reminds us of Yeats' line 
N:"the drifting, indefinite bitterness of life" 
N:Ed has always felt that far too much is made 
N:of Ireland's greenery and not enough said 
N:of her terrible greyness. Ed has lived to 
N:see the whole of Ireland, and he has tried 
N:to get as much of it as he could into his own tunes.
K:G
dc|B(F (3AGF G=FDE|=F AF^FDCB,|DG (3AFF GABc|dgfa gfdc|
BG (3GF G=FDE|[A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgrd c2:||
Bc|dg (3gfg bfag|dggf dcBc|dg (3gfg ag gfg|defd c2 Bc|
dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:||


X:16506
T:The Bog of Allen
M:2/2
L:1/8
C:Ed Reavy
S:The Collected Compostions of Ed Reavy
R:Reel
N:Mentioned eloquently in Joyce's short story, 
N:"The Dead" (in Dubliners). This desolate region reminds us of Yeats' 
N:line "the drifting, indefinite bitterness of life" Ed has always felt 
N:that far too much is made of Ireland's greenery and not enough said 
N:of her terrible greyness. Ed has lived to see the whole of Ireland, 
N:and he has tried to get as much of it as he could into his own tunes.
Z:Joseph Reavy
K:G
||:dc|BG (3AGF G=FDE|=F2  AF ^FDCB,|DG (3AGF GABc|dgfa gfdc|BG (3GF G=F
DE | [A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgfd c2:|
||:Bc|dg (3gfg bgag|dggf dcBc| dg (3gfg ag (3gfg|defd c2 Bc|
dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:||


X:16507
T:The Boss Jig
M:6/8
L:1/8
K:Bb
a|b2 B BAB|GBB FBB|b2 B BAB|GcB AGF|!
b2 B BAB|GBB FBB|GBB Acc|dBB B2:|!
|:B|dff fdB|dff fdB|dff fdB|ecc c2 c|!
dff fdB|dff fdB|bag fed|ceA B2:|!


X:16508
T:The Bottom of the Punch Bowl.
M:C
L:1/8
K:D
FE|D2D2 d3 e|d2D2 FGAF|E2E2 efgf| e2E2 FG
AF|D2D2 d3 e|fedB d3 A|B3 F A3 E| F2D2 D2::
de|fedB ABde|fedB d3 A|B3 d ABde|Tf2e2 e2
de|fedB ABde|fedB d3 A|BdBF ABAE| F2D2 D2:|


X:16509
T:The Boy in the Baskett
M:9/8
L:1/8
S:Armitt MS
N:The time signature is given as 6/
K:G major
GAG BAG Bdg|GAG Bcd AED|GAG BAG Bdg|ece dBG AFD:||:gag gdB gdB|aba afd|g
ag gdB efg|ege dBG AFD:||


X:16510
T:The Boyne (a new Scotch March)
M:4/4
L:1/8
S:Henry Atkinson 1694/5 transcribed John Stokoe 1883
K:D Major
c2ccB2BB|A2A2Bcd2|g2d2edcB|ABcdB2G2:||:g2G2|g2G2|gfedg2G2|G2GGF2FF|E2E2c
4|c2c2B3B|A2A2f3e/2f/2|g2d2edcB|ABcdB2G2:||


X:16511
T:The Boys Of Ballysodare
R:Reel
S:Paddy Canny, Clare (fiddle)
Z:Bernie Stocks
N:As played
D:Home tape of unknown provenance
H:Initial 'd' and 'g' of parts 1 and 2 slid dramatically.
M:4/4
K:G
dG(3.G.G.G dGeG | dG(3.G.G.G A2Bc | dG(3.G.G.G dedB | AcBA GEDG |
dG(3.G.G.G dGeG | dG(3.G.G.G BABc | d^cdB eBdB | (3ABc BA GEDf ||
g3a {b}ag(3agf | (3.g.g.f ga bgef | gzdg bgaf | {a}gfed ^cdef |
(3.g.g.f ga bg(3.a.g.f | gfga bgdg | bgag {a}gedB | (3ABc BA GEDc ||
Bd(3.d.d.d Bdad | Bdgd BAAc | Bd(3.d.d.d BcdB | (3ABc BA GEDc |
Bd(3.d.d.d Bdad | Bdgd BAAd | eB{d}BA ~B3B | AcBA GEDE || G4


X:16512
T:The Boys Of Ballysodare
R:Reel
S:Paddy Canny, Clare (fiddle)
D:Home tape of unknown provenance
Z:Bernie Stocks
N:As played
H:Not just a transposition of the usual 'G' version, but has a remarkable tonality
H:of its own.
H:The initial 'c' , the 'F' in bar 5, and the long 'f' in bar 2 of part 2 are 
H:heavy slides
M:4/4
K:C %i.e. F
cF(3.F.F.F cFdF | cF(3.F.F.F AGGA | cF(3.F.F.F edcA | GFAG  (3FED CF |
AF~F2 F4 | (3.A.A.F cF dFcF | DEFA dcAF | GcAG (3FED FA ||
de^fg ~a3g | ^f3g (3agf de | {a}^fefg abag | ^fded Adde |
de^fg ~a3g | ^f3g (3agf de | a^fge fdcA | GcAG =FDDc ||
Ac(3.c.c.c Ac^fc | Ac^fc AGGc | Ac~c2 dc{d}cA | GcAG FDDc |
Ac~c2 Ac^fc | Ac^fc AGGc | dA(3.A.A.A AGAF | GcAG FDDA ||


X:16513
T:The Boys of Cormacreeva
R:Reel
S:Andy Dickson, Belfast (fiddle)
C:James McMahon
D:Private tape
N:As played
Z:Bernie Stocks
M:4/4
K:D
~E3B {d}BAFE | (3.D.D.DFD {F}EDAD | EB{d}BA {d}BAFE | DFAF E2{F}ED |
EB{d}BA {d}BAFE | D2(3FED ADFD | BdBA FBAF |1 EDAF ~E2{F}ED :|2 EDAF E4 ||
(3Bcdef afef | {baf}a2 bf afef | dB{d}BA FEFA | (3BcdBA FEFA |
Bdef afef | {baf}a2bf afef | dB{d}BA FBAF | DEFA E4 :|


