%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:1 T:!Ay¡ Pinín R:muñeira C:Trad Z: Z:Asturias, canciones M:6/8 L:1/8 Q:3/8=100 K:F F2 A|ccc c2 d|d2 c d2 c|BAG cBA|G2 F F2 A| |ccc c2 d|d2 c dcB|A2 G cBA|G2 F FEF| |G3 FEF|G3 GAB|cdc BAG|c3 FEF| |G2 G FEF|G3 GAB|cdc BAG|F2 z4| X:2 T:"Aus zweiter Hand" - schottisch/schottische/scottish C:Quelle:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G GA|B2D2 D2GB|A2E2 E2AB|cBAG FEDC|E2D2 DFGA| B2D2 D2GB|A2E2 E2AB|cBAG FEDF|G2B2G2:| |:FE|D2EF G2A2|B2D2 D2B2|c2D2 D2c2|B2AG G2FE| D2EF G2A2|B2D2 D2B2|c2F2 c2BA|G4G2:| |:DD|D2G2 B2AG|F2E2E4|A2A2 F2EF|B2G2 D2DD| D2G2 B2AG|F2E2E4|A2A2 F2EF|G2G2G2:| X:3 T:"Bourree IV" B:"Encyclopædia Blowzabellica", Dragonfly music, Newbiggin by the Sea, 1987 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G d|cB2c|A3B/2c/2|d3/2c/2 BA|B2 G3/2B/2| cB2c|A3B/2c/2|d3/2c/2 BA|1d3:|2G4|| |:A3/2B/2 AG|F3G|A3/2B/2 cA|B2 G2| A3/2B/2 AG|F3G|A3/2B/2 AF|1G4:|2G3|] X:4 T:"Bourrée Parisienne" Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm G3A BAG2|c3B AG^F2|d3c B2A2|D2B2A4| G3A BAG2|c3B AG^F2|d3c B2A2|D2^F2G4:| K:D |:A2Bc d2c2|A2B2F4|D2EF G2A2|B2c2 B2A2| A2Bc d2c2|A2B2F4|D2EF G2A2|B2c2d4:| X:5 T:"Die Rolltreppe" - schottisch/schottische/scottish C:Ernst Spirk S:collection Elisabeth und Christoph Huspeka Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G B3c d2d2|e2e2 d2d2|cdcB A2A2|dedc B2B2| B3c d2d2|e2e2 d2d2|cdcB A2A2|d2c2B4:| |:B8|B8|ABc2 ABc2|e2d2d4| B8|B8|ABc2 ABc2|d2c2B4:| |:B2B2 BABc|d4d2d2|c2c2 cBcd|e4e2e2| dfdf cece|BdBd AcAc|BddB AccA|BABcd4:| B2B2 BABc|d4d2d2|c2c2 cBcd|e4e2e2| dfdf cece|BdBd AcAc|BddB AccA|B2dcB4:| X:6 T:"Die Wiederverheirateten" - schottisch/schottische/scottish S:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G GA|B2d2 A2c2|B2G2 Gd^cd|c2A2 Ad^cd|B2G2 GABc| B2d2 A2c2|B2G2 Gd^cd|c2A2 DEFD|G2G2G2:| |:dc|B2d2 G2B2|c4AGFE|D2F2 G2A2|B6dc| B2d2 G2B2|c3d cBAG|F2DF A2F2|GFGAG2:| X:7 T:"Give Us A Drink of Water" M:9/8 L:1/8 K:G BGG AGE DEG|BGG GFG A2c|BGG AGE DEG|cBA BGE D3:|| Bdd dge dBG|Bdd dBG A2c|Bdd dge dBG|cBA BGE D3| Bdd dge dBG|Bdd dBG Aef|gfe dBd cBA|cBA BGE D3|| X:8 T:"Italienischer Walzer"- Valse/Walzer/Waltz S:K.Bauer CD Transkription? Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm G/^F/G/A/B/c/|dBG|e/d/c/d/e/g/|dBG| c/B/A/c/B/A/|B/A/G/B/A/G/|1AcB|AA2:|2DBA|GG2|| E:8 |:d/B/G/d/B/G/|d/B/G/d/B/G/|e/B/G/e/B/G/|e/B/G/e/B/G/| DD/D/4=E/4 ^F/G/|(3A/G/A/ (3B/A/B/ (3c/B/c/|1dB/A/B/c/|AA2:|2BB/A/G/^F/|GG2|| X:9 T:"Kurt Valsen"- Valse/Walzer/Waltz S:K.Bauer CD Transkription? Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm D|G/^F/G/A/B/c/|d>dd|edc|g>fe| d>cB|A>BA|1GG/A/B|A2:|2GG/^F/G/A/|G2|| |:d|dgg|f>ec|c/d/ee|d>BG| G/A/BB|A>^FD|D/c/BA|G/^F/G/A/B/c/| dgg|f>ec|c/d/ee|d>BG|G/A/BB|A>^FD|D/c/BA|G2:| X:10 T:"Matins Gris" - bourree N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G B2GBAG|F2DFGF|EFGBAG|A2GFED| B2GBAG|F2DFGF|E2EFG2|1E2F2G2:|2E2G2B2|| |:e2c2A2|B2BAGB|AGFGAd|B2ABG2| e2c2A2|B2BAGB|AGFGAF|G6:| X:11 T:"Nur Nix neichs net" Bayrisch Polka - schottisch/schottische/scottish S:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G d2|B2e2 d^cd2|c2e2 d^cd2|d2e2 fga2|bage dcBc| B2e2 d^cd2|c2e2 d^cd2|d2e2 fgab|g2g2g2:| |:d2|b2bf g2ge|dedc B2d2|d2c'ba2d2|d2ba g2d2| b2bf g2ge|dedc B2d2|d2c'b aefa|g2b2g2:| X:12 T:"Palee" - Walzer/Waltz/Valse C:nach J. Prandstetter 1865 A:Pabneukirchen Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G ded|c3|cdc|B3| ded|c3|cdc|B2B/c/| dBG|dBG|ded|c2z| cAF|cAF|cdc|B2B|| |:BA/B/c/d/|edB|dcA|cBG| BA/B/c/d/|edB|dcA|1B2B:|2G2|] X:13 T:"Pila-Brittas schottis" S:efter John-Erik Mattson, Digerberget A:Rätan, s. Jämtland O:Sweden M:4/4 L:1/8 Q:1/4=90 K:G "G"d>gbg g>dBd|"C"g>fgc' e3g|"D7"f>edc B>AGF|"G"G>ABc (cgbg g>dBd|"C"g>fgc' e3g|"D7"f>edc B>AGF|[1"G"G2G2 G2z2:|\ [2"G"G2G2 G2dc|:"G"B2G2 G2AB|"C"c2e2 e4|"D7"d2df (fcAF|[1"G"G2G2 G2dc:|\ [2"G"G2G2 G3B|:\ "G"d>gbg d2dc|"G"B>ABd G2GB|"D7"B>AAB c>AFA|"G"D>GGB (Bgbg d2dc|"G"B>ABd G2GB|"D7"B>AAB c>AFA|[1"G"G2G2 G3B:|\ [2"G"G2(3.G.G.G G4|] X:14 T:"Tallapolskan" efter Jönsagubben, Undersvik M:3/4 L:1/8 K:Gm D|G>A BA/B/ F2|d2- dc/d/ ed|dc- cB/c/ dc|cB BA/B/ cB|\ A>G ^FG AB|d2 (c/B/)A/G/ ^FD|G>A BA/B/ F2|d2- dc/d/ ed-|\ dc {d}cB/c/ a2|B2 ({Bc}B/A/B) cB|A>G ^FG Ad|[1(B/A/)G/^F/ G3:|\ [2(B/A/)G/^F/ G3z|:(g/^f/)g/a/ b2 a2|g2 (^f/g/)a/f/ d2|\ g(b/g/) ^f(a/f/) =eg|(^f/=e/)d/^c/ d/(A/^F/A/) D2|\ G>A BA/B/ F2|d2- dc/d/ ed-|dc cB/c/ dc|cB BA/B/ cB|\ A>G ^FG Ad|(B/A/)G/^F/ G4:|] T:Andrastämma B,>D GD C2|B2- BA/B/ cB|BA AG/A/ BA|AG G^F/G/ AG|\ ^F>D A,B, CD|B2 (A/G/)^F/D/ CA,|B,>D GD C2|B2- BA/B/ cB|\ BA {B}AG/A/ c2|G2 G^F/G/ AG|^FD A,B, CB,|(D/C/)B,/A,/ [B,2D2]::\ (B/d/)e/f/ g2 c2|B2 d^f/d/ A2|=eg/e/ d^f/d/ ^ce|\ (d/^c/)A/G/ ^FD/F/ [A,2 D2]|B,>D GD C2|B2- BA/B/ cB|BA AG/A/ BA|AG G^F/G/ AG|\ ^F>D A,B, CB,|(D/C/)B,/A,/ [B,2D2]:|] X:15 T:"The Anon." - bourree B:"Encyclopædia Blowzabellica", Dragonfly music, Newbiggin by the Sea, 1987 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D A3/2B/2 cd|A3/2B/2 cd|A3/2G/2 FE|F2 D2| A3/2B/2 cd|A3/2B/2 cd|A3/2G/2 FE|D4:| |:A3F|D4|B3G|E4| A3F|D3B|A3/2G/2 FE|1F2 D2:|2D4|] X:16 T:"Walzer aus Bayern" - Walzer/Waltz/Valse N:transkription Regensburger Bordunmusik casette BordunMusik-Fest 1989 Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G e/d/c/|B/d/d/B/d|c/d/d/c/d|A/d/d/c/d/e/|dcB| B/d/d/B/d|c/d/d/c/d|A/d/d/c/d/F/|G3/:| |:z/d/e/|d>ed/c/|B/d/Gd/e/|d>cA/F/|G/B/Dd/e/| d>ed/c/|B/d/Gd/e/|d>cA/F/|G3/:| |:z/B/c/|d/c/d>G|F/G/A/B/c/d/|e/d/dF|A/G/GB/c/| d/c/d>G|F/G/A/B/c/d/|e/d/dF|G3/:| X:17 T:"Walzer" - Walzer/Waltz/Valse C:Gisela Steinweg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm gd2|f/e/B2|^Gce|d/c/d/e/f/^f/| gd2|f/e/B2|^Ge>d|1=Bd/e/f/^f/:|2=B>dB/G/|| |:Fd>c|Gd>c|^Ge>f|d/e/d/c/d/B/| Fd>c|G>dc/G/|B>c^G/B/|1B3:|2G/A/B/^c/e/f/|] X:18 T:'Seeing' to his sheep M:4/4 L:1/8 C:Mark Kenneth, Scotland R:Reel H:Written 1994, named 1997 after an ill fated phone call when it was H:announced of a prominent Scottish businessman, 'Oh, He's not in the noo H:- he's up the glen seeing to his sheep' K:EMin |:B,D|"Emin"E2 EF EDB,D|EDEF G2 FE|"D"D2 DE DB,A,B,|AGFE D2 B,D|"C"E2 EF EDB,D|EDEF G2 FE|"Bmin"DdFd AGFA|"Emin"G2E2E2:| |:"Emin"EeeE BBEB|GEBA G2 FE|"D"DddE ddFd|FEFG "Bmin"A2 GF|"Emin"EeeE BB EB|GEBA "A7"G2 FE|"D"DEFG "Bmin"AGFA|"Emin"G2E2E4:| X:19 T:(?)man's Ramble. JB.65 M:4/4 L:1/4 S:James Biggins MS, Leeds, 1779. R:? O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G "nothing entered"GGGG|GGGC|] W:Can't make this out at all. X:20 T:(Cauld Kail) A noys. way of the 2d. measure wt. gatherings S:George Skene's MS, NLS Adv.MS.5.2.21, 1715 Z:Jack Campin 1998 M:4/4 L:1/8 K:D e|\ "||"cA A/~A/A "||"BG G/~G/G|"||"cA A/A/~A A/~A/A A/~A/A|\ "//"cA A/~A/A BG G/~G/G|"||"c/~B/A c/e/a "="e2d:| X:21 T:(Cauld Kail) A way instead of the gatherings in the second measure S:George Skene's MS, NLS Adv.MS.5.2.21, 1715 Z:Jack Campin 1998 M:4/4 L:1/8 K:D a|\ ("//"cA)("//"cA) ("//"BG)dB|("//"cA)("//"cA) ("||"cA)ae|\ ("="cA)("="cA) ("||"BG)dB|("//"cA)("||"cf) "="e2d:| X:22 T:(Fiou de Lono) C:MCTB 1/45 M:3/8 L:1/8 K:C f2f|ed2|d/e/fe/f/|gag|\ f2f|ed2|d/e/fe/f/|g3:| |:f>df|ed2|d/e/dB|cde|\ f>df|ed2|d/e/dB|c3:| %%newpage X:23 T:(Psalm) 9???? M:2/2 L:1/4 S:Armitt MS K:B_ major G2GA|B2c2|(d>cB)(c/2B/2)|A3F|G>F G/2A/2 B|cBA2|G2||B2|ddcd|(c>AG)G|A3z|z 2zA|BBGG|A3(B/2c/2)|ddBB|c3d|(edcd|GAB)d|(cB)A2|G4|| X:24 T:(Psalm) 8 N.V. (New Version) M:2/2 L:1/4 S:Armitt MS K:C major G4|GGcc|AGGE|FAEG|G4||cc/2c/2(c2|c4)|GG/2G/2(G2|G3)G|cGG(EF)|GGBe|d3G|Ac Bd|c4|| X:25 T:(Psalm) Pm 40 N.V. (New Version) M:2/2 L:1/4 S:Armitt MS K:C major G2cB|(c/2d/2c/2d/2e)c|(fe)d2|c3z|z4|z2zG|cBcd|ede(e/2d/2)|c3B|c4||c2ee|d 3e|d2^c2|d3z|z2zG|cccA|BGcd|eee(e/2d/2)|c3Bc4|| X:26 T:(Psalm) PS 2? ?? M:3/2 L:1/4 N:There is a symbol before the time signature. It could be a sharp on N:the second line down, but its got long trailing legs if it is. It N:could be an attempt at a clef other than treble. The tune makes sense N:if you play it as bass clef, but ABC doesn't seem to have a bass clef. N:Why won't ABC show the slur from begining of second bar after double N:vbar to 3rd note of 3rd bar? K:C Major "This is BASS CLEF - see note"B2|(d2c2B)(c/2B/2)|^A2F2f2|(gfedc)B|A3|| c2d2B2|(f>ed2cd|e4)f2|d2c4|d4||M:2/2 L:1/4 d2|fedc|!