%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:11611 T:N'esta triste montaña (CT 184) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu, quien dice que esta canción se la enseñó una anciana mendiga de Sigüencu, ayuntamiento de Cangas d'Onís, según la cual, se cantaba en tiempos de su juventud. O:Sigüencu (Cangas d'Onís) A:Asturies Z:Cancioneru de Torner 184 M:6/8 L:1/8 Q:1/8=120 W:En esta triste montaña, W:¡Ai, de mí! perdí el camino, W:¡Ai, de mí! perdí el camino W:en esta triste montaña, W:en esta triste montaña; W:déxame meté'l rebañu, W:por Dios, en la to cabaña. W: W:Non sé que puede tener. W:Pastora, la to cabaña, W:non sé que puede tener, W:non sé que puede tener W:que se me escapen les cabres W:y allá se quieren meter. W: W:Perdí el camino, W:entre la espesa nublina W:¡ai, de mí! perdí el camino, W:perdí el camino; W:déxame pasar la noche W:en la cabaña contigo. W: W:---------------------------- W: W:¡Ai, de mí! perdí el camino, W:en esta triste montaña, W:déxame meté'l rebañu, W:por Dios, en la to cabaña. W: W:Pastora, la to cabaña, W:non sé que puede tener, W:que se me escapen les cabres W:y allá se quieren meter. W: W:Entre la espesa nublina W:¡ai, de mí! perdí el camino, W:déxame pasar la noche W:en la cabaña contigo. W: W: W:Si con la espesa nublina W:equivocaste el senderu, W:la mio cabaña no alberga W:cabres de cualquier cabreru. W: W:Aunque pastora me ves W:y en un disiertu morar, W:xuro que en la mio cabaña W:el to rebañu no ha entrar. W: W:Anque ta espesa la niebla, W:bien sabes la to cabaña; W:anda sigue el to camino W:que aquí non topes posada. K:G GBd |(c2-c/d/4c/4)A2 G|(A3/2B/4A/4)G G3-|G2 z GBd| (c2-c/d/4c/4)A2 G|(c3/2d/4c/4) B-B3-|B3 GBd| (c2-c/d/4c/4)A2 G|(A3/2B/4A/4)G-G3-|G2 z GBd| (c2-c/d/4c/4)A2 G|(c3/2d/4c/4) B-B3-|B3 GBd| (c2-c/d/4c/4)A2 G|(A3/2B/4A/4)G-G3-|G2 z GBd| (c2-c/d/4c/4)A2 G|(c3/2d/4c/4) B-B3-|B3 GBd| (c2-c/d/4c/4)A2 G|(A3/2B/4A/4)G-G3-|G2 z dcd| (B2-B/(3c/4B/4A/4 G)dB|(c3/2d/4c/4 B-)B3-|B3 dcd| (B2-B/(3c/4B/4A/4 G)Bc|(A3/2B/4A/4)G-G3-|G2 z cBc| (A2-A/(3B/4A/4G/4 F) B(A/>G/)|G6-|G2 z dcd| (B2-B/(3c/4B/4A/4 G)dB|(c3/2d/4c/4 B-)B3-|B3 dcd| (B2-B/(3c/4B/4A/4 G)Bc|(A3/2B/4A/4)G-G3-|G2 z cBc| (A2-A/(3B/4A/4G/4 F) B(A/>G/)|G6-|G2 z GFG| (c3/2d/4c/4) B-B3|Bdc Bdc|(A3/2B/4A/4) (G-G2-G/A/4G/4)| FGA Bdc|(A3/2B/4A/4)G-G3-|G2 z GFG| (c3/2d/4c/4) B-B3|Bdc Bdc|(A3/2B/4A/4) (G-G2-G/A/4G/4)| FGA Bdc|(A3/2B/4A/4)G-G3-|G2|| X:11612 T:N'oublies pas (R. Robert) C:Pennec: Tablatures C:Pierard/Zimmermann: Gout d'hier M:3/4 L:1/8 K:C eA ce ab|aA ce ba|eA ce ae|d6|\ d2 ed ed|cE AB cA|BE Bd cd|e6| eA ce ab|aA ce ba|eA ce ae|d6|\ d2 ed ed|cE AB cA|BE Bd cB|A6:| |:AE Ac ec|AE Ac ec|d2 ed Bd|e2c2B2|\ AE Ac ec|AE Ac ec|d2 ed Bd|B6| AE Ac ec|AE Ac ec|d2 ed Bd|e2c2B2|\ e2d2c2|dG Bd BG|AE Ac ec|A6:| X:11613 T:N'Uviéu nun me caso R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=70 K:C |DED|C3|DED|C3|EEF|G2 F|G2 F|[1 E3 :|[2 EFE| |F2 E|DED|E2 D|CFE|F2 E|DED|E2 D|C3-|C3| X:11614 T:N'Uviéu nun me caso R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:1/8=180 K:C |DED|C3|DED|C3|DEF|G2 F|G2 F|E3| DED|C3|DED|C3|DEF|G2 F|EDE|F2 E| DEF|E2 D|CDE|F2 E|DEF|E2 D|C3| X:11615 T:N'Uviéu nun me caso M:3/8 L:1/8 Q:1/4=150 K:C ded|c3|ded|c3|def| g2f|g2f|[1 e3:|[2 ede||f2e|def| e2d|cde|f2e|dgf|e2d|c3| X:11616 T:N'Uviéu nun me caso (Arrg. D) C:Trad. M:3/8 L:1/8 Q:1/4=150 K:D "Em"efe|"D"d3|"Em"efe|"D"d3|"Em"efg| "D"a2g|"D"a2g|[1 "D"f3:|[2 "D"fef||"G"g2f|"Em"efg| "D"f2e|"D"def|"G"g2f|"Em"eag|"D"f2e|"D"d3| X:11617 T:N'Uviéu nun me caso (CT 034) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Uviéu O:Uviéu A:Asturies Z:Cancioneru de Torner 034 M:3/8 L:1/8 Q:1/4=88 W:N'Uviéu nun me caso W:y en Xixón lo pongo en duda; W:tengo de facer un palacio W:xunta la fábrica Trubia. W: W:Que viva Grau, W:que Grau viva, W:que viva Grau W:tola vida. K:C |BBA|G3|BBA|G3|BBc|d2c|d2c|B2 z| |BBA|G3|BBA|G3|BBc|d2c|d2c|| BBB|c2B|AAA|B2A|GBB|c2B|AAA|B2A|G2z||! "Variante" |BcB|c2B|ABA|B2A|GAB|c2B|ABA|B2A|G2z|| X:11618 T:N'Uviéu nun me caso (MG 01) (Arrg.) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 01 E:Nivel 1 M:3/8 L:1/8 Q:1/4=150 K:C "Dm"DED|"C"C3|"Dm"DED|"C"C3|"Dm"DEF| "C"G2F|"C"G2F|[1 "C"E3:|[2 "C"EDE||"F"F2E|"Dm"DEF| "C"E2D|"C"CDE|"F"F2E|"Dm"DGF|"C"E2D|"C"C3| X:11619 T:N'Uviéu nun me caso (MQ 020) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es una de las canciones asturianas más conocidas. N:Es muy sencilla y por tanto una de las más apropiadas para iniciarse en el manejo de la gaita. N:En la zona de Quirós y Teberga la incluyen los gaiteros en la jota para las mudanzas del "paseillo". A:Asturies Z:Manolo Quirós 020 M:3/8 L:1/8 Q:3/8=80 K:C |DED|C3|DED|C3|DEF|G2 F|G2 F|E3| DED|C3|DED|C3|DEF|G2 F|G2 F|EFE| F2 E|DEF|E2 D|CFE|F2 E|DEF|E2 D|CFE| F2 E|DEF|E2 D|CFE|F2 E|DGF|E2 D|C3| X:11620 T:Na Ceannabhain Bhana M:9/8 L:1/8 C:Trad. S:IrTrad; Chris & Caitlin, 4/97 R:Slip Jig A:Connemara D:Paul McGrattan/Paul O'Shaughnessy: Within a Mile of Dublin Z:Chris Corrigan (cc_cmf@mindlink.net K:G B2 G AGE GED |E/F/GE DEG A2 c|BAG AGE GED| E/F/GE DEF G2 A :||: Bdd edB BAG |Bdd edB A3|Bdd edB BAG |GED DEF G3 :| X:11621 T:Na Ceannabhain Bhana M:9/8 L:1/8 C:Trad. R:Slip Jig A:Connemara D:Paul McGrattan/Paul O'Shaughnessy: Within a Mile of Dubli Z:Chris Corrigan (cc_cmf@mindlink.net K:G B2 G AGE GED |E/F/GE DEG A2 c|BAG AGE GED| E/F/GE DEF G2 A :||: Bdd edB BAG |Bdd edB A3|Bdd edB BAG |GED DEF G3 :| X:11622 T:Nae Luck Aboot the Hoose (For Thady U Gander) % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A e/2|"A"a/2f/2e/2c/2 "D"d/2e/2f/2g/2|"A"a/2f/2e/2c/2 "E"BB/2e/2|\ "A"a/2f/2e/2c/2 "D"d/2e/2f/2g/2|"E7"e/2d/2c/2(3B/2"A"A-A/2:| B/2|"A"cc/2A/2 "D"dd/2B/2|"A"cc/2A/2 "E"BB/2e/2|\ "A"c/2c/2c/2A/2 "D"d/2e/2f/2a/2|"E"e/2d/2c/2B/2 "A"AA/2-B/2| (3"A"c/2d/2c/2c/2A/2 (3"Bm"d/2e/2d/2d/2B/2|(3"A"c/2d/2c/2c/2A/2 "E"BB/2e/2|\ (3"A"c/2d/2c/2c/2A/2 "D"d/2e/2f/2a/2|"E7"e/2d/2c/2B/2 "A"A-A/2|| X:11623 T:Nan's Waltz % Nottingham Music Database S:Pat Shuldam-Shaw M:3/4 L:1/4 K:G d|"G"d3/2c/2B|"C6"A3/2G/2A|"G"B3/2A/2B|"G"D2D|"C"E3/2G/2A|"G"B/2d3/2B|"C6"A3-|\ "D7"A2D| "G"d3/2c/2B|"C6"A3/2G/2A|"G"B3/2A/2B|"G"D2D|"C"E3/2G/2e|"D7"d/2B3/2A|"G"G3-|\ "G"G2d|| "Em"g3/2a/2g/2f/2|"Em"gfe|"Bm"f3/2d/2B|"Bm"B2d|"C"e3/2f/2g|"G"d3/2c/2B|"Am"A3-\ |"D7"A2d|| "Em"g3/2f/2g/2a/2|"Bm"bfd|"C"e3/2d/2e/2f/2|"G"gdB|"Am"c3/2B/2c/2d/2|"Am/g+"efg\ |"Am/f+"ABG|"D7"FED|| "G"d3/2c/2B|"C6"A3/2G/2A|"G"B3/2A/2B|"G"D2D|"C"E3/2G/2e|"D7"d/2B3/2A|"G"G3-|\ "G"G2|| X:11624 T:Nancy R:Reel O:England M:4/4 C:Tom Clough A:Northumbria K:D dc|\ d2D2 F2A2|d2fe d3A|d2ef gfed|c2e2 A2Bc|\ d2D2 F2A2|d2fe d2A2|B2g2 fedc|d6:| |: fg|\ a3b a2f2|g3a g2e2|f2f2 gfed|c2e2 A2Bc|\ d2D2 F2A2|d2fe d2A2|B2g2 fedc|d6 :| |: A2|\ dcBA GFED|FDFB d2A2|dcde gfed|cdec A2AA|\ dcBA GFED|FDFA d2A2| B2g2 fedc|d6:: A2|\ aA Aa AA aA| \ gc cg cc gc| \ dcde gfed|cdec A2Bc| dcBA GFED|FDFA d2A2|B2g2 fedc|d6:| X:11625 T:Nancy % Nottingham Music Database P:AAB S:Nan F-W, via EF M:4/4 L:1/4 K:D P:A (3A/2B/2c/2|"D"dD FA|"D"df/2e/2 dA|"D"de g/2f/2e/2d/2|\ "A7"c/2d/2e/2c/2 A/2B/2c/2A/2| "D"dD FA|"D"df/2e/2 dA|"G"Bg "A7"f/2e/2d/2c/2|"D"d2 d:| P:B f/2g/2|"D"a3/2b/2 ag/2f/2|"G"g3/2a/2 "A7"gf/2e/2|"D"fd "G"g/2f/2e/2d/2|\ "E7"c/2d/2e/2c/2 "A7"Af/2g/2|"D"a3/2b/2 ag/2f/2| "G"g3/2a/2 "A7"gf/2e/2|"G"Bg "A7"f/2e/2d/2c/2|"D"d2 "A7"d/2e/2f/2g/2|\ "D"a3/2b/2 ag/2f/2|"G"g3/2a/2 "A7"gf/2e/2| "D"fd "G"g/2f/2e/2d/2|"E7"c/2d/2e/2c/2 "A7"AB/2c/2|"D"dD FA|"D"df/2e/2 dA|\ "G"Bg "A7"f/2e/2d/2c/2|"D"d2 d|| X:11626 T:Nancy Dawson M:6/8 L:1/8 K:D FAF D3|FAF D3|FAF D2A|B3 d3:||FAF D2A|B3 d3|FAF D2A|B3 d3||:A2B c2d|e2d c2B|A2A B2c|d3d3:||FGF EFE|D3d3|c3 B3|A6|FGF EFE|D3 d3|c3 B3|A3 ABc|d2A F2D|E6|d2A F2D|E6|FGF EFE|D3 d3|F3 E3|D3 d3|| X:11627 T:Nancy Dawson % Nottingham Music Database S:EF M:6/8 K:G P:A D|"G"G2G G2B|"G"d2B G2B|"Am"A2B A2G|"Am"A2G "D7"FED|"G"G2G G2B| "G"d2B G2B|"Am"A2G F2E|"D"D3 D3|"D"A2B A2B|"D"A2G FED|"G"d2e d2e| "G"d2c BAG|"C"c2B c2d|"Am"e2f g2e|"D7"d2c B2A|"G"G3 G2|| X:11628 T:Nancy Dawson M:6/8 L:1/8 K:G G2G G2B|d2B G2B|A2B A2B|A2G FED|\ G2G G2B|d2B G2B|A2G F2E|D3 D3:: A2A A2B|A2G FED|B2c d2c|d2g dBG|\ c2B c2d|e2f gfe|dcB AGF|G3 G3:| X:11629 T:Nancy Dawson's Hornpipe - for a Country Dance M:2/4 L:1/8 K:G G>G Bscs|dB GB|A3 A>B|AF D3|GG Bscs|dB GB|AG FE|D2 D2:|! A3 A>B|AF D2|d3 de|d>B G2|csBs cd|ef ge|dB AF|G2G2:| X:11630 T:Nancy Dawson's HP. JWDM.08 M:2/4 L:1/8 Q:180 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Hornpipe O:England A:Lancashire N:"for a country dance Z:vmp.Taz Tarry K:G "*"G>G B-c|dB GB|A2 AB|AF D2|GG B-c|dB GB|AG FE|D2 D2:||! :A2 A>B|AF D2|d2 de|d>B G2|c-B cd|ef ge|dB AF|G2G2:|] %Written in alternative 6/8 and 2/4 ryhthms. X:11631 T:Nancy Dawson. GS.60 M:6/8 L:1/8 Q:130 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G Major G2GG2B | d2BG2B | A2BA2B | A2G (FED) | G2GG2B |! d2BG2B | A2GF 2E | D3"cr"D3 : ||: A2BA2B | A2G FED |! B2cd2e | d2e (dBG) | c2Bc2d | e2f (gfe) | dcB AGF | G3"cr"G3 :|| X:11632 T:Nancy Dobson R:Jig O:England M:6/8 A:Lancashire B:Winder K:G G2G G/2A/2Bc | d2B G2B | A2B A2B | A2G FED |\ G2G G/2A/2Bc | d2B G2B | A2G F2E | D3 D3 :|* |:A2B A2B | A2B AFD | B2c d2e | d2e dBG | \ c2B c2d | e2f gfe | dcB AGF | G3 G3 :|** X:11633 T:Nancy Under't Hill. BF11.19 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:D d3faf|e2dc2A|A2cd3|BAG FED|d3faf|e2dc2A|Bcd edc|d3D3::! f2ga3|b2fg3|f2dc2d|e3A3|B2dc2e|d2fg3|faf edc|d3D3|] X:11634 T:Nancy's Caller M:4/4 L:1/8 S:Jim Nelson, (Manawa, WI USA) R:Hornpipe? K:D ||:(3ABc|dcde f2 a2|gfed cBA2|dcde f2 a2|gfed e2 (3ABc |! dcde f2 a2|gfed cBA2|abaf gfed|1cABc d2 :|2cABc d4||! ||:fg|a2 fg a2 fg|abag f2 ef|g2 ef g2 ef|gagf e2 fg|! a2 fg a2 fg|abag f2 g2|abaf gfed|1cABc d2 :|2cABc d4||! X:11635 T:Nancy's Caller M:4/4 L:1/8 S:Jim Nelson, (Manawa, WI USA) R:Hornpipe? K:D ||:(3ABc|dcde f2 a2|gfed cBA2|dcde f2 a2|gfed e2 (3ABc | dcde f2 a2|gfed cBA2|abaf gfed|1cABc d2 :|2cABc d4|| ||:fg|a2 fg a2 fg|abag f2 ef|g2 ef g2 ef|gagf e2 fg| a2 fg a2 fg|abag f2 g2|abaf gfed|1cABc d2 :|2cABc d4|| X:11636 T:Nancy's Choice. JB.39 M:4/4 L:1/8 Q:180 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:A c/d/|eca2ecdf|ecBAB3D|CEAB cAdB|ecacB3c/d/|! eca2ecdf|ecBAB3D|CEAB cfed|c2"tr"B2A2z:|! |:c|BEdB cAec|BEdB"tr"c3A|BEdB cAec|(3agf (3edc "tr"B3c|! BGdB cAec|BEdB"tr"c3A|BEdB cfed|c2"tr"B2A2:|] X:11637 T:Nancy's Fancy R:Reel O:England M:2/4 L:1/8 A:Lancashire B:Winder K:D dff2 | gee2 | g/2f/2e/2d/2 cd| e/2d/2e/2f/2 eA|\ dff2 | gee2 | g/2f/2e/2d/2 c/2d/2e/2c/2|ddd2:|* |:dcBA | GFED | g/2f/2e/2d/2 cd |e/2d/2e/2f/2 eA|\ dcBA | GFED | g/2f/2e/2d/2 c/2d/2e/2c/2|ddd2:|* L:1/16 |: fdfd fdfd | gege gege | gfed c2d2 | edcB Aceg |\ fdfd fdfd | gege gege | gfed cdec | d2d2 d4 :|** X:11638 T:Nancy's Fancy % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G D|"G"GB BA/2B/2|"Am"cA "D7"Ad|"G"BG GB|"D7"A/2G/2F/2E/2 DD|"G"GB BA/2B/2|\ "Am"cA "D7"Ad|"G"BG "D7"AF|"G"G3:: g|"D7"fe dc|"G"BA GB|dg dB|"G"B2 "A7"Ag|"D7"fe dc|"G"BA Bc|"G"dg "D7"fd|"G"g3\ :: D|"G"BB B/2A/2B|"C"cc c/2B/2c|"G"BB B/2A/2B|"D7"A/2G/2F/2E/2 DD| "G"BB B/2A/2B|"Am"cc "D7"c/2B/2c|"G"BG "D7"AF|"G"G3:| X:11639 T: Nancy's Fancy M:4/4s L:1/8 Q:160 S:Playford O:Manuscript A:English K:C G2|c2 e2 e2 de|f2 d2 d2 g2|e2 c2 c2 e2|dcBA G4|c2 e2 e2 de|f2 d2 d2 g2|\ e2 c2 d2 B2|c4 c2 :: c'2| b2 a2 g2 f2|e2 d2 c2 e2|g2 c'2 g2 e2|e4 d2 c'2 |\ b2 a2 g2 f2|e2 d2 e2 f2|g2 c'2 b2 g2|c4' c'4::e2 e2 ed e2| f2 f2 fe f2|\ e2 e2 ed e2| dcBA g4|e2 e2 ed e2|f2 f2 fe f2|ee c2 d2 B2| c4 c2:| X:11640 T:Nancy's Fancy % Nottingham Music Database P:AAB S:FTB 2/27 M:4/4 L:1/4 K:G P:A D/2|"G"GB BA/2B/2|"D7"cA Ad|"G"BG GB|"Am"A/2G/2F/2E/2 "D7"DD|"G"GB "Em"BA/2B/2\ |"Am"cA "D7"Ad|"G"BG "D7"AF|"G"G2 G:| P:B g/2|fe dc|"G"BA GB|"G"dg dB|"D"B2 Ag|fe dc|BA Bc| "G"dg "D7"fd|"G"g2 g2|"Em"BB B/2A/2B|"Am"cc c/2B/2c|"Em"BB B/2A/2B| "D7"A/2G/2F/2E/2 DD|"Em"BB B/2A/2B|"Am"cc c/2B/2c|"Em"BG "D7"AF|"G"G2 G:| X:11641 T:Nanny and Betty S:Alistair Cochrane R:Reel O:Shetland M:4/4 K:ADor EGGG AGGG | EGGG ECC2 | D2EG A2AA | AcBd c4 :|* |:\ e2AA B2G2 | e2 ge defd | e2AA B2G2 | AcBd c4:|** X:11642 T:NANTERRE DRO R:HANTER DRO C:Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:C % Last note suggests Phrygian mode tune |AG/2A/2B3/2c/2 BBAG/2A/2|B3/2G/2E3/2 z/2 AG/2A/2B3/2c/2|BBAG/2 A N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:Ador eA A/A/A BAGA|eA A/A/A egfd|eA A/A/A BAGA|efge d2 Bd:|! eaag edBd|eaag e2 dB|eaag efge|dGGA BcdB|! eaag edBd|eaag e2 dB|gaba gefd|efge dGBd|]! X:11652 T:Natalie's Visit R:pipe reel O:20th Century Cape Breton C:Jerry Holland S:Tune ofthe Month July 99 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:Ador eA A/A/A BAGA|eA A/A/A egfd|eA A/A/A BAGA|efge d2 Bd:|! eaag edBd|eaag e2 dB|eaag efge|dGGA BcdB|! eaag edBd|eaag e2 dB|gaba gefd|efge dGBd|]! X:11653 T:Native Pe??ing,The. HSJJ.067 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:Bb B|d>ed dcB|e>f~g g>ab|f>gf fdB|e3cde|d>ed ~dcB|!efg gab|fdBc2f|d3B2:| |:f|b2b agf| gab fdB|!Gcc cdB|A3c2d/-e/|dfd ege|fga bfd|ecB Acf|d3B2:|] X:11654 T:Native Pe??ing,The. HSJJ.067 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:Bb B|d>ed dcB|e>f~g g>ab|f>gf fdB|e3cde|d>ed ~dcB|!efg gab|fdBc2f|d3B2:| |:f|b2b agf| gab fdB|!Gcc cdB|A3c2d/-e/|dfd ege|fga bfd|ecB Acf|d3B2:|] X:11655 T:Naughton's R:Reel S: H: N:Tommy & Siobhan Peoples, PJ King, Andrew Macnamara, Kevin Crawford etc D:Maiden Voyage: Music from Pepper's Bar, Feakle, Co. Clare Z:Adrian Scahill M:4/4 L:1/8 K:D D2FD FAA2|fedf edBc|dBAF G3B|AGFD EGFE|\ D2FD FAA2|fedf edBc|dBAF G3B|AGFD EGFE:||\ defg afdf|gefd edBc|defg afdf|gfed Bee2|\ defg afdf|gefd edBc|dBAF G3B|AGFD EGFE:|| X:11656 T:Navvie On The Line M:4/4 L:1/8 R:Hornpipe K:G B>c|d>gf>e d>cB>A|G>BD>G B2A>G|F>AD>F A2G>F|G>DE>F G>AB>c|d>gf>e d>cB>A| G>BD>G B2A>G|F>GA>B c>de>f|g2g2g2:|:A>G|F>AD>F A2G>F|G>BD>G B2A>G|F>AD>F A2G>F|G>DE>F G>AB>c|d>gf>e d>cB>A|G>BD>G B2A>G|F>GA>B c>de>f|g2g2g2:| X:11657 T:Navvie on the Line % Nottingham Music Database S:Kevin Briggs M:4/4 L:1/8 R:Hornpipe K:G P:A Bc|"G"dgfe dcBA|"G"GBDG B2(3BAG|"D7"FADF A2(3AGF|"G"GBDG "D7"B2Bc| "G"dgfe (3ded(3cBA|"G"GBDG B2AG|"D7"FGAB cdef|"G"g2G2 G2:| P:B AG|"D7"FADF A2(3AGF|"G"GBDG B2(3BAG|"D7"FADF A2(3AGF|"G"GDEF "D7"GABc| "G"dgfe (3ded(3cBA|"G"GBDG B2AG|"D7"FGAB cdef|"G"g2G2 G2:| X:11658 T:Navvy on the line R:Hornpipe O:England O:Ireland O:Scotland M:4/4 K:G Bc|\ dgfe