X:16514
T:The Braes o' Forbes
Z:Jack Campin <http://www.purr.demon.co.uk/jack/> version 1.0 September 2001
C:Geo. S. McLennan
S:G.S. McLennan, Highland Bagpipe Music book 1, 1929
B:NLS MH.s.234
R:Strathspey
M:C
L:1/8
Q:1/4=112
N:upbeats before each second repeat have been halved (printed as quavers in the book)
K:Hp
   a/| {AGAG}A2  {gcd}c>B {gBd}B{e}A {gAGAG}A>{d}c|  {g}e>f {gef}e>d {gde}d<c {GdG}c3/ |\
[1 a/| {AGAG}A2  {gcd}c>B {gBd}B{e}A {gAGAG}A>{d}c|
                                                   {gef}e>d {gde}d<c {gcd}c<B {GdG}B3/:|\
[2 d/|    {g}e>f {gef}e>c   {g}A>{d}c  {gef}e>c   |{gfg}f>d {gef}e>c {gcd}c<B {GdG}B3/||
{d}c/|{gAGAG}A>a  {eg}e>d {gcd}c{e}A   {gef}e>d   |  {g}c<e {gfg}f>e {gef}e>c {GdG}c3/ |\
[1 B/|{gAGAG}A>a  {eg}e>d {gcd}c{e}A   {gef}e>f   |
                                                   {gef}e>d {gde}d<c {gcd}c<B {GdG}B3/:|\
[2 d/|    {g}e>f {gef}e>c   {g}A>{d}c  {gef}e>c   |{gfg}f>d {gef}e>c {gcd}c<B {GdG}B3/|]


X:16515
T:The Braes of Angus
M:2/4
L:1/8
K:EMin
EEGE |F2d2| AGFE             |DEFD  |\
EEGE |F2e2| dBdF             |EE E2::
e>feB|eeg2|(a/g/f/e/)  de    |d>efd |\
e>feB|eeg2|(a/g/f/e/) (d/e/f)|e>ee>f|
e>efB|eeg2|(a/g/f/e/)  de    |d>efd |\
egde |BdAc| GAFe             |EE E2:|


X:16516
T:The Braes of Castle Grant
Z:Jack Campin <http://www.purr.demon.co.uk/jack/> version 1.0 September 2001
C:Duncan MacDonald, Castle Grant 1863
C:3rd & 4th parts by Geo. S. McLennan
S:G.S. McLennan, Highland Bagpipe Music book 1, 1929
B:NLS MH.s.234
R:March
M:2/4
L:1/16
Q:1/4=72
K:Hp
{g}ed|{gcd}c2{g}B{d}A {gef}eA{d}ce   |     a2{GdG}ag     {afg}fe{g}fa |\
           c2{GdGe}cf   {g}eA{d}ca   |     B2{GdGe}Bc    {gBG}B2{g}ed |
      {gcd}c2{g}B{d}A {gef}eA{d}ce   |     a2{GdG}ag     {afg}fe{g}fa |\
           AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     :|
{d}ce| {ag}a3e        {gfg}fe{g}ce   |{Gdc}df{g}fa        {eg}eA{d}ca |\
           Aaga        {eg}eA{d}ca   |     B2{GdGe}Bc [1 {gBG}B2{d}ce |
       {ag}a3e        {gfg}fe{g}ce   |{Gdc}df{g}fa        {eg}eA{d}ca |\
           AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     :|
                                                      [2 {gBG}Ba{eg}ed|\
      {gcd}c2{g}B{d}A {gef}eA{d}ce   |     a2{GdG}ag     {afg}fe{g}fa |\
           AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     ||
{g}ed|  {g}c2{GdGe}cB   {g}AB{d}ce   |  {g}fgag          {afg}fe{g}fa |\
           c2{GdGe}cB   {g}Ae{g}c{d}A|  {g}B2{GdGe}Bc    {gBG}B2{g}ed |
        {g}c2{GdGe}cB   {g}AB{d}ce   |  {g}fgag          {afg}fe{g}fa |\
           AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     :|
{d}ce|     a2{GdG}ae    {g}fe{g}ce   |{gfg}fe{g}fd         {g}ceac    |\
        {g}Ad{g}fd      {g}cd{gef}ec |  {g}B2{GdGe}Bc [1 {gBG}B2{d}ce |
           a2{GdG}ae    {g}fe{g}ce   |{gfg}fe{g}fd         {g}ceac    |\
        {g}AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     :|
                                                      [2 {gBG}B2{g}ed |\
        {g}c2{GdGe}cB   {g}AB{d}ce   |  {g}fgag          {afg}fe{g}fa |\
           AB{GdG}ca       ce{g}B{d}c|  {g}A3{GdGe}A   {gAGAG}A2     |]


X:16517
T:The Braes of Letterfourie
M:4/4
L:1/8
Q:128
K:A
Ac/e3/2e3/2c/d/c/B/A/F2E3/2A/E/C3/2B,2B,3/2d/c/e3/2e3/2c/d/c/B/A/F2E3/2A
/G3/2B/A2-A|A
W: A D A E7 A D A E7 A
c/e3/2e3/2c/d/c/B/A/F2E3/2A/E/C3/2B,2B,3/2d/c/e3/2e3/2c/d/c/B/A/F2B/E3/2
G3/2E/A2-A|B
W: A D A E7 A D E7 A
A/A/Ad/c/ B/A/e/A3/2c3/2A/B3/2E/c3/2E/d3/2E/B3/2E/A/A/Ad/c/ B/A/e/A3/2c3
/2A/B/E3/2G3/2E/A2A3/2E/
W: A E7 A E7 A
A/A/Ad/c/ B/A/e/A3/2c3/2A/B3/2E/c3/2E/d3/2E/B3/2E/A,/A,/A,E3/2C/F3/2D/E3
/2C/B,/B3/2E3/2G/A/A,3/2A,|z
W: A E7 A D A E7 A


X:16518
T:The Brass (?Braes) of Acklebire
M:2/2
L:1/8
S:Armitt MS
N:It is obvious that another page has blotted on this one, and there are
N:a lot of extraneous blots   cont/ however I think the notes represented
N:here
N:as chords are alternate note
K:C major
C2CD EGGA|cded cAGc|A/2A/2A AG A2a2|ecge d2c2|"see note"[C2B2][GC]D EGGA
|cded cAGc|AGGc F
cEc|d/2c/2B c[Eg][D2f2]C2:||:efga gece|afdf edcG|A/2A/2A ag a2b2|ecge d2
c2|e
fga gece|gfdf edcG|AcGc FcEc|d/2c/2BED2C2:|