(dcBA|Bcd)e|f4|z2z B | ddff|d3B|F3c|ddde|ffffd|c3A|B4|| X:27 T:... the French (title incomplete on photocopy) M:6/8 L:1/8 K:D a2fa2f|ded f3|g2fg2f|efd cBA|a2fa2f|ded f3|egf edc|d3D3:|! e2ef2f|cdB A3|dAd fdf|a2fd3|e2ef2d|cdB A3|Bcd edc|d3D3:| X:28 T:.?.. Rigg M:6/8 L:1/8 K:D ded A2f|g2f e2d|ded A2A|B3 d3:|:d2f a2f|g2f e2d|d2f a2g|f3 a2a|b2g e2fsg s|a2f d2d|def A2A|B3 d3:| X:29 T:1) Seidener Zwirn - The Silken Twine S:Cathy Goss O:Germany N:VVMM M:3/4 I:speed 420 A:Bavaria K:C M:3/4 G3F EF|G4c2|\ M:2/4 B4d4|c4e4|\ M:3/4 G3F EF|G4c2|\ M:2/4 B4d4|c8:| |:\ M:3/4 A2 fe f2|G2 ed e2|\ M:2/4 B4d4|c4 e4|\ M:3/4 A2fef2|G2ede2|\ M:2/4 B4d4|c8:| X:30 T:10th Battalion H.L.I. Crossing the Rhine S:unknown, photocopy M:6/8 I:speed 250 K:D d | dfA d2f | fga fed | c2e Ace | efg fed | dfA d2f | fga fed | c2e Ace | d3 d || ||fg | a2f d2f | faf fed | c2e Ace | efg fed | a2f d2f | faf fed | c2e Ace | d3 d || ||z A | d3 Adf | faf fed | c3 Ace | efgfed | d3 Adf faf fed | c2e Ace | d3 d || ||fg | aAa Adf | faf fed | c2e Ace | efg fed | aAa Adf | faf fed | c2e Ace | d3d2|| X:31 T:14th of October, The M:C K:G G>A|\ B3g (dB)(AG)| B2d>e d2AB| c3e (dB)(AG)| B2A>B A2GA|\ (Bd)(eg) (dB)(AG)| B2ga g2Bc| d>edB (cB)("tr"AG)| E2G>A G2::\ de|\ g>aba gedB| d2g>a g2AB| c>deg (dB)(AG)| B2AB A2GA|\ BABG EGAB| cBcd edef| \ gfga babd| e2g>a g2:| X:32 T:15th Regt. March,The. BF11.01 M:4/4 L:1/8 Q:110 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes N:NB triplets in B strain are written as two semiquavers and a quaver, N:surmounted by "3" and a tie..CGP Z:vmp.Chris Partington K:G GB|d2ddd2 ((3edc)|B2BBB2GB|A2ce dcBA|G2GGG2gd|! e2eee2ge|d2ddd2Bd|cA cc BG BB|A2AAA2::! dB|A2AAA2dA|B2BBB2 "NB"((3Bcd)|e2ggg2e2|d2ggg2 ((3edc)|! ((3Bcd) ((3efg) d>cB>A|G>ABc B>cdd |d2 ((3edc) B2A2|G2GGG2:|] X:33 T:16th of October,The. BF11.22 M:2/4 L:1/16 Q:100 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes Z:vmp.Cherri Graebe. K:D Major z2|d4 fede|f2d2d2c2|B4efed|c2A2A2c2|! d4fede|f2d2d2c2|B2e2 {d}c2Bc|d4D2:|! |:AG|F2A2A2G2|F2A2A2G2|F2A2d2f2|d2cB A2G2|! F2A2A2G2|F2A2A2c2|d2f2 gfed|a4"D.C."A2:|] X:34 T:1st Turks March M:C K:G Bc|\ dcde d2c2| BABc B2A2| GFGA GAB[cG]| "tr"A4 D2Bc|\ dcde d2c2| BABc B2g2| f2ed e2d^c| (d4 d2):: d2|\ g2d2 B2AG| e2e2 d2cB| c2de dcBc| {B}"tr"A4 D4|\ GFGA BABc| d2ef g2c2| BAGA D2F2| G4 G2:| X:35 T:2 francs worth S:Andy Hornby R:Reel O:England N:July 94 M:4/4 C:Andy Hornby A:Lancaster K:D Ac|\ e2ef ecAB|cAaf e2AB|c2ef ecAc|dcBA B2AB|\ ceef ecAB|cAaf e2AB| c2ef ecAB|c2A2A2 :|\ |:e2 |\ fdAf dAaf|ecAc eAce| fdAf dAaf|ecAc B2AB|\ ceef ecAB|cAaf e2AB|ceef ecAB|c2A2A2:| W:Copyright Andy Hornby X:36 T:2) B\"ohmischer Wird S:Cathy Goss O:Germany N:VVMMMM M:3/4 I:speed 400 A:Bavaria K:GMix M:3/4 G3A Bc|d4d2|\ M:2/2 e2g2 d4| e2g2 d4|\ M:3/4 d3c Ac|B4 G2|\ M:2/2 A2A2 G4|A2A2 G4:| M:3/4 d3c Bc|B4d2|\ M:2/2 e2g2 d4|e2g2 d4|\ M:3/4 d3c Ac|B4 G2|\ M:2/2 A2A2 G4|A2A2 G4:| X:37 T:26th Regmt.Quickstep. HSJJ.058 T:Quickstep of the 26th.Regmt. HSJJ.058 M:6/8 L:1/8 Q:115 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quickstep O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G e|d2G BAG|ABAc2e|d2cB2A|Ggd Bcd|ede gdB|!ABAc2e|dBG cAF|GgdB2| |G|Ggd (B/c/dB)|AaA c2A|!Ggd (B/c/dB)|Ggd Bcd|ede gdc|ABA c2e|d2cB2A|Ggd B2|] X:38 T:26th Regmt.Quickstep. HSJJ.058 T:Quickstep of the 26th.Regmt. HSJJ.058 M:6/8 L:1/8 Q:115 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quickstep O:England A:Lancashire H:1823 Z:Chris Partington. K:G e|d2G BAG|ABAc2e|d2cB2A|Ggd Bcd|ede gdB|!ABAc2e|dBG cAF|GgdB2| |G|Ggd (B/c/dB)|AaA c2A|!Ggd (B/c/dB)|Ggd Bcd|ede gdc|ABA c2e|d2cB2A|Ggd B2|] X:39 T:29th of May ,The. JWDM.04 T:King Enjoys His Own Again. JWDM.04 M:4/4 L:1/4 Q:100 S:J,Winder MS,Wyresdale,Lancs.,1789 R:March O:England A:Lancashire Z:vmp.Taz Tarry K:D AAdd|e/f/g/a/f e/-f/|gBc d/-e/|fe{d}d2:|| :e/d/c/d/e>f|e/d/c/d/e>f|!gBcd|e/d/c/B/ A f/g/| a/b/a/g/ f e/d/|e/f/g/a/f e/f/|gBc d/-e/|f e{d} d2:|| X:40 T:2d. Quick Step 30th. Regt. M:2/4 L:1/8 K:D Ad d2|Aee2| f/e/f/g/ ad|cBcA |\ Ad d2|Aee2|(f/e/f/g/) ad|ecd2:: (f/e/f/g/) ad|cBcA| f/e/f/g/ ad|cBcA |\ Ad d2|Aee2|(f/e/f/g/) ad|ecd2:| X:41 T:2d. Quick Step of 15th. Regt. M:6/8 L:1/8 K:D d2A Bcd|gfe fdA|d2A Bcd|gfe d3::\ ege faf|ged cBA|ege faf|edc d3:: FGA Bcd|fge ddd|FGA Bcd|fge d3::\ a2f g2e|fed cde|a2f g2e|fge d3:| X:42 T:2d. Quick Step. 42d. Regt. M:6/8 L:1/8 K:G G2B d2g|d3 c3|B2c dcB|AFD D2B|G2B d2g|d3 c3 |BGd cBA|GGG G2:: A3 B3 |caa a3|B3 c3 |dbb b3 |d3 c3 |BcB AFD|d3 c3 |BcB A2B| G2B d2g|d3 c3|B2c dcB|AFD D2B|G2B d2g|d3 c3 |BGd cBA|GGG G2:| X:43 T:2nd part for B music % Nottingham Music Database S: M:4/4 L:1/4 K:D "D"fd/2A/2 F/2A/2d/2f/2|"A"e/2c/2A/2G/2 G/2A/2c/2d/2|\ "A"ec/2A/2 "A7"G/2A/2c/2e/2|"D"dA/2d/2 "A7"c/2G/2A/2d/2| "D"fd/2A/2 F/2A/2d/2f/2|"A"e/2c/2A/2G/2 G/2A/2c/2d/2|\ "A"ec/2A/2 "A7"G/2A/2c/2e/2|"A7"d/2A/2c/2A/2 "D"A2:| X:44 T:2nd Quick Step 2nd Battn. Royals M:6/8 K:D a|\ agf f2a| gfe e2g| fed edc| ddd d2::\ A|\ A2A AB=c| BAB G2B| B2B Bcd| cBc A2a|\ agf f2a| gfe e2g| fed edc| ddd d2:| X:45 T:2nd Turks March N:I think the last note should be G6 M:C K:G GA|\ B2G2 G2(AB)| c2A2 A2(dc)| \ B2(AG) F2G2| (AG)(FE) D2GA|\ B2G2 G2AB| c2A2 A2dc| BAGA D2"tr"F2| G6:: Bc|\ dcde d2e=f| e2c2 "tr"c4| edef efga| f2d2 "tr"d3 c| B2G2 G2AB| c2A2 A2dc| B2(A"tr"G) F2G2| (AG)(FE) D2GA| \ B2G2 G2"tr"AB| c2A2A2 dc| BAGA D2"tr"F2| G3 :| X:46 T:3 Str\"omningar S:Andrea Hoag/Felicity Patterson R:Polska O:Sweden N:3 Herrings (??and a piece of bread??) M:3/4 K:D A| \ (3d2^F2G2 E>G | (3^F2D2^F2 A2- |\ A2 d^c/d/ e>d | B^c dB ^c>A | \ (3d2^F2G2 E>G | (3^F2D2^F2 A2- | \ A2 d^c/d/ e>d | B<^G A4 ::\ A2 d^c de | (3d2B2A2 B2- | \ B2 GF/G/ A>G | ED | \ A2 d^c de | (3d2B2A2 B2- |\ B2 GF/G/ A>G | E^c|d2 d^c e>e|\ (3^f2d2e2 ^c>A|(3:2:4B2G2BA E>E|\ (3:2:5F2ABA^G A>^c|^cd|(3:2:4e2d2ed ^c>A|\ (3A2g2a2 f>d|(3:2:4e2d2ed ^c>A| (3:2:5A2ABA^G A>^c|d>e d^c e>e|\ (3^f2d2e2 ^c>A|(3:2:4B2G2BA E>E|\ (3:2:5F2ABA^G A>^c|^cG FD| Ad Bd/B/|AD FA|GE A>G|FD D2:| |:Ad fe/f/|gf ed|cA eA|e>d cA| Ad fe/f/|gf e>d|cA Bc|d2 d2:| X:57 T:42 Pound Cheque, The T:42 Pound Check, The R:polka Z:id:hn-polka-15 M:2/4 L:1/8 K:D Ad Bd/B/|AD FA|GE BE|A>G FD|Ad Bd/B/|AD FA|GE A>G|FD D2:| |:Ad fe/f/|gf ed|cA eA|e>d cA|Ad fe/f/|gf e>d|cA Bc|d2 d2:| X:58 T:42-pound cheque, The S:Andy Hornby R:Polka O:Ireland M:4/4 K:D A2d2 B2dB|A2D2 F2A2|G2E2 B2E2|ABAG E2D2|\ D2d2 B2dB|A2D2 F2A2|G2E2 e3f|e2d2 d3:: B|\ A2d2 f2d2|g3f e2d2|c2A2 e2A2|efed B2A2|\ A2d2 f2d2|g3f e2d2|cBA2 B2c2|d4 d3:| X:59 T:4th Dragoons March. JMT.077 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(53) R:March O:England A:Northumbria Z:vmp.Chris Partington K:G DF|G2G>GG2Bc|d>BGGG2cd|ecg2dBg2|g-fag fedc|! B/-c/.d AG A/-B/.c AF|GBcd efga|bgfa fed^c|d2d>dd2:| ! |:fg|a2a>a ac'ba|g2g>g gbag|fedg fedc|B2A2 d-cBA|! G2G>G G>Bd2|eca2fdg2|Bdce AcFA|G2G>GG2:|! |:DG|B4A4|G4FGAB|d-ccc c-BBB|B-AAA ABce|! d4c4|B4ABcd|e-cc-A A-GG-F|A4G2:|! |:g2|f>fa>af2d2|g>gb>bg2G2|GABc defa|g4fedc|! B4A4|d4c4|B2c>AG2F2|A4G2:|] X:60 T:4th Dragoons March. JMT077 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(53) R:March O:England A:Northumbria Z:C.G.P K:G DF|G2G>GG2Bc|d>BGGG2cd|ecg2dBg2|g-fag fedc|! B/-c/.d AG A/-B/.c AF|GBcd efga|bgfa fed^c|d2d>dd2:| ! |:fg|a2a>a ac'ba|g2g>g gbag|fedg fedc|B2A2 d-cBA|! G2G>G G>Bd2|eca2fdg2|Bdce AcFA|G2G>GG2:|! |:DG|B4A4|G4FGAB|d-ccc c-BBB|B-AAA ABce|! d4c4|B4ABcd|e-cc-A A-GG-F|A4G2:|! |:g2|f>fa>af2d2|g>gb>bg2G2|GABc defa|g4fedc|! B4A4|d4c4|B2c>AG2F2|A4G2:|] X:61 T:5 time waltz M:5/4 L:1/4 R:Waltz Z:Steve Mansfield K:G D/2G/2|FAGBB|AcBGD/2G/2|FAGBd|cAG2:|d|cABGd|cABGD/2G/2|FABGd|cAd2d|cABGd |cABGD/2G/2|FAGBd|cAG2 X:62 T:5) Dreischmittdreher S:Cathy Goss O:Germany N:fast M:2/2 I:speed 400 A:Bavaria K:GMix B2B2d4|dccc edd2|B2B2d4|dccc B4:| |: eeee edd2|dccc edd2|B2B2d4 | dccc B4:| X:63 T:5-time waltz (1) S:Cathy Goss O:Germany N:2+3 M:5/4 L:1/4 A:Bavaria K:G d|\ cA BGd | cA BGD/E/ | FA GBd|cA G2 :: D/E/|\ FA GBB | A/B/c/A/ BGD/E/ | FA GBd| cA G2:| X:64 T:5-time waltz (1) S:Cathy Goss O:Germany N:2+3 M:5/4 L:1/4 A:Bavaria K:G d|\ cA BGd | cA BGD/E/ | FA GBd|cA G2 :| |:D/E/|\ FA GBB | A/B/c/A/ BGD/E/ | FA GBd| cA G2:| X:65 T:5-time waltz (2) S:Cathy Goss O:Germany M:5/4 I:speed 400 A:Bavaria K:Am E2A2B2 | \ c2B2 A2G2B2 | A4 c2B2A2 | \ G2E2E2 F2A2 | ^G4 E2A2B2 | c2B2 A2G2B2 | \ A4 c2B2A2 | G2E2 E2F2A2 | ^G4 :| |:\ e2d2e2|\ g2e2 d2c2A2 | e2c2 A2c2A2 | d4 B2c2d2 |\ e4 e2d2e2 | f2e2 d2c2A2 | e2c2 A2c2A2 | \ d4 c2B2^G2 | A4 :| X:66 T:6) Schau felstil S:Cathy Goss O:Germany N:(slow) VVMM (faster) MMMMMMMM (accel throughout) M:3/4 I:speed 320 A:Bavaria K:GMix "slow"G3B d2 | G3B d2|\ M:2/4 [e4c4][c4A4]|[d4B4][B4G4]|\ M:3/4 G3B d2 | G3B d2|\ M:2/4 c4A4|G8 :|\ |:\ "faster"e4e4| d4d4| c4c4| B4d4|\ e4e4| d4d4| c4c4| B8 :| X:67 T:6/8 du Petit Sarny M:6/8 L:1/8 C:Eric Favreau R:jig Z:Chris Corrigan, 15/4/2000 K:G ||: ~B3 Bcd | ~B3 BAG | EFG AGA | BGE D3 | ~B3 Bcd | ~B3 BAG | EFG AGA |1 BGF G3 :|2 BGF GAB ||: dBd gdB | A3 BGE | DBB Dcc | DBB ABc | dBd gdB | A3 BGE |1 Ggf edB AGF | ~G3 GBc :|2 DB,D ~E3 FEF | ~G3- GBc ||: dBd g2f | e3 gdc | Bdg gfg | ~a3- aBc | dBd g2f | e3 gdc | Bdg fef |1 ~g3- gBc :|2 ~g3- gGA || X:68 T:7) Kruzifunger S:Cathy Goss O:Germany N:MMVM x 4 || MMMVV MMMMMVM x 2 M:2/4 I:speed 420 A:Bavaria K:Am M:2/4 c4B4 |\ M:3/8 A4E2 |\ M:5/8 G3EG2 A4 |\ M:2/4 c4B4 |\ M:3/8 A4E2 |\ M:5/8 G3EG2 A4 :: M:3/4 c2d2 e2 |\ M:3/8 f3ed2 | e3dc2 |\ M:2/4 d2B2 G2B2|\ M:3/4 c2d2 e2|\ M:5/8 f3ed2 c4 :| X:69 T:8-time waltz S:Cathy Goss O:Germany M:8/8 L:1/8 I:speed 280 