dcBA|GBDG B2AG|FADF A2GF|GDEF GABc|\ dgfe dcBA|GBDG B2AG| FADF A2GF|G2B2 G2:: AG|\ FADF A2GF|GBDG B2AG| FADF A2GF GDEF GABc|\ dgfe dcBA|GBDG B2AG|FAfe dcBA|G2B2 G2:| X:11659 T:Navvy on the Line Z: id:dc-reel-239 M:C L:1/8 K:G Major GA|B2ge dBGB|A2AB AGEF|G2ge dBGB|AGAB A2GA|! Bdge dBGB|A2AB AGEG|gfgd edBG|AGFA G2|]! Bd|g2BA GABd|edBA GABd|g2BA GABd|eBdB AGEG|! g2BA GABd|edBA GABd|gfgd edBG|AGFA G2|]! X:11660 T:Navvy on the Line, The R:reel D:Bothy Band: 1975 Z:id:hn-reel-324 M:C| K:G Bdge dBGB|AGAB AGEF|1 G2ge dBGB|AGAB A2GA:|2 ~g3d edBG|AGFA G2Gg|| |:g2BA GABd|edBA GABd|1 g2BA GABd|eBdB ABcd:|2 ~g3d edBG|AGFA G2GA|| "Variations of 1st part" ~g3e dBGB|AGAB AGEF|G2ge dBGB|AGAB AGEF| G2ge dBGB|~A3B AGE2|~g3d edBG|AGFA G2Gg|| X:11661 T:Ne l'oserai-je dire ? R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°62 Z: -- http://anamnese.fr.st M:C| L:1/4 Q:1/4=110 K:F F F/ G/ A A | B2 A F | G E F D | C2 F F/ G/ | A A B2 | (A/F/G) F2 ||! c>c A A | B B A2 | A B G F | G G F2 |\ c>c A A | B B A2 | A B G F | G G F2 | F F/ G/ A A | (B2 A F|G2 F2) || W:Ne l'oserai-je dire si j'aime par amour, ne l'oserai-je dire ? W:Mon père m'y maria un petit devant le jour ; W:A un vilain m'y donna qui ne sait bien ni honnour. W:Ne l'oserai-je dire ? W: W: /.../ X:11662 T:Neapolitan Threshers M:6/8 K:D A|\ FED AGF| B2A A2A| dcB edc| dAF D2A|\ FED AGF| B2A A2A| dcB edc| "tr"d3 d2:: A|\ def efg| fed cde| dcB Bcd| cBA A2A|\ Bdd Add| Gdd Fdd| Edd edc| dAF D2:| X:11663 T:Neapolitan Threshers. HSJJ.004 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A|FED AGF|B2AA2A|dcB edc|dAF D2A|FED AGF|!B2AA2A|dcB edc|~d3d2:| |:A|def efg|fed cde|!dcB Bcd|cBAA2A|Bdd Add|Gdd Fdd|Edd edc|dAFD2:|] X:11664 T:Neapolitan Threshers. HSJJ.004 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D A|FED AGF|B2AA2A|dcB edc|dAF D2A|FED AGF|!B2AA2A|dcB edc|~d3d2:| |:A|def efg|fed cde|!dcB Bcd|cBAA2A|Bdd Add|Gdd Fdd|Edd edc|dAFD2:|] X:11665 T:Ned Puw's farewell R:Other O:Wales M:2/4 L:1/8 K:Bb B2|\ f>e df|BB HA2|B2 f>e|dc BA/c/|c>A cf|f=e Hf2|\ f2 e>d|cB A>Az/:| M:3/4 f2|\ f2d2 f2|e2c2 e2|d3f e2|d2Hc2 B2|\ c2d2 e2|d2c2 B2|e3d c2|B2HA2 Hf2|\ f2e2 d2|d2c2 B2|A2HB2z2|| X:11666 T: Neda Grivne Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/8 P: G K: G |: "G"[G2D] [G2D] | "D"[A3F] [AF] \ | "G"[B2G] [G2D] | "D"[AF][BG] [c2A] \ | "G"[B2G] [G2D] | "D"[AF][BG] [c2A] \ | "G"[BG][AF] [BG][GD] | "D"[A3F] [cA] \ | "G"[BG][AF] [BG][GD] | "D"[A3D] z :| P: D K: D |: "D"[d2A] [d2A] | "A"[e3c] [ec] \ | "D"[f2d] [d2A] | "A"[ec][fd] [g2e] \ | "D"[f2d] [d2A] | "A"[ec][fd] [g2e] \ | "D"[fd][ec] [fd][dA] | "A"[e3c] [ge] \ | "D"[fd][ec] [fd][dA] | "A"[e3A] z :| P: A K: A |: "A"[A2E] [A2E] | "E"[B3G] [BG] \ | "A"[c2A] [A2E] | "E"[BG][cA] [d2B] \ | "A"[c2A] [A2E] | "E"[BG][cA] [d2B] \ | "A"[cA][BG] [cA][AE] | "E"[B3G] [dB] \ | "A"[cA][BG] [cA][AE] | "E"[B3E] z :| P: E K: E |: "E"[e2B] [e2B] | "B"[f3d] [fd] \ | "E"[g2e] [e2B] | "B"[fd][ge] [a2f] \ | "E"[g2e] [e2B] | "B"[fd][ge] [a2f] \ | "E"[ge][fd] [ge][eB] | "B"[f3d] [af] \ | "E"[ge][fd] [ge][eB] | "B"[f3B] z :| X:11667 T:Needels & Twine. BF11.11 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:D B/-c/|d2dc2A|BdB AGF|GBG FAF|E2EE2c|! d2dc2A|BdB AGF|GBG FAF|D2DD2::! G|FAF FAF|D2dc2A|BdB AFA|E3E2G|! FAF FAF|D2dc2A|d2B AFA|D3D2::! g|f2dd2g|f2dd2e|c2A cde|A3A2g|! f2dd2g|f2dd2e|c2A cde|d3d2:|] X:11668 T:Needle Case % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D "D"D/2E/2F/2G/2 A/2F/2D/2F/2|"G"G/2BB/2 BB|"D"AA/2B/2 AF|"A"EE/2F/2 EE| "D"D/2E/2F/2G/2 A/2F/2D/2F/2|"G"G/2BB/2 BB|"A"A/2B/2c/2d/2 e/2f/2e/2d/2|\ "A"c/2A/2B/2c/2 "D"dd:: "D"ag fe|"G"A/2BB/2 BB|"D"ag fe|"G"B/2A/2B/2c/2 "D"df|"D"ag fe| "G"A/2BB/2 BB|"A"A/2B/2c/2d/2 e/2f/2e/2d/2|"A"c/2A/2B/2c/2 "D"dd:| X:11669 T:Negro Boy. WM.107 M:6/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Jig O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:D dAF dAF|Egf edc|dAF dfa|gec d3:|] X:11670 T:Negro Boy. WM107 M:6/8 L:1/8 Q:127 C:* S:Wm.Mittell,1799 R:Jig O:England A:Kent N:DR D: H: Z:C.G.P W: K:D dAF dAF|Egf edc|dAF dfa|gec d3:|] X:11671 T:Neil Gow's Second Wife Z:Footnote: 18 July 1996 M:4/4 L:1/8 Q:128 K:Bb z6dz|B/G3/2G3/2B/ A/F3/2F3/2A/|B/G3/2G3/2B/ B3/2A/Bg|B/G3/2G3/2B/ A/F3/2 F3/2A/|B/B3/2c3/2B/ FBBd| W: Gm F Gm Gm F Bb F Bb B/G3/2G3/2B/ A/F3/2F3/2A/|B/G3/2G3/2B/ B3/2A/Bg|B/G3/2G3/2B/ A/F3/2F3/2A /|B/B3/2c3/2B/ FBBd| W: Gm F Gm Gm F Bb F Bb B/B3/2d3/2B/ f3/2B/d3/2B/|F/F3/2A3/2F/ c3/2F/Ac|B/B3/2d3/2B/ f3/2B/d3/2f /|g3/2g/b3/2g/ d/g3/2g3/2b/| W: Bb F Bb Gm f/d3/2d3/2f/ e/c3/2c3/2e/|d/B3/2B3/2d/ B3/2A/B3/2F/|G/G3/2B2 c/c3/2d3/2c /|B3/2G/B/A/G/F/ DGGz| W: Bb F Gm Dm Cm Cm D Gm Dm Gm X:11672 T:Neil Gow,incomplete. BF12.09 M:2/2 L:1/8 S:MS12,J.Wilson,1833,Browne Coll.,Lakes R:Reel O:England A:Lakes N:The second line of the tune is missing from the photocop Z:vmp.Cherri Graebe. K:D major f2|ecac fBBf|ecaef3g|a/2g/2f/2e/2 a2e2f2B2B2ff|afec A2:|! |:"Tune incomplete in photocopy"E2|AAcA BFFB| X:11673 T:Neil Gows Lamentation for Abercairney C:Neil Gow M:C K:D "Very Slow" F|\ D>FAd BdAd| e>f g/f/e/d/ {c}B2Bd|\ D>FAd Bd Ad'/b/| ad a/g/f/e/ d2d:| b|\ ab/c'/ d'a ba d'f| ge'/g/ fd'/f/ e2e>f|\ D>FAd Bd Ad'/b/| ad a/g/f/e/ d2d>a| ab/c'/ d'a ba d'f| g/f/g/e'/ f/e/f/d'/ e2ef/g/|\ {b}af/e/ {a}gf/e/ {g}fe/d/ {e}dc/B/| {e}dc/B/ A/B/A/F/ D2D |] X:11674 T:Neil Of The Glenties R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Ed's close friend, who died some time ago. N:He was a true traditional player who knew how N:to "brighten" tunes in the right places. N:Ed called him "a little known master of his trade." N:He was a superb player of highlands and a great N:Donegal fiddler. K:D df (3edc dFFA|GEEG FDDdd f>af|g>fe c>BA|d>dd f>af|g>ec d2 A| d>dd f>af|g>fe c>BA|B>cd c>de|1 f>dc d2 A:|2 f>dc d2 f |:g>gg B>BB|c>de c>BA|g>gg B>cd|e>Bc d2 f| g>gg B>BB|c>de c>BA|B>cd c>de|1 f>dc d2 f:|2 f>dc d2 A X:11676 T:Nel campu ñacen flores R:Pasudoble C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies D:Llan de Cubel: Na Llende D:Felpeyu: Tierra M:2/4 L:1/8 Q:1/4=140 K:D F/G/ |: AA BB | A2 A2- | A3 F/G/ | AA BB | AA FF | DD EE |[1 FF FF- | F3 F/G/ :|[2 D2 D2- | D4 | |: A3/2G/ A3/2 G/ | A/B/A/G/ FD |[1 EE F2 | F4 :|[2 EE D2 | D4 || X:11677 T:Nel campu ñacen flores R:Pasudoble C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=120 K:C E/F/ |GG AA|G2 G2-|G4-|G3 E/F/|GG AA|GG EE|CC DD|E2 E2-|E4-|E3 E/F/| |GG AA|G2 G2-|G4-|G3 E/F/|GG AA|GG EE|CC DD|C2 C2|G>F G>E|CC DD| |E2 E2|G>F G>E|CC DD|C2 C2| X:11678 T:Nel campu ñacen flores C:Trad. D:Llan de Cubel: Na Llende D:Felpeyu: Tierra M:2/4 L:1/8 Q:1/4=140 K:D F/G/ |: AA BB | A2 A2- | A3 F/G/ | AA BB | AA FF | DD EE |1 FF FF- | F3 F/G/ :|2 D2 D2- | D4 | |: A3/2G/ A3/2 G/ | A/B/A/G/ FD |1 EE F2 | F4 :|2 EE D2 | D4 || X:11679 T:Nel campu ñacen flores (MQ 021) R:Pasudoble C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Otra canción popularísima. N:La suelen cantar los coros y también la tienen muchas bandas en su repertorio. A:Asturies Z:Manolo Quirós 021 M:2/4 L:1/8 Q:1/4=100 K:C E/F/ |GG AA|G2 G2-|G3 E/F/|GG AA|GG EE|CC DD|E2 E2-|E3 E/F/| GG AA|G2 G2-|G3 E/F/|GG AA|GG EE|CC DD|C2 C2-|C4| G>F G>F|G/A/G/F/ EC|DD E2|E4|G>F G>F|G/A/G/F/ EC|DD C2|C4| X:11680 T:Nell Fee's R:polka Z:id:hn-polka-79 M:2/4 L:1/8 K:D D>D DB|AF FB|AF DE|FE E2|D>D DB|AF FB|AF EF|1 D2 D2:|2 D2 DA|| |:d2 e2|f2 ff|ed Bc|d2 dA|Bd/B/ AF|Bd/B/ AF|AF EF|1 D2 DA:|2 D2 D2|| "Variations:" |:D>D DB|AF FB|AF F/E/D/E/|FE EF|D>D DB|AF FB|AF ED/E/|1 FD D2:|2 FD DA|| |:dd ed/e/|f2 ff|ed Bc|d2 dA|Bd/B/ AF|B/c/d/B/ AF|AF EF|1 D2 DA:|2 D2 D2|| X:11681 T:Nell Fees' Z: id:dc-polka-28 M:2/4 L:1/8 K:D Major D3B|AF2B|AF D3/2E/|FE E2|! D3B|AF2B|AF EF|D2 D2:|! d2 cd|BA FA|d2 cd|B3 c|! d2 cd|BA FB|AF EF|D2 D2:|! d2 e2|f3f|ed Bc|d3 A|! Bd/B/ AF|Bd/B/ AF|AF EF|D2 D2:|! X:11682 T:Nell Gow M:2/2 L:1/8 S:Armitt MS N:The second line of the tune is missing from the photocop K:D major f2|ecac fBBf|ecaef3g|a/2g/2f/2e/2 a2e2f2B2B2ff|afec A2:||:"Tune incomple te in photocopy"E2|AAcA BFFB| X:11683 T:Nelson & Victory. WM.078 M:2/4 L:1/8 Q:350 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W:Hand it cross,back it again,lead down the middle,right and left with W:the 2nd couples K:CDor dBAB|FEDF|GBAc|BAGF|] X:11684 T:Nelson & Victory. WM078 M:2/4 L:1/8 Q:350 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR D: H: Z:C.G.P W:Hand it cross,back it again,lead down the middle,right and left with W:the 2nd couples K:CDor dBAB|FEDF|GBAc|BAGF|] X:11685 T:Nelson Hornpipe R:Hornpipe O:England M:4/4 A:Lancashire B:Winder K:G Bc|\ dBec BAdB | GFAF G2Bd | eBge edcB | BAcA GFED |\ dBec BAdB | GFAF Ggec | BAcA GFAF | G2G2 G2 ::\ Bc|\ degf edcB | cdef g2fe | edcB cBAG | F2D2 D2AF |\ DFAF GBdB | cege dBec | BAcA GFAF | G2G2 G2:|** X:11686 T:Nelson Hornpipe (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:A X:11687 T:Nelson Hornpipe. BF13.060 M:4/4 L:1/8 Q:160 S:James Lishman,Dancing Master,Cumbria,early 19thC.,Browne Coll. R:Hornpipe O:England A:Lakes Z:vmp.Chris Partington. K:G Bc|dBec BAcA|GFAFG2Bc|dgfg edcB|BAcA GFED|! dAec AGcA|GFAF Ggec|cBcA GFAF|G2G2G2::! Bc|egfg edcB|edefg2gf|edcB AGFE|D2D2D2GF|! EGAF GBdB|cBcB cege|dBec BAGF|G2G2G2:|] X:11688 T:Nelson's Hornpipe. FK.14 M:C L:1/8 Q:160 C:"MS 42 p.31" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N:(c2 A2 AA A2 fg) in MS. Z:vmp.John Bagnall K:D AF | D2 d2d2 cd | ecAc d2 ef | gegd fdfd | cdBc AGFE |! D2 d2 d2 cd | edAc d2 d2 | cAdB cAB^G | A2 AA A2 :|:! fg | afaf dedc | B2 GG G2 g2 | bgbg egfe | "NB"c2 AA A2 fg |! afaf gege | fgaf gfed | fgaf gfed | d2 dd d2 |] X:11689 T:Nelson. HSJJ.182 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:Chris Partington K:F a>g|f3ff2c2|f4z2f2|g3ab2a2|g4z2a>g|g2a>fe2f>d|c4z2a>g|! f3ff2c2|f4z2f2|g2gab2a2|g4z2a>g|g-c' a-fe-gf-d|c4z2c2|! b2a2g2f2|e2d2c2z2|b2a>ag2f2|e2d2c2B2|A2a2a3-g|.f.ez2z2d>c|! c2B2(b3a/g/)|.effz2z2c2|.d2.e2.f2.g2|a2f2"hold"g2z2|f4a3g|f4z2f2|! a4g2f2|c'4z2c2|d2g>fe2c'b|baz2z2c2|d4b3-a|! g4c'3b|.a.fz2z2a2|b>ag>f e>dc>B|.A2.c2.f2a2|b>ag>f e>dc>B|! A4z2A2|~B3cd2=f2|g2a2b2d'2|c'-3a c'-b.g.e|g4-f2|] X:11690 T:Nelson. HSJJ.182 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:vmp.Chris Partington K:F a>g|f3ff2c2|f4z2f2|g3ab2a2|g4z2a>g|g2a>fe2f>d|c4z2a>g|! f3ff2c2|f4z2f2|g2gab2a2|g4z2a>g|g-c' a-fe-gf-d|c4z2c2|! b2a2g2f2|e2d2c2z2|b2a>ag2f2|e2d2c2B2|A2a2a3-g|.f.ez2z2d>c|! c2B2(b3a/g/)|.effz2z2c2|.d2.e2.f2.g2|a2f2"hold"g2z2|f4a3g|f4z2f2|! a4g2f2|c'4z2c2|d2g>fe2c'b|baz2z2c2|d4b3-a|! g4c'3b|.a.fz2z2a2|b>ag>f e>dc>B|.A2.c2.f2a2|b>ag>f e>dc>B|! A4z2A2|~B3cd2=f2|g2a2b2d'2|c'-3a c'-b.g.e|g4-f2|] X:11691 T:Nelsons Hornpipe. GS.122 M:2/2 L:1/8 Q:160 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds N:'George Spencer 1831' written on stave at end of music H:1831 Z:vmp.Cherri Graebe K:A major cd | ecfd cBdB | AGBG A2 cd | ecag fedc | cBdB BAGF | ecfd cBdB |! AGBG A afd | cBdB AGBG | A2A2A2:|| cd | egaf fedc | fefg a2 ag |! fedc BAGF | E2E2E2 A G | FABG Acec | dfaf ecfd | cBdB AGBG A2A2A2 :|| X:11692 T:Neptune. JC.236 M:C| L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England4 A:Northamptonshire N: Z:P Headford K:D dAFD dAFD|dAFDE2E2|dAFD EFGA|BGFED2D2:|! |:fefa gecA|fefag2g2|fdfa gbeg|fedcd2d2:|] X:11693 T:Nestinarsko O:Bulgaria I:bagpipes and percussion recommended P:ABCBCDEDEFGH M:2/4 L:1/8 Q:1/4=180 K:Dm %%MIDI gchord z2fz P:A A4-|A4|D4-|D4|"Dm"z4| P:B |:"D"D2EF|GAGA|GFGA|D4|A2GA|GFED|D4|D4:| P:C |:"D"A2GA|GF"A"EC|"D"D4|DEFG|A2GA|GF"A"EC|"D"D4|D4:| P:D |:"D"FGAG|A4|FGAG|A4|FGAG|A4|GF"A"EC|"D"D4:| P:E |:"D"G2FE|DEDC|"C"G2"D"FE|"D"DEDC|"C"G2"D"FE|DEDC|D4|D4:| P:F |:"D"D2EF|GAA2|GAA2|D4|A2GA|GF"A"EC|"D"D4|D4:| P:G |:"D"A2AG|FGD2|A2AG|FGD2|A2AG|FGD2|FD"A"EC|"D"D4:| P:H K:Am |:"A"A,2B,C|DEDE|DCDE|A,4|E2DE|DCB,A,|A,4|A,4:| |:"A"E2DE|DC"E"B,G,|"A"A,4|A,B,CD|E2DE|DC"E"B,G,|A,4|A,4:| |:"A"CDED|E4|CDED|E4|CDED|E4|DC"E"B,G,|A,4:| |:"A"C2B,A,|A,B,A,G,| C2B,A,|A,B,A,G,|C2B,A,|A,B,A,G,|A,4|A,4:| K:Dm |:"D"FGAG|A4|FGAG|A4|FGAG|A4|GF"A"EC|"D"D4:| |:"D"G2FE|DEDC|"C"G2"D"FE|"D"DEDC|"C"G2"D"FE|DEDC|D4|D4:| |:"D"D2EF|GAA2|GAA2|D4|A2GA|GF"A"EC|"D"D4|D4:| X:11694 T:Nestinarsko O:Bulgaria I:bagpipes and percussion recommended P:ABCBCDEDEFGH M:2/4 L:1/8 Q:1/4=180 K:Dm %%MIDI drum z2d2 50 P:A !drum! A4-|A4|D4-|D4|"Dm"z4| P:B |:"D"D2EF|GAGA|GFGA|D4|A2GA|GFED|D4|D4:| P:C |:"D"A2GA|GF"A"EC|"D"D4|DEFG|A2GA|GF"A"EC|"D"D4|D4:| P:D |:"D"FGAG|A4|FGAG|A4|FGAG|A4|GF"A"EC|"D"D4:| P:E |:"D"G2FE|DEDC|"C"G2"D"FE|"D"DEDC|"C"G2"D"FE|DEDC|D4|D4:| P:F |:"D"D2EF|GAA2|GAA2|D4|A2GA|GF"A"EC|"D"D4|D4:| P:G |:"D"A2AG|FGD2|A2AG|FGD2|A2AG|FGD2|FD"A"EC|"D"D4:| P:H K:Am |:"A"A,2B,C|DEDE|DCDE|A,4|E2DE|DCB,A,|A,4|A,4:| |:"A"E2DE|DC"E"B,G,|"A"A,4|A,B,CD|E2DE|DC"E"B,G,|A,4|A,4:| |:"A"CDED|E4|CDED|E4|CDED|E4|DC"E"B,G,|A,4:| |:"A"C2B,A,|A,B,A,G,| C2B,A,|A,B,A,G,|C2B,A,|A,B,A,G,|A,4|A,4:| K:Dm |:"D"FGAG|A4|FGAG|A4|FGAG|A4|GF"A"EC|"D"D4:| |:"D"G2FE|DEDC|"C"G2"D"FE|"D"DEDC|"C"G2"D"FE|DEDC|D4|D4:| |:"D"D2EF|GAA2|GAA2|D4|A2GA|GF"A"EC|"D"D4|D4:| X:11695 T: Never Love Thee More M:6/8 L:1/8 Q:160 S:Playford O:Manuscript A:English K:G D>ED G2 A|B>cB A2 G|d B2 A2 G|G3 G2 G|D>ED G2 A| B>cB A2 G|d B2 c2 d| e3 e2 e|\ d B2 A2 G|c2d e>dc|dBc A2 G| E3 E2 E|D>ED G>AG|Bcd e>dc| dBc A2 G|G3 g2 z:| X:11696 T:Never Love Thee More % Nottingham Music Database S:Playford M:6/8 K:G P:A "G"DED G2A|"G"BcB A2G|"G7"dB2 A2G|"C"E3 -E3|"G"DED G2A| "G"BcB A2G|"G"dB2 c2d|"C"e3 -e2e|"G"dB2 A2G|"C"c2d edc|"G"dBc "C"A2G| "Am"E3 "D7"G2E|"G"DED G2A|"G"Bcd "C"edc|"Am"dBc "D7"A2G|"G"G3 -G2|| X:11697 T:Never Mind It. HSJJ.079 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GBBB|dcA2|FAAA|B2G2|GBBB|dcA2|FAAA|G2"fine"G2:|! |dggg|^dec2|Addd|^ABG2|dgfg|b2ag|fed^c|d2d2|] X:11698 T:Never Mind It. HSJJ.079 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:G GBBB|dcA2|FAAA|B2G2|GBBB|dcA2|FAAA|G2"fine"G2:|! |dggg|^dec2|Addd|^ABG2|dgfg|b2ag|fed^c|d2d2|] X:11699 T:Never Was Piping So Gay C:Ed Reavy R:reel S:Tommy McCarthy D:Stockton's Wing: Light in the Western Sky Z:id:hn-reel-622 M:C| K:G G,2B,D GBdB|cafd cAFA|G2BG DGBG|AF~F2 AcBA| G2BG DGBc|dged ^cdef|~g3d ^cdBG|1 FGAF GEDB,:|2 FGAF G2Bd|| |:~g3d ^cdBG|DGBd cAFA|GBBA BABc|dged ^cdef| ~g3d ^cdBG|DGBd cAFA|BG~G2 cA~A2|1 BdcA G2Bd:|2 BdcA GEDB,|| "variations" G,2B,D GBdB|cafd cAFA|G2BG DGBG|AF~F2 BFAF| G2BG DGBc|dged ^cdef|~g3d ~c3A|1 FGAF GEDB,:|2 FGAF G2Bd|| |:~g3d ^cdBG|DGBd cAFA|GBBA BccB|cafd ^cdef| ~g3d ^cdBG|DGBd cAFA|~B3d cAFA|1 BdcA G2Bd:|2 BdcA GEDB,|| X:11700 T:Never Was Piping So Gay M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:reel N:The concluding line of O'Driscoll's refrain in Yeats' poem, "The Host N:of N:he air". N:O'Driscoll dreamed that his wife Bridget was taken by the Host as he N:was N:laying harmlessly at N:cards with "the merry old men." When O'Driscoll awoke from his dream, N:all that remained of the dream was the strange unearthly sound of a N:pipe N:piping away in the distant air- "And never was piping so sad, And N:never was piping so gay." Z:Joseph Reavy K:G DB,||:G, B,D GBdB|cafd cAFA|G2 BG DGBG|AF (3FFF dFcF|G2 BG DGB,D|Aafd ^cdef|gfgd cBcA |1FGAc BGDB,:|2FGAc BG G2||gfgd ^cdBG|FGBd cAFA|GB (3cBA BcdB|cafd ^cde f|gfgd ^cdBG|FGBd cAFA|BG (3GGG AF (3FFF|BdcA G4||gfgd ^cdBG|FGBd cAFA| GB (3cBA BcdB|cafd ^cdef|gbaf gd^cd|BGFG cAFA|BG (3FFF AF (3FFF|BdcA G2| | X:11701 T:Never Was Piping So Gay R:reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Never Was Piping So Gay. The concluding line N:of O'Driscoll's refrain in Yeats' poem, the N:Host of the air. O'Driscoll dreamed that N:his wife Bridget was taken by the Host N:as he was playing harmlessly at cards with N:"the merry old men." When O'Driscoll N:awoke from his dream,all that remained of the N:dream was the strange unearthly sound of a pipe N:piping away in the distant air- N:"And never was piping so sad, And N:never was piping so gay." K:G DB,|:G, B,D GBdB|caf dcA FA|G2 BG DGBG|AF (3FFF dFcF| G2 BFDGB,D|Aafd ^cdef|gfgd cBcA |1FGAc BFDB,:|2FGAc BG G2|| fgd ^cdBF|FGBd cAFA|GB (3cBA BcdB|cafd ^cdef| gfgd ^cdBF|FGBdcAFA|BG (3GGG AF (3FFF|BdcA G4 || gd ^cdBG|FGBd cAFA|GB (3cBA BcdB|cafd ^cdef|gbaf gd^cd| BGFG cAFA|BG (3FFF AF (3FFF|BdcA G2|| X:11702 T:Never Was Piping So Gay C:Ed Reavy (1898-1988) R:reel S:Tommy McCarthy D:Stockton's Wing: Light in the Western Sky Z:id:hn-reel-622 M:C| K:G G,2B,D GBdB|cafd cAFA|G2BG DGBG|AF~F2 AcBA| G2BG DGBc|dged ^cdef|~g3d ^cdBG|1 FGAF GEDB,:|2 FGAF G2Bd|| |:~g3d ^cdBG|DGBd cAFA|GBBA BABc|dged ^cdef| ~g3d ^cdBG|DGBd cAFA|BG~G2 cA~A2|1 BdcA G2Bd:|2 BdcA GEDB,|| "variations" G,2B,D GBdB|cafd cAFA|G2BG DGBG|AF~F2 BFAF| G2BG DGBc|dged ^cdef|~g3d ~c3A|1 FGAF GEDB,:|2 FGAF G2Bd|| |:~g3d ^cdBG|DGBd cAFA|GBBA BccB|cafd ^cdef| ~g3d ^cdBG|DGBd cAFA|~B3d cAFA|1 BdcA G2Bd:|2 BdcA GEDB,|| X:11703 T:Never Was Piping So Gay Z: id:dc-reel-361 M:C L:1/8 K:G Major D|G,2B,D GBdB|cafd cAFA|G2BG DGBG|AFF2 dFAF|! G2BG DGBA|Ggfe ^cdef|gfgd BdBG|FGAd BGG:|! f|gfgd BdBG|DGBd cAFA|GBBA BcdB|cafd ^cdef|! gfgd BdBG|DGBd cAFA|BGG2 AFF2|BdcA G3:|! X:11704 T: Nevestinsko O: Bulgaria M: 7/8 L: 1/8 Q: 1/4=120 K: G %%MIDI drum dzzdzdz 50 50 50 !drum! |: d2edcBA|GDGAGAB|c2ccBAB|GDGAGAB|cBAB2z2| deddcBA|cBAB4|GDGAGAB|c2ccBAB|GABA2AG|A7|A7:| dzd^cdef|:gzggfed|edcBdAG|B2cd4|gzggfed|edcBdAG|[1B2cdBcd:|[2 B2AG2z2| X:11705 T: New Bo Peep (Pickadilla) M:6/8 L:1/8 Q:160 S:Playford O:Manuscript A:English K:G e/2=f/2|g3 e3|ded B>cd|cdB A>GA/2B/2|G3 G2 e/2=f/2|g3 e3|ded B>cd|\ cdBA>GA/2B/2|G3 G2::B|c>de e>dc|d B2 G2 B|c>de e>dc|d B2 G2 e/2^f/2|\ g3 g2 f/2g/2|a3 a2 e/2f/2|g3 g2 f/2g/2|a3 a2 g/2a/2|b2 e e2 =f|g2 d Bcd| \ c2 B A3|g3 g3:| X:11706 T:New Bridge of Edinburgh. BF11.58 M:4/4 Q:180 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Reel O:England A:Lakes Z:vmp.Chris Partington K:D f|d2AG FEDF|Eeed cBAc|dABG FDAF|DFeg fd "cr"d:|! f|defg abaf|abaf beef|defg abaf|geag fddf|! defg abaf|abaf beef|d3f (ef/g/) (fg/a/)|(ga/b/) (ef/g/) fd d|] X:11707 T:New Broom, The R:barndance C:Vincent Broderick D:Providence: Providence Z:Devin McCabe M:4/4 L:1/8 Q:200 K:G G3B d2Bd|e/2g/2e dB d2BA|GFGA ~B2AG|A2E2 E2(3DEF| !G3B d2Bd|e/2g/2e dB d2Bd|edge dBAc|1B2G2 G2(3DEF:|2B2G2 G2ga|| !b2ba g3a|bgag e/2g/2e d2|edge dBGA|BAAG A2ga| !b2ba g3a|bgag e/2g/2e d2|edge dBAc|B2G2 G2ga| !b2ba g3a|bgag e/2g/2e d2|edge dBGA|BAAG AcBA| !G3B d2Bd|e/2g/2e dB d2Bd|edge dBAc|B2G2 G2(3DEF|| X:11708 T:New Brunswick Breakdown R:Reel M:2/4 L:1/16 K:C e2|:g^fga g2e2|cBcd c2A2|G^FGA BAGB|a2g2 g4| g^fga g2e2|cBcd c2A2|G^FGA BGAB|c2cc c2z2:| |:G2GG G2AB|c2c2 c2Bc|d2d2 d2cd|eag^f g4| G2GG G2AB|c2c2 c2Bc|d2Ac BAG2|c2cc c2z2:| X:11709 T:New Century Z: id:dc-hornpipe-39 M:C| L:1/8 K:G Major Bc|dGGF GBdB|cA=FE FGAc|BGGF GBdf|gbaf g2 (3gfe|! dedB G2AB|cecA =F2GA|BGgd ecAF|AGGF G2:|! GA|Bcde =fdcA|dDEF GFGA|Bcde =fdge|afd^c d2 (3def|! gdBG ecAF|GFGB AGFE|DFAB cedF|AGGF G2:|! X:11710 T:New Century, The R:hornpipe Z:id:hn-hornpipe-92 M:C| K:Gmix Bc|:dBG^F GBdB|cA=FE FAcA|BAG^F GA (3Bcd|gb (3ag^f g2ge| dedB G2AB|c=fcA F2Ac|BGgd ecd^F|1 AGG^F G2Bc:|2 AGG^F G2GA|| |:Bcde =fdcA|dDE^F GFGA|Bcde =fdge|a^fd^c d2 (3def| gdBG ecA^F|G^FGB AG (3EFG|^FDFA ced^F|1 AGG^F G2GA:|2 AGG^F G2|| X:11711 T:New Century, The S:Matt Molloy and Sean Keane D:from Contentment is Wealth (Green Linnet 1058). Compare: A Tribute to Michael Coleman (Green Linnet 3097) N:A lightly diplomatic transcription by Alan Ng, with priority given to Sean Keane's playing. R:Hornpipe Z:Transcribed by Alan Ng agng@students.wisc.edu Aug. 30, 1996 id:ng-other-1 K:GMix M:C| Bc|dG{A}G^F GB(3dcB|cF{G}FE FA{d}cA|{c}BGG^F GB(3de^f|gb(3ag^f ga(3gfe|\ dedB G2 AB|cecA ~F2 GA|(3BAG gd ec d^F|1AGG^F GA:|2AGG^F G2 GA|:\ Bcde fdcA|dDE^F ~G3A|Bcde (3fed ge|a^fd^c d2 (3def|gdBG ecA^F|\ ~G3B AG^FG|(3^FED FA cedF|AG{A}G^F ~G3 A:| X:11712 T:New Century, The S:Matt Molloy and Sean Keane D:from Contentment is Wealth (Green Linnet 1058). Compare: A Tribute to Michael Coleman (Green Linnet 3097) N:A lightly diplomatic transcription by Alan Ng, with priority given to Sean Keane's playing. R:Hornpipe Z:Transcribed by Alan Ng agng@students.wisc.edu Aug. 30, 1996 id:ng-other-1 M:C| K:GMix Bc|dG{A}G^F GB(3dcB|cF{G}FE FA{d}cA|{c}BGG^F GB(3de^f|gb(3ag^f ga(3gfe|\ dedB G2 AB|cecA ~F2 GA|(3BAG gd ec d^F|1AGG^F GA:|2AGG^F G2 GA|:\ Bcde fdcA|dDE^F ~G3A|Bcde (3fed ge|a^fd^c d2 (3def|gdBG ecA^F|\ ~G3B AG^FG|(3^FED FA cedF|AG{A}G^F ~G3 A:| X:11713 T:New Concert Hornpipe. WM.009 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent N:Would seem to be something up with the third part? also key sounds a N:bit funny Z:vmp.Chris Partington K:C cc2ecd2fd|c2ec cBAG|c2ecd2fd|edcB .c.c.cz:|! |:g2bge2ge|d2gc cBAG|g2bge2ge|fdcB .c.c.cz:|! |:g2g2.b.g .b.g|e2e2.g.e .g.e|fedc cBAG|c2gcd2ec|! cBAG d-f.d.d|f-d.c.c d-g.e.c|cBAG .c.c.cz:|] X:11714 T:New Concert Hornpipe. WM009 M:C L:1/8 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent N:Would seem to be something up with the third part? also key sounds a N:bit funny Z:C.G.P K:C cc2ecd2fd|c2ec cBAG|c2ecd2fd|edcB .c.c.cz:|! |:g2bge2ge|d2gc cBAG|g2bge2ge|fdcB .c.c.cz:|! |:g2g2.b.g .b.g|e2e2.g.e .g.e|fedc cBAG|c2gcd2ec|! cBAG d-f.d.d|f-d.c.c d-g.e.c|cBAG .c.c.cz:|] X:11715 T:New Concertina Z: id:dc-reel-240 M:C L:1/8 K:G Major dgg2 dgg2|dggd edBd|edfd edfd|edfd edBd|! dgg2 dgg2|dggd edBA|Bdef gfge|dBAB G4:|! d2Bd edBd|d2Bd edBd|edfd edfd|edfd edBd|! d2Bd edBd|d2Bd edBA|Bdef gfge|dBAB G4:|! X:11716 T:New Concertina Reel R:reel N:http://www.execpc.com/~jimvint/abc/milwsun1.abc M:4/4 L:1/8 K:G ef|:g2gf~g2dg|~g2fg edBd|edfd edfd|edfd edBd| |~g3f~g2dg|~g2fg edBA|Bdef ~g3e|1dBAB GABd:|2dBAB~G3 A| |:Bddd Bddd|Bddd edBd|edfd edfd|edfd edBA| |Bddd Bddd|Bddd edBA|(3Bcd ef~g3e|1dBAB~G3:|2dBABG2(3def|| X:11717 T:New Copperplate Z: id:dc-reel-241 M:C L:1/8 K:G Major cAFA|G2dG BGdG|G2dG BGGB|A2eA cAeA|A2eB cAFA|! G2dG BGdG|G2dG BGGB|ABcd efgb|aged:|! ^cdef|g2gf gfef|gedc BGG2|eaag ageg|aged ^cdef|! g2gf gbaf|gedc BGGB|ABcd efgb|aged:|! X:11718 T:New Corsair,The. JMT.087 M:6/8 L:1/8 S:J.Moore,Tyneside,1841.(63b) R:Jig O:England A:Northumbria Z:vmp.Chris Partington K:G d2Bd2B|G2G GAB|c2Ac2c|FAFD3|d2Bg2d|e2cg2e|!edc BcA|"*"G3G3:| |:FAc cAF|GBd dBG|FAc cAF|!GBdd3|ece ege|dBd dgd|edc BcA|G3G2:|] %Shows two crotchets here in the MS,instead of dotted crotchets. X:11719 T:New Corsair,The. JMT087 M:6/8 L:1/8 S:J.Moore,Tyneside,1841.(63b) R:Jig O:England A:Northumbria Z:C.G.P K:G d2Bd2B|G2G GAB|c2Ac2c|FAFD3|d2Bg2d|e2cg2e|!edc BcA|"*"G3G3:| |:FAc cAF|GBd dBG|FAc cAF|!GBdd3|ece ege|dBd dgd|edc BcA|G3G2:|] %Shows two crotchets here in the MS,instead of dotted crotchets. X:11720 T:New Custom House, The R:reel D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-316 M:C| K:Dmix A2DE FGAB|cAGE DEFG|A2DE FGAB|cGeG dcAG| A2DE FGAB|cAGE DEFG|ADdD FGAB|cAGE AD~D2:| |:Add^c d2cd|ed^cd efge|Add^c d2cd|eaag ed^cd| Add^c d2cd|ed^cd efgb|a2ba ge^cd|eaag ed^cd:| X:11721 T:New Dresser, The S:Andy Hornby R:Other O:England N:1988 N:Slowish M:4/4 C:Andy Hornby A:Lancaster K:D A de |f3 f/2g/2 fedA | B4-B2AG | F2A2defg |e2-e3A de | \ f3 f/2g/2 fedA | GFGA B3 A/2G/2 | FAdfe2dc |d2-d3:: \ A Bc |e3 e/2f/2 ecBA |Affg f3 e/2d/2 | \ ceac Be^gb | a4-a3 a/2=g/2 | \ f3 f/2g/2 fedA |GFGA B3 A/2G/2 | FAdf e2 dc | d2-d3:|** W:Copyright Andy Hornby X:11722 T:New Drop Hornpipe. BF13.066 M:4/4 Q:180 C:"By Adams" S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes Z:vmp.Chris Partington K:Bb (F/G/A/)|B2B2Bdce|d2d2dfeg|fbag fedc|Bdfe cAFA|! B2B2Bdce|d2d2dfeg|fc'ag fedc|d2B2B2::! FE|DBFB DBFB|EBGB EBGB |ecAc ecAc|dBFB dBFE|! DBFB DBFB|EBGB EBGB|ecAc ecAc|d2B2B2:|] X:11723 T:New Drops of Brandy. JC.161 M:9/8 L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Slip Jig O:England A:Northamptonshire N: Z:P Headford K:G d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBc "crot"A3 cBA:|! |:G2g gdB gdB|G2g gdB cBA|G2g gdB gdB|cBc A2B cBA:|] X:11724 T:New Drury. WM.088 M:C L:1/8 Q:125 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W:Foot it (?)right hands across,foot it (?)left hands back again.Lead W:down 2 couple,up again 1 couple,allemande K:G gdBd dcBA|Ggbg gfed|] X:11725 T:New Drury. WM088 M:C L:1/8 Q:200 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR D: H: Z:C.G.P W:Foot it (?)right hands across,foot it (?)left hands back again.Lead W:down 2 couple,up again 1 couple,allemande K:G gdBd dcBA|Ggbg gfed|] X:11726 T:New Exchange M:2/2 K:F P:AB P:A "F"agfe f2 c2|"Bb"defg "C"d2 ag|"Dm"fe d2 "Am"d2>d2|"Dm"d4>A4|\ "Bb"d2 e2 "F"f2>f2|"Gm"g2 a2 b2>b2|"F"ag f2 "C"e2>d2|"Dm"d4>z4|| P:B "C"c2 de "Dm"f2>A2|"Gm"Bc d2 "C"c2>c2|"Bb"de f2 "Gm"e2>f2|"C"g4>a4|\ "Gm"b2 a2 g2>f2|"C"e2>d2 c2>c2|"Bb"de f2 "C"e2>f2|"F"f2 f4 z2|| X:11727 T:New Fee M:2/4 L:1/8 R:Polka K:D |:D3B|AF2B|AF D>E|FE E2 | |D3B|AF2B|AF EF|D3A:| |:d2cd|BA FA|d2cd|B3c | |d2cd|BA FB|AF EF|D3A:| |:d2e2|f3f|ed Bc|d3 A | |L:1/16B2dB A2F2|B2dBL:1/8AF|AF EF|D3A:| X:11728 T: New Figary M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:Dm F|B>Bc>c d>efd|edc>B B3 F|B>Bc>c d>efd|g>f=e>f f3 F|\ B>Bc>c d>efd|edc>B B3 F|B>Bc>c d>efd|g>f=e>f f3 F::\ f>fg>a b2 ab|g>ga>g ^f2 de/2f/2|gggf =e2 cd/2e/2|fdc>B B4|\ f>fg>a b2 ab|g>ga>g ^f2 de/2f/2|gggf =e2 cd/2e/2|fdc>B B4::\ M:6/8 dfd c>BA|B2 F B2 c |dfd c>BA|B3 d3|dfd c>BA|B2 F B2 c |dfd c>BA|B3 d3::\ dfd f3 | dfd f3| g>ab d>ed| c2 B B3|dfd f3 | dfd f3| g>ab d>ed| c2 B B3: | X:11729 T:New Found Out, The C:Trad S:The First Month of Spring, John Vesey and Paul Brady I:speed 250 M:4/4 K:D |:A3 B AF F2 | dcdf eBdB | (3ABA FA dcdf | eB B2 B2 dB | A3 B AF F2 | d3 f eBdB | (3ABA FA dcdf |[1eB B2 B2 dB :|[2eB B2 B2 de| |:f2 df g2 eg | fedf fede | f2 df gfgb | afdf fefa | bf f2 afef | d2 ed BAFB | (3ABA FA dcdf |[1eB B2 B2 de:|[2eB B2 B2 dB| X:11730 T:New Found Out, The R:reel D:Providence: Providence Z:Devin McCabe M:C| L:1/8 K:D A3B AFFA|(3Bcd cA G3B|A~F3 ABdf|1eBBA BcdB:|2eBBA Bcde|| !~f3d ~g3e|~f3d ecde|fdde gabg|afed efga| !b~f3 afec|defd efdB|A~F3 ABdf|eBBA BcdB|| X:11731 T:New German March R:March O:England M:4/4 A:Lancashire B:Winder K:G B>c|\ d>Bd>e d>cB>A | G2G>F G2B>G | \ A>GA>B A>GF>E | D2D>D D2d>c | \ B>cd>e A>Bc>d | B>cd>e A>Bc>d |\ B>G (3Bcd A>FA>B | G2G>G G2::\ B>c |\ d>Bd>e d>gf>e | d2d>c d2B>c | \ d>Bg>f e>dc>B | A2A>B A2dc |\ B>GG>F G2c>B | A>DD>E D2d>c | \ B>G (3Bcd A>FA>B | G2GF G2 :|** X:11732 T:New German March. JC.187 M:C| L:1/8 Q:130 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England A:Northamptonshire N:MR has omitted this tune as she says it is identical to 188 except in N:Key of D. Z:P Headford K:D F>G|A>GA>B A>GF>E|D2D>DD2F2|E>DE>F E>DC>B,|A,2A,>A,A,2A>G|! F>GA>B E>FG>A|FD (F/G/A/)F/ EC (E/F/G/)E/|D2D>DD2:|! |:F>G|A>GA>B A>dc>B|A2A>AA2F>G|A>Fd>c c>AG>F|E2E>EE2A>G|! F>DD>DD2G>F|G>A,A,>A,A,2A>G|F>D (F/G/A/F/) E>C (E/F/G/E/)|D2D>DD2:|] X:11733 T:New German March. JC.188 M:C| L:1/8 Q:130 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England A:Northamptonshire N: Z:P Headford K:G B>c|d>cd>e d>cB>A|G2G>GG2B2|A>GA>B A>GF>E|D2D>DD2d>c|! B>cd>e A>Bc>d|BG (B/c/d/)B/ AF (A/B/c/)A/|G2G>GG2:|! |:B>c|d>cd>e d>gf>e|d2d>dd2B>c|d>Bg>f f>dc>B|A2A>AA2d>c|! B>GG>GG2c>B|c>DD>DD2d>c|B>G (B/c/d/B/) A>F (A/B/c/A/)|G2G>GG2:|] X:11734 T:New German Waltz,The. WM.106 T:German Waltz. WM.106 M:3/8 L:1/8 Q:30 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Waltz O:England A:Kent N:Compare with "German Waltz" No 65. D: Z:vmp.Chris Partington K:FMaj c/B/|AAG|"?"Ffe/d/|ccB|c2c/c/|AAG|F2f|(fed)|c2:|! |:c|gcc|acc|cba|age|fed|cef|gfe|f2:|! |:A/B/|cAc|fed|dcc|c2A/c/|cBB|A2G/B/|BAA|A2B/B/|! cAc|fed|dcc|c2A/c/|cBB|B2G/E/|Fff|f2:|] W:Says four semiquavers in MS |] X:11735 T:New German Waltz,The. WM106 T:German Waltz. WM106 M:3/8 L:1/8 Q:30 C:* S:Wm.Mittell,1799 R:Waltz O:England A:Kent N:Compare with "German Waltz" No 65. D:* H:* Z:C.G.P W:* K:FMaj c/B/|AAG|"?"Ffe/d/|ccB|c2c/c/|AAG|F2f|(fed)|c2:|! |:c|gcc|acc|cba|age|fed|cef|gfe|f2:|! |:A/B/|cAc|fed|dcc|c2A/c/|cBB|A2G/B/|BAA|A2B/B/|! cAc|fed|dcc|c2A/c/|cBB|B2G/E/|Fff|f2:|] %Says four semiquavers in MS X:11736 T:New Grinders,The. HSJJ.110 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G gfg dcB dcB|gfg efg fga|gfg dcB dcB|cde ABc BAG:|! |:Bcd dcB edc|Bcd dcB efg|Bcd efg fga|gab ABc BAG:|] X:11737 T:New Grinders,The. HSJJ.110 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G gfg dcB dcB|gfg efg fga|gfg dcB dcB|cde ABc BAG:|! |:Bcd dcB edc|Bcd dcB efg|Bcd efg fga|gab ABc BAG:|] X:11738 T:New Harliquin Air,A. BC.16 T:Harlequin Air,A New. BC.16 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Yes,very squeaky notes,but as written.CGP. Z:vmp.John Bagnall K:D d f f e/d/ | c e e g | f e/d/ c d | e A F D |! d f f e/d/ | c e e g | f e/d/ A c | d2 D2 |! |f a a g/f/ | g e' e'2 | e g g f/e/ | f d' d'2 |! d f f e/d/ | c a a g | f e/d/ A c | d2 D2 |] X:11739 T:New Harliquin