X:16519
T:The Breakdown
% Nottingham Music Database
S:Eric Foxley
M:4/4
L:1/4
K:A
P:A
(3e/2f/2g/2|"A"aA A/2c/2B/2A/2|"A"EA A/2c/2B/2A/2|"Bm"FB B/2c/2B/2A/2|\
"E7"G/2A/2B/2c/2 d/2e/2f/2g/2|
"A"aA A/2c/2B/2A/2|"A"EA A/2c/2B/2A/2|"Bm"G/2A/2B/2c/2 "E7"d/2e/2f/2g/2|\
"A"a/2e/2c/2e/2 A:|
P:B
c/2B/2|"A"Aa Aa|"A"AA/2B/2 cB/2A/2|"E"Ee Ee|"E7"EB/2c/2 dc/2B/2|
"A"Aa Aa|"A"AA/2B/2 cB/2A/2|"E7"EB/2c/2 e/2d/2c/2B/2|"A"Ac A:|


X:16520
T:The Bridal Jig
M:6/8
L:1/8
K:G
D|G2 G BGB|def gfg|ecA dBG|FAG FED|!
G2 G BGB|def gfg|ecA dBG|cAF G2:|!
|:G|Bee edB|def g2 a|bag agf|e2 e edB|!
Bee edB|def g2 a|bag agf|e3 e2:|!


X:16521
T:The Bridge of Gairn
M:4/4
L:1/8
Q:128
K:D
AF3/2D/D/D/ DB,3/2D/A,3/2D/F3/2D/A3/2F/B/E3/2E3/2A/F3/2D/D/D/ DB,3/2D/A,
3/2D/G3/2B/A3/2c/d/D3/2D3/2A/
W: D G D D Em D G D Em A7 D
F3/2D/D/D/ DB,3/2D/A,3/2D/F3/2D/A3/2F/B/E3/2E3/2c/d3/2f/a3/2e/B3/2d/A3/2
F/G3/2B/A3/2c/d/D3/2D3/2g/
W: D G D D Em Bm A G D Em A7 D
f3/2d/f/e/ d/c/d3/2B/A3/2F/G3/2B/F3/2A/B/E3/2E3/2g/f3/2d/f/e/ d/c/d3/2B/
A3/2F/G3/2b/a3/2g/f/d3/2d3/2g/
W: D G D Em D A7 D G D Em A7 D
f3/2d/f/e/ d/c/d3/2B/A3/2F/G3/2B/F3/2A/B/E3/2E3/2A/F/D3/2F/A3/2G/B3/2A/d
3/2c/e3/2A3/2c/d/D3/2D|z
W: D G D Em D A7 D G D A7 D


X:16522
T:The Bridge of Perth
Z:Jack Campin <http://www.purr.demon.co.uk/jack/> version 1.0 September 2001
C:set by Geo. S. McLennan
S:G.S. McLennan, Highland Bagpipe Music book 1, 1929
B:NLS MH.s.234
R:Reel
M:C|
L:1/8
Q:1/2=88
N:initial repeat sign printed at the start of the first part
N:bar 5 in last part printed as |{gAGAG}Aeag {a}gg{eg}ec|
K:Hp
{gAGAG}A2 {gef}eA     {d}c{e}A{g}fe   |  {g}ce{gAGAG}Ae    a>e {gcd}c2 |\
{gAGAG}A2 {gef}eA     {d}c{e}A{gef}ec |  {g}Bd{e}G{d}B  {a}g>d {gBd}B2 |
{gAGAG}A2 {gef}eA     {d}c{e}A{g}fe   |  {g}ce{gAGAG}Ae    a>e {gcd}c2 |\
    {g}A{d}c{gef}ed   {g}ce{g}A{d}c   |  {g}Bd{e}G{d}B  {a}g>d {gBd}B2||
{gAGAG}Aaea          {cA}caea         | {cA}ca{eg}ef  {gef}e>A {gcd}c2 |\
{gAGAG}Aaea              c2{GdG}e>f   | {gf}gaeg      {ade}d>G {gBd}B2 |
{gAGAG}Aaea          {cA}caea         | {cA}caef      {gef}eA{d}ce     |\
       af{a}ge        {g}fd{gef}ec    |  {g}Bd{e}G{d}B  {a}g>d {gBd}B2||
    {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gef}e3{g}A/a/  {eg}eA  {gcd}c2 |\
    {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gBd}B2{e}G>g  {ade}d>G {gBd}B2 |
    {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gef}e3{g}c/e/      ae  {gcd}c2 |\
    {g}A2 {dAe}A>{d}c {g}Ae{g}A{d}c   |{gBd}B2{e}G>g  {ade}d>G {gBd}B2||
{gAGAG}Aeag           {a}fa{eg}ec     |{gef}e2{AGAG}Aa {eg}eA  {gcd}c2 |\
{gAGAG}Aeag           {a}fa{eg}ec     |  {g}Bd{a}ge   {gde}d>G {gBd}B2 |
{gAGAG}Aeag           {a}fa{eg}ec     |{gef}e2{AGAG}Aa {eg}eA{d}ce     |\
    {g}faef           {g}de{g}cd      |  {e}Bg{a}fg   {ade}d>G {gBd}B2|]


X:16523
T:The Brig o' Dee
M:4/4
L:1/8
Q:128
K:D
AF/A3/2A3/2F/G3/2F/E3/2D/F/A3/2A3/2G/F3/2A/d2F/A3/2A3/2F/G3/2F/E3/2D/G3/
2A,/F3/2A,/E/E/EB|A
W: D A D D Em A D Em A
F/A3/2A3/2F/G3/2F/E3/2D/F/A3/2A3/2G/F3/2A/d2F/A3/2A3/2F/G3/2F/E3/2D/G3/2
A,/F3/2A,/E/E/Ec|B
W: D A D D Em A D Em A
A/d3/2d e/f/g3/2A/f3/2A/g3/2A/f3/2A/(3efd(3cBAA/d3/2d e/f/g3/2f/g3/2b/a3
/2g/f3/2e/d2d|c/B/
W: D A D A D A D G D A D
A/d3/2d e/f/g3/2A/f3/2A/g3/2A/f3/2A/e3/2f/g3/2b/(3aga(3def(3gfg(3BcdA3/2
G/F3/2E/D2D|z
W: D A D A D Em D Em D A D