A:Bavaria K:G dBB Bc/B/A BG| dBB Bc/B/A G2|\ dBB Bc/B/A BG| dBB Bc/B/A G2|| FF/G/A G/A/BB A/B/c| FF/G/A G/A/BB AG|\ FF/G/A G/A/BB A/B/c| FF/G/A G/A/BB AG|] X:70 T:? M:6/8 L:1/8 R:jig K:G |DDD DEG|B2d BAG|G2g edB|deg b2a| |age ggg|edB deg|age edB|dBA A3:|| |DDD A2B|cBA BGE|DDD A2F|GAF GED| |DDD A2B|cBA BGE|GGG GDA|DDD DAF:|| X:71 T:? M:4/4 L:1/8 S:Jerry O'Sullivan R:reel K:D D2~D2 AD~D2|Addc defd|D2~D2 ADFA|(3Bcd AF GFEF| D2~D2 AD~D2|Addc defg|~f2ec dcBA|1 (3Bcd AG FAEA:||2 BdAG FAD2| ||:~d3B AF~F2|AFBF AF~F2|~d3B AF~F2|(3Bcd AF EGFE| Dddc BcdB|AF~F2 ABde|~f2ec dcBA|1 (3Bcd AG FAD2:||2 (3Bcd AG FAEA|| X:72 T:? M:4/4 L:1/8 R:reel K:D z4 z2 dB|:AF 3F G2 FG|AF 3F EGFE|DEFA dfec|dBAF E2 dB| AF 3F G2 FG|AF 3F EGFE|3D FA dfec|1 dBAF D2 dB:|2 dBAF D2 de|| f2 f2 g2 fg|afdf edBA|f2 fe dfec|dBAF E2 fg| af 3f bf 3f|afdf edBA|f2 fe dfec|1 dBAF D2 de:|2 dBAF D4 X:73 T:? M:3/4 L:1/8 S:Kevin Keegan R:waltz K:G |:B6|B2 c2 ^c2|d6|d2 ^cd ef|\ g6|g2 f2 g2|Ac eA ce|A2 B3 c|\ ec Ge cG|e2 d3 B|G6|G2 F2 E2|\ D4 e2|d2 A3 ^A|B6|d^c ed cd| B6|B2 c2 ^c2|d6|d2 ^cd ef|\ g6|g2 f2 g2|b6|a6|\ g6|g2 d2 BA|G6|G2 F2 E2|\ D4 c2|B4 A2|G6|G6:| X:74 T:? M:4/4 L:1/8 N:Duet by Tommy and Siobhan Peoples; follows Farrell Gara D:Tommy Peoples: Traditional Irish Music Played on the Fiddle K:D F2AF DFAF | G2BG DGBd | c2Ac eAcA | dcde fdAG | F2AF DFAF | G~B3 d~B3 | Acef geAc |1 eddc dBAG :|2 eddc defg |: a2fd a2fd | a2fd edBd | (3eee ef gfga | be (3eee begb | a2fd a2fd | a2fd edBA | ~F3A GBdB | AFGE D4 :| X:75 T:? M:2/2 L:1/8 S:Win Horan R:Reel K:ADor ~A3B AE~E2|GABG ~A3B|dBAB G3B|dBeB eBAd| BAGB AE~E2|GABG ~A2Bd|ea~a2 gedB|GBdB BAA2:|| ||:ea~a2 ea~a2|edef gedB|dg~g2 ag~g2|bgab ged2| ea~a2 ea~a2|edef gedB|ea~a2 gedB|GBdB BAA2:|| X:76 T:? R:slide D:Jackie Daly & Seamus Creagh Z:id:hn-slide-58 M:6/8 K:D FGF F2E|D3 D2E|FGF F2D|E3 E2F| GFG B2G|FGF A2F|EDE F2E|1 D3 D2E:|2 D3 D3|| |:ABd A2F|A3 A2F|ABd A2F|G3 G2D| GFG B2G|FGF A2F|EDE F2E|1 D3 D3:|2 D3 D2E|| X:77 T:? S:irtrad-l, J.Myers, 8/98 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:78 T:? T:"An Dro" R:An Dro Z:Lesl Harker M:C| K:Em |:E2B2 B2 Bc|A2AB G4|FGAF G2E2|1 EDEF G2F2:|2 GEFD E4|| |:FGAF G2E2|EDEF G2F2|FGAF G2E2|GEFD E4:|| X:79 T:? M:3/4 L:1/8 S:Kevin Keegan R:waltz K:G D EF GA|:B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G6:| Bd|g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G4 Bd| g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G6|| X:80 T:? M:6/8 L:1/8 R:Double Jig K:D BAF AFD|~F3 DFA|BAF AFD|FED ~E3| BAF AFD|~F3 DFA|dcB AFE|EDC D3:|| ||:def d2B|~A3 AFA|def dAd|~e3 edB| def d2B|~A3 AFA|dcB AFE|EDC D3:|| X:81 T:? S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:82 T:? M:2/2 L:1/8 S:Mike Simpson, Atlanta, GA R:Reel K:G DG~G2 DCB,G,|A,B,CD EFGE|DG~G2 BGAc|Bdgd edgd| DG~G2 DCB,G,|A,B,CD EFGE|DG~G2 BGAc|BdAc BGG2:|| ||:dggf gdBd|eaag a2ge|dg~g2 dcBc|A=FcF dFc F| dggf gdBd|eaag a2ga|bgaf gedB|cBAc BGG2:|| X:83 T:? M:4/4 L:1/8 K:ADor A3 B cBcd|eaag ~e2dB|cA~A2 BAGF|GBde dBGE|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A3 E:|2BA ~A2A2cd||\ eaaa aged|eaaa aged|eggg gedg|eggg gedc|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A2cd:|2BA ~A2A3 E|| X:84 T:?2 S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:85 T:?2 S:irtrad-l, J.Myers, 8/98 M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:86 T:?? S:irtrad-l,Frederic SAUR, 11/97 R:reel Z:Fred SAUR le 11/11/97 M:C L:1/8 Q:120 K:F |:B2GA Bcdc|BAGB ADGA|~B2GA Bcde|fdcB ADGA:| ~B2fB gBfB|~B2dB cAFA|~B2fB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| ~B2fB gBfB|~B2dB cAFA|~B2aB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| X:87 T:?? S:irtrad-l, Ethan Hack, 10/94 D:Bothy Band: "Old Hag You Have Killed Me" N:2nd tune in the "Music in the Glen" Set M:C| K:Am d3e f2ed|cAGA cAGA|d3e f2ed|cAGE EDD2|dcde f2ed|cAGA cAGA|d3e f2ed| cAGE EDD2||c2gc acgc|c2gc eaag|c2gc acgc|edcd edd2|c2gc acgc|c2gc eaag|abag efed|cAGE EDD2|| X:88 T:?? L:1/8 M:9/8 K:C V:1 A2 B cAB GDE |\ A2 B c[ce]d B2 E |\ A2 B cAB GDE |\ AGE DB,E A,2 A :: V:2 L:1/8 M:9/8 K:C cED ECE D2 B |\ cEG FEG -G2 B |\ A3 G3 B3 |\ c3 B3 A3 :: V:3 L:1/8 M:9/8 K:C C,,3 ^X3 =X3 |\ ^X3 =X3 X3 |\ X3 X3 X3 |\ X3 X3 [X3 C,,3] :: X:89 T:?? M:4/4 L:1/8 Q:70 K:G |:GA|B2D2 G3 A/2B/2|G6 AB|c2A2 B3G|F2GA D4|cBAG GFED|G3B E2 c/2B/2A|B2 G A/2B/2 AG FE/2F/2|G6:| Bc|d3 B d3 B|c/2d/2e3 A2Bc|d3G F (3D/2E/2F/2 G (3E/2F/2G/2|AGFE D2Bc|d3 B d3 B|c/2d/2e3 e/2f/2g3|fg ag fdef|g6ga|b2 g2 d3B|c2 de A6dc|B2G2F2G2|AGFE D2c2|B3 G d3B|c2de A6dc| B2 ga/2b/2 ag fe/2f/2|g2 G2 G2|| X:90 T:?? S:irtrad-l,Frederic SAUR, 11/98 R:reel Z:Fred SAUR le 11/11/98 M:C L:1/8 Q:120 K:F |:B2GA Bcdc|BAGB ADGA|~B2GA Bcde|fdcB ADGA:| ~B2fB gBfB|~B2dB cAFA|~B2fB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| ~B2fB gBfB|~B2dB cAFA|~B2aB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| X:91 T:??? M:4/4 L:1/8 K:G B2 GB EBGB|A2 FA DAFA|B2 GB EBGB|(3Bcd ef {a}gfed|B2 GB EBGB| A2 FA DAFA| BAGF EFGA|(3Bcd ed (3Bcd ef|| g2 {a}gf {a}gfed|B2 BA (3Bcd ef| g2{a}gf {a}gfed|B2 Ac B ~E3|~g3 f {a}ge fd|~B3A ~G3F|~E3F ~G3A| (3Bcd ef {a}gfed|| X:92 T:??? M:2/4 L:1/8 S:Jackie Daly Z:Recorded live in Miltown Malbay, summer 1997 Z:ABCed by Han Speek (all mistakes are mine, of course) K:Em B,|:E>D EF|G>F GA|B2 e2|dF GB|AF DE |1 F2 E2|DF GB|AF DE|F2 E2|E3z|| X:93 T:??? M:4/4 L:1/8 R:Reel K:G aged BG{A}GA|BGdG eGdG|aged BG{F}GA|BGdB A2ab|aged BG{A}GA| BGdG eGdG|age d BG{F}GA|BGdB A2eg|| a2{b}af ~g3e|a2{b}af ged2|~a3f ~g3a| gedB BAA2|~a3f ~g3e|a2{b}af ged2|bga f ~g3a|gedB BAA2| X:94 T:??? M:4/4 L:1/8 K:G ~G3A BA{B}A2|bgag egdB|~G3A BAGE|~A3G EGdB|~G3A BA{B}A2|bgag egdB| ~G3A B AGE|~A3G EGd2|| ~g3d ed (3Bcd|g2ef gaba|ge{a}ed ed (3Bcd|ea{b}ag agef| ~g3d ed (3Bcd|g2ef gaba|~g3g (3aba ge|d2bg egdB|| X:95 T:??? M:4/4 L:1/8 S:Tara Diamond R:Reel K:D B2BA B2ed|BdAd BE~E2|BAGA Bdef|gfed Bded| B2BA B2ed|BdAd BE~E2|BAGA Bdef|gfed Bdef| ~g3f dB~B2|dg~g2 Bdef|~g3a bgaf|gfed Bdef| ~g3f dB~B2|dg~g2 Bdef|~g3a bgaf|gfed Bded| X:96 T:??? M:4/4 L:1/8 S:Session at Cleary's, Miltown Malbay R:Reel K:D ~G3B AGED|GFGB d2(3Bcd|e2ge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| ~g3e ~a3f|gage d2(3Bcd|efge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| X:97 T:??? M:4/4 L:1/8 S:Tara Diamond R:Reel K:D D2FA GEAF|D2FA d2ef|geag efdc|ABAG EFGE| D2FA GEAF|D2FA d2ef|geag efdc|ABGE FDD2:| ~f3a g2ag|fdfa g2ag|fdcA G2FG|ABcA dcA2| fdfa g2ag|edfa g2ag|fddc ABAG|EFGE FDD2:| X:98 T:??? M:3/4 L:1/8 R:Waltz K:CDor C2CDEG|e2edcB|G2GFGB|D2DCDE|C2CEGc|=B2BGFD|\ G2cGFD:|C2CGA=B|c2cdec|d=B G2GF|E2EDEG|\ DGEGDG|c2cdec|d=B G3 A|B2BGBc|dc=BGFG|c2cdec|\ d=B G2GF|E2EDEG|DGEGDG|c2cdeg|fedc=BG|B2\ BGBc|dc=BGFD||C6|| X:99 T:??? Name (3) M:2/4 L:1/8 K:D B/c/|dA FA|dd d>f|ed cd|ef gf/g/|! af ge|dc A>F|GB A/B/A/G/|FD D:|! |:d|ff/f/ ff|gg g2|ff/f/ fa|gf ef/g/|! af ge|dc A>F|GB A/B/A/G/|FD D:|! X:100 T:??? Name (2) M:2/4 L:1/16 K:G Bc|d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2Bc|! d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2:|! |:(3DEF|G2Bd g3f|f2e2 ede2|D2FA f3e|e2d2 dcd2|! G2Bd g3f|f2e2 e3g|f2a2 e2f2|g2G2 G2:|! X:101 T:??? From De Dannan M:4/4 L:1/8 R:Reel Z:Gerry Strong K:G Bcdc BG ~G2|=FEDE =FGAc|dg ~g2 fgag|fdcB A=F =F2|Bcdc BG ~G2|=FEDE =FGAc |dg ~g2 fgag|1fdcA G3 z:|2fdcA GABd| g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|BGAF G3 z|g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2 (3g{a}fg)gdBd|c2 cd cAGE|DG ~G2 FGAc|Bz Az G4| | X:102 T:???? M:4/4 L:1/8 K:D AF|DFAd ~f3e|dcde fdAF|GAFG ~E3F|GAFG EFGE|FDAD FGAd|BGGF GABc|dffa gecd |eddc d2:| de|fddc dfaf|edcd efge|~f3a gfed|cAAG A2AG|FDAD FGAd|BGGF GABc|dffa gecd |eddc d2:| X:103 T:?????? M:4/4 R:Polka S:?????? C:?????? K:D A2d2 d2cB| A2F2 D2EF| G2B2 B2A2| F2A2 D2FG| A2d2 d2cB| A2F2 D2EF| G2B2 B2A2| D4 D2FG :| A2d2 f2a2| g2e2 e4| A2c2 e2g2| f2d2 d4| A2d2 f2a2| g2e2 e2d2| c2A2 a2f2| d4 d2CB :| X:104 T:\"Appelbomarsch (g\aa{}ngl\aa{}t fr \"Appelbo) R:G\aa{}ngl\aa{}t O:Sweden M:4/4 A:Dalarna K:G D2 | \ G3D G2B2 | d6 dB | d2dB d2de | cdcB A2 AB |\ c2cd e2dc | BcBA G2FG | ABAF D2EF | G6 :|* |:Bd |\ g2g2 g2fe | f6 gf | e2ef g2fe | edd^c d2dB |\ c2 cB A2GA | BcBA | G2FG ABAF D2EF | G6 :|** X:105 T:\"Oslinder S:Andy Hornby / Cathy Goss R:Other O:Turkey M:4/4 K:Gm de dc BA Bc|de dc BA G2|de dc BA Bc|d2 gg g2g2|\ de dc BA Bc|de dc BA G2| c2B2 A2GF|G8:|\ G2dd d2d2|e2e[ef] d2d2|\ c2cc B2c2|[d2d2]de dc BA| G2dd d2d2|e2e[fg] d2d2|\ c2cc B2c2|[d2d2]de dc BA|\ G3A B2c2|de dc BA G2| c2B2 A2G2|^F8|\ G3A B2c2|de dc BA G2|c2B2 A2G^F|G8|| G3B A2G2|^F2E2 D4|C2CC B,2C2|DC D/C/D/E/ ^F4|\ G3B A2G2|^F2E2 D4|C3C DE ^FD|G8| g3b a2g2|^f2e2 d4|c2cc B2c2| dc d/c/d/e/ ^f4|\ g3b a2g2|^f2e2 d4|c3c de ^fd|g8|| X:106 T: \'Ciro Kolo O: Croatia M: C| L: 1/8 P: A K: A |: "A"[AE][cA] [ec][ec] [ec][fd] [ec][cA] | "E7"[ec][ec] [dB][dB] "A"[cA][cA] [BG][AE] :| \ |: "A"[c2A] "E7"[ec][BG] "A"[c2A] "E7"[ec][BG] | "A"[cA][cA] "E7"[BG][BG] "A"[A4E] :| P: D K: D |: "D"[dA][fd] [af][af] [af][bg] [af][fd] | "A7"[af][af] [ge][ge] "D"[fd][fd] [ec][dA] :| \ |: "D"[f2d] "A7"[af][ec] "D"[f2d] "A7"[af][ec] | "D"[fd][fd] "A7"[ec][ec] "D"[d4A] :| P: G K: G |: "G"[GD][BG] [dB][dB] [dB][ec] [dB][BG] | "D7"[dB][dB] [cA][cA] "G"[BG][BG] [AF][GD] :| \ |: "G"[B2G] "D7"[dB][AF] "G"[B2G] "D7"[dB][AF] | "G"[BG][BG] "D7"[AF][AF] "G"[G4D] :| X:107 T: \'Ciro Kolo O: Croatia Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/16 P: A K: A |: "A"[AE][cA][ec][ec] [ec][fd][ec][cA] | "E7"[ec][ec][dB][dB] "A"[cA][cA][BG][AE] :| \ |: "A"[c2A]"E7"[ec][BG] "A"[c2A]"E7"[ec][BG] | "A"[cA][cA]"E7"[BG][BG] "A"[A4E] :| P: D K: D |: "D"[dA][fd][af][af] [af][bg][af][fd] | "A7"[af][af][ge][ge] "D"[fd][fd][ec][dA] :| \ |: "D"[f2d]"A7"[af][ec] "D"[f2d]"A7"[af][ec] | "D"[fd][fd]"A7"[ec][ec] "D"[d4A] :| P: G K: G |: "G"[GD][BG][dB][dB] [dB][ec][dB][BG] | "D7"[dB][dB][cA][cA] "G"[BG][BG][AF][GD] :| \ |: "G"[B2G]"D7"[dB][AF] "G"[B2G]"D7"[dB][AF] | "G"[BG][BG]"D7"[AF][AF] "G"[G4D] :| X:108 T: \^Ca\^cak O: Makedonija Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/16 P: Dm K: Dm |: d2d2 a2g2 | abc'b a2g2 :: d3e fede | f2f2 edec :: d2g2 fede | f2f2 edec :| P: Am K: Am |: A2A2 e2d2 | efgf e2d2 :: A3B cBAB | c2c2 BABG :: A2d2 cBAB | c2c2 BABG :| P: Em K: Em |: E2E2 B2A2 | Bcdc B2A2 :: E3F GFEF | G2G2 FEFD :: E2A2 GFEF | G2G2 FEFD :| P: Bm K: Bm |: B2B2 f2e2 | fgag f2e2 :: B3c dcBc | d2d2 cBcA :: B2e2 dcBc | d2d2 cBcA :| X:109 T:A Rigadoun M:6/8 L:1/8 N:Bar 2 and bars11 and 12 half obscured - I've guessed but needs checking N:with origina K:D B|AFD G2 B|AGF GFD|E3E2B|AFD G2B|A2f ece|d3 D2:|! e|fga efg|fga fed|e3A3|fga efg|fga fec|d3D2:| X:110 T:A 10 heures dans ces verts prés - Rond de St.Vincent C:Sonneurs I/20 C:Perroches: Midi Breton M:4/4 L:1/8 K:G GABc BAG2|Bcd2 e2d2:|\ |:Bcd2 e2d2|cBAB A2G2|Bcd2 e2d2|cBAB A2G2:| X:111 T:A and A's Waltz % Nottingham Music Database S:Mick Peat M:3/4 L:1/4 K:G e|"G"d2B|"D"A3/2B/2c|"G/nA"B2G|"D"A2e|"G"d2B|"D"A3/2B/2c|"F"B=F|"G"G2e:| "C"g2e|"Bb"=f2d|"F"c2A|=F2e|"C"g2e|"Bb"=f2d|"F"cA| [1"G"G2e:| [2"G"G2z|| X:112 T:A and D % Nottingham Music Database S:EF M:4/4 K:A M:6/8 P:A f|"A"ecc c2f|"A"ecc F2f|"A"ecc cBA|"Bm"BcB "E7"B2f| "A"ecc c2f|"A"ecc c2c/2d/2F|"D"efe "E7"dcB| [1"A"Ace a2:| [2"A"Ace ag=g||\ K:D P:B "D"f2f Fd2d|"D"AFF Af2e/2f/2|"G"g2g ecd|"Em"efd "A7"cBAF| "D"f^ef dcd|"D"AFF AFfef|"G"gfg F"A7"AFBFc |1"D"d3 d2e:|2"D"d3 d2|| X:113 T:A BAGPIPE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:A P:1 a2||A3 c A2 c3 B A2 B3 c B2|A3 B A2 a3 g f2 e3 d c2|\ A3 B A2 c3 B A2 B3 c B2|a3 b f2 g3 f e2 a4 A2|| P:2 b2 B2 b2 g3 f e2 c3 B A2|G2 b2 G2 b2 c'2 a2 b4 B2|\ c2 d2 e2 f2 g2 a2 g3 f e2|c2 d2 B2 c3 B A2 a4 A2|| P:3 A,2 C2 A,2 C2 B,2 C2 E2 C2 A,2|A,2 C2 A,2 C2 E2 A2 G3 F E2|\ A,2 C2 A,2 C2 A,2 C2 D2 C2 E2 |G2 B2 A2 G3 F E2 A4 A,2|| P:4 a2 ABcA c2 ABcA c2 ABcA | a2 cAcA a2 fgaf b4 B2|\ a2 ABcA c2 ABcA c2 ABcA | a2 b2 f2 g3 f e2 a4 A2|| P:5 A,4 E2 A,4 E2 C3 B, A,2 | A,4 E2 A,4 A2 B4 B,2 |\ C4 E2 C4 A2 G3 F E2 | F2 G2 A2 B3 A G2 A4 A,2|| P:6 A2 e2 A2 e2 A2 e2 c2 A2 e2 | A2 e2 A2 e2 A2 e2 b2 B2 b2 |\ A2 e2 A2 e2 A2 e2 c2 A2 e2 | a2 b2 f2 g3 f e2 A4 a2|] X:114 T:A BAGPIPE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:C P:1 e2 A2 BcdB c4 | ^G2 B4 d2 BcdB | e2 A2 BcdB c4 | E2 A4 c2 BcdB || P:2 =g2 f2 dfge B4 | e2 c2 efge BcdB | g2 f2 efge B4 | e2 a2 e2 A2 BcBA || P:3 e2 a2 e2 A2 e2 a2 | ^G2 B2 d2 c2 BcdB | e2 a2 e2 A2 e2 a2 | c2 A2 e2 A2 BcBA || P:4 e2 d2 cdec e2 a2 | =g2 e2 gage BcdB | e2 cdec e2 a2 e2 | ^g2 e2 g2 a2 gfge || P:5 a3 e =gega g4 | G2 B4 d2 BcdB | a3 e gega e4 | e2 a4 e2 BcBA || P:6 c3 A E2 GF E4 | c2 A2 e2 fe BcdB | c3 A E2 GF E4 | a2 A2 c2 A2 e2 A2 |] X:115 T:A Basilisa (Arrg. D) C:Trad. D:Muyeres O:Boal - Vals M:6/8 L:1/8 Q:1/4=150 K:Dm |:"Dm"AAA AAB|"A7"AG/F/G/A/ G3|EFG AGF|"Dm"E D5 :| |"Dm"AFD AAB|"A7"A G5|EEF GFG|"Dm"A3-ABA| |:"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Bb"GFG|"Dm"A3- ABA :| |"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Gm"GFE|"Dm"D4 z2| X:116 T:A Basilisa (Arrg.) R:Muñeira C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies D:Muyeres G:Arrg. Z:Curdión M:6/8 L:1/8 Q:3/8=88 K:Dm |:"Dm"AAA AAB|"A7"AG/F/G/A/ G3|EFG AGF|"Dm"E D5 :| |"Dm"AFD AAB|"A7"A G5|EEF GFG|"Dm"A3-ABA| |:"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Bb"GFG|"Dm"A3- ABA :| |"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Gm"GFE|"Dm"D4 z2| X:117 T:A Basket of Oysters, or Pady the Weaver M:6/8 R:Jig K:Em g|\ d2B BcB| d2B B2e| d2B BAB| G2E E2e|\ d2B BAB| d2B B2f| g2e af^d| e3 e2:: f|\ gfg abc'| bag fga| g2e efe| d2B B2f|\ gfg abc'| bag fga| g2e af^d| e3 e2:| X:118 T:A Blast of Wind R:slip jig Z:Devin McCabe M:9/8 L:1/8 K:D ~d3 dAG FED|~d3 dAF GAB|ABc dAG FGA|~=c3 E2F GFE:| !D2g fdf ecA|d2g fdf gfe|d2g fdf eAB|~=c3 E2F GFE| !D2g fdf ecA|d2g fdf efg|afa gec dAB|~=c3 E2F GFE|| X:119 T:A Bonny Lass to Marry Me R:Reel O:England M:4/4 N:The Noone Lasses (2 parts of 4) (Fermanagh) Seen as a version of Lord Macdonalds - but maybe not(BStocks) A:Lancashire B:Winder K:G G2BG AGBG | DGBG AGEA | \ G2BG cBAB | G>AGE EDD2:|* |:dedB AGAB | dgBg AGE2 | \ de/2f/2 gB AGAB | G>AGE EDD2:|** X:120 T:A Bonny Lass to Marry me M:2/2 L:1/8 S:Armitt MS K:G major D2|G2BG AGBG|D2BG A>GEA|G/2G/2G BG cBAB|GBGE D/2D/2DD2:||:dgdB A>GAB|dgB g cBE2|(de/2f/2g)B A>GAB|GBGE ED D2:|| X:121 T:A Bonny Lass to marry me M:C K:G D|\ G2BG AGBG| DGBG AGEA| G2BG cBAB| GAGE D/D/D D|| e|\ dgdB AGAB| dgBg "tr"AG E2| de/f/ gB AGAB| GAGE D/D/D D|] X:122 T:A Bruxa S:Leeds Session R:Waltz O:Spain M:3/4 A:Galicia K:Am ec BA Bc | e2c2 Ad | cB F2c2 | B6 |\ ec BA Bc | e2c2 Ad | cB F2B2 | A6 :|* AB c2d2 | e6 | fe d2g2 | e6 | \ AB c2d2 | e6 | fe d2g2 | e6 \ |:gf ed ef | e2c2A2 |* ed cB cd | c2A2F2 |\ dc BA Bc | B2F2E2 | FE F2^G2 |1A2c2e2:|2A6||** X:123 T:A Bruxa- Valse/Walzer/Waltz Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm d/B/A/G/A/B/|dBG/c/|B/A/EB|A>GA| d/B/A/G/A/B/|dBG/c/|B/A/EA/E/|G3:| |:G/A/Bc|d>cd|e/d/cf|d>cd| G/A/Bc|d>cd|e/d/cf/c/|d3:| |:f/e/d/c/d/e/|dBG|d/c/B/A/B/c/|BGE| c/B/A/G/A/B/|AED|E/D/E^F|1GBd:|2G3|| X:124 T:A Carol Tune - for Christmas Day M:2/2 L:1/4 K:G A/2|dcd>c|BBA>A|ffe>c|def3/2||e|agf>e|dfA>G|FED>f|e>fd3/2|| X:125 T:A Carol Tune - for Christmas Day. JWDM.45 M:2/2 L:1/4 Q:80 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Air O:England A:Lancashire Z:vmp.Taz Tarry K:G "*"A/|dcd>c|BBA>A|ffe>c|def3/2||e/|agf>e|dfA>G|FED>f|e>fd3/2|| %Try in key of D X:126 T:A Celebrated Workingman C:Ed Foley S:Digital Tradition, celebwrk N:Collected from Michael F. Barry, PA 1940 B:From Pennsylvania Songs and Legends, Korson Z:dt:celebwrk M:6/8 L:1/8 Q:3/8=100 W:I'm a celebrated workingman, my duties I don't shirk W:I can cut more coal than any man from Pittsburgh to New York W:It's a holy terrogation, boys, how I get through my work W:While I'm seated at my glory in the barroom. W: W:I can stand a set of timber, post, and bar or single prop. W:I can throw a chain on the bottom or I can throw it up on top. W:Oh, give me a pair of engines and be jeepers I'II not stop, W:Till I land me triple wagons through the barroom. W: W:I'II go down and work upon the platform or go out and run the dump. W:I can put in pulleys on the slope or go down and clean the sump, W:I can run a 20,000 horse-power steam engine pump- W:That's providing that I have it in the barroom. W: W:I'll go down and work the flat vein; I'II go up and work the pitch W:I can work at the Potts or Newside-I don't care the devil which W:I can show the old track layer how to decorate the ditch W:Now haven't I often proved it in the barroom? W: W:Now at driving I'm a daisy; just give me a balky team, W:When I'II beat the spots off an evening run, be it water, wind or steam, W:With your balance plates, and endless chains; they're nowhere to be seen, W:When I pull me trip of wagons through the barroom. W: W:Now at bossing I'm a daisy, and I know I'm no disgrace, W:For I could raise your wages, boys, just twelve ccnts up the l'ast W:Now didn't the Reading Company miss me when they didn't make their haste,0 W:And capture me, before I struck the barroom. W: W:I can show the boss or super how the air should circulate, W:I can show the boss fireman how the steam should generate; W:Now the trouble at the Pottsville shaft, sure I could elucidate W:Now haven't I often proved it in the barroom? W: W:And now my song is o'er and I haven't any other, W:For heaven's sake don't fire no more or else we'll surely smother W:The landlord would rather throw us out than go to the bother W:Of putting up a ventilator in the barroom. W: W:And now my song is ended and I hope you'll all agree, W:That if you want any pointers you'd better send for me, W:But I'm not worth a good gol darn till I empty two or three W:Of the very biggest schooners in the barroom. K:Eb E2D|\ CB,2 C2D|E2D E2F|G2c c2B|c3 c2d|\ e3/2c3/2 B2c|BG2 E2G|F3/2G3/2 F3/2E3/2|C2z E2D| C2B, CD2|E2D E2F|G3/2c3/2 c2B|c3 c2d|\ e2c B2G|E2F G2E|F6|E3 || X:127 T:A Cotillion R:Reel:Polka O:England M:2/4 A:Lancashire B:Winder K:G D2| \ GABc d2B2 | e4 d2B2 | c2B2 A2G2 | AGFE F2D2 |\ GABc d2B2 | e4 d2g2 | f2d2 e2f2 | g4g2 :|* |:d2| \ dcBc d2B2 | cBAB c2A2 | BAGA B2G2 | AGFE F2D2 |\ GABc d2g2 | e4 d2c2 | BAGB A2F2 | G6 :|* |:D2 | \ B2AB c2c2 | c2Bc d2d2 | efge d2B2 | cBAG F2D2 |\ BABc d2B2 | g2B2 d2c2 | BAGB A2F2 | G6 :|** X:128 T:A Cup of Tea M:4/4 L:1/8 Q:1/4=220 C:Trad K:D BAGF GEEF|GEBE GE E2|BAGF GEEG|FDAG FD D2|! BAGF GEEF|GEBE GE E2|BAGFGABc dBAG FD D2:|! d2 eg fdec|d2 eg fB B2|d2 (3efg fdec|dBAG FD D2|! d2 (3efg fdec|dfaf g2 fg|afge fdec|dBAG FD D2:|! FAdA FAdA|FAdA GE E2|FAdA FABc|dBAG FD D2|! FAdA FAdA|FAdA GE E2|fedc dBAF|GBAG FD D2:|! X:129 T:A Favourite Ballad from Robin Hood M:3/4 K:G DGB| \ d2B2 ce| A3c BG| E2FG AF| D3D GB|\ d2B2 ^ce| g3g fd| B2^cd {f}e{d}^c| d3d dc|\ {c}B3A G^F| E3^G AB| c2Be {d}c{B}A| HG2HFD GA|\ {c}B3{A}G cd| He4d>c| Bc dG {B}A{G}F| G3|] X:130 T:A Favourite Highland Air M:C K:D "Slow"\ D