Air,A. BC.16 T:Harlequin Air,A New. BC.16 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Yes,very squeaky notes,but as written.CGP. Z:John Bagnall K:D d f f e/d/ | c e e g | f e/d/ c d | e A F D |! d f f e/d/ | c e e g | f e/d/ A c | d2 D2 |! |f a a g/f/ | g e' e'2 | e g g f/e/ | f d' d'2 |! d f f e/d/ | c a a g | f e/d/ A c | d2 D2 |] X:11740 T:New High Level % Nottingham Music Database S:NPTB, via EF M:4/4 L:1/4 K:G P:A D|"G"GD/2G/2 BG/2B/2|"G"de/2d/2 c/2B/2A/2G/2|"D7"FD/2F/2 AF/2A/2|\ "D7"df/2e/2 d/2c/2B/2A/2| "G"GD/2G/2 BG/2B/2|"G"de/2d/2 c/2B/2A/2G/2|"D7"FD/2F/2 A/2c/2A/2F/2|"G"GB G:| K:D P:B A/2G/2|"D"F/2A/2d/2A/2 f/2A/2d/2A/2|"D"F/2A/2d/2A/2 f/2A/2d/2A/2|\ "A7"c/2A/2c/2e/2 g/2e/2c/2A/2| "A7"c/2A/2c/2e/2 g/2e/2c/2A/2|"D"F/2A/2d/2A/2 f/2A/2d/2A/2|\ "D"F/2A/2d/2A/2 f/2A/2d/2A/2| :|"D"dc BA|| X:11741 T:New Highland Laddie C:Trad S:Northumbrian Minstrelsy M:4/4 K:G G2 GB A2 AB|G2 GB A2 AB| G2 g2 d2 cB| ABcA B2 G2 :: d2de d2de |\ dgfe d2 cB | d2de d2de |dgfe d2 cB | c2ce B2Bd| A2AB c2 BA| G2 g2 d2cB|ABcA B2 G2 :| X:11742 T:New Land M:3/4 L:1/8 C:Otis Thomas, Cape Breton S:Touchstone CD "The New Land" R:Waltz K:F |:"F"F3 E FG|"Am"Ac3cd|"Dm"c3 AG2|"Fmaj7"F3 G (3AGF| "Gm"B3 A GA|"GmMaj7"Bd3df|"Gm7"d3 BA2|"C7"G3 A (3BAG| "F"A3 F AF|"Am"Ac3 fg|"Dm"a3 g f2|"Bb"d3 e fg| "Dm"a3 g f2|"Am"ge3 cA|"Dm"Add2c2|d3 e fg| "F"a3 g ab|"Am"a2g2f2|"Gm"B3 A Bc|"GmMaj7"B2c2d2| "C7"g3 f ga|g2f2e2|"F"A3 G AB|"Am"A2B2c2| "Dm"f3 e fg|f2e2d2|"Gm"G3 F GA|G2F2D2| "Dm"c/2A7/2F2|"Am"G/2E7/2C2|"Dm"D3 E FE|D4 DE:| X:11743 T:New Land (The) R:Waltz C:Otis Tomas, SOCAN O:20th Century Cape Breton S:Silver Apple News,1990 D:The New Land, Touchstone (Green Linnet) N:Touchstone recorded it in the Key of D D:An Coisir, Maire O'Keeffe (Gael Linn) H:Copyrights:Otis Tomas N:Contacts ... N:..... Otis Tomas Stringed Instruments 1-902-929-2766 N:..... N:..... Otis N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford > psc@nbnet.nb.ca Q:244 L:1/8 M:3/4 K:F C DE|"F" (F3E FG)|(Ac3)d2|"Am" c3AG2|"F" F3G (3(AGF)|"Gm" B3AG2|! (Bd3)f2|"Dm" d3BG2|"Gm" G3A (3(BAG)|"F" A3F CF|"Am" Ac3fg|! "Dm" a3gf2|"Gm" d4fg|"F" a3gf2|"C" ge3c2|"Dm" d6|d3:|! |:d (3(efg)|"Dm" a3g ab|(3(aba)g2f2|"Gm" B3A Bc|B2c2d2|"Am7" g3f ga|! (3(gag)f2e2|"F" A3B AF|A2B2c2|"Bb" f3e fg|(3(fgf)e2d2|! "Gm" G3F GA|G2F2D2|"F" (cA3)F2|"C" GE3C2|"D" D6|D3:|! X:11744 T:New Land (The) R:Waltz C:Otis Tomas, SOCAN O:20th Century Cape Breton S:Silver Apple News,1990 D:The New Land, Touchstone (Green Linnet) N:Touchstone recorded it in the Key of D D:An Coisir, Maire O'Keeffe (Gael Linn) H:Copyrights:Otis Tomas N:Contacts ... N:..... Otis Tomas Stringed Instruments 1-902-929-2766 N:..... N:..... Otis N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford > psc@nbnet.nb.ca Q:244 L:1/8 M:3/4 K:F C DE|"F" (F3E FG)|(Ac3)d2|"Am" c3AG2|"F" F3G (3(AGF)|"Gm" B3AG2|! (Bd3)f2|"Dm" d3BG2|"Gm" G3A (3(BAG)|"F" A3F CF|"Am" Ac3fg|! "Dm" a3gf2|"Gm" d4fg|"F" a3gf2|"C" ge3c2|"Dm" d6|d3:|! |:d (3(efg)|"Dm" a3g ab|(3(aba)g2f2|"Gm" B3A Bc|B2c2d2|"Am7" g3f ga|! (3(gag)f2e2|"F" A3B AF|A2B2c2|"Bb" f3e fg|(3(fgf)e2d2|! "Gm" G3F GA|G2F2D2|"F" (cA3)F2|"C" GE3C2|"D" D6|D3:|! X:11745 T:New Land (The) R:Waltz C:Otis Tomas, SOCAN O:20th Century Cape Breton S:Silver Apple News,1990 D:The New Land, Touchstone (Green Linnet) N:Touchstone recorded it in the Key of D D:An Coisir, Maire O'Keeffe (Gael Linn) H:Copyrights:Otis Tomas N:Contacts ... N:..... Otis Tomas Stringed Instruments 1-902-929-2766 N:..... N:..... Otis N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford > psc@nbnet.nb.ca Q:244 L:1/8 M:3/4 K:F C DE|"F" (F3E FG)|(Ac3)d2|"Am" c3AG2|"F" F3G (3(AGF)|"Gm" B3AG2|! (Bd3)f2|"Dm" d3BG2|"Gm" G3A (3(BAG)|"F" A3F CF|"Am" Ac3fg|! "Dm" a3gf2|"Gm" d4fg|"F" a3gf2|"C" ge3c2|"Dm" d6|d3:|! |:d (3(efg)|"Dm" a3g ab|(3(aba)g2f2|"Gm" B3A Bc|B2c2d2|"Am7" g3f ga|! (3(gag)f2e2|"F" A3B AF|A2B2c2|"Bb" f3e fg|(3(fgf)e2d2|! "Gm" G3F GA|G2F2D2|"F" (cA3)F2|"C" GE3C2|"D" D6|D3:|! X:11746 T:New Land, The C:Otis Tomas R:waltz S:Nicholas Quemener H:Originally in F Z:hn-waltz-7 M:3/4 K:E B GF|E3F (3GFE|B4 Bc|B3 G (3FGF|E3 F (3GFE| A3 G FG|A c3 e2|c3 A {FG}FE|F3 B (3AGF| G3 E GA|G B3 ef|g3 f eB|c4 ea| g3 f eg|f d3 e2|c6-|c3:| |:B ef|g3 f ga|g2 f2 eB|A3 G AB|A2 B2 c2| f3 e fg|f2 e2 d2|G3 F GA|G2 A2 B2| e3 d ef|ec dB cA|F2 FE FG|F3 f ec| B G3 A2|F d3 e2|c6-|c3:| X:11747 T:New London Hornpipe. FK.18 M:4/4 L:1/8 Q:160 C:"MS 42 p.6" S:Kidson's Hornpipe MS,early 20th C. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:G B2 AB G2 f2 | g2 eg f2 d2 | cdec Bcde | cABG GFED |! EDEF G2 G2 | BABc d2 g2 | ecGB cAFA |"*"G2 G2 G2:|:! d2 | g2 eg f2 d2 | g2 eg f2 d2 | cdec BcdB | cABG GFED |! EDEF G2 G2 | BABc d2 g2 | dBGB cAFA | G2 G2 G2 |] % * The anacrusis implied is missing.JB |] X:11748 T:New London Hornpipe. JC.172 M:C| L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England A:Northamptonshire N: Z:P Headford K:G "Key D in MS"dcBA G2ef|g2ef f2dB|cecA BdBG|cAB2 GFED|!1 EGFA G2AB|c2BA B2ed|cBAG BAGF|G2G2G2z2:|! |:g2bg e2e2|abag f2ed|gfed edcB|cBAG F2ED|! EGFA G2AB|c2BAB2ed|cBAG BAGF|G2G2G2z2:|] X:11749 T:New May Day. JC.229 T:??.aka.JC.229 M:C| L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England229 A:Northamptonshire N:Similar to The Kirkgate Hornpipe Z:P Headford K:A A2A2A2(cd)|fcdB AcBA|B2B2B2(fe)|dcBA GBGE|! A2A2A2(cd)|ecdB Aagf|gbge fgf^d|e2e2e2z2||! B2B2B2(cd)|ecBA GBGE|e2e2e2(fg)|gfed cecA|! f2d2d2d2((3agf)|e2c2c2ae|fdec dBAG|A2A2A2z2|] X:11750 T:New May Moon (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:11751 T:New Mown Meadow R:reel S: H: N: D:Milltown Session Z:Adrian Scahill M:4/4 L:1/8 K:G d2Bd edBd|d2BG AGEG|d2Bd edBA|GBAG EGGB|\ d2Bd edBd|d2BG AGEG|c3A B3A|GBAG EGGB:||\ ADD2 D2EG|AcBG AGEG|ADD2 EDEG|G2AG EDEG|\ ADD2 D2EG|AcBG AGEG|c3A B3A|GBAG EGGB:|| X:11752 T:New Mown Meadow, The R:reel H:Also played in Edor (#470), and rarely in Ddor (#739) D:Noel Hill agus Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-500 M:C| K:Ador eAAG A2 (3Bcd|egfd edBd|eA~A2 BGBd|d2ed BABd| eAAG A2 (3Bcd|egfd edBd|g2ge ~f3e|1 dfed BABd:|2 dfed Bdfg|| |:a2fa bafa|~a2fd edBd|a2fa bafe|dfed BdA2| a2fa bafa|~a2fd edBd|g2ge ~f3e|1 dfed Bdfg:|2 dfed BABd|| X:11753 T:New Mown Meadow, The R:reel H:Also played in Ador (#500), and rarely in Ddor, #739 D:Noel Hill agus Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-470 M:C| K:Edor BEED E2FA|BdcA BAFA|BE~E2 FDFA|A2BA FEFA| BEED E2FA|BdcA BAFA|d2dB c2cB|1 AcBA FEFA:|2 AcBA FAcd|| e2ce fece|e2cA BAFA|e2ce fecB|AcBA FAE2| e2ce fece|e2cA BAFA|d2dB c2cB|1 AcBA FAcd:|2 AcBA FEFA|| X:11754 T:New Mown Meadow, The R:reel S:J\"orgen Fischer H:Usually played in Ador (#500), or Edor, #470 Z:id:hn-reel-739 M:C| K:Ddor AD~D2 D2EG|AcBG AGEG|AD~D2 EDEG|G2AG EDEG| AD~D2 D2EG|AcBG AGEG|c2cA B2BA|1 GBAG EDEG:|2 GBAG EGBc|| d2Bd edBd|d2BG AGEG|d2Bd edBA|GBAG EGD2| d2Bd edBd|d2BG AGEG|c2cA B2BA|1 GBAG EGBc:|2 GBAG EDEG|| X:11755 T:New Policeman Z: id:dc-reel-243 M:C L:1/8 K:D Major A,|D2FA D2FA|defe dBBA|B2AF ABde|f2ed fee2|! dAA2 DEFA|d2fe dBBA|B2AF ABdB|AFEG FDD:|! e|faaf afdf|gfed cdef|g2gf gbag|fagf e3f|! dBB2 AFF2|DFF2 ABdf|afef dBAF|A2ag fdd:|! X:11756 T:New Policeman R:reel S:(Sharon Shannon) H: N: D:Galway Arts Festival Concert Z:Adrian Scahill M:4/4 L:1/8 K:D dAA2 DEFA|d2fe dBBA|B2AF ABde|fede fee2|\ dAA2 DAFA|defe dBBA|B3d ABdB|AFEG FDD2:||\ faab afdf|gfed (3Bcd ef|g2gf gbag|f3a e3f|\\ dBB2 AFF2|DFBF ABdf|afef dBAF|A2ag fdd2:|| X:11757 T:New Policeman M:C L:1/8 K:D Major A,|D2FA D2FA|defe dBBA|B2AF ABde|f2ed fee2|! dAA2 DEFA|d2fe dBBA|B2AF ABdB|AFEG FDD2:|! e|faaf afdf|gfed cdef|g2gf gbag|fagf e3f|! dBB2 AFF2|DFF2 ABdf|afef dBAF|A2ag fdd2:|! X:11758 T:New Post Office Reel, The M:4/4 L:1/8 S:Treoir 1-96 R:Reel D:Denis Murphy, January 1949 K:Em DFEF D2 dB|cAGD EFGE|DFEF D2 dB|cAGE AD D2| DFEF D2 dB|cAGF EFGB|Bdd^c dfed|cAGE ED D2|| f2 fe fage|fdge afde|f2 fe fage|fgec Adde| f2 fe fage|fdge afge|fage dfed|dcAG EFGE|| X:11759 T:New Rigg'd Ship. JC.196 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England A:Northamptonshire N: N:No TS given: 2/4 adde Z:P Headford K:C G|c2c"tr"c2e|c2c"tr"c2e|dBGG2B|dBG GAB|! c2c"tr"c2c|c2c dBG|A>Bc dBG|c3"tr"c2:|! e/f/|g2eg2e|c2c ceg|a2fa2f|"tr"d2d def|! g2eg2e|"tr"c2c dBG|A>Bc dBG|"tr"c3-c2e/f/|! gfe gfe|c>dc ceg|agf agf|"tr"d>ed def|! gfe gfe|cec dBG|ABc dBG|cGEC2|] X:11760 T:New Rigged Ship M:C L:1/8 K:A Dorian eg|a3g ageg|agbg agef|g3g fgag|f2d2 d2:|! ed|cAcA B2ed|cAcA E2ed|cAcA B2ed|c2A2 A2:|! AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|! X:11761 T:New Rigged Ship % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"dcd d2f|dcd d2f|"A"ecA Ace|ecA ABc| "D"dcd d2f|"D"dcd "A"ecA|"G"Bcd "A7"edc|"D"d3 -d2:: f/2g/2|"D"a2f a2f|"Bm"ded dfa|"Em"b2g b2g|"A7"efe efg| "D"a2f a2f|"Bm"def "D"d2f|"A7"ecA ABc|"D"d3 -d2:| X:11762 T:New Rigged Ship R:reel D:Dervish: The Boys of Sligo D:Altan: Harvest Storm Z:id:hn-reel-223 M:C| L:1/8 Q:1/4=200 K:Amix eg|a2ab ageg|a2ab agef|g2gg fgag|f2d2 d2 :| ed|cAcA B2ed|cAcA E2ed|cece B2ed|c2A2 A2:| AB|=cdec BcdB|ABAF GFE2|=cdec BcdB|=c2A2 A2:| "Variations"~a3g ageg|a2bg agef|~g3e fgag|1 fdef defg:|2 f2d2 e3d| |:~c3A B2ed|~c3A EFAB|~c3A B2ed|1 cAAG A2ed:|2 c2A2 A3B| |:=c2ec BcdB|A=cBG AGEG|=c2ec BcdB|1 =cAAG A3B:|2 =c2A2 ABcd|| eaag ageg|a2ag agef|~g3e fgag|fdef defg| a2~a2 ageg|agbg agef|~g3a fgag|fgec d2ed| |:BccA B2ed|BccA E2ed|1 cA~A2 B2ed|cA (3Bcd cA~A2:|2 c2cA B2ed|cABc A3B| |:=cdec B2dB|ABAF GFEG|=cdec B2dB|1 A=cBG ~A3B:|2 A=cBG Aefg|] X:11763 T:New Rigged Ship, The R:reel D:Dervish: The Boys of Sligo D:Altan: Harvest Storm Z:id:hn-reel-223 M:C| K:Amix ~a3g ageg|a2bg agef|~g3e fgag|1 fdef defg:|2 f2d2 e3d|| |:~c3A B2ed|~c3A EFAB|~c3A B2ed|1 cAAG A2ed:|2 c2A2 A3B|| |:=c2ec BcdB|A=cBG AGEG|=c2ec BcdB|1 =cAAG A3B:|2 =c2A2 ABcd|| "Variations:" eaag ageg|a2ag agef|~g3e fgag|fdef defg| a2~a2 ageg|agbg agef|~g3a fgag|fgec d2ed|| |:BccA B2ed|BccA E2ed|1 cA~A2 B2ed|cA (3Bcd cA~A2:|2 c2cA B2ed|cABc A3B|| |:=cdec B2dB|ABAF GFEG|=cdec B2dB|1 A=cBG ~A3B:|2 A=cBG Aefg|| X:11764 T:New Rigged Ship, The R:reel H:Originally a Shetland tune D:Dervish: The Boys of Sligo D:Altan: Harvest Storm Z:id:hn-reel-223 M:C| K:Amix ~a3g ageg|a2bg agef|~g3e fgag|1 fdef defg:|2 f2d2 e3d|| |:~c3A B2ed|~c3A EFAB|~c3A B2ed|1 cAAG A2ed:|2 c2A2 A3B|| |:=c2ec BcdB|A=cBG AGEG|=c2ec BcdB|1 =cAAG A3B:|2 =c2A2 ABcd|| "Variations:" eaag ageg|a2ag agef|~g3e fgag|fdef defg| a2~a2 ageg|agbg agef|~g3a fgag|fgec d2ed|| |:BccA B2ed|BccA E2ed|1 cA~A2 B2ed|cA (3Bcd cA~A2:|2 c2cA B2ed|cABc A3B|| |:=cdec B2dB|ABAF GFEG|=cdec B2dB|1 A=cBG ~A3B:|2 A=cBG Aefg|| X:11765 T:New Rigged Ship, The M:6/8 L:1/8 C:Scottish Jig K:C G2 | "C" c3 c2 e | "C" c3 c2 e | "G" dBG GBd | "G" dBG GAB | "C" c3 c2 e | "C" cBc "G" dBG | "F" ABc "G" dBG | "C" c3 c2 :|| ef | "C" g2 e {e} g2 e | "C" c2 c ceg | "F" a2 f a2 f | "G" d2 d def | "C" g2 e g2 e | "C" c2 c "G" dBG | "F" ABc "G" dBG | "C" c3-c2 e/f/ | "C" gfe gfe | "C" cdc ceg | "F" agf agf | "G" ded def | "C" gfe gfe | "C" cdc "G" dBG | "F" ABc "G" dBG | "C" c3 c2 || X:11766 T:New Roundabout, The R:polka Z:id:hn-polka-40 M:2/4 L:1/8 K:D de fg|a2 af|g>g fe|df AA|de fg|aa/a/ af|gg/g/ fe|1 d2 dA:|2 d2 cd|| |:ee/e/ fe|df af|ee/e/ fe|dB BA|ee/e/ fe|df af|gg/g/ fe|1 d2 cd:|2 d2 dA|| X:11767 T:New Scotland Schottische C:Ward Allen R:Schottische L:1/8 M:4/4 K:A a3/2f | e2ed c/e/e (3efg | a2e2 ec | d2d2 defg | ac e2a>f | e2ed cc e2ef | =gedB =GBdB | cdef e2 :| |: c>d | e/a/a3 a3g | a2e2 e/a/ae>c | c3e g2 (3efg | a2af edcd | e/a/a3 a3g | a2Ac e2ef | =gedB =GBdB | cdef e2cd | e/a/a3 a3g | a2e2 e/a/ae>c | d3e g2 (3efg | a2af edcd | e/a/a3 a3g | a2Ac e2ef | =gedB =GBdB | cdef e2 :| X:11768 T:New Ships A Sailing Z: id:dc-reel-245 M:C L:1/8 K:G Major D|G2FG AGED|G2Bd edef|gdBG AGED|AGFE DcBA|! G2FG AGED|G2Bd edef|gdBG AGED|GBAF G3:|! D|G2Bd edBd|g2fg edBd|cBAc BAGB|AGFE DcBA|! G2FG AGED|G2Bd edef|gdBG AGED|GBAF G3:|! X:11769 T:New Ships Are Sailing R:reel D:Altan: Harvest Storm Z:id:hn-reel-460 M:C| K:G ~G3A BGED|G2 (3Bcd edef|gdBG AGED|AGFE D3E| G2~G2 AGED|G2 (3Bcd edef|gdBG AGED|GBAF G2dB:| |:G2 (3Bcd edBd|g2dg edBd|cBAc BAGB|AGFE DcBA| G2~G2 AGED|G2 (3Bcd edef|gdBG AGED|GBAF G2dB:| X:11770 T:new Spa Dance, The M:2/4 Z:repeats A::B|| K:G B3c dcBA| G2G2 A4| B2BG c2cA| B2BG A4|\ B3c dcBA| G2G2 A4| B2G2c2A2| G2F2 G4:: B3cd2e2| f2g2 d4| g2gf e2ed| c2cB A4|\ B3c d2e2| f2g2 d4| g2gf e2d2| Bd^ce| "Da Capo"d4|] X:11771 T:NEW STEPNEY B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:Bb P:1 F4 g2 f3 e d2 f6|c2 A2 F2 F4 A2 c2 A2 F2|\ G4 b2 a3 g ^f2 g6|d2 B2 G2 G4 B2 d2 B2 G2|| P:2 g4 d2 =e4 c2 =f6|c2 A2 F2 F4 A2 c2 A2 F2|\ G4 b2 a3 g ^f2 g6 |d2 B2 G2 G4 B2 d2 B2 G2|| P:3 a3 g =f2 a3 g f2 a3 g f2|c2 A2 F2 F4 A2 c2 A2 F2|\ b3 a g2 b3 a g2 b6 |d2 B2 G2 G4 B2 d2 B2 G2|| P:4 d4 c2 B4 A2 G4 AB|c2 A2 F2 F4 A2 c2 A2 F2|\ d2 _edcB c2 dcBA B2 cBAG|d2 B2 G2 G4 B2 d2 B2 G2|| P:5 f3 e f2 g3 f g2 a3 g a2|b2 B2 F2 F4 A2 c2 A2 F2|\ a2 g2 f2 b2 a2 g2 a2 g2 ^f2|g2 G2 G2 G4 A2 B2 A2 G2|| P:6 d2 B2 d2 c2 A2 c2 B2 G2 B2|A2 =F2 F2 F4 A2 c2 A2 F2|\ d2 Bc d2 c2 AB c2 B2 GA B2|D2 G2 G2 G4 A2 B2 A2 G2|] X:11772 T:New Stepney March N:for G. Flute M:6/8 R:Jig K:D "Moderato" f/g/|\ afd d'2b| c'2a b2g| afd afd| cee e2f/g/|\ afd d'2b| c'2a b2g| afg afb| fge d2:: A/G/|\ F2A d2f| ceg dfa| g2b afd| cee e2A/G/|\ F2A d2f| ceg dfg| afg afd'| fge d2:| X:11773 T:New Stepney March N:For the Violin M:6/8 R:Jig K:G "Moderato" B/c/|\ dBG g2e| f2d e2c| dBG dBG| FAA A2B/c/|\ dBG g2e| f2d e2c| dBc dBe| BcA G2:: D/C/|\ B,2D G2B| FAc GBd| c2e dBG| FAA A2D/C/|\ B,2D G2B| FAc GBc| dBc dBg| BcA G2:| X:11774 T:New Tartar's Plaid. WM.105 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N: D: H: Z:vmp.Chris Partington W: K:G B/-c/|dGBG dGBG|dG Bc/d/ eA AB/c/|dGBG dGBG|cedc BGG:|! |:G|DGB,G DGBG|DGB,G BA,A,G|DGB,G DFBd|cedc BGGG|! DGB,G DGBG|DGB,G AA,A, B/-c/|ecdB cABG|cedc BGG:|] X:11775 T:New Tartar's Plaid. WM105 M:C L:1/8 Q:180 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N: D: H: Z:C.G.P W: K:G B/-c/|dGBG dGBG|dG Bc/d/ eA AB/c/|dGBG dGBG|cedc BGG:|! |:G|DGB,G DGBG|DGB,G BA,A,G|DGB,G DFBd|cedc BGGG|! DGB,G DGBG|DGB,G AA,A, B/-c/|ecdB cABG|cedc BGG:|] X:11776 T:New Tatter Jack M:C L:1/8 S:Old US Army fife tune, c. 1850. Originally played as a march. K:G |:E E AAAz|BcBc edc|BGG dGG|BcB AGE|E AAAz|BcBc az|ge dcBcd|e>2 Az:| % Output from ABC2Win Version 2.0 e on 