X:16524
T:The Broken Pledge
R:Reel
S:Paul O'Shaughnessy, Dublin (fiddle)
D:Television broadcast
H:Up a tone from its usual 'Dm'
Z:Bernie Stocks
M:4/4
N:As played
K:D
f || edBA BE~E2 | dBAG FDDF | EFGA Beed | (3BcB Ad Bd (3.g.g.f |
edBA ~B3c | dBAG FDDF | EFGA Beed | (3BcBAF {G}FEE2 ::
ed (3.B.B.A Bdef | {agf}g2 eg fdBc |{e}dAFA +d3D3+e | {afe}f2 eg fd(3.B.c.d |
edBA {dBA}B2 ef | f-geg fdBA | +B3G3+A Beed | (3BdB AF {G}FEE2 ||


X:16525
T:The Broken Window
R:jig
C:Otis Tomas
O:20th Century Cape Breton
D:The Lighthouse, Cranford Publications
B:The Lighthouse Collection, ISBN 0-9691181-5-5
N:..... Otis Tomas Stringed Instruments 1-902-929-2766
N:..... <http://www.fiddletree.com
Z:Used by permission of the composer and publisher.
Q:300
L:1/8
M:6/8
K:F
D|C3 A,B,C|DFA GAc|dfd cAF|GFG AFD|!
C3 A,B,C|DFA GAc|dfd cAG|AFF F2:|!
|:A|cFA cde|fdB c2 A|BAG Bdf|bag afd|!
[1 c3 cde|fdB c2 A|BFD fdc|AFF F2:|!
[2 fcc cBc|dcB c2 A|BFD fdc|AFF F2|]!


X:16526
T:The Broken Window
R:jig
C:Otis Tomas
O:20th Century Cape Breton
D:The Lighthouse, Cranford Publications
B:The Lighthouse Collection, ISBN 0-9691181-5-5
N:Contacts ...
N:..... Otis Tomas Stringed Instruments 1-902-929-2766
N:..... <http://www.auracom.com/~otomas/index.htm>
N:..... Otis <otis@cranfordpub.com>
Z:This abc transcription is for personal use only,
Z:provided this notice remains attached.
Z:Used by permission of the composer and publisher.
Z:Paul Stewart Cranford  <psc@cranfordpub.com>
Q:300
L:1/8
M:6/8
K:F
D|C3 A,B,C|DFA GAc|dfd cAF|GFG AFD|!
C3 A,B,C|DFA GAc|dfd cAG|AFF F2:|!
|:A|cFA cde|fdB c2 A|BAG Bdf|bag afd|!
[1 c3 cde|fdB c2 A|BFD fdc|AFF F2:|!
[2 fcc cBc|dcB c2 A|BFD fdc|AFF F2|]!


X:16527
T:THE BROOSOM HORNPIPE, 1st setting (Re-tune AEAE, play as written)
B:John of the Greeny Cheshire Way
N:© John Offord, Reproduced with permission
M:3/2
L:1/8
K:A
P:1
A aga A2 B=c A2 e2 | FEF=G B2 E2 F3 B |\
A2 a2 A2 B=c A2 e2 | c2 A4    E2 F3 B ||
P:2
AB^cA a^gfe fedc | d2 B4 E2 F3 B |\
A2 a2 cdec  BcdB | c2 A4 E2 F3 B ||
P:3
ABcd efec efec | dcdB cBc E F3 B |\
ABcd efec fgaf | c2 A4    E2 F3 B||
P:4
B,2 D2 =C2 E2 B,2 D2 | A,2   B4  E2 FED=C|\
B,2 D2 =C2 E2 B,2 D2 | =G,2 =G4 E2 F3 B ||
P:5
=G,2 B,2 A,2 =G2 G,2 =G2| A,2 =G4 E2 FED=C |\
B,=CDB, =CDE=C B,=CDB, | =G,2 =G4 E2 F3 B ||
P:6
Aa^ga ^cdec Bcde | F2 B4 E2 F3 B |\
agfe   fedc dcBA | a2 A4 E2 F3 B |]


X:16528
T:THE BROOSOM HORNPIPE, 2nd setting (Re-tune AEAE, play as written)
N:© John Offord, Reproduced with permission
M:3/2
L:1/8
B:John of the Greeny Cheshire Way
K:A
A2 e2 A2 B=c A2 e2 | F2  B4 E2 F3 B |\
A2 e2 A2 B=c A2 e2 | ^c2 A4 E2 F3 B ||
A2 a2 g2 f2 e2 c2 | d2 B4 E2 F3 B |\
A2 a2 g2 f2 e2 d2 | c2 A4 E2 F3 B ||
ABcd efec efec | d2 B4 E2 F3 B |\
ABcd efec efec | c2 A4 E2 F2 ED||
B,2 D2 =C2 E2 B,2 D2 | A,2 B4 E2 FED=C |\
B,2 D2 =C2 E2 B,2 D2 | =G,2 =G4 E2 F3 B ||
ABcd efec efec | d2 B4 E2 F3 B |\
ABcd efec efec | efec efec BcdB||
ABcd  efec efec | d2 B2 gfec BcdB |\
A2 a2 gagf efed | cdec A2 E2 FED=C||
B,2 D2 =C2 E2 B,2 D2 | A,2 B4 E2 FEDB, |\
G,2 B,2 A,2 =C2 B,2 D2 | =G,2 G4 E2 FEDB, ||
=G,3 B, A,2 =G2 =G,2 =G2 | A,2   B4 E2 FED=C|\
B,=CDB, =CDE=C  B,CDB,   | =G,2 =G4 E2 F3 B||
A2 a2 g2 f2 e2 c2 | d2 c2 B2 A2 F2 B2 |\
A2 a2 g2 f2 e2 d2 | c2 A4 E2 F2 ED |]


X:16529
T:The Brown Haired Girl
R:Jig
S:(Sharon shannon)
H:
N:See also Dog Big and Dog Little/Seamus Quinn
D:Galway Arts Festival Concert
Z:Adrian Scahill
M:6/8
L:1/8
K:D
F2A GEE|FED ECA,|F2A GEE|EDC D2E:||\
d3 dBA|Bcd AFD|d3 dBA|Bcd A2G|\
F2A GEE|FED ECA,|F2A GEE|EDD D3||


X:16530
T:The Buff Coat hath no fellow
M:6/4
L:1/4
S:Henry Atkinson 1694/5 transcribed John Stokoe 1883
K:D Major
B/4c/4|d2AF>ED|Eedc2B/2c/2|d2AF2E|F D2-D2:||:B/2c/2|dcdBcd|edec>BA|dcde
de|f3a3|f>efBcd|edec>Bc|d2AF2E|FD2-D2:||