F A>B{B}d2| {c}B>AB>F {F}A>B{B}d2|\ D
F {F}A>B{B}d2| {c}B>Ad>B {B}A>FED|:\ D
F A>B{B}d2| B>AB>F {F}A>B{B}d2|\ (d3/e//f//) g>f {f}e>d{d}Hc2\ |1 "tr"B>A d>B {B}A>FEF :|2 B>A d>B {B}A>FDe (d/e/d/)B/ d2Bg| BGG>A BGG:: d|\ g>ab>g a>eg2| "tr"BA AG/A/ "tr"BAAB|\ d>eg>a e>gdg| Ba (b/a/).g (gg/).e/ g2| BA A"tr"(G/A/) BAAB|\ d>ega egdg| BGG>A BGG:| X:132 T:A Favourite Hornpipe. TLY.081 T:Navvie On The Line. TLY.081 M:C L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:A cd| eagf edcB| AcEA c2 BA| GBEB d2cB| AcEA c2cd|! eagf edcB| AcEA c3 B| Afed cBAG| B2A2A2:|! |:cB|AcEA c2BA| GBEB d2cB| AcEA c2BA| GBEB d2cB|! eagf edcB| AcEA c3B| Afed cBAG| B2A2A2:|] X:133 T:A Favourite Hornpipe. TLY.081 T:Navvie On The Line. TLY.081 M:C L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:A cd| eagf edcB| AcEA c2 BA| GBEB d2cB| AcEA c2cd|! eagf edcB| AcEA c3 B| Afed cBAG| B2A2A2:|! |:cB|AcEA c2BA| GBEB d2cB| AcEA c2BA| GBEB d2cB|! eagf edcB| AcEA c3B| Afed cBAG| B2A2A2:|] X:134 T:A Favourite Strathspey M:C K:D A>FDA F>DAF| A>BAF E/E/E E2|\ A>FDA F>DAF| d>efA F/F/F F2:: d>ef>d e>cdB| A>FdF E/E/E E2|\ d>efd e>Bd>B| AFdA F/F/F F2| d>efd e>cd>B| A>FdF E/E/E E2|\ A>FDA F>DAF| d>efA F/F/F F2:| X:135 T:A Fig for a Kiss R:slip jig Z:id:hn-slipjig-53 M:9/8 K:Edor G2B E2B BAG|F2A D2A AGF|G2B E2B BAG|1 B/c/dB AGF DEF:|2 B/c/dB AGF E3|| |:g2e g2e edB|f2d dcd fed|1 g2e g2e edB|dBG GBd e2f:|2 gfe fed ecA| B/c/dB AGF E2F|| X:136 T:A Foreign Air M:2/4 K:G d4 gfed| e4 d2d2| e2g2f2a2| g4b4|\ d4 g2fe| e4 d2e2| d2c2B2A2| G4 G2::\ Bc|\ B2c2 d2cB| A2B2 c2BA| B2c2 d2cB| A4 D4|\ d2d2 d2cB| e2g2 g4| d2B2c2A2| G4 G4::\ g2d2 "tr"d3c/d/| g2e2 e4| e2g2f2a2| g4 b4|\ g2d2 "tr"d3c/d/| a2e2 "tr"e4|d2B2 c2BA| G4 G4::\ d2g2f2a2| g2b2a2c'2| b2d'2 d'2c'b| a4d4|\ e2g2f2a2| g2b2a2c'2| b2d'2 d'c'ba| g4 G4:| X:137 T:A friend in need R:Jig O:England M:6/8 A:Lancashire B:Winder K:D A |\ A2f afd | e2f gab | a2g fed | cde ABc | \ def e2g | f2d g2b | agf edc | d3 d2 :|* |:f|\ afd afd | A2d f2a | g2f e2d | cec ABc |\ d2f afd | ege g2b | agf edc | d3 d2 :|** X:138 T:A Friend in Need. HSJJ.053 T:Friend in Need,A. HSJJ.053 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:Chris Partington. K:D A|d2f afd|e2fg2b|a2g fed|cdeA2A|d2fe2g|f2dg2b|!agf edc|d3d2:| |:f|afd afd|A2df2a|g2fe2d|!cecA2A|dfa afd|ege g2b|agf edc|d3d2:|] X:139 T:A Friend in Need. HSJJ.053 T:Friend in Need,A. HSJJ.053 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A|d2f afd|e2fg2b|a2g fed|cdeA2A|d2fe2g|f2dg2b|!agf edc|d3d2:| |:f|afd afd|A2df2a|g2fe2d|!cecA2A|dfa afd|ege g2b|agf edc|d3d2:|] X:140 T:A Ghost of His Former Self C:Larry McCullough R:reel D:Light through the Leaves Z:id:hn-reel-416 M:C| K:D B|AF~F2 ~E3F|~F2DE FA~A2|Be~e2 fedB|ABBA d2AD| EFED ~E3F|~F2DE FA~A2|Be~e2 fedB|AFED ~E3A|| ~F3D ~E3F|~F2DE FA~A2|Be~e2 fedB|ABBA d2FD| EF~F2 ~E3F|~F2DE FA~A2|Be~e2 fedB|AFED ~E3z|| fe~e2 fedB|fede fbaf|fe~e2 fedB|~A3B dABd| fe~e2 dB~B2|~f3e fa~a2|bf~f2 afed|Bd~d2 de~e2| fe~e2 fedB|~f3e fbaf|fe~e2 fedB|AB~B2 d2 (3Bcd| fe~e2 dB~B2|~f3e fa~a2|bf~f2 ~a3b|afed e3|| X:141 T:A Good Roll-up M:4/4 L:1/8 C:Copyright 1995 Michael Robinson R:Air N:To the memory of Allan Madden K:G GA|"G" Bdef "C"g2 fe|"G"d2 de "Em"B2 AG|"Am"A2AB cBcd|"C"e2d2 "D"d4| "C"gfeg "G"d2 cB|"Am"cBcd "Em"B2 AG|"C"G2G2 "D"FGA2|"G"B2 "C"G2 "G"G4|| "G"d2d2 d2Bd|"C"e2e2 "G"d4|"Am"c2B2 A2G2|"D"FGA2 DEF2| "G"G2G2 "D"A2GA|"G"Bcd2 "C"e4|"G"d2B2 "D"ABc2|"G"B2 "C"G2 "G"G4|| X:142 T:A Good Tune. JNu.06 M:4/4 L:1/8 Q:120 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:March O:England A:East Lancashire N:Indeed so..CGP Z:vmp.Manchester Morris Men K:Bb F2|B3c d3e|(3fgf (3edc B2 (3fga|bfdB cBcd|egec BAGF|! B3c d3e|(3fgf (3edc B2 f2|gbgc' a=efd|(3cdc (3BAG F2::! f/e/d/c/|Bgfg dgfa|gfed edcB|Afef Gfef|fedc ecAc|! (3dbb (3caa (3Bgg (3Aff|(3Gee (3Fdd (3Ecc (3DBB|dfdB FecA|B2d2B2:|] X:143 T:A Greeable Surprize. BF11.26 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:A B|ABAE2E|F2FE2E|ABAA2B|c3e3|! ABAE2E|F2FE2E|def ecA|B3A2::! z|ABc cdc|cde ecA|GAB BcB|BcB BGE|! ABc cdc|cde ecA|cea ecA|B3A2:|] X:144 T:A Health to Betty M:6/8 L:1/8 Q:110 R:Jig K:GDor G|G>AG ^F2D|B3 Ad|d>ed c2A|f d4 e|fd2 B>cd|cA2 F2F|G>AG ^F2D|B3 A2|| X:145 T:A Honsup (Hunt's up) M:6/4 L:1/4 S:Henry Atkinson 1694/95 transcribed John Stokoe 1883 N:Clef and key signature missing; key assumed to be G major but G minor N:possible. 1st two notes of bars 5, 12 missing, also 1st note of bar N:9. 2nd note of bar 12 is dotted, as dot is visible K:G major G2dB>cd|G2dB>cd|c>dcB>cB|A>BAF>ED|G2dB>cd|G2dB>cd|cgcBgB|A3A2A|c>deedc|B >cddcB|(AB)GAF2|GA3G2| X:146 T:A HORNPIPE BY C. SMITH B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 FG A2 Bc d2 e4 | d2 A4 d2 B2 AG |\ FG A2 Bc d2 f2 ed | B2 G4 d2 B2 AG || P:2 a2 f2 d2 a2 d4 | a2 A4 d2 B2 AG |\ a2 f2 d2 a2 f2 ed | B2 G4 d2 B2 AG || P:3 A2 A4 d2 f4 | A2 A4 dc BcdB |\ A2 A4 d2 f4 | g2 g4 d2 B2 AG|| P:4 a2 f2 d2 a2 f3 d | a2 f2 d2 a2 b2 g2 |\ a2 f2 d2 a2 f2 ed | g2 g4 d2 B2 AG || P:5 GFGA BABc edef | abaf a2 A2 B2 AG |\ GFGA BABc edef | g2 g4 d2 B2 AG || P:6 af d2 z2 a2 af d2 | a2 A4 d2 B2 AG |\ af d2 d2 a2 f2 d2 | B2 G4 d2 B2 AG || P:7 FG A2 Bc d2 FG A2 | F2 A2 Bc d2 B2 AG |\ F2 A2 B2 d2 F2 A2 | d2 B2 G2 d2 B2 AG || P:8 A2 F2 D2 A2 F2 D2 | A2 A,4 D2 B,2 A,G, |\ A2 F2 D2 A2 F2 ED | B,2 G,4 D2 B,2 A,G,|| P:9 A2 F2 D2 A2 F2 D2 | A2 F2 D2 A2 B2 G2 |\ A2 F2 D2 A2 F2 D2 | d2 B2 G2 d2 B2 G2 || P:10 AGFE DEFG ABAF | A2 A,4 D2 B,2 A,G, |\ AGFE DEFG ABAF | G2 G,4 D2 B,2 A,G, || P:11 AGFE DEFG ABAF | ABAF DEFD BcdB |\ ABAG DEFG ABAF | d2 B2 G2 d2 B2 AG |] X:147 T:A Jigg M:6/8 L:1/8 S:Armitt MS N:See 'Fill The Tankard K:C major B2cd2g|faf g3|g2d def|g2dd2A|B2cd2g|fafg3|e2dc2B|A3c3:||:B2AG2A|B2cd2f|e 2d def||g2dd2A|B2AG2A|B2cd2f|e2dc2B|A3c3:|| X:148 T:A La 'Page' % Nottingham Music Database S:Dennis Salter, via PR M:4/4 L:1/4 K:G d/2c/2|"G"Bd/2B/2 GA/2B/2|"Am"cc/2B/2 c/2B/2A/2G/2|"D7"FA/2F/2 DF|\ "G"G/2F/2G/2A/2 Bd/2c/2| "G"Bd/2B/2 GA/2B/2|"Am"c/2B/2c/2d/2 c/2B/2A/2G/2|"D7"FA/2F/2 DF|"G"G3:: e/2f/2|"G"gg/2f/2 g/2f/2e/2d/2|"G"g/2f/2e/2d/2 "D7"f2|\ "D7"ff/2^e/2 f/2=e/2d/2c/2|"D7"f/2e/2d/2c/2 "E7"e2| ee/2^d/2 e/2=d/2c/2B/2|"E7"e/2d/2c/2B/2 "Am"AB/2c/2|"D7"dd/2e/2 d/2c/2B/2A/2|\ "G"G3:| X:149 T:A la claire fontaine R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°56 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:Bb F G A | B3 d3 | c2 c F G A | B3 d3 | c2 z c c c | c3 e3 |! d2 c B A G | F3 G3 | F2 z D2 E | F2 F B2 c | d3 d d e |! d3 c c c | d c B D2 E | F2 F B2 c | d3 B A B | c2 d e-d c | B6 || W:En revenant des noces, j'étais bien fatiguée, W:Au bord d'une fontaine je me suis reposée, W:Ah ! Je l'attends, je l'attends, je l'attends, W:Celui que j'aime, celui que mon coeur aime W:Ah ! Je l'attends, je l'attends, je l'attends, W:Celui que mon coeur aime tant. W: W:Et l'eau était si claire que je m'y suis baignée ; W:A la feuille du chêne je me suis essuyée. W:Sur la plus haute branche le rossignol chantait : W:Chante, rossignol, chante, toi qui a le coeur gai ! W:Le mien n'est pas de même, il est bien affligé : /.../ X:150 T:A la mar fui por naranxes R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=116 K:Cm |: CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2 :| |: DE DC|=B,4|DD DE|F3 E|[1 D2 C2 :|[2 GF ED|C4-|C4| X:151 T:A la mar fui por naranxes C:Trad. Z:Métodu de Gaita P:AAB M:2/4 L:1/8 Q:1/4=120 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toa vini moyadina W:de foles que van y vienen. W:¡Ay, mi dulce amor! W:esa mar que ves tan bello W:¡Ay, mi dulce amor! W:esa mar que ves tan bello, es un traidor. K:C P:A G|:C3/2D/2 EF|G3 F|~A2 G2|EG GA| F3 E|[1 ~D2 CG:|[2 ~D2 C2||D3/2E/2 DC|B,4| DD DE|F3 E|~D2 C2|D3/2E/2 DC|B,4| DD DE|F3 E|G3/2F/2 ~ED|[1 C3 G:|[2 C4|| P:B |:c3 ~d|cG AB|c2 