1/15/97 X:11777 T:New Tyrolean Waltz(part),aka. JC.244 M:3/4 L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Waltz O:England241 A:Northamptonshire N:Untitled in MS. This is the first half of the tune only. CGP. N:No TS or KS in the MS...MR.Bars 2.3.6.7..a slur & 3 added t each 3 qu's N:making them equal to one crotchet. Bar 5. dotted qu followed by qu in N:Ms, semi-qu given here.Bar 8, crot in Ms given here as minim. Z:Phil Headford K:F C2|F>F A>A c>c|a2f2((3fef)|g2b2((3ede)|f2a2C2|!F>F A>A c>c| a2g2((3fef)|g2b2((3ede)|f4|] X:11778 T:New Tyrolean Waltz. BF13.002 M:3/4 L:1/8 Q:90 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Waltz O:England A:Lakes N:Title "Waltz" in ms. CGP. NB Where there is a dotted-Qu followed by a N:Semi-Qu, this is sometimes my interpretation, as the MS is a bit N:inconsistent, often missing out the dot.I have not felt the need to N:indicate where this happens as the intention is quite clear in the ms. N:CGP. Z:vmp.Cherri Graebe. K:F major F>F A>A"see NB" c>c|a2f2 f>f|f2b2ee|(f2a2)AG|!F>F A>A cc|a2f2f>f|g2b2e>e | f4|! |:f>f|(e2g2)fe|(f2a2)gf|(e2g2)fe|f2a2AG|!F>F A>A c>c|a2g2f>f|g2b2e2|f4|| X:11779 T:New Tyrolean Waltz. BF13.021 M:3/4 L:1/8 Q:90 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Waltz O:England A:Lakes N:This is the same as tune 002 so I ahven't bothered to edit it.CGP. Z:vmp.Cherri Graebe. K:F major "As Written"FF/2 AA/2 cc/2|a2f2ff/2|f2b2e>e|(f2a2)AG|! L:1/16 F3F A3A2 c3c|L:1/8 a2f2f>f|g2b2e>e|f4|! |f>f|(e2g2)fe|(f2a2)gf|(e2g2)fe|f2a2AG|! L:1/16 F3F A3A2 c3c| a4f4f3f2|L:1/8 g2b2e2|f4:|| X:11780 T:New Tyrolese Waltz. CJF.023 M:3/4 L:1/8 Q:120 C: S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G "p"D2|"Andantino"G>G B>B d>d|d>bg2 ((3Bd.g)|a2c'z ((3Acf)|\ g2bz"f"D2|!G>G B>B d>d|d>bg2 ((3Bdg)|a2c'z ((3Ac.f)|g4:|! "p" ((3Bd.g)|((3Ac.f) a2 ((3Ac.f)| ((3Bd.g) b2 ((3B"f"d.g) |\ ((3Ac.f) a2 ((3Ac.f)| ((3Bd.g) b2D2|!"p"G>G B>B d>d|d>bg2 ((3Bd.g)|\ a2c'z ((3Ac.f)|g4:| X:11781 T:New White Hart Hornpipe, The B:Walsh M:3/2 L:1/8 N: K:D d2 Bc dBAG FGAF | G2 E2 efed c2 A2| BcdB ABAG FGAG|F2 D2 D2 c2 d4::\ d2 de gefg fgad| c2 a2^g2 a2 ed| cdec d2 cBABAG|FGAF D2 c2 d4::\ dA F2 BG E2 AF D2| cdef e2 E2 FGAF| d2 A2 B2 G2 A2 F2| gfed cdec d4|| X:11782 T:New Wild Morris B: Walsh M:12/8 L:1/8 N: K:D d| def Bcd cde ABc|dcB AGF Edc d2 D| def Bcd cde ABc|dcB EA^G A3 A2::\ a| agf fed gfe edc| fed dcB cde ^A2 f| gfe dcBB3 B2 c| dDd dcB efe edc|\ fFf fed cde Aag| fed Adc d3 d2:: X:11783 T:New Years day M:6/8 K:F A|\ FGA fgf| fFF F2A| (FGF) (fgf)| gGG G2A|\ FGF fgf| fcb {b}a2g| fed cAf| cAF F2:: A|\ (cdc) (ABA)| cdc A2d| cdc fga| gGG G2A|\ (cdc) (ABA)| c2b {b}a2g| fed cAf| cAF F2:| X:11784 T:New York Girls M:6/8 K:G B|\ BcA G2B| c2B A2d| d2c Bcd| dcB A2B|\ BcA G2B| c2B A2d| d2c Bcd| cBA G2:| B|\ d2d e2f| gfe d3| B2B c2d| edc B3|\ d2d e2f| gfe d3| B2B c2d| edc B2d|\ dcB ABc| cBA B2d| dcB ABG| "Da Capo" FGE D2 |] X:11785 T:New York Jig R:jig S:Tommy Peoples & Dermot Byrnes H: N: D:Concert, Galway Z:Adrian Scahill M:6/8 L:1/8 K:A A,3 ECE|AEA cea|fed cdB|cAF FEC|\ A,3 ECE|AEA cea|fed cdB|cAG A3:||\ Ace a3|faf ecA|d3 ecA|B3 cAF|\ Ace a3|faf ecA|d2f ecA|BAG A3:|| X:11786 T:New York Jig, The M:6/8 L:1/8 S:John Skelton, One At A Time R:Jig N:Skelton remembers the name of this tune only as The New York Jig D:John Skelton, One At A Time (PAN 146CD) Z:Chris Corrigan Z:, 4/4/2000 K:D dAG FAE|DFA dcd|eAA GAA|EAA edc |dAG FAE|DFA dcd|eAA GAA|1 edc d3:|2 edc dAG|| F2 A FAF|G2 B BAG|FGA dAF|EBA BAG| F2 A FAF|G2 B BAG|AFA dAF|FEc d3:| X:11787 T:NEW YORK THE NEW WAY B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:Bb P:1 EGFE DFED C3 B| ABcd c3 C DEFD | EGFE DFED C3 B | FBAc B3 B, DEFD || P:2 E2 G2 _AGFE DEFD| CcBd c3 C DEFD | E2 G2 _AGFE DEFD | B,B=Ac B3 B, DEFD || P:3 B2 d2 edcB ABcA| GcBd c3 C DEFD | E2 d2 edcB ABcA | FBAc B3 B, DEFD || P:4 BGEG FDB,D C3 c| ABcd c3 C DEFD | BGEG FDB,D C3 e | d2 B2 B3 B, DEFD |] X:11788 T:New York the New Way B:Walsh M:3/2 L:1/8 N: K:Gm EGFE DFED C3 B| ABcd c3 C DEFD| EGFE DEFD C3 B| FBAc B3 B, DEFD::\ E2 G2 _AGFE DEFD |CcBd c3 C DEFD|E2 G2 _AGFE DEFD|B,BAc B3 B, DEFD::\ B2 d2 edcB ABcA| GcBd c3 C DEFD|E2 d3 edcB ABcA| FBAc B3 B, DEFD::\ BGEG FDB,D C3 c| ABcd c3 C DEFD|BGDG FDB,D C3 e| d2 B2 B3 B, DEFD:| X:11789 T:New-Mown Meadow Z: id:dc-reel-242 M:C L:1/8 K:G Major B|ADD2 D3G|AcBG AGEG|ADD2 EDEF|G2AG EGGB|! ADD2 D3G|AcBG AGEG|c3A B2BA|GBAG EGG:|! B|d2Bd edBd|dedB AGEG|d2Bd edBA|GBAG EDDB|! d2Bd edBd|dedB AGEG|c3A B2BA|GBAG EGG:|! X:11790 T:New-Rigged Ship Z: id:dc-reel-244 M:C L:1/8 K:A Mixolydian eg|a3g ageg|agbg agef|g3g fgag|f2d2 d2:|! ed|cAcA B2ed|cAcA E2ed|cAcA B2ed|c2A2 A2:|! K:A Dorian AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|! X:11791 T:New-Rigged Ship (jig), The T:Miss Finlay's Delight R:Jig O:Shetland O:Scotland M:6/8 K:D A|\ d2d def|d2d def|ecA ABA|ecA ABc|\ d2d def|d2d def|ecA ABc|d3 d2:: f|\ a2f a2f|d2d dfa|b2g b2g|e2e efg|\ a2f a2f|d2d ecA|Bcd ecA|d3 d2:| X:11792 T:New-Rigged Ship (reel), The R:Reel O:Shetland M:4/4 K:AMix a2ab ageg|a2ab agef|g2gg fgag|f2d2 d2dd|\ a2ab ageg|a2ab agef| g2A2 efed|c2A2 A2::\ ed|\ cAcA B2ed|cAcA E2ed|cece B2ed|c2A2 A2:: K:ADor AB|\ cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:| X:11793 T:Newark March % Nottingham Music Database S:Pauline Wilson, via PR M:4/4 L:1/4 K:D FG |"D"A2 A3/2B/2|A^G Ad|"G"B2 B3/2c/2|"E"B^A Be|"A7"c2 c3/2B/2|Ag fe| "D"dc df|"A7"A2 FG|"D"A2 A3/2B/2|A^G Ad|"G"B2 B3/2c/2|"E7"B^A Be| "A7"c3/2d/2 cB|Ac ec|"D"d3/2e/2 "A7"dc|"D"d2 de|"F#"f2 F2|"Bm"Bc de|"F#"fe dc| "Bm"B2 cd|"E"e2 E2|"A"AB cd|"E7"ed cB|"A7"AG FE|"D"A2 A3/2B/2|A^G Ad| "F#"f3/2g/2 fe|"Bm"d2 fg|"D"a2 A2|"Em"gf ed|"A7"eA Bc|"D"d2 || X:11794 T:Newburn Lads C:Trad S:Northumbrian Minstrelsy M:4/4 K:G L:1/16 Bc|\ L:1/8 dBGB dBGB| dBdg f2 ed| ecAc ecAc| edef gage| dBGB dBGB| dBdg f2 df|\ afge fdgB|\ L:1/16 AAA2\ L:1/8 Bd e2 e::e| dgBg dgBg|dgBg fedf| eaca eaca|ecef gage| dgBg dgBg|\ dgBg fedf|afge fdgB| \ L:1/16 AAA2\ L:1/8 Bd e2 e:| X:11795 T: Newcastle M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:G B2 d2 G2 A2|G3 A G2 D2|B2 d2 G2 d2|e2 g4 fg|d2 B2 A2 G2|E2 e4 dc|d2 B2 A 2 G|G6::\ ef|gfed g3 B|A2 g4 A2|G3 A B2 F2|E2 e4 f2|gfed g3 B|A2 A2 c2 d|e2 B2 A3 G| G6:| X:11796 T:Newcastle M:4/4 L:1/4 Q:200 H:Simpson feels that the surviving tune is not the one which had some H:currency in Elizabethan days. He points out that wrenchings of accent H:are necessary to accomplish the fit of Playford's dance tune to a H:curious fragment of text found in the 18th century Percy folio MS, a H:source of dubious authenticity itself. H:Came you not from H:Newcastle? H:Came yee not there away? &c H:It is quite possible that H:this dance was inspired by William, Duke of Newcastle, a royalist who H:remained in London and bent his interests towards the theatre during H:the interregnum. K:G BdGA|G>AGD|BdGd|eg2 f/2e/2|dBAG|Ee2 d/2c/2|dBA>G|1 G4:|2 G3 e/2f/2|| L:1/8 gfed g3B|A2 g4 A2|G3A B2F2|E2 e8 f2|gfed g3B|A2A2 c3d|e2B2 A3G|G8|| X:11797 T:Newcastle Hill Clog R:Hornpipe M:4/4 L:1/8 K:Bb d>c|B2B,2 (3dcB (3AGF|E2g2 g2f>e|d>fB>d c>eA>c|B>ba>g f>ed>c| B2B,2 (3dcB (3AGF|E2g2 g2f>e|d>fB>d c>eA>c|B>AB>c B2:| |:D>C|B,>DF>B d>fb>a|g>^fg>a g2C>B,|A,>CF>A c>fa>g|f>=ef>g f2D>C| B,>DF>B d>fb>a|g>^fg>a g>de>=e|f>ef>g f>ec>A|B>AB>c B2:| X:11798 T:Newcastle hornpipe R:Hornpipe O:England M:4/4 C:James Hill K:C (3dcB|\ c2C2 (3edc (3BAG|F2a4 g>f|\ e>g c>e d>f B>d|c>c' b>a g>f e>d| c2C2 (3fed (3BAG|F2A4 g>f|\ e>g c>e d>f B>d|(3ceg (3c'ge c2|| (3DCB,|\ C>E G>c e>g c'>b|b>a a>^g a2C2|\ B,>D G>B B>g b>a|a>g g>f g2 (3DCB,| C>E G>c e>g c'>b|b>a a>^g a2 c'2|\ b>a g>f e>d c>B|(3ceg (3c'ge c2|| X:11799 T:Newcastle Station % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G d/2c/2|"G"B/2d/2G GB/2G/2|"D"F/2A/2D Dd/2c/2|"G"B/2d/2G G/2A/2B/2c/2|\ "G"d/2g/2f/2g/2 "D7"e/2c/2A/2F/2| "G"B/2d/2G GB/2G/2|"D"F/2A/2D Dd/2c/2|"G"B/2d/2G/2B/2 "D7"c/2A/2F/2A/2|"G"GG G\ :: d|"G"g/2f/2g/2a/2 g/2d/2B/2G/2|"Am"c/2A/2B/2A/2 "D"G/2F/2E/2D/2|\ "C"E/2G/2E/2G/2 "D"F/2A/2d/2c/2|"G"BA "D"A3/2d/2| "G"g/2f/2g/2a/2 g/2d/2B/2G/2|"Am"c/2A/2B/2A/2 "G"G/2F/2E/2D/2|\ "C"E/2G/2D/2G/2 "D7"F/2G/2A/4B/4c/2|"G"BG G:| X:11800 T:Newfoundland set tunes M:2/4 L:1/16 S:Ryan's Fancy record R:Polka Z:Added by alf.warnock@nrc.ca K:D |:"1st tune"D2F2 E2FE|D2d2 B2dB|A2F2 E2DE|F2D2 B,2A,2| D2F2 E2FE|D2d2 B2dB|A2F2 E2DE|F2D2 D4:| A2|F2A2 d3A|F2A2 d3A|F2A2 d2B2|c4 c3d| efed c2B2|ABAG E2FG|A2F2 E2FE|D4 D2:| "2nd tune"F2A2 G2B2|F2A2 f4|f2ef gfe2|e2de fedA| F2A2 G2B2|F2A2 f4|f2ef gec2|e2d2 d4:| AB|d4 cdcB|A2d2 F3G|A2G2 E2G2|B2A2 F2AB| d4 cdcB|A2d2 F3G|A2G2 E2FE|D4 D2:| X:11801 T:Newfoundland set tunes M:2/4 L:1/8 S:Ryan's Fancy record R:Reel Z:Added by alf.warnock@nrc.ca K:D |:"1st tune"DF EF/E/|Dd Bd/B/|AF ED/E/|FD B,A,| DF EF/E/|Dd Bd/B/|AF ED/E/|FD D2:| A|FA d>A|FA d>A|FA dB|c2 c>d| e/f/e/d/ cB|A/B/A/G/ EF/G/|AF EF/E/|D2 D:| "2nd tune"FA GB|FA f2|fe/f/ g/f/e|ed/e/ f/e/d/A/| FA GB|FA f2|fe/f/ g/e/c|ed d2:| A/B/|d2 c/d/c/B/|Ad F>G|AG EG|BA FA/B/| d2 c/d/c/B/|Ad F>G|AG EF/E/|D2 D:| X:11802 T:Newmarket M:2/4 L:1/8 K:D Major fd Ad|fd Ad|fd/B/ AF|E2 E2|! fd Ad|fd Ad|fd/B/ AF|D2 D2:|! FD FA|de f/g/f/e/|dB AF|E2 E2|! FD FA|de f/g/f/e/|dB AF|D2 D2:|! X:11803 T:Newmarket Z: id:dc-polka-29 M:2/4 L:1/8 K:D Major fd Ad|fd Ad|fd/B/ AF|E2 E2|! fd Ad|fd Ad|fd/B/ AF|D2 D2:|! FD FA|de f/g/f/e/|dB AF|E2 E2|! FD FA|de f/g/f/e/|dB AF|D2 D2:|! X:11804 T: Newmarket Polka #1 M:2/4 R:polka L:1/16 Z:added by Alf warnock@magma.ca K:A | "A"A3B c2B2|"F#m"A2F2 F2E2|"A6"C2E2 F2E2|C2E2 F2E2|\ "A"A3B c2B2|"F#m"A2F2 F2E2|"A"C2E2 F2E2|A4 A4:| "A"a4 g2a2|b2a2 a2f2|e2c2 B2c2|A2B2 c2e2|\ a4 g2a2|b2a2 a2f2|"E"e2c2 B2c2|"A"A4 A4:| X:11805 T: Newmarket Polka #2 M:2/4 R:polka L:1/16 Z:added by Alf warnock@magma.ca K:D | "D"D3E F2A2|d2c2 B2A2|"A7"E3F G2E2|"D"B2A2 F4|\ "D"D3E F2A2|d2c2 B2A2|"A"E3F G2E2|"D"B2A2 D4:| "D"f2A2 f2A2|f2A2 f3f|"A"e2B2 e2B2|e2B2 e3e|\ "D"f2A2 f2A2|f2A2 f3f|"A"e2B2 c2d2|"D"e2d2 d4:| X:11806 T: Newmarket Polka #3 M:2/4 R:reel L:1/16 Z:added by Alf warnock@magma.ca K:D | "A"E3E E2c2|B2A2 B2c2|E3E E2c2|"F#m"B2A2 F4|\ "A"E3E E2c2|B2A2 B2c2|"E"e3f e2c2|"A"B2A2 A4:| "A"c3e e2c2|B2A2 F2E2|c3e e2c2|"F#m"B2A2 A3B|\ "A"c3e e2c2|B2A2 F2A2|E3E E2c2|"E"B2A2 "A"A4:| X:11807 T:Newmarket Polka \#1 S:from fiddler Maire O'Keeffe N:transcribed by Alan Ng Z: id:ng-other-2 transcribed by Alan Ng agng@students.wisc.edu Oct. 14, 1998 L:1/8 M:2/4 K:DMaj e/2|:fd Ad|fd Ad|fd AF|{D}E2 E>e|fd Ad|fd Ad|fd/2B/2 AF|D2 D2:|* D/2|:FD FA|de f/2g/2f/2e/2|dB AF|{D}E2 E>E|FD FA|de f/2g/2f/2e/2|dB AF|D2 D2:|** X:11808 T:Newmarket Polka, The S:Denis Brooks R:polka I:speed 450 M:2/4 K:G A|{c}B2.d2 d2e2|d2B2 {c}BABc|d2.B2 A2.B2 |d2.B2 G3A|{c}B2.d2 d2e2|d2B2 {c}BABc|d2G2 {c}B2A2|A2G2 {c}G3:| B|d2g2 {a} g2.ag|f2.e2 e4|{f} e2.d2 ^c2.d2|e2.d2|B3c|d2g2 {a} g2.ag|f2.e2 e3^d|d2G2 {c}B2.A2|A2G2 {c}G3:| X:11809 T:Newmarket Polka, The R:polka Z:id:hn-polka-58 M:2/4 L:1/8 K:A E>E Ec|BA FA|E>E Ec|BA AF|E>E Ec|BA FA|E2 e>c|1 BA AF:|2 BA A>B|| ce B>c|BA FA|ce B>c|BA AB|ce B>c|BA FA|E>E Ec|BA AB|| ce B>c|BA FA|ce Bc/e/|fe cB|ce B>c|BA FA|E>E Ec|BA AF|| X:11810 T:Newmarket Polka, The R:polka Z:id:hn-polka-58 M:2/4 L:1/8 K:A E>E Ec|BA FA|E>E Ec|BA AF|E>E Ec|BA FA|E2 e>c|1 BA AF:|2 BA A>B|| ce B>c|BA FA|ce B>c|BA AB|ce B>c|BA FA|E>E Ec|BA AB|| ce B>c|BA FA|ce Bc/e/|fe cB|ce B>c|BA FA|E>E Ec|BA AB|| X:11811 T:Newport Lass M:6/8 L:1/8 K:D Major B|ABA DED|d=cA AGE|ABA ABc|dAB cde|! ABA DED|d=cA AGE|GFG Ade|fdc d2:|! e|fed edB|ABA d2e|fef gfg|ABc d2f|! gfg aff|edB AFD|GFG Ade|fdc d2:|! X:11812 T:Niall Keegan's M:4/4 L:1/8 C:Niall Keegan R:Reel Z:Transcribed by Claus Steinort. K:Am B|:cA~A2 BAGB|~A3G E^DEG|F2{G}FG AB{c}BA|~G3A BcdB| cA~A2 BAGB|Ae{g}ee gaed|c2Ac BAGB|AcBG A3B:| cg~g2 egdc|~B3d edcB|AGFG E2{G}EG|FGAc dcBG| Ae{g}ee BddB|c2Ac BAGB|~A3c BAGB|AcBG A3B:| X:11813 T:Nick Nack Paddy Whack % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G "G"dB d2|"G"dB d2|"C"ed cB|"D7"AB cB/2c/2|"G"dG "G/b"GG|\ "G""C"G/2A/2B/2c/2 "G""A7/c+"d2|"C""D"dA "D7"Ac|"G"BA G:| X:11814 T:Nickelsdorfer Schottisch S:collection Elisabeth und Christoph Huspeka Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G G2G2 B2B2|A2AAF4|A2A2 c2c2|B4G4| G2G2 B2B2|ccc2c4|F2F2 FEDF|G2G2G4:| |:d2B2 d2B2|d2c2A4|F2FF E2F2|G2G2D4| d2B2 d2B2|c2c2F4|F2F2 FEDF|G2G2G4:| X:11815 T:Niel Gow's Lament for the Death of his Second Wife R:Air C:Niel Gow S:unknown, photocopy M:3/2 L:1/8 K:D DB,|A,3B,D2 D3ED2|E2F2A2 B4d2|A2F2D2 E3DE2|{DE}F2D2B,2 B,4DB,|| A,3B,D2 D3ED2|E2F2A2 d4cB|A2F2D2 {C}B,4A,2|B,2D2D2 D4:| (3ABc|d2f2d2 e2c2.A2|BABc{Bc}d2 BAGFED|E3DE2 {DE}F3ED2|F2D2B,2 B,4 (3ABc| d2f2.d2 e2c2.A2|BABc{Bc}d2 BAGFED|E3DE2 {DE}F2D2B,2|A,2D2D2 D4 (3ABc| d2f2.d2 e2c2.A2|BABc{Bc}d2 BAGFED|FDAFdA BAGFED|{DE}FE2E2E4DB,| A,3B,D2 D3ED2|E2F2.A2 d4cB|A2F2D2 {C}B,4A,2|B,2D2D2 D4|] X:11816 T:Niel Gow's Lament for the Death of his Second Wife R:slow air C:Niel Gow B:Gow's 5th (1809) Hunter (1979) H:19th Century Scottish D:Puirt a Baroque, Bach Meets Cape Breton N:This abc transcription is for personal use only, provided this notice N:remains attached. N:Transcription by Paul Cranford and David Greenberg L:1/8 Q:112 M:6/8 K:D "Slow air - with expression" D/B,/|A,>B,D D>>ED|EFA B2 d/B/|A>FD E>>DE|FDB, B,2 D/B,/|! A,>B,D D>>ED|EFA d2 c/B/|A>FD B,2 A,|B,DD D2:|! A//B//c/|d>fd ecA|B/A/B/c/d B/A/G/F/E//D3//|E2D/E/ F>>ED|FDB, B,2 A//B//c/| d>af ec>A|B/A/B/c/d B/A/G/F/E//D3//|E2D/E/ F>DB,|A,B,DD2A//B//c/| d>fd ec>A|B/A/B/c/d B/A/G/F/E/D/|F/D/A/F/d/A/ B/A/G/F/E//D3//|F2E E>>DB,| A,>B,D D>ED|EFA d>>cB|A>FD B,2 A,|B,DD D2|]! % November 1999 set of the month X:11817 T:Niel Gow's Lament for the Death of His Second Wife R:Slow Air C:Niel Gow S:Toby A. Rider, Los Angeles Scottish Fiddler's Association M:6/8 L:1/8 K:D D/2B,/2| A,>B,D ~D>ED| (EFA) B2 d| (AFD) (E>DE)| ({DE}F)DB, B,2 D/2B,/2| A,>B,D D>ED| (EF)A d2 c/2B/2|! (AFD) {=C} B,2 A,| B,DD D2:| (A/4B/4c/2)| (dfd) (ecA)| (B/2A/2)(B/2c/2 )({Bc}d) (B/2A/2)(G/2F/2)(E/2D/2)| E>DE ({DE}F)DB,|! A,DD D2 (A/4B/4c/2)| (df)d (ec)A| (B/2A/2)(B/2c/2)({Bc}d) (B/2A/2)(G/ 2F/2)(E/2D/2)| (F/2D/2)(A/2F/2)(d/2A/2) (B/2A/2)(G/2F/2)(E/2D/2)| ({DE}F )EE E2 D/2B,/2|! A,>B,D D>ED| (EF)A d2 c/2B/2| (AF)D {=C} B,2 A,| B,DD D2|| X:11818 T:Niel Gow's Lament for the Death of his Second Wife C:Niel Gow S:unknown, photocopy I:speed 180 M:6/8l K:D DB, | A,3B, D2 D3ED2 | E2F2A2 ~B4 d2 | A2F2D2 ~E3DE2 | {DE} F2D2B,2 ~B,4 DB, | | A,3B,D2 D3ED2 | E2F2A2 d4 cB | A2F2D2 {C}B,4 A,2 | B,2D2D2 D4:| (3ABc | ~d2f2d2 e2c2.A2 | ~BABc {Bc} d2 BAG FED | E3 DE2 {DE} F3 ED2 | F2D2B,2 ~B,4 (3ABc | d2f2.d2 e2c2.A2 | BABc {Bc}d2 BAG FED | ~E3DE2 {DE} F2D2B,2 | A,2D2D2 ~D4 (3ABc | ~d2f2.d2 e2c2.A2 | BAB c{Bc}d2 BAG FED | FDA FdA BAG FED | {DE}F E2 E2 E4 DB, | A,3B,D2 D3ED2 | E2F2 .A2 d4 cB | A2F2D2 {C}B,4 A,2 | B,2D2D2 D4 || X:11819 T:Niel Gows lament for his second wife R:Other O:Scotland M:6/8 C:Niel Gow K:D D/B,/|\ A,>B,D {DC}D>ED|EFA B2d|\ A>FD {EF}E>DE|{DE}FDB, B,2D/B,/|\ A,>B,D {DE}D>ED|EFA d2c/B/| A>FD {=C}B,2 A,|B,D>D D2:|\ (3A/B/c/|\ d>fd {cd}ecA|{Bc}B/A/B/c/{Bc}d B/A/G/F/E/D/| {EF}E>DE {DE}F>ED|{D}FDB, B,2 (3A/B/c/|\ d>fd {cd}ecA|B/A/B/c/{Bc}d B/A/G/F/E/D/| {EF}E>DE {DE}FDB,|A,