X:16531
T:The Bugle Horn pg A49 and A54
M:2/4
L:1/8
S:Armitt MS
N:The only difference between the two versions is in the third bar from
N:the end, where A49 has D B D rather than D A
K:D major
a|affd|d2AA|ddee|f/2e/2f/2g/2 fa|affd|d2Ad|eeef|d3:||:f|d2Af|d2Af|dfdf|d
2Aa|affd|d2Ad|eeef|d3||


X:16532
T:The Bunch Of Green Rushes
R:Reel
S:Paddy Canny, Clare (fiddle)
D:Home tape of unknown provenance
Z:Bernie Stocks
N:As played
M:4/4
K:G
cAGE =F3d | czGc Ad~d2 | cAGE =Fzag | fded Ad~d2 :|
Ad~d2 cAGE | =FGAc {d}cAGc | Ad~d2 cAGA |1 cdeg {a}gedc :|2 cdeg {a}gece ||
d2fd adfd | (3.c.c.c ec gcec | d2fd adfd | cAGc Addc |
d2fd adfd | c2{d}cB cd(3efg | (3agf ge fded | cAGc Ad~d2 ||


X:16533
T:The Bunch of Green Rushes
R:Reel
S:
H:
N:
D:
Z:Adrian Scahill
M:4/4
L:1/8
K:C
cAGE F2FA|cAGc Adde|cAGE F2ag|1 fdec Adde:|2 fdec Addc||\
:Adde cAGE|FGAB cAGc|AddA cAGA|1 cdeg gedc:|2 cdeg gece||\
K:G\
d2fd adfd|c2ec gcec|d2fd adfd|cAGc Addc|\
d2fd adfd|cdef g2fg|afge fded|cAGc Adde||


X:16534
T:The Bunch Of Keys
R:Reel
S:Paddy Canny, Clare (fiddle)
H:Slide all held notes
D:Home tape of unknown provenance
Z:Bernie Stocks
N:As played
M:4/4
K:G
DEFD G4 | (3.G.G.G dG eGdG | DE=FD F3G | (3.A.A.=F cF dFcF |
DEFD G3A | _BAGA =Bcde | =fage fd(3.c.c.A | GBAG DGGF |
DEFD G4 | (3.G.G.G dG eGdG | DE=FD F4 | dc_BA BAG=F |
DE{G}FD G3A | _BAGA =Bcde | =fage fd(3.c.c.A | GBAG DGG2 ||
|: dgfa g3a | bg~g2 bg{a}gf | f3e {a}=fefg | ag=fg afgf |
dg~g2 dgbg | agfa gfde | (3.=f.f.a ge fdcA | GBAF DGG2 :|
|: BG(3.G.G.G BGdG | BG(3.G.G.G Bdgd | A=F(3.F.F.F AFcF | A=F(3.F.F.F A_BcA |
BG(3.G.G.G BGdG | BG(3.G.G.G Bcde | fage fdcA | GBAF DGG2 :|


X:16535
T:The Bunch of Keys
R:Reel
C:Traditional
S:Fiddler's Fakebook
D:Kevin Burke, Sweeney's Dream, Folkways FW 8876
Z:Added by Alf Warnock
M:4/4
L:1/8
K:F
GF|:DGGF G2Ac|B~G3 dGBG|DFFE F3B|A~F3 DFAF|
DGGF G2Ac|BGGA Bcde|fefd cAFA|1 ABAF DGGF:|2 B2AF DGGA||
dggf g2dg|~g2dg agfd|cffe efcf|~f2ag fAcf|
dggf g2dg|~gdga gfd|c~f3 cAFA|1 BGAF DGGA:|2 BGAF DGG2|


X:16536
T:The Burdett
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:D
A|"D"d2d f2a|"Em"gfg "A7"e2a|"Bm"f2d "E7"B2e|"A7"cBc A2A|
"D"d2d f2a|"Em"gfg "A7"e2a|"Em"afd "A7"gec|"D"d2f d2::
A|"D"d2d "F#m"cBc|"G"B2B B2B|"E7"e2e dcd|"A7"c2c c2A|
"D"dcd "A7"ede|"Bm"fef "Em"gfg|"D"afd "A7"gec|"D"d2f d2:|


X:16537
T:The Butterfly
R:Slip Jig
C:Tommy Potts
D:Bothy Band: 1975.
A:Ireland
Z:id:hn-slipjig-3
M:9/8
K:Edor
"Em"B2E G2E "D/F#"F3|"Em"B2E G2E "Bm7"FED|"Em"B2E G2E "D/F#"FGA|"Bm7"B2d d2B AFA:|
|:"Em9"B2d e2f "Bm7"g3|"Em9"B2d g2e "Bm7/F#"dBA|"Em9"B2d e2f "Bm7"g2a|"Bm7/F#"b2a g2e dBA:|
|:"G"B3 B2A "Am/G"G2A|"G"B3 BAB "D/F#"dBA|"G"B3 B2A "Am/G"G2A|"Bm7"B2d g2e dBA:|


X:16538
T:The Butterfly
R:Slip Jig
C:Tommy Potts
D:Bothy Band: 1975.
A:Ireland
Z:id:hn-slipjig-3
M:9/8
K:Edor
"Em"B2E G2E "D/F#"F3|"Em"B2E G2E "Bm7"FED|"Em"B2E G2E "D/F#"FGA|"Bm7"B2d d2B AFA:|
|:"Em9"B2d e2f "Bm7"g3|"Em9"B2d g2e "Bm7/F#"dBA|"Em9"B2d e2f "Bm7"g2a|"Bm7/F#"b2a g2e dBA:|
|:"G"B3 B2A "Am/G"G2A|"G"B3 BAB "D/F#"dBA|"G"B3 B2A "Am/G"G2A|"Bm7"B2d g2e dBA:|