G2|A3 E|G3/2F/2 ED| [1 C4:|[2 C3 G||C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| ~E2 EG|C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| [1 C3 G:|[2 C4|| X:152 T:A la mar fui por naranxes (CT 275) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 275 M:2/4 L:1/8 Q:1/4=160 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toda vine moyadita W:d'oles que van y vienen. W: W:¡Ai mi dulce amor! W:ese mar que ves tan bello, W:¡Ai mi dulce amor! W:ese mar que ves tan bello, es un traidor. K:Gm |: GA Bc|d3 c|e2 d2|dd dd|c3 B|A2 G2 :| |AA AG|^F4|AA AB|[1 c3 B|A2 G2 :|[2 c3 A|dc BA|G4|| X:153 T:A la mar fui por naranxes (MG 14) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 14 P:AAB E:Nivel 2 M:2/4 L:1/8 Q:1/4=120 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toa vini moyadina W:de foles que van y vienen. W:¡Ay, mi dulce amor! W:esa mar que ves tan bello W:¡Ay, mi dulce amor! W:esa mar que ves tan bello, es un traidor. K:C P:A G|:C3/2D/2 EF|G3 F|~A2 G2|EG GA| F3 E|[1 ~D2 CG:|[2 ~D2 C2||D3/2E/2 DC|B,4| DD DE|F3 E|~D2 C2|D3/2E/2 DC|B,4| DD DE|F3 E|G3/2F/2 ~ED|[1 C3 G:|[2 C4|| P:B |:c3 ~d|cG AB|c2 G2|A3 E|G3/2F/2 ED| [1 C4:|[2 C3 G||C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| ~E2 EG|C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| [1 C3 G:|[2 C4|| X:154 T:A la mar fui por naranxes (MQ 030) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción popularísima en toda Asturias. N:Es muy corriente que la mayoría de los gaiteros la toquen en modo mayor a pesar de estar escrita en menor. N:Tocándola tal como está escrita sirve muy bien para practicar el Lab y el Mib. A:Asturies Z:Manolo Quirós 030 M:2/4 L:1/8 Q:1/4=100 K:Cm |: CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2| CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2| DE DC|=B,4|DD DE|F3 E|D2 C2| DE DC|=B,4|DD DE|F3 D|GF ED|C4 :| X:155 T:A la pointe de l'épée R:Rondo C:trad A:Gascogne O:France M:2/4 L:1/8 Q:1/4=130 K:C EE|A>G AB|cB AB|A z:||AB|c2 ed|B2 dc| A>G AB|cB AB|c2 ed|B2 dc|AG/2A/2 BG|A z|| W: W:L'autre jour m'en étais allé W:Un flûtiau j'avais acheté (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) W: W:L'autre jour m'en étais allé W:Un violon j'avais acheté (bis) W:Et le jig et le jag de mon violon (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) X:156 T:A la sombra d'un pinu (MQ 100) R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Este romance es muy popular en Quirós y Teberga. N:Siendo yo un crío era muy frecuente escucharlo cantar en las fiestas y bailes de la zona. A:Asturies Z:Manolo Quirós 100 M:3/8 L:1/8 Q:3/8=80 K:C |: G2 G|FGF|E2 E|G2 G|FGF|E3|F2 E|DED|C2 D|F2 E|DED|C3 :| |: E2 E|DED|C2 C|F2 F|EFE|D3|D2 D|CDC|B,2 D|G2 F|EDE|C3 :| X:157 T:A LANCASHIRE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 G2 B2 F2 A2 E4 | E2 A4 G2 GFED | G2 B2 F2 A2 E4 | D2 d4 A2 GFED|| P:2 d2 cB cBAG F4 | E2 e4 d2 dcBA | d2 cB cBAG F4 | D2 d4 A2 GFED|| P:3 fgag efed c4 | B2 e4 B2 dcBA | a2 gf gfed c4 | A2 d4 A2 GFED|| P:4 dcBA BAGF GFED | E2 e4 d2 c2 BA| d2 cB A2 GF EFGE| D2 Bc d2 A2 GFED|| X:158 T:A Long Way From Home T:Trip to Kinvara, The C:Martin Mulhaire R:reel S:Session Galway 1992 D:Buttons & Bows Z:id:hn-reel-437 M:C| K:D ~f3e dcdB|AFDF A2FA|~f3e dfbf|af~f2 edBc| dB~B2 BAFE|DEFA BAFA|ba~a2 fdBc|1 dfec d3e:|2 dfec dABc|| |:d2fd adfa|bagb afef|d2fd adfd|Acec fcec| d2fd adfa|bagb ~a3f|1 ~g3e f2af|gfed cABc:|2 ~g3e ~f3a|gfed cAce|| "Version 2:" ~f3e d3B|ADFD ADFD|f2fe dfbf|afgf edBc| dB~B2 BA^GB|ADFD ADFA|ba~a2 fd~d2|1 egfe d2de:|2 egfe d3c|| |:d2df ~a3z|abgb agfe|d2fd adfd|(3cBA eA fAec| d2df a2~a2|abgb ~a3f|~g3e ~f3a|1 gfed cABc:|2 gfed cAce|| X:159 T:A Long Way From Home M:C| L:1/8 R:reel Z:id:hn-reel-437 K:D ~f3e d3B|ADFD ADFD|f2fe dfbf|afgf edBc| dB~B2 BA^GB|ADFD ADFA|ba~a2 fd~d2|1 egfe d2de:|2 egfe d3c|| |:d2df ~a3z|abgb agfe|d2fd adfd|(3cBA eA fAec| d2df a2~a2|abgb ~a3f|~g3e ~f3a|1 gfed cABc:|2 gfed cAce|| X:160 T:A los rayos del sol R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:¡ay, de mi, que me lleva la toca el rido! W:bajateme por ella galán querido W:a los rayos del sol se peina mi amor W:se viste y se calza del mismo color K:Am |: A2 A|ccc|B2 G|ABA|A G2-|G3 :| |A2 A|ccc|B2 G|ccc|B2 G|AAA|cBB|AAA|G3-|G2 z| X:161 T:A Lovely Lass to a Friar Came. M:2/4 L:1/8 K:G (A/B/)|cBAG |(A/G/A/B/) G(A/B/)|cBAG| A2 G :: G |Gddd | e>ddd |edcB|(A/G/A/B/) A(B/c/)| d>B G>B|(A/G/A/B/) (GA/B/)|cBAG| A2G :| X:162 T:A Man's a Man for A' That G:song in march tempo taken from a pipe arrangement M:2/4 L:1/8 K:AMix % dorian/mixolydian hexatonic; A-final C-gap A|d>e dA|Bd e>g|f>e dA|B2 B>A| d>e dA|Bd e>g|f>e dB|A2 A :| g|f>g af|gf e>g|f>g aA|B2 B>d| f>g af|gf e>g|f>e dB|A2 A :| X:163 T:A man's a man for a' that R:Reel O:Scotland M:2/4 L:1/8 K:EMix F|\ A>B AE | FA Bd | c>B AE | F2FE |\ A>B AE | FA Bd | c>B AF | E2E ||* d |\ c>d ec | dc Bd | c>d eA | F2 Fd | \ c>d ec | fB Bd | c>B AF | E2 E ||** X:164 T:A mi me gusta la gaita R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/8 L:1/8 Q:3/8=72 K:Am |c>cc|ccc|d2 B|GBB|c2 A|FAA|B2 G-|G3| |A>AA|AAA|B2 G|EGG|A2 F|DFF|G2 E-|E3| X:165 T:A mi me gusta la gaita (MQ 028) R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Como su nombre indica es una típica pieza de gaita. A:Asturies Z:Manolo Quirós 028 M:3/4 L:1/4 Q:1/4=250 K:C |: ccc|cBc|d2 B|GBB|c2 A|FAA|B2 G-|G3| AAA|AAA|B2 G|EGG|A2 F|DFF|G2 E-|E3| ccc|cde|d2 B|GBd|c2 A|FAc|B2 G-|G3| AAA|ABc|B2 G|EGB|A2 F|DFF|G2 E-|E3 :| X:166 T:A Miner R:jig C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador e2 d Bde|edB A2 B|G2 c BAB|GBc dBd|! e2 d Bde|edB A2 B|GBc dgf|[1edB Abf:|[2edB A2|| |:b| afd e2 d|ega {b}age|dBd e2 g|ded egb|! afd egd|ega {b}agf|egd (e/f/g)e|[1dBG A2:|[2dBG Aag|]! X:167 T:A Miner R:jig C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador e2 d Bde|edB A2 B|G2 c BAB|GBc dBd|! e2 d Bde|edB A2 B|GBc dgf|[1edB Abf:|[2edB A2|| |:b| afd e2 d|ega {b}age|dBd e2 g|ded egb|! afd egd|ega {b}agf|egd (e/f/g)e|[1dBG A2:|[2dBG Aag|]! X:168 T:A Moi R:Divers A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=100 K:G DG GG|FG AA|GA BA|BA"^" G2| dc/2B/2 A2|dc/2B/2 A2|dc/2B/2 AG|FG "^"A2|! |:AB/2c/2d2| AB/2c/2 d2| AB/2c/2 dc| BA BG | AB/2c/2 d2| AB/2c/2 d2| AB/2c/2 dc|BA G2:| X:169 T:A Moi R:Divers S:Le Pied qui R'mue (Saint Lo FRANCE) A:Normandie O:France Z:J.M HENRY M:2/4 L:1/8 Q:1/4=120 K:G DG GG|FG AA|GA BA|BA"^" G2| dc/2B/2 A2|dc/2B/2 A2|dc/2B/2 AG|FG "^"A2|! |:AB/2c/2d2| AB/2c/2 d2| AB/2c/2 dc| BA BG | AB/2c/2 d2| AB/2c/2 d2| AB/2c/2 dc|BA G2:| X:170 T:A Night in the Glen R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed after an all night session in Pipers Glen. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:312 M:6/8 K:Bdor P:A fBB fed|cAA cde|fBB fed|fga ece|! fBB fed|cAA cde|fga ece|fec B3:|! P:B |:FBB dBB|fed cAA|FBA Bce|fecB3|! fga ece|fed cAA|fga ece|fec B3:|! P:C |:BfB bBf|agf ecA|BfB bBf|dcA B3|! BfB bBf|agf ecA|dcBecA|FGA B3:|! P:D |:bBB aBB|gBB fga|bBB agf|eAd cBA|! bBB aBB|gBB fga|bag agf|eAc B3:|! X:171 T:A Night in the Glen R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed after an all night session in Pipers Glen. L:1/8 Q:312 M:6/8 K:Bdor fBB fed|cAA cde|fBB fed|fga ece|! fBB fed|cAA cde|fga ece|fec B3:|! |:FBB dBB|fed cAA|FBA Bce|fecB3|! fga ece|fed cAA|fga ece|fec B3:|! |:BfB bBf|agf ecA|BfB bBf|dcA B3|! BfB bBf|agf ecA|dcBecA|FGA B3:|! |:bBB aBB|gBB fga|bBB agf|eAd cBA|! bBB aBB|gBB fga|bag agf|eAc B3:|! X:172 T:A NORTH COUNTRY FRISK (Re-tune AEAE, play as written) B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:A P:1 c4 Bdc>B A4 | c2 e2 B2 d2 c2 B>A |\ F2 B2 E2 =G2 F2 B2 | =G,2 D2 A2 c2 B2 A2 || P:2 c2 e2 d2 f2 c2 e2 | B2 d2 c2 B>A F2 B2 |\ E2 D2 =C2 B,2 A,=CB,A, | =G,2 D2 A2 ^c2 B2 A2 || P:3 a2 c2 B2 a2 ^g2 e2 | a2 c2 dcBA F2 B2 |\ A2 D2 B2 D2 cec>B | A2 =G,4 B,2 A,2 =G,2 || P:4 aedc BcdB cdef | edcB AcBA FABc |\ dcBA F=GFE D=CB,A, | =G,2 D2 A2 ^c2 B2 A2 || P:5 (3c A3D2 (3c A3D2 (3c A3D2 | F2 B4 c2 dcBA |\ F2 E2 D2 =C2 B,2 A,2 | =G,2 A4 ^c2 B2 A2 |] X:173 T:A NORTHERN FRISK B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:Am P:1 A2 e4 A2 ecBA | GABc d2 G2 B2 AG |\ A2 e4 A2 ecBA | E2 A4 c2 B2 A2 || P:2 edcB ABcd ecBA | GABc dcBA BcdB |\ AecA ceac BA^G^F| E2 A4 c2 B2 A2|| P:3 e2 a2 d2 g2 c2 f2| BcdB GABG BcdB |\ ea^gb edcB ABcA | E2 A4 c2 B2 A2 || P:4 e2 e2 e2 e2 e4 | dcBA G2 d2 BcdB |\ eaec AcBA ^GABG| E2 A4 c2 B2 A2 |] X:174 T:A onde va la mio morena C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C |GG GA|G2 ED|C2 C2|AA AA| G2 FE|D2 D2|DE FG|A3 G| c2 B2|GA GE|F2 (ED)|C2 C2|| X:175 T:A onde vas dar agua (CT 227) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 227 M:3/8 L:1/8 Q:3/8=88 W:A onde vas dar agua, W:mozu de mulas, W:que desde mi cama siento W:las herraduras. W: W:Si sientes las herraduras W:de mi parexa, W:levántate de la cama, W:ponte a la rexa. K:G B |:d2 B|cBA|G F2|GAB|(c3/4d/8c/8) B2-|B z B| |d2 B|cBA|G F2|GAB|(c/2d/4c/4 B/2c/4B/4 A/2B/4A/4)| G3-|[1 G2B:|[2 G2|| X:176 T:A onde vas dar agua (XA 06) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 06 M:3/8 L:1/8 Q:3/8=40 K:C E |G2 E|FED|C C2|EEE|F3|{ED}E2 E| |G2 E|FED|C C2|{DC}B,3|DEE|C3| |E2 (3E/E/D/|C2 (3C/C/B,/|D3|{B,D}C3| X:177 T:A orielles d'una fonte (CT 488) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Esta canción era muy corriente en Asturies hace unos veinte años, y de ella conocemos versiones recogidas en Lleón, Valladolid, Cartagena, Granada, Murcia, Isla de Rhodas y Sofía. N:Las de estos dos últimos puntos han sido transcritas entre los judíos españoles por D. Manuel Manrique de Lara. O:Uviéu A:Asturies Z:Cancioneru de Torner 488 M:3/8 L:1/8 Q:3/8=72 W:A orillas de una fuente W:una zagala vi; W:con el ruido del agua W:yo me acerqué hacia allí W:y oí una voz que decía: W:¡ai, de mí!