fd ecA|B/A/B/c/{Bc}d B/A/G/F/E/D/|\ F/D/A/F/d/A/ B/A/G/F/E/D/|{DE}FEE E2D/B,/|\ A,B,D D>ED|EFA d2c/B/|\ A>FD {=C}B,2A,|B,
ef g3 a|f2 d a2 f|d2 A d f2|e g2 f>ed|c>e f g2||\ a|bga gaf|efd e2 A| ddc ddA| fe>d d2:| X:11821 T:Nightingale,The. CJF.074 M:2/4 L:1/8 Q:160 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G D|"p"G>B AF|GBd2|G>B (B/A/).G/.F/|(G/A/).B/.c/d2|\ BBc2|BBc2|BdcB|AAA:|:!d|d3A|d3A|df (a/g/).f/.e/| ddd f|g3d|B3d|BGBd|ggg:|:!c|.B.c.d.e|d^cdB|\ ABcd|.c.B.c.A|.B.c.d.e|d^cdB|=ccAA|Ggg:|:! (d/e/)|.d(d/e/) .d(d/e/)|.d(d/e/) .d(d/e/)|.d.d.d.d|\ "~"d4|!(G/B/).d/.B/ (G/B/).d/.B/|(G/B/).d/.B/ \ (G/B/).d/.B/|(c/A/).F/.A/ (c/A/).F/.A/|Ggg:|] X:11822 T:Nightingale,The. JC.255 M:C| L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England4 A:Northamptonshire N:MR Bars 1.2.3.5.,the dots are moved from before the qu's,as in ms to N:after as here.Bars 9.11.19.crot in MS given as dotted crot. Z:P Headford K:D a2|f3e dga>ba2a>g|g>f g>a g>fg>a|b2B4c>d|! e3d cBA2|a2ed cBA2|a3b ag fg|e3dd2|! |g>a|b2g2g2g>a|b2gag2ga|bg bg bg bg|ce ce ce ce|! a2ed cBA2|a2ed cBA2|a3b ag fg|e2d2"qu"d2||!ga| bg gg gg gg|bg gg gg gg|bg bg bg bg|f>d f>d f>d f>d|b2e>d c>BA2|| X:11823 T:Nightingales Sing (One Morning In May) S:Digital Tradition, ntngale Z:dt:ntngale M:3/4 L:1/8 Q:1/4=100 W:Now as I was a-walking one morning in May W:I saw a sweet couple together at play W:O the one was a fair maid and her beauty shone clear W:And the other was a soldier, a brave grenadier. W: W: Chorus: W: But they kissed so sweet and comforting W: as they pressed to each other W: They went arming along the road W: like sister and brother. W: They went arming along the road W: till they came to a spring, W: Then they both sat down together W: just to hear the nightingale sing. W: W:Then out of his knapsack, a long fiddle he drew W:And he played her such merry tunes as she ever knew, W:And he played her such merry tunes, caused the valleys to ring W:Hark hark, replied the fair maid, how the nightingales sing. W: W:O come, said the soldier, 'tis time to give o'er W:O no, said the maiden, please play one tune more. W:I do like your playing, and the touching of the long string W:And to see the pretty flowers grow, hear the nightingale sing. W: W:Now I'm going to India, for seven long years W:Drinking wines and strong whiskey instead of strong beers W:But if I ever return again, it will be in the spring W:Then we'll both sit down together, love, and hear the nightingale sing. W: W:Now, said the fair maid, come, soldier, marry me. W:O no, said the soldier, how ever can that be? W:For I've a nice little wife at home in my own count-e-ry W:And she is the smartest little woman that your eyes ever see. K:F CF|A4 BA|G-F D2 F2|C2 F2 E2|F4 F-A|\ c2 c2 d2|c-A F2 d2|c2 A2 F2|G4 FA| c2 c2 d2|c-A F2 dd|c2 A2 F2|G4 FG|\ A3A BA|G-F D2 F-F|C2 F2 E2|F4 CF| A2 zc BA|GF D2 FF|C2 F2 E2|FF3 FA|\ c2 c2 d2|cA F2 d-d|c2 A2 F2|GG3 FA| c2 c2 d2|cA F2 dd|c2 A2 F2|G4 FG|\ A3c BA|GF DD EF|C2 F2 E2|F4 || X:11824 T:Niguno Shel Yossi L:1/8 O: Israel I: choreographer R. Spivak, 1960 M:2/4 Q:1/4=120 K:Am d|"Dm" dc BA|"Am" cB A^G|"Dm" BA ^GF|"Em" E2 z2\ |:"E7" BB ^Gz|"Am" AA ^GF| EE F/2E/2D | E2 z2|"E7" BB ^Gz| "Am" AA dc|"E7" BA ^GA| B2 z2 :|\ |:"Am" A2 c2 |"Dm" dc Bz| "Am" A2 c2 |"Dm" dc Bz| dc BA|"Am" cB A^G|\ [1 "Dm" BA ^GA|"Em" B2 z2 :|[2 "Em" BA ^GF|"Em" E2 z2| X:11825 T:Niguno Shel Yossi L:1/8 O: Israel I: choreographer R. Spivak, 1960 M:2/4 Q:1/4=120 K:Am d|"Dm" dc BA|"Am" cB A^G|"Dm" BA ^GF|"Em" E2 z2\ |:"E7" BB ^Gz|"Am" AA ^GF| EE F/2E/2D | E2 z2|"E7" BB ^Gz| "Am" AA dc|"E7" BA ^GA| B2 z2 :|\ |:"Am" A2 c2 |"Dm" dc Bz| "Am" A2 c2 |"Dm" dc Bz| dc BA|"Am" cB A^G|\ [1 "Dm" BA ^GA|"Em" B2 z2 :|[2 "Em" BA ^GF|"Em" E2 z2| X:11826 T:Nihavent Longa S:Andy Hornby / Cathy Goss R:Other P:(ABCDE) AB Coda O:Turkey M:4/4 K:Dm DEFG ABA^G|A2F2 F2F2|DEFG ABA^G|A2F2 F2F2| DEFG AB^cd|efeB ^cBAG|A2^GA B2AB|^c2Bc d4:| |:efed Bdef|gfed ^cBAG|ABAG FGFE|D2^C2 D4 \ X:11827 T:Nin como nin vivo C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=70 K:C |A2 B|c2 A|B2 c|(B>A^G)|A2 B|G2 E|D2 E|E2 E| A2 B|c2 A|B2 c|(B>A^G)|A2 B|G2 E|D2 E|EEE| AAB|GGG|EDF|E2 E|AAB|GGF|EDF|E2 z|| X:11828 T:Nina R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin II - p. 16 N: M:6/8 L:1/8 Q:1/4=130 K:F c3 G3 | F>F F G>G G | A3 G3 | c c c G2 G | A>G A F3 | c c c G2G | A>G A F3 | F2 G A>A A | G G c F2 z || W:Nina, s'fahret ä Birele d d'r Rhin na, Hat ä se scheni Heselen a, W:Un ä so scheni Knepfeledra, unser Biäwlä müäss oi äis so ha. X:11829 T:Nine Pint Cloggie % Nottingham Music Database P:AAB S:Kay Graham, via EF M:4/4 L:1/4 K:G P:A c|"G"B3/2G/2 G/2G/2G|"G"G2 DE|"F"=F2 cF|"F"A/2c/2=F/2A/2 c/2F/2A/2c/2|\ "G"B3/2G/2 G/2G/2G|"G"G2 DF|"G"G2 "Em"g3/2d/2|"Bm"Bd -"D7"d:| P:B f|"G"g3/2a/2 gd|"G"Bc de|"F"=f3/2g/2 fc|"F"AB cd|"G"g3/2a/2 gd| "G"Bc "D"d3/2f/2|"Em"g/2f/2e/2f/2 gd|"Bm"Bd -"D7"df|"G"g3/2a/2 gd|"G"Bc de| "F"=f3/2g/2 fc|"F"AB c2|"G"d2 "Em"G2|"D7"D2 DF|"G"G2 "Em"g3/2d/2|"Bm"Bd -"D7"d\ || X:11830 T:Nine Points of Roguery R:reel D:The Johnstons. Z:id:hn-reel-10 M:C| K:D D2FD GEFE|DEFG ABAF|D2FD GEFA|BE~E2 BE~E2| D2FD GEFE|DEFG ABAF|D2FD GEFA|1 d2dc dBAF:|2 d2dc d2AB|| |:=c2cA B2BG|~A3B AGFE|D2FD GEFA|BE~E2 BE~E2| =c2cA B2BG|Ad~d2 fdAF|D2FD GEFA|1 d2dc d2AB:|2 d2dc d3A|| |:d2fd gefe|defg abaf|d2fd gefa|be~e2 be~e2| d2fd gefe|defg abaf|defg abag|1 faeg fddA:|2 faeg fddB|| |:=c2cA B2BG|Ad=cB AGFE|D2FD GEFA|BE~E2 BE~E2| =c2cA B2BG|Ad~d2 fdAF|D2FD GEFA|1 d2dc d2AB:|2 d2dc d3z|| X:11831 T:Nine Points of Roguery R:Reel D:The Johnstons. Z:id:hn-reel-10 M:C| L:1/8 Q:1/4=200 K:D |:D2FD GEFE|DEFG ABAF|D2FD GEFA|BE~E2 BE~E2| D2FD GEFE|DEFG ABAF|D2FD GEFA|1 d2dc dBAF:|2 d2dc d2AB|| |:=c2cA B2BG|~A3B AGFE|D2FD GEFA|BE~E2 BE~E2| =c2cA B2BG|Ad~d2 fdAF|D2FD GEFA|1 d2dc d2AB:|2 d2dc d3A|| |:d2fd gefe|defg abaf|d2fd gefa|be~e2 be~e2| d2fd gefe|defg abaf|defg abag|1 faeg fddA:|2 faeg fddB|| |:=c2cA B2BG|Ad=cB AGFE|D2FD GEFA|BE~E2 BE~E2| =c2cA B2BG|Ad~d2 fdAF|D2FD GEFA|1 d2dc d2AB:|2 d2dc d3z|] X:11832 T:Nine Points to Roguery M:C L:1/8 K:D Major ED|D2FD GEFE|DEFG ABAF|D2FD GEFA|BEE2 BEEF|! D2FD GEFE|DEFG ABAF|D2FA GBAc|dedc d2:|! AB|=c3A B3G|A3B AGFE|D2FD GEFA|BEE2 BEE2|! =c3A B3G|Adcd fdAF|D2FA GBAc|dedc d2:|! fe|d2fd gefe|defg abaf|d2fd gefa|bee2 beef|! d2fd gefe|defg abaf|dfaf gece|dedc d2:|! AB|=c3A B3G|A3B AGFE|D2FD GEFA|BEE2 BEE2|! =c3A B3G|Adcd fdAF|D2FA GBAc|dedc d2:|! X:11833 T:Nine Points to Roguery Z: id:dc-reel-246 M:C L:1/8 K:D Major FE|D2FD GEFE|DEFG ABAF|D2FD GEFA|BEE2 BEE2|! D2FD GEFE|DEFG ABAF|D2FA GBAc|dedc d2:|! AB|=c3A B3G|A3B AGFE|D2FD GEFA|BEE2 BEE2|! =c3A B3G|Adcd fdAF|D2FA GBAc|dedc d2:|! fe|d2fd gefe|defg abaf|d2fd gefa|bee2 bee2|! d2fd gefe|defg abaf|dfaf gece|dedc d2:|! AB|=c3A B3G|A3B AGFE|D2FD GEFA|BEE2 BEE2|! =c3A B3G|Adcd fdAF|D2FA GBAc|dedc d2:|! X:11834 T:Nine Times a Night S:Digital Tradition, ninetime D:Recorded by Frankie Armstrong who learned it from AL Lloyd Z:dt:ninetime M:6/8 L:1/8 Q:3/8=100 W:A handsome young sailor to London came down W:He'd been paid off his ship in old Liverpool town W:They asked him his name and he answered them, "Quite W:I belong to a family called nine times a night" W: W:Well a handsome young widow who still wore her weeds W:Her husband had left her his money and deeds W:Resolved she was on her conjugal rights W:And to soften her sorrows with nine times a night W: W:So she's called to her serving maids Ann and Amelia W:To keep a watch out for this wonderful sailor W:And if ever he happened to chance in their sight W:To bring her fond tidings of nine times a night W: W:She was favored by fortune the very next day W:These two giggling saw him coming their way W:They've rushed up the stairs full of amorous delight W:Crying, "There comes that sailor with his nine times a night" W: W:She's jumped out of bed and she's pulled on her clothes W:And straight to the hall door like lightening she goes W:She's looked him once over and gave him a smack W:And the bargain was struck: no more sailing for Jack W: W:The wedding was over, the bride tolled the bell W:Jack trimmed her sails five times and that pleased her well W:She vowed to herself she was satisfied quite W:But she still gives sly hints about nine times a night W: W:Says Jack, "My dear bride, you mistook me quite wrong W:I said to that family I did belong W:Nine times a night's a bit hard for a man W:I couldn't do it myself, but me sister she can" K:G G,2|G,B,D DED|CA,F, G,2D/D/|GGG EAG|FEF G2G| BGG D2B,/B,/|CB,C D2D/D/|G,B,D CEG|B,CA, G,2|| X:11835 T:Ninepins % Nottingham Music Database P:AAB S:Trad, via EF M:6/8 K:D P:A d/2e/2|"D"f2f f2f|"A7"efe "D"d2d|"A7"c2d ecA|"D"d2e fde| "D"f2f f2f|"A7"efe "D"def|"G"g2f "Em"e2d|"A7"cBc "D"d2:| K:A P:B c/2d/2|"A"e2e cBA|"D"def "E7"e2e|"A"efe cBA|"D"def "E7"e2e|"A"a2a "E"g2g| "D"f2f "A"e2e|"E7"d2d "A"c2c|"E7"BAB "A7"A3|\ K:D "D"a2a a2a|"A7"gag "D"f3|"A7"e2f gec| "D"f2g a3|\ K:D "D"a2a a2a|"A7"gag "D"fga|"G"b2a "Em"g2f|"A7"edc "D"d2|| X:11836 T:Niven's Scots Measure, or Mary's Dream M:C| K:Gmin "tr"dc|\ B2G2 G2Bc| dcdf dcBc| \ (B/c/d)G2 G2Bc| dcBG F2dc| \ B2G2 G2FG| B3c d2cB| cdfg dgcd| B2G2 G2::\ df|\ g3f d2cB| c2d2 g3a| \ bgfd fdcB| cBcd F3B| G>FG>A B>AB>G| c>Bc>d edcB| cdfg dfcd| {c}B2{A}G2 G2:| X:11837 T:No alto del puertu (CT 033) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 033 M:3/4 L:1/8 Q:1/4=120 W:En lo alto del puerto W:llora un cabrero, sí, W:que se le murió un chivo W:del mal postrero. W:Sí, cara, caracol, caracol. K:C G/G/|c2 cB cB|d2 cB AG|B4 z G/G/|c2 cB cB|d2 cB AG|B2 c/d/c/B/ AA/B/|G4|| X:11838 T:No alto El Puertu Ventana (CT 349) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu, quien dice la aprendió en Cangas d'Onís. O:Cangas d'Onís A:Asturies Z:Cancioneru de Torner 349 M:3/4 L:1/8 Q:1/4=72 W:En lo alto El Puertu Ventana W:tengo el amor; W:ya baxaron los pastores W:y él nun baxó. W: W:Si tiró pa L.leitariegos, W:ya m'olvidó, W:ya m'olvidó. W:¡Ai! Cuitada de la neña W:que tien amor, W:que tien amor. W: W:A Castiella vanse, vanse W:ya los pastores; W:ya la nieve cuaxa en puertu; W:ya nun hai flores. W: W:¡Ai! mio madre, que me maten W:tantos dolores. W:¡Ai!cuitada de la neña W:que tien amores. K:G GG|c3 d dc|(d3/2(3e/4d/4c/4) Bd Bc|(A3/2B/4A/4 G4-)|G2 z2 GG| c3 d dc|(d3/2(3e/4d/4c/4) Bd Bc|(A3/2B/4A/4 G4-)|G2 z2 GG| (Bc/4B/4A/4B/4 c)d dc|(d3/2(3c/4B/4A/4) B4-|B2 zd de|(d3/2(3c/4B/4A/4 G)B Bc| (A3/2(3B/4A/4G/4 F2) DD|G3 A Bc|(d3/2(3c/4B/4A/4 B)d de|(d3/2(3c/4B/4A/4 G)B Bc| (A3/2B/8A/8G/8F/8 G4-)|G2 z2 :|| X:11839 T:No Irish Need Apply S:Digital Tradition, noirish N:Author: J.P. Poole D:Recorded by Seeger, also Moloney/Keane/O'Connel on Green Fields of Amerikee. Z:dt:noirish M:6/8 L:1/8 Q:3/8=100 W:I'm a decent boy just landed W:From the town of Ballyfad; W:I want a situation, yes, W:And want it very bad. W:I have seen employment advertised, W:"It's just the thing," says I, W:"But the dirty spalpeen ended with W:'No Irish Need Apply.' " W: W:"Whoa," says I, "that's an insult, W:But to get the place I'll try," W:So I went to see the blackguard W:With his "No Irish Need Apply." W:Some do count it a misfortune W:To be christened Pat or Dan, W:But to me it is an honor W:To be born an Irishman. W: W:I started out to find the house, W:I got it mighty soon; W:There I found the old chap seated, W:He was reading the Tribune. W:I told him what I came for, W:When he in a rage did fly, W:"No!" he says, "You are a Paddy, W:And no Irish need apply." W: W:Then I gets my dander rising W:And I'd like to black his eye W:To tell an Irish gentleman W:"No Irish Need Apply." W:Some do count it a misfortune W:To be christened Pat or Dan, W:But to me it is an honor W:To be born an Irishman. W: W:I couldn't stand it longer W:So a hold of him I took, W:And gave him such a welting W:As he'd get at Donnybrook. W:He hollered, "Milia murther," W:And to get away did try, W:And swore he'd never write again W:"No Irish Need Apply." W: W:Well he made a big apology, W:I told him then goodbye, W:Saying, "When next you want a beating, W:Write `No Irish Need Apply.' " W:Some do count it a misfortune W:To be christened Pat or Dan, W:But to me it is an honor W:To be born an Irishman. K:C E2D |C2D E2F|G2E D2C|c2B c2d|B3- B2G/-G/|\ c2e d2c|A2B c2A|G2E c2E|D2z E2D| C2D E2F|G2E D2C|c2B c2d|B3- B2G/G/|\ c2e d2c|A2B c2A|G2E D2C|c3 zcB| A2F A2F|A2c B2A|G2E G2E|G3 zEE|\ D2D D2D|d2d ddc|B2G A2^F|G2z E2D| C2D E2F|G2E D2C|c2B c2d|B3- B2G/G/|\ c2e d2c|A2B c2A|G2E D2C|C3 || X:11840 T:No Luck About the House. GS.100 T:Nae Guid Luck Aboot etc,aka. GS.100 M:4/4 L:1/8 Q:150 S:George Spencer m/s, Leeds,1831 R:Schottische O:England A:Leeds N:See my comments in GS.054, Unfortunately Mr. Spencer was having N:serious problems with his pen, but the combination of well-known tune N:and very luckily spaced blots means it is legible.Cherri.. P.S. N:Cherri, I think he was closing the N:book before the ink was dry,. Chris P. H:1831 Z:vmp.Cherri Graebe K:G major d | g>fdB c>def | g>edB A2 AB | g>edB c>def | d>cBA G2G :||:! A | B2 BG c2 cA | B2 BG A2Ac | B2BG c>def | dcBA G2 G :|| X:11841 T:No Matter For That. JB.27 M:4/4 L:1/8 Q:180 S:James Biggins MS, Leeds, 1779. R:Scots Measure O:England A:Yorkshire Z: Z:vmp.Nick Barber & Chris Partingto K:F c|fgagf2c2|defd cAGF|fgag afed|cdc=Bc3:| |d|"tr"c2ABc2fd|"tr"B2GA"tr"B2gB|{B}A2GF dBAG|FGFAF3|] X:11842 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-715 K:G BdcA G2DG|GABA GBdg|fdcA G=FDE|=FGAB cAdc| BdcA G2DG|GABA GABc|cBBA BGAG|^FGAB cAAc:| |:Bdd^c