X:16539
T:THE BUTTERFLY, a North country tune
B:John of the Greeny Cheshire Way
N:© John Offord, Reproduced with permission
M:3/2
L:1/8
K:G
P:1
G2| B d3 g2 BcdB g2 | d2 B2 G2 BcdB g2 | BcdB  g2 g4 A2 |\
    BcdB d2 BcdB g2 | d2 B2 G2 e3 c e2 | d2 B2 d2 f4 A2 ||
P:2
    B2 e2 ef g3 f e2| d2 B2 G2 B2 d2 ef| g3 f e2 f4 A2 |\
    B2 d2 ef g3 f e2| d2 BcdB  e2 cdec | d2 BcdB f4 A2 ||
P:3
    BcdB d2 BcdB g2 | d2 B2 G2 BcdB d2 | BcdB g2 f4 A2 |\
    BcdB d2 BcdB g2 | d3 B  d2 e3 c e2 | d3 B d2 f4 A2 ||
P: 4
   G2 g2 B2 g3 B g2 | c2 g2 c2 G2 g2 B2| g3 B g2 A2 f2 A2 |\
   G2 g2 B2 g3 B g2 | B2 g2 B2 A2 f2 A2| g3 B g2 f4    A2 ||
P:5
   d4 _eded   cB g2 | d2 B2 G2 d4   _ed| _edcB g2 f4   A2 |\
   d4 _eded   cB g2 | d2 B2 d2 =e2 c2 e2|d2 B2 d2 f4   A2 ||
P:6
   B2 d2 g2 g2 efge | g2 G2 g2 B3 d g2 | g2 efge  f4   A2 |\
   B2 d2 g2 g2 efge | d2 BcdB  e2 cdec | d2 BcdB  f4   A2 |]


X:16540
T:The Cairdin' O't
Z:Footnote: 16 July 1996
M:4/4
L:1/8
Q:212
K:A
EA3 Bc3|de2a fecB|Adcd fecB|AGAB cB2B|cdcd efga|fecB AAGF|EA3 BceB|dc2A2A2E2
W: A A D A B E D A D A E A
A3 Bc3|de2a fecB|Adcd fecB|AGAB cB2B|cdcd efga|fecB AAGF|EA3 BceB|dc2A2A2a|f
W: A A D A B E D A D A E A
ecA ce2a|fecA ce2d|cdcd efga|fg2e2e2d|cdcd efga|fecB AAGF|EA3 BceB|ec2A2A2a|f
W: A A Bm B E D A D A E A
ecA ce2a|fecA ce2d|cdcd efga|fg2e2e2d|cdcd efga|fecB AAGF|EA3 BceB|ec2A2A2
W: A A Bm B E D A D A E A


X:16541
T:The Cairding Ot.
M:4/4
L:1/8
K:A
E2|A2 AB cBcd|e2 af ecAc|dcdf ecBA|GABc B3 c|!
dcde fgaf|ecBA AGFE|A2 AB ceBd|c2 A2 A2:|!
|:af|ecAc e2 af|ecAc e2 c2|dcde fgaf|g2 e2 e2 c2|!
dcde fgaf|ecBA AGFE|A2 AB ceBd|c2 A2 A2:|!


X:16542
T:The Cairns of Drumderfit
Z:Jack Campin <http://www.purr.demon.co.uk/jack/> version 1.0 September 2001
C:Geo. S. McLennan
S:G.S. McLennan, Highland Bagpipe Music book 1, 1929
B:NLS MH.s.234
R:Slow March
M:4/2
L:1/8
Q:1/2=48
K:Hp
{d}B|{gef}e4   {A}e3f  {gf}g4  {ag}a3g   |{afg}f4   {g}e3d       {gBd}B4 {G}A3{d}B|\
     {gef}e4   {A}e3f  {gf}g4 {afg}f3e   |{Gdc}d4 {gBd}B3{G}A    {gAd}A4 {e}G3B   |
     {Gdc}d4   {g}e3d {gBd}B4 {Gdc}d3e   | {gf}g4 {afg}f3d       {gef}e4 {A}e3f   |\
      {gf}g4  {ag}a3g {afg}f4   {g}e3d   |{gBd}B4   {g}e3f       {gBd}B4 {G}A3   ||
{d}B|{gef}e4 {gde}d3B {Gdc}d4 {gBd}B3{G}A|  {e}G4 {gBd}B3{G}A    {gAd}A4 {e}G3B   |\
     {Gdc}d4 {gdc}d3e  {gf}g4   {a}f3g   | {ag}a4   {f}g3f       {gef}e4 {g}A3{d}B|
     {gef}e4 {gde}d3B {Gdc}d4 {gBd}B3{G}A|  {g}B4 {GdG}B2{Gdc}d2 {gef}e4 {A}e3f   |\
      {gf}g4  {ag}a3g {afg}f4   {g}e3d   |{gBd}B4   {g}e3d       {gBd}B4 {G}A3   |]


X:16543
T:The Cameronian's Rant.
M:2/4
L:1/8
K:EMin
g|dG G/G/G|dGBG|dG G/G/G|   d2 Bd | cA     A/A/A| cABA     |TcA     A/A/A|d2B::
A|Gg-ga   |gedB|Ggga    |   geTdB | Aaab        | AgTfe    | Aaab        |agf
e|dg-ga   |gedB|Gg-ga   |{g}f2(eg)|(f/g/a) eg   |(f/g/a) eg|(f/g/a) eg   |f2e|]


X:16544
T:The Campbell's are coming.
M:6/8
L:1/8
K:G
G|B2e dBG|A>BA A2G|B2e  dBG|d>BB TB2
A|B2e dBG|A>BA g2a|g>eg dBG|B>cB  B2:|
G|g2g gab|d>ed dBG|g2g  gab|g>ee  e2
d|def gfe|def g>ab|g>eg dBG|B>cB  B2:|


X:16545
T:The Campbells are Comin'
S:222 Popular Scottish Songs with Music (1868)
N:this tune has probably the most complicated history and the most
N:alternate titles of anything in Scottish musical tradition
M:6/8
L:1/8
K:D
D|FAB  AFD |F2F  F2E|FAB AFD |E2E E2
D|FAB  AFD |F>GF def|dBd AFD |F2F F2||
A|d2d  d>ef|A2A  AFD|d2d d>ef|B2B B2
A|A>Bc d>cB|A>Bc def|dBd AFD |F2F F2|]


X:16546
T:The Campbells Are Coming. TLY.040
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Jig
O:England.
A:Lancashire.
N:No keysignature given in original, but probably D. At end it is marked
N:DC - I've used chord notation to cheat
H:1860.
Z:Taz Tarry.
K:C
G|cea gec|[Ge][Ge][Ge] [G2e2] d|cea gec|[Ge][Ge][Ge] [G2e2] e|cea gec|!
e2 g c'2-d'|e'-d'c'- c'b-a| gaf efd:||G|c2c cde| G2G GED|!
c2c cde|A2A A2B|cdc cBA| GAB c2d|edc cBA|gaf "D.C."efd||