¡ai, de mí!¡ai, de mí! W: W:La cogí de la mano, W:conmigo la llevé W:y en su divino rostro W:tres vesos (¿sic?) le estampé, W:y entonces dijo la niña: W:otros tres, otros tres y son seis. K:C |GGG|G2 A|(A2 G)|F3|AAA|G2 F|E3-|E2 z :| AAA|A2 A|A3|A2 z|ABc|B2 A|G3-|G2 z| AAA|ABB|c2 G-|GAA|EGG|DFF|E3-|E2 || X:178 T:A Pinch Of Saltire % Nottingham Music Database S:Dennis Salter, via Phil Rowe M:6/8 K:A e|"A"A2A ABc|"Bm"dB2 "E7"e2d|"A"c2A AGA|"C"=GEE "E7"^GEE| "A"A2A ABc|"Bm"dfe "E7"B2d|"A"cBA "G"B=G2|"A"A3 -A2:| c|"D"d2d def|"A"e2d c3|"Bm"d2c "E7"B3|"A7"cd^d ecA|"D"d2d def|"A"e2d c3| "B7"BaB gBf|"E7"efd cdB|"A"ecA "A7"ecA|"D"dff "E7"egg|"A"aec aec| "C"=ge=c "E7"^ged|"A"c2c cBA|"D"df2 "E7"eg2|"A"ace "E7"efg|"A"a3 -a2|| X:179 T:A Pinch of Snuff M:4/4 L:1/8 Q:220 C:Trad Irish K:D F2 DF E2 DE|F2 DF EFGE|F2 DF E2 D2|GABG EFGE:|! DFAF BFAF|DFAF EFGE|DFAF BFAF|GABG EFGE:||! K:G B2 GB A2 GA|B2 GB ABcA|B2 GB A2 G2|cdec ABcA:|! GBdB eBdB|GBdB ABcA|GBdB eBdB|cdec ABcA:|! K:A c2 Ac B2 AB|c2 Ac BcdB|c2 Ac B2 A2|defd BcdB:|! Acec fcec|Acec BcdB|Acec fcec|defd BcdB:|! K:D f2 df e2 de|f2 df efge|f2 df e2 d2|gabg efge:|! dfaf bfaf|dfaf efge|dfaf bfaf|gabg efge:|! f2 fe d2 dB|A3 F DFAF|DFAB =c3 A|GE E2 =cEGE:|! X:180 T:A Quiet Autumn M:12/8 L:1/8 C:Sarah Allen R:jig D:Flook: Flatfish Z:Devin McCabe K:G BFG d2B edd d c/2B/2A|G2D GAE EDD DEG| !BFG d2B edd deg|ace b2g- g (3efg fdB| !BFG d2B edd d c/2B/2A|G2D GAE EDD DEG| !BFG d2B edd deg|afg efd e B/2c/2d BcA| !Bcd f2B cdf fee|ceg abb b2a agf| !Bcd f2B cdf fee|ace b2g- g (3efg fdB| !Bcd f2B cdf fee|ceg abb b2a agf| !Bcd f2B cdf fee|afg efd e B/2c/2d BcA|| X:181 T:A Raíz del Toxo Verde C:Trad. Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Eb G,|C2 C C=B,C|DED-D2 G|G2 D DED|C3 z2 G|G2 D D E F|G2 E-E CE|D2 F E2 D|C3 z3| X:182 T:A Raíz del Toxo Verde C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Cm G,|C2 C C=B,C|DED-D2 G|G2 D DED|C3 z2 G|G2 D D E F|G2 E-E CE|D2 F E2 D|C3 z3| X:183 T:A Reel M:2/2 L:1/8 S:Armitt MS N: K:A Major AEcB AFFG AEcA B2 Bc|AEcB AFFc|dfce BABc:||:eeec fffa eeeB AGAB|eeed fff a faec BABc:||:EAAc AEAc|ceea feea|EAAc AEAc dfce BABc:||:aefe aefe|aefe ((3fga) ((3gab) aefe aefe|faec BABc: X:184 T:A Rock & a wi Pickle Tow. N:early 18th century M:6/8 L:1/8 K:G D|GAG ABd|(e/f/g)B A2d|BGA B2A|BGG G2:: g|eeg eeg| e>fg edB|ded ded|dgd dB G|cBc dBd| egB A2d|BGA TB2A|BGG G2:: X:185 T:A Rouen il y a R:Promenade A:Normandie O:France M:2/4 L:1/8 Q:1/4=108 K:C EE ^F^G|A3 A|BA BB|c-B z2|EE ^F^G|A3 A|BA BB|c-B z2|! Bd cB|A2-Az| Ac BA|GF GA|Bc BA|B2-Bz| BB cA|{AB}A=G "^"A2|| X:186 T:A Rouen il y a R:Promenade S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=108 K:C EE ^F^G|A3 A|BA BB|c-B z2|EE ^F^G|A3 A|BA BB|c-B z2|! Bd cB|A2-Az| Ac BA|GF GA|Bc BA|B2-Bz| BB cA|{AB}A=G "^"A2|| X:187 T:A Scotsman in Mexico S:Andy Hornby R:Reel O:England N:March 94 M:4/4 C:Andy Hornby A:Lancaster K:D A Bc|\ d3f- fAFA|d3f- fdcd|BGBd gfed|cAce agfe|\ d3f- fAFA|d3f- fdcd| Bdgf edce|d3d z:|\ |:f af|\ g2ec- cege|f2dA- ADFA| GABG Ecec|defd Afaf|\ g2ec- cege|f2dA- ADFA|GABE- Ecec|d3d z:| W:Copyright Andy Hornby X:188 T:A Short Journey #2 M:6/8 L:1/8 C:Eamonn McElholm R:jig D:Flook: Flatfish Z:Devin McCabe K:D fe|:fbz bag|agf e2d|eAA A (3Bcd|BcB- Bfe| !fbz bag|agf e2d|eAA fAA|1fgf- ffe:|2fgf- fed|| !eAA A (3Bcd|Bcd- d2A|ABB BAG|A2f gfd| !eAA A (3Bcd|BcB- BAA|BAA cAA|dAe- ezd| !eAA A (3Bcd|BcB- BAA|ABd- d (3gab|a4 gf| !eAA A (3Bcd|BcB- BAA|BAA cAA|dAe- efe|| X:189 T:A Souldiers life M:6/8 L:1/8 Q:110 R:Jig K:D d|f>ga f>ed|e2c A2e|f>ga d>ed|e3-e2 e|f>ga f>ed|e2c A>GF|GAB A>Bc|d3-d2 || X:190 T:A sov'leg S:Hans Ole Larsen R:Other O:Denmark M:2/4 L:1/8 A:Fan\o{} K:G B2 cB/c/ | d2 g2 | G2 AA | Bc/B/ A2 |\ B2 cB/c/ | d2 g2 | GB AF | G2 z2 :|* |:\ dd BA/B/ | cc/d/ BG | dd BA/B/ | cc/d/ Bd |\ ed ge | dB g>e | d>e d/c/B/A/ | G2 z2 :|** X:191 T:A Spanish Jigg. M:6/8 L:1/8 K:G d/c/|BGG BGG|ABc dec|BGG cGG|ABc d2:: z |ddd gee|eee afd|gec dBG|DEF G2:| X:192 T:A Spanish March. M:2/4 L:1/8 K:D df fe/d/|gg g(f/e/)|dddd|e/d/c/B/ Az |\ df fe/d/|gg g(f/e/)|dddd|e/d/c/B/ Az:: dd/e/ (d/c/B/A/)|GG G2|\ ee/f/ e/d/c/B/ |AA A2|\ fefe |(d/e/)(f/g/) a>g|\ fefe | d/e/f/g/ a>g|f2e2|d4:: d2d2|d2A2|dAdA|(F/G/A/F/) Dz|\ fef>e| d/e/f/g/ a>g|\ fef>e| d/e/f/g/ a>g|f2e2|d4:| X:193 T:A St\'or, a St\'or, a Ghr\'a R:reel H:Originally a song, but Mary Bergin plays it as a reel. D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-605 M:C| K:G dggf d2dB|BcAG ABcA|dggf d2de|~f3c AG~G2| d2gf dedB|cBAG ABcA|dggf d2ge|fdcA AGFA|| GBdB cBcA|~B3G (3Bcd g2|GBdB c2ec|dBgB (3ABA GA| ~B3d cBcA|~B3G (3Bcd g2|GBdB cege|dBgB (3ABA GB|| X:194 T:A Tribute to Paddy Fahy M:C| L:1/8 Q:180 C:Philippe Varlet R:Reel K:G DGGA _BGAG | =FDCD {G}=FE=FG | Acde {a}=fedg | ec~c2 Gcec | dg~g2 dgBd | cA=FA c2 Bc | dB{d}cA DE=FA |1 dcAc BGG=F :|2 dcAc BGBd || gedc (3Bcd ge | {a}=fe=fg a=fdg | ec~c2 Gceg | fdef {a}gfga | (3_bag {a}gf {a}g=fde | =fdcA =FGAc | dB{d}cA DE=FA |1 dcAc BGBd :|2 dcAc BGG2 || X:195 T:A Tribute to Paddy Fahy N:Ir-Trad list M:C| L:1/8 Q:180 C:Philippe Varlet R:Reel K:G DGGA _BGAG | =FDCD {G}=FE=FG | Acde {a}=fedg | ec~c2 Gcec | dg~g2 dgBd | cA=FA c2 Bc | dB{d}cA DE=FA |1 dcAc BGG=F :|2 dcAc BGBd || gedc (abc1.htm3Bcd ge | {a}=fe=fg a=fdg | ec~c2 Gceg | fdef {a}gfga | (3_bag {a}gf {a}g=fde | =fdcA =FGAc | dB{d}cA DE=FA |1 dcAc BGBd :|2dcAc BGG2 || X:196 T:A Trip to Pakistan M:4/4 L:1/8 S:IrTrad; Juergen Gier, 3/97 H:Claus Steinort D:The Bees'Knees K:EMin EGBE ~G3B|~A3G FGAF|EGBE ~G3B|AGFA BEED::\ EGBE c3d|BBBG AGFG|EGBE ~c3d|BAGB A4::\ FGBF GBFG|EFGE FGEF|DFAD FADF|AGFG E2z2:| X:197 T:A Trip to Perth R:reel C:Bruce Osborne -- Sept.12 1997 M:2/4 L:1/16 K:A ED|CA,CE A2cd|efec A2cd|efec Acec|BAGF E2ED|! CA,CE A2cd|efec A2GA|BcBG EGBG|AcBG A2:|! |:cd|efec afea|fecB A2GA|BcBG EGBG|AFEC A,2 cd|! efec afea|fecB A2GA|BcBG EGBG|AcBG A2:|! X:198 T:A Trip to the Laundry M:4/4 L:1/8 Q:300 C:Variations by Stephen McNally S:William Vickers R:Reel K:Hp |:A2c2B2d2|c2e2B2d2|dcBA G2B2|d2B6|A2c2B2d2|c2e2B2d2|dcBA G2B2|c2 A6:|! |:e2a2 a2e2|fedc dcBA|e2a2 g2f2|gab2 e4|e2a2 a2e2|fedc dcBA|dcBA G2B2|c2 A6:|! |:ABc2 Bcd2|cde2 Bcd2|dcBA G2B2|d2B6|ABc2 Bcd2|cde2 Bcd2|dcBA G2B2|c2 A6 :|! |:e2a2 agfe|fedc dcBA|e2a2 gfef|gab2 e4|e2a2 agfe|fedc dcBA|dcBA G2B2|c2 A6:|! |:Acec Adfd|Aege Adfd-|dcBA GBBc|d2B6|Acec Adfd|Aege Adfd-|dcBA GBBd|c2 A6:|! |:efga- agfe|fedc dcBA|efga gfef|gab2 e4|efga- agfe|fedc dcBA|dcBA GBBd| c2 A6:|! |:edcd fdcd|gdcd fdcd-|dcBA GBBc|d2B6|edcd fdcd|gdcd fdcd-|dcBA GBBd|c2 A6:|! |:edca- agfe|fecd- dcBA|efga- afef|gab2 e4|edca- agfe|fecd- dcBA|dcBA GB Bd|c2 A6:|! |:c2A2A2d2|A2A2e2A2|dcBA GBBc|d2B6|c2A2A2d2|A2A2e2A2|dcBA GBBd|c2 A6:|! |:edca fdca|edca dcBa|edca fdca|gab2 e4|edca fdca|edca dcBa|dcBA GBBd|c2 A6:|! |:AceA dfAe|gAdf AceA|dcBA GBBc|d2B6|AceA dfAe|gAdf AceA|dcBA GBBd|c2 A6 :|! |:acca eeAc|adda ffAd|acca eeAc|gab2 e4|acca eeAc|adda ffAd|dcBA GBBd|c2 A6:|! X:199 T:A Trip to the Rotunda M:6/8 R:Jig K:D d(f/e/d/c/ d)AG| FAd fad'| \ bc'd' afd| cee e3|\ d(f/e/d/c/ d)AG| FAd fad'| bc'd' afd'| afd d3::\ d'af bge| afd dAG| FAd fad'| bge e2b/c'/| d'af bge| afd dAG| FAd afd'| afd d3:| X:200 T:A Trumpet Air M:6/8 L:1/8 K:G D|GDG BGB|d3 c3 | B>cd d>cB|AAA A2 D|GDG BGB|d3 c3 |(B/c/d)B AGA |GGG G2:: d|dBd dBd|e3 c2A| B>cd d>cB|A>AA A2 D|GDG BGB|d3 c3 |(B/c/d)B AGA |GGG G2:| X:201 T:A Waltz For Tara Lynne M:3/4 L:1/8 C:Elizabeth Durning S:The Maritime Fiddler K:G DC|"G"B,2D2G2|"G9"B3 dcd|"em"e2d2BA|"G"G6| B3dcd|e2d2B2|"Am"c3BAB|"D7"F4FE| DFA|d3dcd|e2d2cA|F3GFE| D2F2A2|c2d2e2|"F#dim"B4_B=c|"G"B4DC| B,2D2G2|B3"G9"dcd|"Em"e2d2BA|"G"G6| d4d2|"B7"^d4d2|"C"e2c3A|"Am"E6| "C"G3gfg|"C#dim"A3GFE|"G"D2G2B2|"Em"d3dcd| "Am"e2d3B|"D7"c2F2A2|"G"G6|"D7"F4A2| "G"G4B,C|D4D2|B,4G2|"B7"_E4F2| "C"E6|"Am"C6|"G"F2G2^G2|A4F2| G2A2^A2|"E7"B4Bc|"A7"^c2B2A2|G2_E2=E2| "D"A3^GAd|"D+"^A4DC|"G"B,2D2G2|"G9"B3dcd| "Em"e2d2BA|"G"G^|d4d2|"B7"^d4d2| "C"e2c3B|"Am"E6|"C"CG3GFG|"C#dim"A3BFE| "G"D2G2B2|"Em"d3dcd|"Am"e2d3B|"D7"c2F2A2| "G"G2B2d2|+g4B