d3=c|Bdga bg~g2|Bdd^c defg|a2fa gfdc:| X:11843 T:no name M:C| L:1/8 R:reel Z:id:hn-reel-668 K:Ador GAEG GAGA|(3Bcd ed cA~A2|EG~G2 A2~A2|cAGE EDD2:| |:eg~g2 gede|g2ae ged2|1 eg~g2 ged2|(3Bcd ed cA~A2:|2 g2eg ageg|gede cA~ A2|| X:11844 T:no name M:C| L:1/8 S:Paddy O'Neill R:reel Z:id:hn-reel-744 K:G DG~G2 FGAc|BGAG ~F3E|DG~G2 FGAc|1 BGAF G2AF:|2 BGAF GABc|| |:d2d2 ^c2c2|ded=c BABc|d2ed cA~A2|1 BGAF GABc:|2 BzAF ~G3E|| X:11845 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-718 K:G d3e dBAG|EAAG ABcA|~d3e dBAG|1 EGGF GABc:|2 EGGF G2Bd|| |:g2fg edBd|eaag agef|g2fg edBd|1 egfa g2ef:|2 egfa gedB|| X:11846 T:no name R:reel S:Session at Shoot the Crows, Sligo, 1992 Z:id:hn-reel-401 M:C| K:A A2EA CAEA|A2cA GABG|~A3B cABc|1 d2ed cABG:|2 d2ed cAAc|| ~e3d ecAc|~e3c dcBc|1 eA~A2 fA~A2|eAed cAAc:|2 d2dc dcBA|Feed cdBc|| X:11847 T:no name M:C| L:1/8 R:hornpipe Z:id:hn-hornpipe-59 K:G ge|dGBd ecge|dBGB dGBd|~c3A ~B3G|AGFE D2ge| dGBd ecge|dBGB dgfg|(3efg cg fdfa|(3gag fa g2:| |:ga|(3bag (3agf gBfB|gBfB ed^cd|efga (3bag (3agf|(3gfe (3fed efga| bg (3agf gBfB|gBfB ed^cd|egcg (3fga df|gagf g2:| X:11848 T:no name R:reel Z:id:hn-reel-360 M:C| K:G DEGA B2GA|B2GB AGED|EAAG A2EA|~A2BG AGEG| DEGA B2GA|B2GB AGE2|Be~e2 d2ge|1 dBAB G3E:|2 dBAB G3B|| |:dggf g2dg|~g2fg egdg|eaag a2eg|a2ga faea| dggf g2dg|~g2fg egd2|Be~e2 d2ge|1 dBAB G3B:|2 dBAB G3E|| X:11849 T:no name M:6/8 L:1/8 R:jig Z:id:hn-jig-141 K:Edor F|:GEE B,EE|~F3 DFA|GEE B,EE|FED E2F| GEE B,EE|~F3 DFA|BAG BdB|1 AFD E2F:|2 AFD E2c|| |:~d3 dcB|AFD FGA|Bee ede|fed AFA| ~d3 dcB|AFD FGA|Bdd BdB|1 AFD E2c:|2 AFD E2|| X:11850 T:no name R:reel Z:id:hn-reel-527 M:C| K:D d2cA BE~E2|EFDE FABc|dBcA BE~E2|1 Bded cABc:|2 B2ed cdec|| |:d2fd Adfe|d2fd cdec|1 d2fd Adfd|B2AF FE~E2:|2 d2fd cdec|dBAF E2FA|| X:11851 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-716 K:G DEGB ABGB|ABGB AEGE|DEGB ABGB|1 dBAc BGGE:|2 dBAc BGGB|| |:d3e dBGB|dGBG AGEG|1 ~d3e dBGB|dBAc BGGB:|2 c3A ~B3A|GABG AGEG|| X:11852 T:no name M:C| L:1/8 S:Paddy O'Neill R:reel Z:id:hn-reel-749 K:Dmix AD{A}ED ~A3B|AD{A}ED ~G2FG|AD{A}ED A2Ac|1 BGAF ~G2FG:|2 BGAF ~G3F|| |:E2c2 B2c2|~A3B ~A3G|1 E2c2 B2c2|FG{A}GB FG{A}GB:|2 ABeg fde2|GBAF ~G2F G|| X:11853 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-717 K:G BGAG EGDG|EAAG A2GA|BGAG EGDG|1 EG~G2 EGGA:|2 EG~G2 EGGD|| |:GBdB eBdB|GBdB BAAB|1 GABd edBe|dBAc BGGD:|2 GABd edef|gbaf gedc|| X:11854 T:No name M:C| L:1/8 Q:120 R:reel K:Em |:BE3BF3|BG3BABc|ABAGBAGF|AGEFDEDB| DE3BF3|BG3BABc|ABAGBAGF|1 AGEFDE3:|2 AGEFDE|| GABc3dc|BAcB3cB|AGBA3BA|GFAGEFDE| GABc3dc|BAcB3cB|AGBA3BA|GFAGEFDE:| X:11855 T:no name R:reel Z:id:hn-reel-357 M:C| K:G ge|dBBA GD~D2|GB~B2 dBGB|~A3B AGED|EGAB cABc| dBBA GD~D2|GB~B2 dBGB|ABBA B2ge|dBAF G2:| |:ga|bg~g2 bgdg|af~f2 afdf|bg~g2 aged|eaag afga| bg~g2 agef|g2ge dBGA|~B3A B2ge|dBAF G2:| X:11856 T:no name R:reel Z:id:hn-reel-349 M:C| K:G ge|:dB~B2 ABGB|dBGB AGED|GABd gaba|gedB A2ge| dB~B2 ABGB|dBGB AGED|GABd gaba|1 gedB G2ge:|2 gedB G3A|| |:Bd~d2 edBd|gBfB efgd|Bdef geaf|gedB ~A3c| Bd~d2 edBd|gBfB efgd|Bdef geaf|1 gedB G3A:|2 gedB G2|| X:11857 T:no name R:reel Z:id:hn-reel-495 M:C| K:Edor BE~E2 E2ed|BE~E2 FDFA|BE~E2 E2Bd|edBA FDFA:| |:G2dG eGdG|G2dG AFDF|1 G2dG eGdG|egdB AFDF:|2 EFGA Bdef|dBAG FDFA|| X:11858 T:no name R:reel Z:id:hn-reel-493 M:C| K:Ador EAAG ABcd|e2dB cBAc|BGGF G2DG|G2FG EGDG| EAAG ABcd|egfa ~g3a|bgaf gedB|1 BAAG A2AG:|2 BAAG A2z2|| K:Bdor |:FBBA BcdB|EAAG ABcA|FBBA Bcde|f2ea fbba| bafe f2fg|afec ABBA|FBBA Bcde|f2ec dBB2:| X:11859 T:no name R:reel D:Mair\'ead N\'i Mhaonaigh & Frankie Kennedy: Ceol Aduaidh Z:id:hn-reel-207 M:C| K:G G2BG cABG|ADDE FGAF|G2BG cABG|1 Addc AGGF:|2 Addc AGG2|| |:g2dg egde|g2bg agef|g2dg egdB|1 cBAc BGG2:|2 cBAc BGGF|| "Variations:" G2BG cABG|ADED (3EFG AF|G2BG cABG|1 Addc AGFA:|2 Addc AG (3Bcd|| |:g2dg egde|g2bg fgaf|g2dg egdB|1 cBAc BG (3Bcd:|2 cBAc BGAF|| X:11860 T:no name R:reel Z:id:hn-reel-488 M:C| K:A ~c3B ABcA|BAcA BAFA|EA~A2 fcec|fcec BcAB| ~c3B ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| |:fc~c2 fagf|eg~g2 agfe|cf~f2 cfaf|gfeg fefg| afec ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| "variations of 1st part" |:~c3B ABcA|BAcA BAFA|ABce acec|fcec BcAB| ~c3B ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| X:11861 T:no name R:reel Z:id:hn-reel-335 M:C| K:D D2~D2 DFAc|d2fd ed~d2|DFAF dFAF|GFED EFGE| D2~D2 DFAc|d2fd eddB|Acef gecd|1 eddc dBAF:|2 eddc d3e|| |:fd~d2 Ad~d2|fdad bdad|gfed c2ef|gaag fedB| Ad~d2 BAFB|AddA BAFB|Acef gecd|1 eddc d3e:|2 eddc dBAF|| X:11862 T:no name R:reel S:Session Galway 1992 D:Sharon Shannon: Out the Gap Z:id:hn-reel-433 M:C| K:Ddor D2DE F2~F2|FEDC DEFD|ECEF G2GF|GFGA GFDC| D2DE F2AF|FEDC DEFD|E2EF G2GF|GAGF D2A,2:| K:D |:DEFA d2de|fded (3Bcd ef|g2eg fedB|AGFD EA,CE| DEFA d2de|fded (3Bcd ef|g2bg fedB|1 AdcB AGFE:|2 AGFE D4|| X:11863 T:no name R:reel S:Session Galway 1992 Z:id:hn-reel-434 M:C| K:D D2AG FGAF|E2ed cABc|dBBA BdAF|GFED CA,B,C| D2AG FGAF|E2ed cABc|dBBA BdAF|GFEG FDD2:| |:BF~F2 Bcdc|BG~G2 BcdB|cA~A2 ~e3c|Aced cAGE| D2AG FGAF|E2ed cABc|dBBA BdAF|GFEG FDD2:| X:11864 T:no name R:reel S:Session at Shoot the Crows, Sligo, 1992 Z:id:hn-reel-403 M:C| K:A CE~E2 DF~F2|CEAc BAFE|CE~E2 DFAc|dBcA BAFE| CE~E2 DF~F2|EA~A2 GB~B2|ABce feaf|1 eAcA BAFE:|2 eAcA BABc|| |:eA~A2 eAaf|eA~A2 Bcdf|eA~A2 eA~a2|ag~g2 gf~f2| eA~A2 eAaf|eA~A2 BccB|~c3B cBAc|1 eAcA BABc:|2 eAcA BAFE|| X:11865 T:no name R:reel Z:id:hn-reel-591 M:C| K:Ddor A2~A2 AGFA|GEED E2FE|~D3E FEFG|Adde fedc| A2~A2 AGFA|GEED E2FE|~D3E FEFG|Addc d4:| |:ef~f2 fedf|eccB c2dc|Addc ~d3f|ec~c2 gc~c2| ef~f2 fedf|eccB c2dc|Addc ~d3e|fdec d4:| X:11866 T:no name R:reel Z:id:hn-reel-521 M:C| K:Amix cAAB cAGB|Adde f2ed|cAAB cdeg|1 fage d2ed:|2 fage d2cd|| |:eaaf gfed|cdef g2fg|1 ea~a2 efed|eage d2cd:|2 eaag ~a3g|eage d2ed|| X:11867 T:no name R:reel Z:id:hn-reel-508 M:C| K:D D3d cAAB|cded cAGE|D3d cAAB|cAGE EDDE| (3EFG AB =c2AB|^cded cAAg|faec dcAB|cAGE EDD2:| |:~d3e ~f3g|afge dcAG|Adde f2ed|cAGE EDD2| dcde fefg|afge defg|afge fded|cAGE EDD2:| X:11868 T:no name R:reel Z:id:hn-reel-525 M:C| K:Amix eA~A2 cABA|eAAf gedg|eAAB cAdc|BdGA BcdB:| |:edef gagf|edef gedg|1 edef gagf|edgd BAAg:|2 edef gaba|gedB Agfg|| X:11869 T:no name R:reel Z:id:hn-reel-573 M:C| K:E e2ge fecd|ecBG F2GF|ECB,C EFGB|efge fecd| e2ge fecd|ecBG F2GF|ECB,C EFGB|1 cGBG E4:|2 cGBG E2GF|| |:ECB,C EFGB|c3c BGFG|EGBG cGBG|c2BG F2GF| ECB,C EFGB|efge fecd|ecBG F2GF|1 ECB,C E2GF:|2 ECB,C E4|| X:11870 T:no name R:fling D:Martin Hayes Z:id:hn-reel-562 M:C| K:G B2~B2 BAGA|BABc dedc|B2~B2 BAGB|1 d2cA AGGA:|2 d2cA AGG2|| e2a2 g3e|d2Bc d2d2|e2a2 g3e|d2cA AGG2| e2a2 g2e2|d2e2 f2g2|abaf g2ge|d2cA AGGA|| X:11871 T:no name R:reel H:See also "The Old Torn Petticoat", #294 Z:id:hn-reel-570 M:C| K:Ador c2Bc AGED|G2BG DGBG|c2Bc AGED|GABG ~A3B| cA~A2 AGEF|G2BG DGBG|c2Bc AGED|GABG ~A3B|| |:c3d eg~g2|eaaf gedB|1 c3d eg~g2|eaag a4:|2 c2Bc AGED|GABG ~A3B|| X:11872 T:no name R:reel H:See also jig#296 Z:id:hn-reel-612 M:C| K:D EF~F2 FEDE|FAAB AFEF|DEFA dBAF|FEED EGFE| EF~F2 FEDE|F2AB AFEF|DEFA dBAF|EDCE D4:| |:ef~f2 edce|dF~F2 BFAF|ef~f2 edce|dfab a2ag| ef~f2 edce|dF~F2 BFAF|DEFA dBAF|EDCE D4:| "variations" |:F2FE FEDE|FAdB AF~F2|D2FA dBAF|GEED EFDE| ~F3E FEDE|FAdB AF~F2|D2FA dBAF|GECE D4:| |:fd~d2 edce|dF~F2 BAAd|fd~d2 edcA|Bdgb a2ag| fd~d2 edce|dF~F2 BAAF|DEFA dBAF|EDCE D4:| X:11873 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-713 K:C eccB cGEG|FEDC B,DGF|EG~G2 Ec~c2|1 Bg~g2 ag^fg:|2 Bg^fg eccB|| |:c2gc ecgc|~c2ag ^fgdB|1 c2gc ecgc|BG~G2 BGdB:|2 cg~g2 ag~g2|ag^fa g3=f || X:11874 T:no name M:6/8 L:1/8 S:Fiddle player from Donegal. R:jig K:Ador ~A3 ABc|~A3 ABc|BGG DGG|BGB dcB| ABA ABc|ABA A2a|bag edc|1 BdB GcB:|2 BdB ~G3|| |:~g3 gag|fde fdc|dgg gag|fde ~f3| ~g3 bag|fde fga|bag edc|1 BdB ~G3:|2 BdB GcB|| X:11875 T:No name M:C| L:1/8 R:reel K:Amix cd|ea~a2 efgf|ea~a2 ABcd|ea~a2 efge|afge d2:| |:cd|eA~A2 efgf|eA~A2 BAGB|ABcd efge|afge d2:| X:11876 T:no name M:C| L:1/8 S:J\"orgen Fischer, who got it from Matt Molloy R:reel Z:id:hn-reel-729 K:D ~A2FA ~B2AB|d2fe dBBd|ADFA ~B2AB|1 dBAF FEDF:|2 dBAF FED2|| |:a2ab afef|~a2bf afef|1 ~a3b afef|defe dB~B2:|2 a2af b2af|egfe dB~B2|| X:11877 T:no name R:reel Z:id:hn-reel-623 M:C| K:D d2fd eA~A2|BAFA dAFB|ABde fa~a2|baaf fe~e2| d2fd eA~A2|BAFA dAFB|ABde fa~a2|1 fd (3efe d3A:|2 fd (3efe d3e|| |:faaf d2de|faaf eA~A2|BAFA defa|baaf fe~e2| fa~a2 baaf|dfaf eA~A2|BAFA dfaf|1 ed (3efe d3e:|2 ed (3efe d3A|| X:11878 T:no name M:C| L:1/8 S:BBC recording of Feakle Session 1987: Noel Hill, Tony Linnane & Mary Ber R:reel Z:id:hn-reel-697 K:D FDFA d2fd|~d2fd ecAG|FDFA dfed|1 dcAF G2AG:|2 dcAF G4|| |:~f3a g2fg|~a3g fdde|~f3a g2fg|~a3f g2fg| ~a3f gfeg|fedf ecAG|FDFA d2fd|1 dcAF G4:|2 dcAF G2AG|| X:11879 T:no name R:reel H:See also #610 Z:id:hn-reel-624 M:C| K:G dgec dBAB|dBAB GEDB,|G,A,B,D GABd|eaag edBd| ~g3a bgef|gedB AGEG|DEGA Bgfg|ecAF G2Bc:| |:dggf g3a|bg~g2 edBA|~G3A BABd|eaag edBd| ~g3a bgef|gedB AGEG|DEGA Bgfg|ecAF G2Bc:| X:11880 T:No name M:C| L:1/8 R:reel D:Ash Plant-tape Z:transcribed by Jeff Lindqvist K:Gm GF|:DGGF GABc|d2ce dGGA|B2BG ABA=E|F2cF dFcF| |DGGF GABc|d2ce dGGA|B2BG A2de|1 dcBA BGGF:|2 dcBA BG~G2|| |:GBdg bg~g2|af~f2 gdBA|GABd gfgb|agfa g4| GBdg bg~g2|af~f2 gfd=e|~f2=eg fdcA|FAcA BG~G2:| X:11881 T:no name M:C| L:1/8 R:reel Z:id:hn-reel-711 K:Edor e2e2 E3F|GFGA BABc|d2d2 D3E|FEFA BABd| e2e2 E3F|GFGA BABc|dBcA BAFG|~E3D E4:| |:Beed ~e3f|geaf gfed|Bddc d3B|ABde fagf| eB~B2 gB~B2|aB~B2 bB~B2|gfed BA (3Bcd|egfd e4:| X:11882 T:no name M:C| L:1/8 S:EB R:reel Z:id:hn-reel-710 K:G dg~g2 egdB|dg~g2 ABcA|dg~g2 defd|cBAB c2Bc:| |:d2BG DG~G2|DGBG ABce|d2BG DGBd|cBAB c2Bc:| X:11883 T:no name M:6/8 L:1/8 R:jig Z:id:hn-jig-141 K:Ador B|:cAA EAA|~B3 GBd|cAA EAA|BAG A2B| cAA EAA|~B3 GBd|edc ege|1 dBG A2B:|2 dBG A2f|| |:~g3 gfe|dBG Bcd|eaa aga|bag e2d| ~g3 gfe|dBG Bcd|eaa ege|1 dBG A2f:|2 dBG A2B|| X:11884 T:no name M:C| L:1/8 S:Kevin Finucane R:reel Z:id:hn-reel-714 K:G DE (3=FED G=FDC|B,G,B,C DE=FD|G3B dBGB|A=FDE FEDC| DE (3=FED G=FDC|B,G,B,C DE=FD|G3B AG^FG|1 DGG^F G3=F:|2 DGG^F GABd|| |:gddB GBdg|bgag e3f|gBBA BcBA|GBdB A2Bd| gddB GBdg|bgag e2ef|gd~d2 d^cdG|1 FGAF GABd:|2 FGAF G3=F|| % bar 4 also |A=FDE FDCE| X:11885 T:no name R:reel Z:id:hn-reel-539 M:C| K:G dB~B2 dBGB|dBBA Bdge|dB~B2 dBGB|cBce agfe| dB~B2 dBGA|BGBd gfga|bg~g2 agfa|1 gfga bage:|2 gfed Beef|| |:g2bg fgaf|gbfg edBd|g2bg fgaf|gfed Bdef| g2bg fgaf|gbfg edBd|~g3a aggf|1 gfed Beef:|2 gfed Bdge|| X:11886 T:no name M:C| L:1/8 R:reel Z:id:hn-reel-712 K:G G2FG EGDE|~G3A Bd~d2|eB~B2 dBAF|GBAG FDEF| G2FG EGDE|~G3A Bd~d2|eB~B2 dBAF|GBAF G4:| |:Bdd^c d3A|Bd~d2 efg2|Bdd^c d3B|cBAG FGAc| Bdd^c d3A|Bd~d2 efga|bgaf gedB|cBAG FGAc:| |:BGGF ~G3A|BG~G2 Bdgd|BGGF G2AB|cBAG FGAc| BGGF ~G3A|BG~G2 Bdga|bgaf gedB|1 cBAG FGAc:|2 cBAG FGAF|| X:11887 T:no name R:reel S:session Z:id:hn-reel-458 M:C| K:Ador ~A,3B, G,A,B,G,|"S"A,2CE ABAG|E2~E2 F2~F2|GABc BAGF| E2CE DCB,G,|A,2CE ABAG|EDEF GAGE|DB,G,B, A,B,CD| E2GE DCB,G,|A,2CE ABAG|E2~E2 F2~F2|GABc BAGF| E2CE DCB,G,|A,2CE ABAG|EDEF GAGE|DB,G,B, A,AB^c|| K:D d2fd Adfd|Adfd cdec|d2AF DEFD|G2FG EDB,D| d2fd Adfd|Adfd cdec|d2Ad =cAGE|ED=CE DAB^c|| d2dc defg|a2af gedc|Ad~d2 d=cAB|=cAdB cAGc| Add^c defg|a2af gedc|d2ed =cAGE|ED=CE D2GF|| K:Ador EA,CE DCB,G,"D.S."|| X:11888 T:no name R:polka D:Kevin Conneff: The Week before Easter Z:id:hn-polka-99 M:2/4 L:1/8 K:G B2 G2|de/f/ gB|A2 AB|de/d/ BA|B2 G2|de/f/ gB|AA BA|1 GF GA:|2 GF Gg|| |:fa d2|e>d BA|B>A GE|B>A GE|fa d2|e>d BA|B>A GB/d/|g2 g2:| X:11889 T:no name R:polka D:Kevin Conneff: The Week before Easter Z:id:hn-polka-100 M:2/4 L:1/8 K:G Bd cA|D2 B2|D2 A2|D2 B>A|Bd cA|D2 B>A|Bd cA|1 G2 GA:|2 G2 GB|| |:e2 ef/e/|d2 de|f2 fd|g2 gf|e2 e>f|ed dc|B/c/d ef|gd ef| g2 d>c|BG GA/G/|FA AB/A/|GA Bd|g2 d2|B2 BA|Bd cA|1 G2 GB:|2 G2 GA|| X:11890 T:no name R:hornpipe D:Paddy Moloney & Sean Potts: Tin Whistles Z:id:hn-hornpipe-17 M:C| K:Amix fg|adfa gefe|dcAG A2AB|cdec A2 (3AGF|(3GFG AA A2:| B2|(3BcB cA (3Bcd ef|gfec d2 (3bc'b|agec ddec|dcAB G2fg| adfa gefe|dcAG A2AB|cdec A2 (3AGF|(3GFG AA A2|| X:11891 T:no name R:polka S:Dudde. "The Ballyvourney Polka", #38, was played after it. Z:id:hn-polka-98 M:2/4 L:1/8 K:Dmix FG|A>A AB|cA FG|AB c/B/A|G2 FG|A>A AB|cA ^ef|ed AF|G2:| |:fg|a>g fa|ge fg|ag fa|g2 fg|a>g fa|ge fe|ed AF|G2:| X:11892 T:no name R:jig H:See also reel#612 N:Last part with variations Z:id:hn-jig-296 M:6/8 K:D ~F3 FED|~F3 FEF|DFA dAF|A,/B,/CE A,CE| ~F3 FED|~F3 FEF|DFA dAF|1 A,CE D2E:|2 A,CE D2e|| fed edc|dcB AFA|fed edc|dfb a2g| fed edc|dcB AFA|DFA dAF|A,CE D2e:| "variations" ~F3 FED|FAF FEF|DFA dAF|A,CE A,CE| ~F3 FED|FAF FEF|DFA dAF|1 A,CE D2E:|2 A,CE D2e|| ~f3 edc|~d3 ABA|~f3 edc|dfb a2g| ~f3 edc|~d3 ABA|DFA dAF|A,CE D2E:| X:11893 T:no name R:jig Z:id:hn-jig-291 M:6/8 K:Amix ABc efe|cBA ~B3|AB/c/d efe|cBA ~B3| AB/c/d efe|cBA ~B3|~a3 fge|1 cBA ABA:|2 cBA A2^g|| |:a2a fge|cBA cBA|a^ga f=ge|cBA ~B3| ~a3 fge|cBA cBA|a^ga f=ge|1 cBA ~B3:|2 cBA ABA|| X:11894 T:no name R:jig Z:id:hn-jig-196 M:6/8 K:Edor Bee dee|Bee dBA|F2D A,DD|FED FGA|Bee dee|Bee dBA|F2D A,DD|FED E3:| |:~B3 BAF|BAF AFE|F2D A,DD|FED FGA|~B3 BAF|BdB AFE|F2D A,DD|FED E3:| X:11895 T:no name R:jig H:See also #366 Z:id:hn-jig-192 M:6/8 K:Edor ~E3 EDB,|~G3 AGA|AFD AFD|GAB d2e| dBA GAB|AFE DEF|G2E FED|1 B,EE E3:|2 B,EE EGB|| |:~e3 edB|~d3 dBd|~e3 edB|def g2e| dBA GAB|AFE DEF|G2E FED|1 B,EE EGB:|2 B,EE E3|| X:11896 T:no name R:highland D:Altan: Z:id:hn-hf-8 M:C| K:D dcdB Af ga|ba f/g/a|f (3g/f/e/ fe|dc BA|ga/g/ Bc|ed de:| X:11907 T:no name R:reel S:Kevin Finucane Z:id:hn-reel-61 M:C| K:D d2cd AFDd|cdAF DEFD|~E3F GFED|EDEF GABc| d2cd AFDd|cdAF DEFD|Efgf edcB|1 AGFE D3c:|2 AGFE D3a|| |:^gafd Aa^ga|fdAa ^gafa|eB~B2 bagf|edcB ABcA| d2cd AFDd|cdAF DEFD|Efgf edcB|1 AGFE D3a:|2 AGFE D3c|| X:11908 T:no name R:polka S:Dudde. "The Ballyvourney Polka", #38, was played after it. Z:id:hn-polka-98 M:2/4 L:1/8 K:Dmix FG|A>A AB|cA FG|AB c/B/A|G2 FG|A>A AB|cA fg|ed AF|G2:| |:fg|a>g fa|ge fg|ag fa|g2 fg|a>g fa|ge fg|ed AF|G2:| X:11909 T:no name R:polka D:Michael Tubridy: The Eagle's Whistle Z:id:hn-polka-65 M:2/4 L:1/8 K:Ador A>B cd|ea ge|d>e dB|AB G2|A>B cd|ea ge|dB gB|1 BA AG:|2 BA A2|| |:ea ag/a/|ba gd|ea ag/a/|ba g2|ea ag/a/|ba ge|dB gB|1 BA A2:|2 BA AG|| X:11910 T:no name R:polka Z:id:hn-polka-44 M:2/4 L:1/8 K:A ef/e/ ce/c/|BE A>c|BE AB|cB Bc|ef/e/ ce/c/|BE A>c|BE AB|cA A2:| |:ce ab/a/|gf f>e|ce fa|fe cB|ce ab/a/|gf fe|ce fg|a2 a2:| X:11911 