X:16547
T:The Cape Breton Fiddler's Welcome to the Shetland Isles.
R:Reel
C:W. Hunter (1982)
N:Play AABBAABB', where B' is B with the coda
A:Cape Breton
B:Sandy Macintyre's lesson book
Z:WM - 1 Dec 1996
M:4/4
K:A
AF |: E>C C/C/C ~C2 B,C | A,B,CE ~FECE | F>B B/B/B BcBA |
Bffe f2fg | a>c c/c/c e>A A/A/A | cBAF E>C C/C/C |
FGAF Eaaf |1 ecBc A2AF :|2 ecBc A2fg |
|: a>e e/e/e efed | c>e e/e/e fece | b>f f/f/f fgfe |
defd B2"Last time to Coda [*]" fg | a>e e/e/e efed | c>e e/e/e fece |1
fdge afed | cdBc A2fg :|2 fdec dBcA | Bagf eAGF |
"[*] Coda"ed | cdBc ABGA | FGEF DECD | B,CDE F^ABc | defg a4 ||


X:16548
T:The Cape Breton Visit to Shetland
R:reel
C:W.Hunter 1982
Z: 1997 by John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/abc/
M:C|
L:1/8
Q:1/4=200
K:A
AF \
| "A"EC ~C2 C2B,C | A,B,CE FECE | "D"FB~B2 "Bm"BcBA | "E7"Bffe f2fg |
| "A"ac ~c2 eA ~A2 | cBAF "F#m"EC ~C2 | "D"FGAF "A"Eaaf | "E7"ecBc "A"A2 :|
|: fg \
| "A"ae ~e2 efed | ce ~e2 fece | "Bm"bf ~f2 fgfe | defd "E7"B2"=>Coda"fg |
| "A"ae ~e2 efed | ce ~e2 fece |1 "D"fdge "Bm"afed | "E7"cdBc "A"A2 :|2 "D"fdec "Bm"dBcA | "E7"Bagf "d.C."eAGF :|
|| "Coda"ed \
| "A"cdBc "F#m"ABGA | "D"FGEF "Bm"DECD | B,CDE F^ABc | "E7"defg "A"a4 |]


X:16549
T:The Carle he came o'er the Craft.
M:2/4
L:1/8
K:AMix % fits the bagpipe
A>BAe   |cAce|gddc|Bc/d/ BG |\
A>BAe   |cAce|aeed|cd/e/ cA:;
aAAB    |cdef|gGGA|B/c/d BG |\
AA/A/ a2|gea2|aeed|c/d/e cA:|


X:16550
T:The Castle
T:Sean Ryan's
C:Sean Ryan
M:6/8
R:Jig
A:Ireland
K:G
B|~c3 ~B3|AGE DB,G,|~A,3 EDB,|DEG AGE|
~c2A (3Bcd B|AGE DB,G,|~A,3 ECE|DB,G, A,2:|
B|cBA ~a3|bag edB|GBd ~g3|G,B,D GBG|
cBc d^cd|ede gab|age dBG|EFG A2 :|
%%newpage


X:16551
T:The Castle
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:G
D|"G"G3 GAB|"Am"A3 "D7"ABc|"G"edd gdd|"C"edB "D7"dBA|
"G"G3 GAB|"Am"A3 "D7"ABc|"G"edd gdB|"D7"AGF "G"G2::
A|"G"BAB dBd|"C"e/2f/2ge "D"dBA|"G"BAB dBG|"D7"ABA A2A|
"G"BAB dBd|"C"e/2f/2ge "D"dBA|"G"gfg "D7"aga|"G"bgg g2:|


X:16552
T:The Castle
T:Sean Ryan's
C:Sean Ryan
M:6/8
R:Jig
A:Ireland
K:G
B|~c3 ~B3|AGE DB,G,|~A,3 EDB,|DEG AGE|
~c2A (3Bcd B|AGE DB,G,|~A,3 ECE|DB,G, A,2:|
B|cBA ~a3|bag edB|GBd ~g3|G,B,D GBG|
cBc d^cd|ede gab|age dBG|EFG A2 :|
%%newpage


X:16553
T:The Castleblaney Piper
R:jig
C:Ed Reavy
M:6/8
L:1/8
Z:Joe Reavy
N:Ed said that this was a great place for pipers 
N:in his day. Ed is not a great lover of the pipes, 
N:but he had a special feeling for these great pipers 
N:of his childhood days when he visited the Hamills 
N:and family friends in County Monaghan.
K:D
A/2G/2|FDF ABc|dfd AGF|GBG EFG|FDF GFE|FDF ABc|
dfd cde|faf gec|edc d2:||e||fed gfe|fed cAF|
GBG FGA|BGE E3|f2 d g2 e|fed cde|faf gec|edc d2 e||
fed gfe|fed cAF|GBG FGA|BGE EFG|FDF ABc|dfd cde|
faf gec|edc d2|| 


X:16554
T:The Cat in the Hopper
R:jig
M:6/8
K:Ador
~A3 Bcd|BGG ~G2B|ABA a2f|gee e2f|
~g3 gfe|ded Bcd|efe ~e2d|1 cAA A2G:|2 cAA A3||
|:eaa aga|bgg ~g2b|~a3 agf|gee e2f|
~g3 gfe|ded Bcd|efe ~e2d|1 cAA A3:|2 cAA A2G||


X:16555
T:The Cat Walk
% Nottingham Music Database
S:Fiona Maurice-Smith, via PR
M:4/4
L:1/4
K:D
"D"D/2E/2F/2A/2 BA/2B/2|dc/2d/2 B/2A/2F/2E/2|"D"DD/2E/2 F/2A/2B/2A/2|\
"A7"c3/2B/2 A/2F/2E/2F/2|
"D"D3/2E/2 F/2A/2B/2A/2|"D"d3/2B/2 A/2F/2E/2D/2|"C"=C/2D/2E/2C/2 A/2G/2E/2C/2|\
"D"=C/2DC/2 D2::
"D"d2 "A7"e2|"D"f/2e/2d/2B/2 A2|"D"f3/2g/2 f/2d/2A/2B/2|\
"C"=c/2B/2c/2d/2 e/2d/2c|"D"d2 "C"e2|
"D"f/2a/2b/2a/2 f/2e/2d/2e/2|"D"f/2d/2A/2B/2 "C"=c/2G/2E/2G/2|\
"A7"A/2F/2E/2C/2 "D"D2:|


X:16556
T:The Cat's Rambles to the Childs Saucepan 
R:slide
K:D
A3|d2e f2e dcd ~B3|{a}g2e cBA {f}e2A cBA|
d2e f2e dcd ~B3|g2e cBA d3 dBA|
d2e f2e dcd ~B3|{a}g2e cBA {f}e2A cBA|
d2e {fg}f2e dcd ~B3|g2e cBA d3 d2A|
d2e f2a baf a2f|{f}e2A cBA {f}e2A cBA|
d2e f2a baf a2f|{f}e2A cBA d3 dBA|
d2e {g}f2a baf a2f|{f}e2A cBA {f}e2A cBA|
d2e f2a baf a2f|{f}e2A cBA d3 d3|


X:16557
T:The Caucus Reel
M:4/4
L:1/8
C:Jean Duval
S:The Dangerous Reel, by Mike & Mary Rafferty, Rapparee Records AVL95151,
K:G
| dBBd gggd | e2 dB AGAB | dBBd g2 bg | abge g4 :||
bggg ag e2 | geee dega | bggg a2 bg | abge g4 |
bggg ag e2 | geee dBGA | B2 BB AG E2 |1.GEDE G4 :||2.GEDE G3 d||
edgd edBd | egdB A3 d | e2 ge dBGB | gabg aa g2 |
edgd edBd | egdB AGEG | B2 BB AGEG | GEDE G4 :||


X:16558
T:The Cayugaian
M:4/4
L:1/8
Z:Transcribed by DJG
K:G
(3B^cd AF GE ~E2| DE  ~E2 GE ~E2| (3B^cd AF GE ~E2| DEED E4 :|
cG ~G2 cded| cG ~G2 EF ~F2| cG ~G2 cde2|gfed e3 :|
b3 g a3 f|deed efga| bg ~g2 af ~f2| (3B^cd fd e4|
bg ~g2 af ~f2| (3B^cd fd efg2|  bg ~g2 af ~f2| (3B^cd fd e4|


X:16559
T: The Ceilier
C: Ed Reavy
M:C|
R:Reel
K:G
Bc | d<GBd  c=FAc | BGBd gfdc | Bcde =ffeg |\
 ^fdeg c=FAc | BG{A}GF GABc | d<GBd c2 Bc |*
E:12
 dgfa gbag | fdcA G2 :| Bc | dg{a}gf g2{a}gf |\
 dgBg dcBc | de{g}fe f2 {g}fe | dfcf dcBc |\
dg{a}gf gfga | (3bag (3agf gfde | =f2{g}fe fdeg | ^fdcA G2 :|**


X:16560
T:The Ceilier
M:2/2
L:1/8
C:Ed Reavy
R:Reel
N:He would come with his fiddle to "make his ceili." 
N:And he would never come without a new 
N:tune or some new version of an
N:old tune he heard since his last visit. 
N:He could also tell an odd 
N:good story or two.
Z:Joe Reavy
K:G
Bc|d<GBd c=FAc|BGBd gfdc|Bcde =fdeg|^fdBd c=FAc|
BGGF GABc|d<GBd c2 Bc|dgfa gbag|fdcA G2:||
Bc|dggf g2 gf|dgBg dcBc|de=fe f2 fe|d=fcf dcBc|
dggf gfga|(3bag (3agf gfde|=f2 fe fdeg|^fdcA G2:||


X:16561
T:The Chaco Waltz
% Nottingham Music Database
S:Mick Peat
M:3/4
L:1/4
K:Bb
|"Gm"+G2B2++Ac+|+Bd++Ac++GB+|"D"+A/2c/2++A/2c/2++Ac++Bd+|+c3e3+|+^F2A2++GB+|
+Ac++GB++FA+|"Gm"+G/2B/2++G/2B/2++GB++Ac+|+B3d3+|"Gm"+G2B2++Ac+|\
+Bd++G/2B/2++A/2c/2++Bd+|
"Cm"+c2e2++df+|+e3g3+|"D"+e/2g/2++d/2f/2++df++df+|+cf++ce++cf+|"Gm"+B3g3+|\
+B3g3+|
"Cm"+c2e2++df+|+eg++df++ce+|"Gm"+B2d2++ce+|+df++ce++Bd+|"D"+A2c2++Bd+|
+ce++Bd++Ac+|"Gm"+G2B2++Ac+|"G7"+=B3d3+|\
K:G
"C"+c2e2++df+|+eg++df++ce'+|
"G"+B2d2++ce+|"E"+df++ce++Bd+|"Am"+A2c2++Bd+|"D"+c2e2++cf+|"G"+B3g3+|+B3g3+:|


X:16562
T:The Chamberlain Reel
R:Reel
M:2/4
L:1/16
K:D
AG|FDDD DFAd|BGGG G2ed|cAAA Aceg|fddd d2AG|
FDDD DFAd|BGGG G2ed|cAAA Aceg|fddd d2:|
|:f2|gagf g2fg|abaf d2f2|edef gece|defg a3f|
gagf g2fg|abaf d2f2|edef gece|dfec d2:|


X:16563
T:The Cherping of the Larke
M:C|
L:1/4
Q:120
K:F
f2e d/2e2/|fFFd|cBAG|AFF2||
f>fee| L:1/8 dfed c2 A2|Bcd2 cde2|d4 d4||


X:16564
T:The Chest Of Drawers
% Nottingham Music Database
S:John Goodacre 1986, via PR
M:4/4
L:1/4
K:D
"D"d2 "A7"A3/2G/2|"D"FD DE/2F/2|"G""C"GF ED|"A7"CE AB/2c/2|"D"d2 "A7"A3/2G/2|\
"Bm"FD DE/2F/2|"Em"GE "A7"DC| [1"D"D2 D2:|
 [2"D"D2 D3/2|:E/2|"D"FD "C"GE|"D"FD DE/2F/2|"Em"GF ED|
"A7"C/2E/2A A3/2G/2|"D"FD "A7"GE|"D"FD DE/2F/2|"G"GE "A7"DC|"D"D2 D3/2:|


X:16565
T:The Chicago Reel
R:Reel
Z:Transcribed by Henrik Norbeck.
M:C|
K:Ador
cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA|
cded cAGE|~G3E GAcd|eaag (3efged|cABG ~A3B:|
|:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged|
cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:|


X:16566
T:The Chicago Reel
M:C
L:1/8
S:O'Neill's Music of Ireland/Krassen Edition.
R:reel
K:G
AB|cded cAGE|GGGE GAcd|ecgc acgc|ea