T:no name R:polka Z:id:hn-polka-37 M:2/4 L:1/8 K:D DF/A/ BA|d>e dc|BA B/c/d|BA FD|DF/A/ BA|d>e dc|BA B/c/d|ed d2:| |:fg/f/ ef/e/|de/d/ cA|BA B/c/d|BA FA|1 fg/f/ ef/e/|de/d/ cA|BA B/c/d| ed d2:|2 DF/A/ BA|d>e dc|BA B/c/d|ed d2|| X:11912 T:no name R:jig Z:id:hn-jig-285 M:6/8 K:D d|BAF AFE|EFD EDB,|A,B,D ~E3|FED E2d| BAF AFE|EFD EDB,|A,B,D ~E3|FDC D2:| |:E|DFA ~d3|ede fdB|def edB|ABd e2f| edB BAF|DFD EDB,|A,B,D ~E3|FDC D2:| X:11913 T:no name R:jig H:Also with parts switched around, see #260 Z:id:hn-jig-297 M:6/8 K:G DEG Bcd|cee Bdd|DEG BdB|AGE GED| DEG Bcd|cee ~B3|~g3 dBG|1 AGF G2E:|2 AGF G3|| |:~g3 ded|~B3 def|gfe dBG|AGE GED| ~g3 ded|BGB def|gfe dBG|1 AGF G3:|2 AGF G2E|| |:DEG BGG|dBG AGE|DEG BAG|ABA AGE| DEG BGG|dBG BAG|~g3 dBG|AGF G2E:| X:11914 T:no name R:jig Z:id:hn-jig-283 M:6/8 K:Ador ABA AGE|cBc d^cd|e=fe ded|cAc BGE| ABA AGE|cBc d^cd|e=fe ded|cAF G3:| |:aba ged|cAc dcd|e=fe ded|cAc BGE| [1 aba ged|cAc dcd|e=fe ded|cAF G3:| [2 ABA AGE|cBc d^cd|e=fe ded|cAF G3|| X:11915 T:no name R:jig Z:id:hn-jig-299 M:6/8 K:D ~F3 DFA|dfe dcB|AdB AFD|FEE EAG| ~F3 DFA|dfe dcB|Ade f/g/af|1 gec d3:|2 gec d2f|| |:~a3 fdf|~g3 efg|fed Bcd|edB A3| ~d3 AFA|Bed cde|f/g/af gec|1 edc d2f:|2 edc d3|| ~F3 DFA|dfe dcB| X:11916 T:no name R:jig Z:id:hn-jig-298 M:6/8 K:D ~d3 faf|gec Ace|~d3 AFA|=cBc EFG| ~d3 faf|gec Ace|~d3 AFA|GEA D3:| |:~d3 ~a3|~g3 ~a3|~d3 ~a3|gef gfe| def ecA|GEG AFA|def ecA|GEA D3:| X:11917 T:no name R:jig Z:id:hn-jig-288 M:6/8 K:Ador ~e3 ~A3|~d3 G2F|EAA ~A3|B2A GBd| ~e3 ~A3|~d3 G2F|EAA ~A3|BAG A3:| |:eaa aga|bgg agd|eaa aga|bgf g2d| eaa aga|bgg agd|Bdd ged|BAG A3:| X:11918 T:no name R:jig Z:id:hn-jig-286 M:6/8 K:G F|G2G, B,DD|ABA AGF|G2E DB,G,|~B,3 A,B,A,| ~G,3 B,A,B,|G,B,D EDB,|DEG AGE|GBA G2:| A|~B3 ABA|GBe dBA|G2G, B,A,G,|~B,3 A,B,A,| ~G,3 B,A,B,|G,B,D EDB,|DEG AGE|GBA G2A| ~B3 ABA|GBe dBA|edB GBd|egf e2f| ~g3 fed|edB AFD|EFG AFD|GBA G2|| X:11919 T:no name R:jig Z:id:hn-jig-280 M:6/8 K:D ~F3 ~E3|DFA d2A|ded cAG|~F3 GFE| ~F3 ~E3|DFA d2f|edc ABc|1 dfe dAG:|2 dfe d2e|| |:~f3 g2e|fdB AB=c|~B3 EFG|A2D FED| ~f3 g2e|fdB AFA|Bcd ecA|1 dfe d2e:|2 dfe dAG|| X:11920 T:no name R:jig Z:id:hn-jig-279 M:6/8 K:G ~B3 G2D|GBd gdc|BdB GED|EAA ABc| ~B3 GDD|GBd ~g3|agf gdB|A2G ABc:| |:~d3 dcB|def gdB|~d3 dcB|A2G ABc| ded BGB|def ~g3|agf gdB|A2G ABc:| X:11921 T:no name R:slide Z:id:hn-slide-27 M:6/8 K:G D2G GAG|E2A A2G|F2D DEF|G2A B2G| D2G GAG|E2A A2G|F2D DEF|1 G3 G2E:|2 G3 G2A|| |:B2B BAB|c3 c2B|A3 AGA|B3 B2G| D2G GAG|E2A A2G|F2D DEF|1 G3 G2A:|2 G3 G2E|| X:11922 T:no name R:reel S:Tape of Gary Hastings recorded in Portrush -81 Z:id:hn-reel-727 M:C| K:D d2cA {c}BAFA|EAFA EAFA|1 d2cA {c}BAFB|ABde fa{b}ge:|2 d3A {c}BAFB|ABde {a}fdd2|| a2{c'}af dfaf|ceae ceae|a2{c'}af df{c'}af|ecAc edd2| a2{c'}af df{c'}af|edcd BcA2|d3A {c}BAFB|ABde {a}fdd2|| X:11923 T:no name R:reel S:J\"orgen Fischer, who got it from Matt Molloy H:Usually played in C, #668 Z:id:hn-reel-729 M:C| K:D ~A2FA ~B2AB|d2fe dBBd|ADFA ~B2AB|1 dBAF FEDF:|2 dBAF FED2|| |:a2ab afef|~a2bf afef|1 ~a3b afef|defe dB~B2:|2 a2af b2af|egfe dB~B2|| X:11924 T:no name R:reel S:Tape of Gary Hastings recorded in Portrush -81 Z:id:hn-reel-726 M:C| K:Ador A2gA fAeA|~A2dA {c}BAGB|A2gA fAeA|DEGA dcBA| {c}A2gA fAeA|~A2dA {c}BAGz|DEGA (3Bcd eg|1 {c'}aged cA{c}AG:|2 {c'}aged cA~A2|| |:{c'}aged cA~A2|GAEA DAEz|{c'}aged cA~A2|{c'}bagb a3z| {c'}aged cA~A2|GAEA DAEz|CDEG Acde|1 {c'}aged cA~A2:|2 {c'}aged cA{c}AG|| X:11925 T:no name R:reel Z:id:hn-reel-268 M:C| K:G G2DG BGBd|g2dg fdcA|BG~G2 FGAF|GBAG FDEF| G2DG BGBd|g2dg fdcA|BG~G2 FGAg|1 fdcA GDEF:|2 fdcA G2Bd|| |:g2dg bgaf|g2dg fdcA|BG~G2 AGFD|1 FGAg fdef| g2dg bgaf|g2dg fdcA|BG~G2 FGAg|fdcA G2Bd:|2 FGAg fdcA| BG~G2 FGAf|g2eg fgag|bg~g2 agfg|fdcA GDEF|| X:11926 T:no name R:polka Z:id:hn-polka-112 M:2/4 L:1/8 K:G G>G GA|B2 BA|GB dB|AG ED|G>G GA|B2 Bd|e/f/g fg|1 BG GD:|2 BG G2|| |:Bd de/f/|gf ed|Bd de/f/|gB A2|Bd de/f/|gf ed|B/c/d Bd|1 BG G2:|2 BG GD|| "variation of 1st part" |:G2 G>A|BA Bd|GB dB|AG ED|G2 GA|BA Bd|e/f/g fg|BG G2:| X:11927 T:no name R:reel Z:id:hn-reel-290 M:C| K:D DFAd ~f3e|dcde fdAF|G2FG E3F|G2FG EFGE| FD~D2 FDFA|BG~G2 Bcde|f2af gecd|1 eddc d4:|2 eddc d3e|| |:fddc dfaf|gfed cdeg|~f3a gfed|cAAG A3G| FD~D2 FA~A2|BG~G2 Bcde|f2af gecd|1 eddc d3e:|2 eddc d4|| X:11928 T:no name R:reel S:Kevin Finucane Z:id:hn-reel-714 M:C| K:G DE (3=FED G=FDC|B,G,B,C DE=FD|G3B dBGB|A=FDE FEDC| DE (3=FED G=FDC|B,G,B,C DE=FD|G3B AG^FG|1 DGG^F G3=F:|2 DGG^F GABd|| |:gddB GBdg|bgag e3f|gBBA BcBA|GBdB A2Bd| gddB GBdg|bgag e2ef|gd~d2 d^cdG|1 FGAF GABd:|2 FGAF G3=F|| % bar 4 also |A=FDE FDCE| X:11929 T:no name R:polka Z:id:hn-polka-46 M:2/4 L:1/8 K:A A>B AE|FA E>A|FB BA/B/|cB Bc|A>B AE|FA E>A|FB BA/B/|1 cA A2:|2 cA A/B/c/d/|| |:e>f eA|f2 f2|Bf fB|g2 g2|cg gc|a2 g>a|eA c/B/A/B/|1 cA A/B/c/d/:|2 cA A2|| X:11930 T:no name R:reel H:Related to "Jenny's Chickens", #75 H:and to "Sleepy Maggie", #650 D:De Danann: Hibernian Rhapsody Z:id:hn-reel-691 M:C| K:Bdor fB~B2 fBce|fB~B2 eAce|fB~B2 fBcB|A2af eAce:| |:f2bB fBce|f2bB eAce|f2bB fBce|1 f2af eAce:|2 f2af e2de|| |:f2fe fdde|fdaf e2de|f2fe fdde|1 f2af e2de:|2 feaf e2de|| X:11931 T:no name R:polka Z:id:hn-polka-36 M:2/4 L:1/8 K:G B2 B>A|Bd ed|B>A Bd|B/A/G A2|B>c BA|Bd ed|e>f ed|ef g2:| |:GB/d/ ed|gd ed|GB/d/ ed|B/A/G A2|GB/d/ ed|gd ed|e>f ed|ef g2:| X:11932 T:no name R:polka Z:id:hn-polka-111 M:2/4 L:1/8 K:A c2 c>B|AF FE|FB Bc/B/|AF FE|c2 c>B|AF FE|FA Bc/B/|A2 AB:| |:cB BA|cB BA|B2 Bc/B/|AF FE|cB BA|cB BA|B2 Bc/B/|A2 AB:| X:11933 T:no name R:reel S:EB Z:id:hn-reel-710 M:C| K:G dg~g2 egdB|dg~g2 ABcA|dg~g2 defd|cBAB c2Bc:| |:d2BG DG~G2|DGBG ABce|d2BG DGBd|cBAB c2Bc:| X:11934 T:no name R:polka D:Paul McGrattan: The Frost is All Over Z:id:hn-polka-50 M:2/4 L:1/8 K:D Af A>A|Bg B>B|Ad fg/f/|ed B/c/d/B/|Af A>A|Bg B>B|Ad fg/f/|ed d>B:| |:Ad f>g|fe e>d|ef ga|ba f>f|Ad f>g|fe e>d|ef gc|ed d>B:| X:11935 T:no name R:reel S:Session in Cleary's back room, Miltown Malbay 1991 N:Similar to #313, Se\'an sa Cheo Z:id:hn-reel-303 M:C| K:Amix cd|:~e3f ecAc|efec d2cd|eA~A2 efge|1 dBGB d2cd:|2 dBGB dfed|| |:cAA^G ~A3B|cAAc efed|cA~A2 efge|1 dBGB dfed:|2 dBGB d2fg|| |:aece aece|~a3g e2ef|1 gdBd gdBd|(3gag fg efge:|2 ~g3e ~f3d|(3gag fg ed|| X:11936 T:no name R:slide D:Chieftains: Live Z:id:hn-slide-1 M:6/8 K:D g2g|:f2e A2=c|B2A g2g|f2e ABc|d3 g2g| f2e A2=c|B2A g2g|fga ge^c|1 d3 g2g:|2 d3 d2e|| |:f2g afd|c2d ecA|f2g afd|~f3 gag| f2g afd|c2d ecA|fga gfe|1 d3 d2e:|2 d3|| X:11937 T:no name R:jig Z:id:hn-jig-275 M:6/8 K:Dmix DFA dcA|AGE AGE|DFA dcA|AGE D2E| ~D3 DEG|AdB c2A|dfd AGE|AGE D3:| |:DFA fed|dcA dcA|dAF DdB|~c3 cAG| DEF EFG|AdB cAG|dfd AGE|AGE D3:| X:11938 T:no name R:jig Z:id:hn-jig-274 M:6/8 K:A Ecc Edd|~c3 cBA|Ecc ~d3|cBc BAF| Ecc Edd|~c3 efg|agf edc|1 ~B3 A2F:|2 ~B3 A2c|| |:~e3 ece|~f3 fga|efe ecA|~B3 Bcd| ~e3 ece|~f3 fga|eaf ecA|1 ~B3 A2c:|2 ~B3 A2F|| X:11939 T:no name R:jig S:Kevin Finucane Z:id:hn-jig-277 M:6/8 K:D faf dfd|ABA FDF|~G3 EGF|Eed cBA| f/2g/2af dfd|ABA FDF|~G3 Ecd|1 edc d2e:|2 edc d2A|| |:ABA FED|FGF FED|CEC A,CE|EAB cBA| F2A AFD|GEE EDC|CEC A,CE|1 GEC D2A:|2 GEC D3|| |:F2A dcd|ede fdB|gfe ~d3|Bcd edB| AFA dcd|ede gfe|dcB Ace|1 cAc d3:|2 cAc d2e|| X:11940 T:no name R:jig Z:id:hn-jig-264 M:6/8 K:G DGG A2G|A2G ~G2F|DGG A2G|cAG ~F3| DGG A2G|A2F GBd|~f3 ged|cAG FGA:| |:~B3 cBc|dcA ~G3|~B3 GBd|cAG FGA| ~B3 cBc|d^cd efg|a2f gfd|1 cAF G2A:|2 cAF G2F|| X:11941 T:no name R:jig D:Gan Ainm Z:id:hn-jig-257 M:6/8 K:Bm ~B3 bfd|Bdf ecA|~B3 baf|~g3 fdc| ~B3 bfd|Bdf ecA|~B3 cde|dfa ecA:| |:FBB BAB|cBc Ace|a^gf ecA|cBc BAE| FBB BAB|cBc Ace|a^gf ecA|cBA B2A:| X:11942 T:no name R:jig Z:id:hn-jig-270 M:6/8 K:D FAA AFA|Bdd dfg|fed BdA|BEE EDE| FAA AFA|Bdd dfg|fed BdB|AFD D3:| |:fed BdA|BEE EDE|FAA AFA|AFA AFA| fed BdA|BEE Efg|fed BdB|AFD D3:| X:11943 T:no name R:jig H:A version of "The Stolen Purse", #205? Z:id:hn-jig-266 M:6/8 K:Ador ~A3 ABA|GEE G2B|ABA GBd|edB gdB| ~A3 ABA|GEE G2B|dBA GAB|1 ded dBG:|2 ded dBA|| |:def g2b|agf g2e|def g2f|edB dBA| def g2b|agf g2a|bag agf|gag edB:| X:11944 T:no name R:reel S:Paddy O'Neill Z:id:hn-reel-749 M:C| K:Dmix AD{A}ED ~A3B|AD{A}ED ~G2FG|AD{A}ED A2Ac|1 BGAF ~G2FG:|2 BGAF ~G3F|| |:E2c2 B2c2|~A3B ~A3G|1 E2c2 B2c2|FG{A}GB FG{A}GB:|2 ABeg fde2|GBAF ~G2FG|| X:11945 T:no name R:polka S:Brendan Begley Z:id:hn-polka-110 M:2/4 L:1/8 K:Edor BE FE|BE FE|D>E FA|DE FA|BE FE|BE FE|D>F AD|FE E2:| |:Be ed/e/|fe dA|Be ed/e/|fe d2|Be ed/e/|fe dA|BA dF|FE E2:| X:11946 T:no name R:reel Z:id:hn-reel-525 M:C| K:Amix eA~A2 cABA|eAAf gedg|eAAB cAdc|BdGA BcdB:| |:edef gagf|edef gedg|1 edef gagf|edgd BAAg:|2 edef gaba|gedB Agfg|| X:11947 T:no name R:reel Z:id:hn-reel-521 M:C| K:Amix cAAB cAGB|Adde f2ed|cAAB cdeg|1 fage d2ed:|2 fage d2cd|| |:eaaf gfed|cdef g2fg|1 ea~a2 efed|eage d2cd:|2 eaag ~a3g|eage d2ed|| X:11948 T:no name R:reel Z:id:hn-reel-527 M:C| K:D d2cA BE~E2|EFDE FABc|dBcA BE~E2|1 Bded cABc:|2 B2ed cdec|| |:d2fd Adfe|d2fd cdec|1 d2fd Adfd|B2AF FE~E2:|2 d2fd cdec|dBAF E2FA|| X:11949 T:no name R:reel H:See also jig#296 Z:id:hn-reel-612 M:C| K:D EF~F2 FEDE|FAAB AFEF|DEFA dBAF|FEED EGFE| EF~F2 FEDE|F2AB AFEF|DEFA dBAF|EDCE D4:| |:ef~f2 edce|dF~F2 BFAF|ef~f2 edce|dfab a2ag| ef~f2 edce|dF~F2 BFAF|DEFA dBAF|EDCE D4:| "variations" |:F2FE FEDE|FAdB AF~F2|D2FA dBAF|GEED EFDE| ~F3E FEDE|FAdB AF~F2|D2FA dBAF|GECE D4:| |:fd~d2 edce|dF~F2 BAAd|fd~d2 edcA|Bdgb a2ag| fd~d2 edce|dF~F2 BAAF|DEFA dBAF|EDCE D4:| X:11950 T:no name R:reel Z:id:hn-reel-591 M:C| K:Ddor A2~A2 AGFA|GEED E2FE|~D3E FEFG|Adde fedc| A2~A2 AGFA|GEED E2FE|~D3E FEFG|Addc d4:| |:ef~f2 fedf|eccB c2dc|Addc ~d3f|ec~c2 gc~c2| ef~f2 fedf|eccB c2dc|Addc ~d3e|fdec d4:| X:11951 T:no name R:reel Z:id:hn-reel-567 M:C| K:Ador cAAG ~A3B|cAAc dB~B2|cA~A2 ABcd|egfe dB~B2:| |:cggf gage|cege dB~B2|cggf gafg|afge dB~B2:| X:11952 T:no name R:slide Z:id:hn-slide-40 M:6/8 K:G d2B BAB|c2B A2B|c2c cBc|e2d B2c| d2B BAB|c2B A2B|cde dcB|1 GBd gfe:|2 G3 G2B|| |:d2g gfg|a2g f2d|e2e edf|f2e def| g2g gfg|a2g f2d|efg a2g|fef g2e:| X:11953 T:no name R:slide Z:id:hn-slide-39 M:6/8 K:D A2F ABd|~f3 def|gfe fed|B3 B2A| Bcd B2A|Bcd B2A|Bcd efe|1 d3 dcB:|2 d3 def|| |:a2a a2f|e2d BAB|e2d BAB|e2d Bef| a2a a2f|e2d B2A|Bcd efe|1 d3 def:|2 d3 dcB|| X:11954 T:no name R:jig Z:id:hn-jig-127 M:6/8 K:D FAd ~f3|afe d2A|B/c/dB AFA|dAF ~E3|FAd ~f3|afe d2A|B/c/de fdB|AFE D3:| |:fdB ~A3|DFA def|gef ged|ced cBA|fdB ~A3|DFA def|gef gec|edc d3:| |:Adf ~a3|agf agf|Ace ~g3|gfe gfe|~f3 ~g3|~a3 bag|faf gec|edc d3:| "Variations" FAd ~f3|afe dBA|~B3 BAF|dAF EAG|FAd ~f3|afe dBA|Bde fdB|1 AFA d3:|2 AFA d2e|| |:fdB AFA|DFA dfa|~g3 ged|ced cBA|fdB AFA|DFA dfa|~g3 age|edc d3:| |:Adf faa|agf agf|Ace ~g3|gfe gfe|f2d g2e|agf efg|faf gec|edc d3:| X:11955 T:no name R:reel D:Martin Hayes Z:id:hn-reel-562 M:C| K:G B2~B2 BAGA|BABc dedc|B2~B2 BAGB|1 d2cA AGGA:|2 d2cA AGG2|| e2a2 g3e|d2Bc d2d2|e2a2 g3e|d2cA AGG2| e2a2 g2e2|d2e2 f2g2|abaf g2ge|d2cA AGGA|| X:11956 T:no name R:reel Z:id:hn-reel-539 M:C| K:G dB~B2 dBGB|dBBA Bdge|dB~B2 dBGB|cBce agfe| dB~B2 dBGA|BGBd gfga|bg~g2 agfa|1 gfga bage:|2 gfed Beef|| |:g2bg fgaf|gbfg edBd|g2bg fgaf|gfed Bdef| g2bg fgaf|gbfg edBd|~g3a aggf|1 gfed Beef:|2 gfed Bdge|| X:11957 T:no name R:jig Z:id:hn-jig-262 M:6/8 K:G edB G2A|Bed Bcd|edB G2A|BAF GFE| DBD G2A|Bed Bcd|edB gdB|ABG ABd:| |:e2f ~g3|eag fed|e2f ~g3|efg ~a3| bag agf|gfe daf|gfe edB|ABG ABd:| X:11958 T:no name R:jig Z:id:hn-jig-244 M:6/8 K:Ador AcA BGE|cde dBG|AcA BGE|EDE GAB| AcA BGE|cde dBG|cBA BGE|1 EFG A2E:|2 EFG A2A|| |:ceA cea|~e3 edc|BdG BdG|Bde dcB| cde dcB|cBA Ggf|ecA GED|1 EFG A2A:|2 EFG A2E|| X:11959 T:no name R:jig H:Similar to "Kitty's Rambles", #300 Z:id:hn-jig-246 M:6/8 K:Dmix fed cAc|dcd efg|fed cAG|FAF GFE| DFA dcd|dcd efg|fed cAG|ABc d3:| |:dfa dfa|dfa afd|ceg ceg|ceg gfe| fef ~g3|agf efg|fed cAG|1 ABc d3:|2 ABc dfg|| |:afd d^cd|dfa agf|gec cBc|ceg gfe| fef ~g3|agf efg|fed cAG|1 ABc dfg:|2 ABc d3|| X:11960 T:no name R:jig Z:id:hn-jig-113 M:6/8 K:D ~d3 fed|cea ecA|~B3 efg|Bed cBA|~d3 fed|cea ecA|~B3 efg|Bec d3:| DFA FAd|Adf dfa|afa geg|fdf ecA|DFA FAd|Adf dfa|cBA fed|cdB A3|| ~a3 ~b3|~g3 ~a3|dcd efg|Bed cBA|~a3 ~b3|~g3 ~a3|dcd efg|Bec d3|| X:11961 T:no name R:jig H:Also with parts switched around, see #297 Z:id:hn-jig-260 M:6/8 K:G DEG BAG|dGG BAG|DEG BAG|ABA AGE| DEG BAG|dGG BAG|gfg dBG|AGE G3:| |:~g3 ded|BGB def|g2e dBG|AGE GED| ~g3 ded|~B3 def|g2e dBG|AGE G3:| |:DEG Bdd|cee Bdd|DEG BdB|AGA AGE| DEG Bdd|cee Bdd|~g3 dBG|AGE G3:| X:11962 T:no name R:reel H:See also "The Old Torn Petticoat", #294 Z:id:hn-reel-570 M:C| K:Ador c2Bc AGED|G2BG DGBG|c2Bc AGED|GABG ~A3B| cA~A2 AGEF|G2BG DGBG|c2Bc AGED|GABG ~A3B|| |:c3d eg~g2|eaaf gedB|1 c3d eg~g2|eaag a4:|2 c2Bc AGED|GABG ~A3B|| X:11963 T:no name R:reel Z:id:hn-reel-623 M:C| K:D d2fd eA~A2|BAFA dAFB|ABde fa~a2|baaf fe~e2| d2fd eA~A2|BAFA dAFB|ABde fa~a2|1 fd (3efe d3A:|2 fd (3efe d3e|| |:faaf d2de|faaf eA~A2|BAFA defa|baaf fe~e2| fa~a2 baaf|dfaf eA~A2|BAFA dfaf|1 ed (3efe d3e:|2 ed (3efe d3A|| X:11964 T:no name R:reel Z:id:hn-reel-573 M:C| K:E e2ge fecd|ecBG F2GF|ECB,C EFGB|efge fecd| e2ge fecd|ecBG F2GF|ECB,C EFGB|1 cGBG E4:|2 cGBG E2GF|| |:ECB,C EFGB|c3c BGFG|EGBG cGBG|c2BG F2GF| ECB,C EFGB|efge fecd|ecBG F2GF|1 ECB,C E2GF:|2 ECB,C E4|| X:11965 T:no name R:reel S:Kevin Burke, who got it from the Murphy family. D:Kevin Burke: Up Close. Z:id:hn-reel-68 M:C| K:Ador AB|:cABG A2AB|cABG AGED|~G3F GABc|dBGB d2dB| cABG A2AB|cABG AGED|e2ef gage|1 dBGB A2AB:|2 dBGB A2Bd|| |:eaab ~a3g|edef ged2|edef ~g3f|edef ged2| eaab ~a3g|edef ged2|edef gage|1 dBGB A2Bd:|2 dBGB A2|| X:11966 T:no name R:reel Z:id:hn-reel-590 M:C| K:Edor Bgfg edBd|~e3d Bcdc|Bgfg edBd|~e3d Bcdc| Bgfg edBd|~e3d efg2|egfd BGdB|A2GA BGdA:| |:Beed edBc|dcde ~f3a|ge~e2 edBG|A2GA BGed| Beed edBc|dcde fa~a2|gBeg fdBG|1 A2GA BGed:|2 A2GA BG~G2|| |:b2gb abge|fedB dega|b2gb abge|Bdeg fedB| b2gb abge|fedB dega|gBeg fdBG|1 A2GA BG~G2:|2 A2GA BAdA|| X:11967 T:no name R:slide Z:id:hn-slide-29 M:6/8 K:D dcd edB|A2F FEF|A2F FEF|AFE DFA| dcd edB|A2F FEF|AFE DEF|1 E2E DFA:|2 E2E D2B|| |:A2B d2e|~f3 fed|~e3 edB|~d3 edB| A2B d2e|~f3 fed|edB ABd|1 efe d2B:|2 efe d2A|| X:11968 T:no name R:reel D:Altan: Horse with a Heart Z:id:hn-reel-296 M:C| K:D D2FA GEFE|D2FA d2ef|geag efdB|AF~F2 EGFE| D2FA GEFE|D2FA d2ef|geag edcd|1 eddc dBAF:|2 eddc d2ag|| |:fdfa g2ag|fdfa g2ag|fd=cA BG~G2|AB^cA d2ag| fdfa g2ag|fdfa g2ag|fd=cA BG~G2|1 AB^cA d2ag:|2 AB^cA dBAF|| X:11969 T:no name R:reel Z:id:hn-reel-307 M:C| K:D AFdF ~A3F|