X:202 T:A West Ocean Waltz M:3/4 L:1/8 C:Maire Breathnach N:Ir-Trad D:Angels' Candles K:D F3B A>F|E4 F>E|D2B,2A,2|D4 (3A,B,D|1E3D F>D|\ E4 D>E|FB3 A>F|E6:|2E3F E>D|B,D4B,|A,2 (3B,DF E>D|\ D4 (3EFA|:B2 B>AB>c|d2 B3A|F2 D3E|F>GFE D2|B2 B>AB>c|\ d2 B3F|A3d A>F|E6|{DE}F2 A2 B>A|A2 F>E D2|Bd3 e>d|\ f4 e>d|B2 d2 (3FED|FA2A, (3B,DE|F3G E2|D6:| X:203 T:A West Ocean Waltz M:3/4 L:1/8 C:Maire Breathnach S:Maire Breathnach D:Angels' Candles K:D F3B A>F|E4 F>E|D2B,2A,2|D4 (3A,B,D|1E3D F>D|\ E4 D>E|FB3 A>F|E6:|2E3F E>D|B,D4B,|A,2 (3B,DF E>D|\ D4 (3EFA|:B2 B>AB>c|d2 B3A|F2 D3E|F>GFE D2|B2 B>AB>c|\ d2 B3F|A3d A>F|E6|{DE}F2 A2 B>A|A2 F>E D2|Bd3 e>d|\ f4 e>d|B2 d2 (3FED|FA2A, (3B,DE|F3G E2|D6:| X:204 T:A yowe cam' to wir door yarmin' S:Alistair Cochrane R:Reel O:Shetland M:4/4 K:ADor E2 DE CD E2 | G2 E2 G2 E2 | \ E2 DE CD E2 | cA BG A4 :|* |:c2 dc B2 G2 | c2 Ac B2 G2 | \ cd ef g2 d2 | cA BG A4 :|** X:205 T:A. A. Cameron's M:4/4l K:D eA3 A4 B3Gd3B|eA3 A4 d3g (3f2e2d2|eA3 A4 B3Gd3B|BG3 G3B d3g (3f2e2d2:| Be3e3f g3ea3f|Be3e3f g3e (3f2e2d2|Be3e3f g3ea3f|dB3G3B d3g (3f2e2d2:| X:206 T:A.B.Hornpipe. WM.049 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent Z:vmp.Chris Partington K:D AG|FdAd fdAF|GBefg2ef|gfgf eded|cdcB AGFE|! DFAd fdAF|GBefg2ef|gfed cdec|d2d2d2:|! |:d2|Add2fdd2|gee2cAA2|cee2cee2|gfed cBAG|! FdAd fdAF|GdBd|gdBG|gfed cdec|d2d2d2:|] X:207 T:A.B.Hornpipe. WM049 M:C L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent Z:C.G.P K:D AG|FdAd fdAF|GBefg2ef|gfgf eded|cdcB AGFE|DFAd fdAF|!GBefg2ef|gfed cdec| d2d2d2:| |:d2|Add2fdd2|gee2cAA2|!cee2cee2|gfed cBAG|FdAd fdAF|GdBd|gdBG|gfed cdec |d2d2d2:|] X:208 T:Aaf unnarn Weihadåmm - Walzer/Waltz/Valse C:Slg.Rittersberg B:"Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:F C|FGA|G2F|EzE| ABc|cBd|c2:| |:d/c/|ABc|AcB/A/|GGF/G/| ECC/E/|FcB/A/|G2E|F2:| X:209 T:Aandowin at da bow S:Sessions R:Reel O:Shetland M:4/4 K:G A|\ BGAG E2D2|BGAG BGAd|BGAG E2D2|GABA G3:|\ g|\ egdB AGE2|egdg egdg|egdB AGE2|g2gg afg2|\ egdg egdg|egdB AGED|GABG E2D2|GABA G3|| X:210 T:Aandowin at da bow R:Reel S:Sessions O:Shetland M:4/4 K:G A|\ BGAG E2D2|BGAG BGAd|BGAG E2D2|GABA G3:|\ g|\ egdB AGE2|egdg egdg|egdB AGE2|g2gg afg2|\ egdg egdg|egdB AGED|GABG E2D2|GABA G3|| X:211 T:Aaron's (Rarified) Air % Nottingham Music Database S:Bob McQuillen 1974 for Aaron Garland, via PR M:4/4 L:1/4 K:G D|"G"DG "D7"FA|"G"G2 DD|G3/2A/2 Bc|d3d|"C"e3/2d/2 ce|"G"d3/2c/2 Bd|"Am"cB AG|\ "D7"FG AD| "G"DG "D7"FA|"G"G2 DD|G3/2A/2 Bc|"G"d3"G7"d|"C"eg fe|"G"dg "D7"dc|"G"BA "D7"GF\ |"G"G3G|| "D"FG AB|A2 Dd|"Am"cB AG|"D7"A3D|"G"GA Bc|"D7"d3/2c/2 BA|"G"Bc de|"G"d3"G7"d| "C"ed cB|"D7"cB Ad|"Am"e3/2d/2 cB|"D7"A3d|"C"ed ef|ge dc|"G"B2 "D7"A2|"G"G3|| X:212 T:Abacus % Nottingham Music Database S:By Hugh Barwell, via Phil Rowe M:6/8 K:G "G"g2g B^AB|d2d G3|"Em"GAB "Am"A2A|"D7"ABc "G"BAG| "G"g2g B^AB|d2d G2G|"Em"GAB "Am"A2G|"D7"FGA "G"G3:: "D7"A^GA DFA|"G"B^AB G3|"A7"^c=c^c Ace|"D7"fef def| "G"g2g de=f|"E7"e2e Bcd|"Am"c2c "D7"Adc| [1"G"B2A G3:| [2"G"B2A G2F||"Em"E2E G2G|B2B e2e|"Am"c2A "B7"FBA|"Em"G2F E3|"Em"EFG "Am"ABc| "B7"B^c^d "Em"e2e|"F#7"f2f f2e|"B7"^def BAF|"Em"E2E G2G|B2B e2e| "Am"c2A "B7"FBA|"Em"G2F E3|"Em"EFG "Am"ABc|"B7"B^c^d "Em"e2e|"F#7"f2e "B7"^def\ | [1"Em"e3 "D7"d3|| [2"Em"e3 "E7"e3|| X:213 T:Abbey Z: id:dc-reel-1 M:C L:1/8 K:A Dorian B|A3B A2GE|A2GA BddB|A3B AGEF|G3A Bdd:|! g|egg2 a2ba|gabg aged|egg2 a2ga|bgaf gedg|! egg2 a2bg|agbg aged|egg2 a2ga|bgaf ged|]! X:214 T:Abbey Reel, The T:Reddigan's R:reel D:Paul McGrattan: The Frost Is All Over D:Tommy Keane: The Piper's Apron Z:id:hn-reel-444 M:C| K:Ador ~A3B A2GE|A2GA BddB|~A3B AGEF|1 ~G3A BedB:|2 ~G3A Bd~d2|| eg~g2 a2ba|gabg aged|eg~g2 a2ga|bgaf gedg| eg~g2 agbg|agbg aged|eg~g2 a2ga|bgaf gedB|| "variations" |:~A3B A2GE|A2GA BedB|1 ~A3B AGED|~G3A BGdB:|2 AdBG AGED|~G3A BGBd|| eg~g2 a2ge|gabg aged|eg~g2 a2ga|bgaf ged2| eg~g2 ageg|agbg ageg|dg~g2 a2ga|b2af gedB|| X:215 T:Abbeyfield % Nottingham Music Database S:Peeping Tom, via EF M:4/4 L:1/4 K:G P:A d|"G"gd "D/f+"Bd/2B/2|"Em"E/2F/2G/2A/2 B-"d"B|"C"cA AG|\ "D7"A/2D/2B/2D/2 "e"c/2D/2"f#"d/2D/2| "G"gd dB/2d/2|"C"c/2A/2B/2G/2 "D"A"d#"D|"Em"E/2F/2G/2A/2 Bc|\ "D"A/2D/2c/2A/2 "G"G:| P:B F/2G/2|"D"AD "e"D"f#"c|"G"BG "b"G3/2F/2|"A7/c+"E/2F/2G/2A/2 B/2A/2B/2^c/2|\ "D"d"c"d "b"d"a"e/2f/2| "G"gd dB/2d/2|"C"c/2A/2B/2G/2 "D"A"d#"D|"Em"E/2F/2G/2A/2 Bc|\ "D"A/2D/2c/2A/2 "G"G:| X:216 T:Abbeyleix M:4/4 L:1/8 C:Sean Ryan (but which one?) S:Brendan McGlinchey N:Posed to Ir-Trad K:DDor D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE EDDC|\ D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE ED D2::\ K:D d2fd adfd|g2fg eABc|dDcD BDAF|GEFD EA,A,A|d2fd adfd|\ g2fg eABc|dDcD BDAF|GBAG FD D2:| X:217 T:Abbeyleix M:4/4 L:1/8 C:Sean Ryan (but which one?) S:Brendan McGlinchey K:DDor D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE EDDC|\ D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE ED D2::\ K:D d2fd adfd|g2fg eABc|dDcD BDAF|GEFD EA,A,A|d2fd adfd|\ g2fg eABc|dDcD BDAF|GBAG FD D2:| X:218 T:Abbotts Bromley Horn Dance % Nottingham Music Database S:EFDSS M:6/8 K:Gm P:A g|"Gm"d2g B2g|"Gm"d2g G2B|"Cm"ABc "Gm/d"Bcd|"D7"cBA "Gm"G2g| "Gm"d2g B2g|"Gm"d2g G2B|"Cm"ABc "Gm/d"Bcd|"D7"cBA "Gm"G2:| P:B g|"Cm"e2g efg|"Cm"c2e cde|"F"ABc "Gm"BAG|"Dm"FGA D2b| "Gm"g2b gab|"Cm"e2g efg|"Dm"fed cBA|"Gm"G3 G2:| P:C c|"Gm"ded "Cm"e3|"Gm"ded "Cm"g3|"Gm"ded "D7"cBA|"Gm"B3 "D7"B2c|"Gm"ded "Cm"e3|\ "Gm/bb"ded "Cm"g3|"Gm/d"ded "D7"cBA|"Gm"G3 G2|| X:219 T: Abdala L: 1/8 M: 2/4 K: Cm Q:1/4=160 %%MIDI gchord fzfz |:"G"FDEC|D2C=B,|C2=B,2|C2D2|\ FDEC|D2C=B,|C2=B,2|A,2G,2:| |:=B,CDE|D2C=B,|C2=B,2|C2D2|\ =B,CDE|D2C=B,|C2=B,2|A,2G,2:| |:C2=B,2|A,2G,2| C2=B,2|A,2G,2:| X:220 T: Abdala L: 1/8 M: 2/4 K:Cm Q:1/4=160 %%MIDI gchord fzfz |:"G"FDEC|D2C=B,|C2=B,2|C2D2|\ FDEC|D2C=B,|C2=B,2|A,2G,2:| |:=B,CDE|D2C=B,|C2=B,2|C2D2|\ =B,CDE|D2C=B,|C2=B,2|A,2G,2:| |:C2=B,2|A,2G,2| C2=B,2|A,2G,2:| X:221 T:Aboot the Bush, Willy C:Trad S:Northumbrian Minstrelsy M:3/4 K:Bb c|dBc AFc| dBc A2 c|dBc AFf | ecA B2:: c| def AFc| def A2 c| def aFf| ecA B3:| X:222 T:Abram Circle % Nottingham Music Database S:Trad M:4/4 L:1/4 K:G D|:"G"GB/2c/2 "D7"de/2f/2|"G"g"f#"a "Em"b2|"G"gd "D7"d/2e/2d/2c/2|"G"B2 G2:| "C"ec eg/2e/2|"G"dB d2|"D7"Ad d/2e/2d/2c/2|1"G"B2 "G7"d2:|2"G"B2 G2 |:\ M:6/8 "D7"d2c"G"BAG |\ M:6/8 "D7"d2c"G"BAG |"C"e2dcBc |"C"e3g3 :| "C"e2dcBc |"C"e3"b"g3 |"Am"e2dcBc |"Am"e3gfe |:"D"d2ef2g |"D"a2gfed |"C"e2g"D7"f2a |1"G"g3gfe :|2"G"g3G3 |:\ M:4/4 L:1/4 "G"GG/2G/2 BB|"G"dd g2|"G"dB "C"d/2c/2A/2B/2|"Am"cA "D7"G/2F/2E/2D/2| M:4/4 L:1/4 "G"GG/2G/2 BB|"G"dd g2|"G"dB "D7"d/2c/2A/2F/2|1"G"G2 GD:|2"G"G2 Gd/2c/2 |:"G"BG Bd|"D7"A3d/2c/2|"G"BG Bd|"D7"A3d/2c/2|"G"BG Bd| "D7"A3/2B/2 AB/2c/2|"G"dB/2c/2 "D7"d/2c/2B/2A/2|1"G"G2 Gd/2c/2:|2"G"G3:| X:223 T:Absent Friends M:3/4 L:1/8 Q:80 C:Composed by Gavin Atkin S:Copyright Gavin Atkin 1997 R:slow air N:Slow air dedicated to Nigel Chippendale, John Gasson and Dave Roberts K:G "D7" (3d/2e/2f/2 |: "Em" gf "C" .e2 "Am" ed | "C" e/2f/2g "G" .B3 B |"G" dB"Cm"AG "Bm" A2 | "D" Bd"C"ed "D7"(3d/2e/2f/2 | "Em" gf "C" .e2 "Am" ed | "C" e/2f/2g "G" .B3 B | "G" dB "Cm" AG "Bm" d2 | "Am" BA "G" G2 "D7" d/2c/2 |"G" BAG "Bm" ABd | "C" eg4 "D7" f/2e/2 |"G"dBAG"D7"AB|"D"A4 "D7"d/2c/2| "G" BAG "Bm" ABd | "C" eg3 "D" (3 aba | "C" ge"G"dB "D7"A2 | "C" .G G "G"G2 "D7"(3d/2e/2f/2 :| X:224 T:Absent Minded Woman, The R:reel Z:id:hn-reel-476 M:C| K:G ~G3A BABd|edgd edBA|~G3A BABd|(3efg dB AGEF| ~G3A BABd|edgd e2ge|dega bage|dBAB G4:| |:g2bg agbg|~g2bg aged|g2bg agbg|gedB AGED| g2bg agbg|~g2bg aged|gbaf gedB|AGAB G4:| X:225 T:Ace and Deuce of Pipering M:C| L:1/8 K:G Major dc|B2cA B2cA|BdcA B2AG|d2e^c d2e^c|dfe^c d=cBA|! e2fd edcB|Adde dcBA|B2cA B2AG|FGAB cBcA|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! GF|G2=f2 e2f2|G2=fg fdcA|G2g2 f2g2|d2ga gedc|! A2=f2 e2fe|d^cde fefg|agfa gfde|fdcA BGAF|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! X:226 T:Ace and Deuce of Pipering Z: id:dc-setdance-1 M:C| L:1/8 K:G Major dc|B2cA B2cA|BdcA B2AG|d2e^c d2e^c|dfe^c d=cBA|! e2fd edcB|Adde dcBA|B2cA B2AG|FGAB cBcA|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! GF|G2=f2 e2f2|G2=fg fdcA|G2g2 f2g2|d2ga gedc|! A2=f2 e2fe|d^cde fefg|agfa gfde|fdcA BGAF|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! X:227 T:Ace and Deuce of Pipering, The M:4/4 L:1/8 R:set dance Z:Devin McCabe K:G |:(3d^c=c|B2 cA Bd cA|Bd cA B2 AG|d2 ec d2 ec|df ec dc BA| !e2 fd ed cB|Ad d^c d=c BA|BG cA B2 AG|FG AB cB cA| !G2 ge fd cA|FG AB cA FG|AG GF G2 FG|1AG GF G2 (3d^c=c:|2AG GF G2 GF| !|:G2=f2e2f2|G2 =fg fd cA|G2 g2 ^f2 g2|d2 ga gf dc| !|A2 =f2 e2 f2|d^c de ^fe fg|ag (3fga gf dc|BG cA B2 AF| !G2 ge fd cA|FG AB cA FG|AG GF G2 FG|1AG GF G2 GF:|2AG GF G4| X:228 T:Ace and Deuce of Pipering, The R:set dance D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-setdance-10 M:C| K:G dc|BGcA BGcA|BGcA B2AG|d2e^c d2ec|dfe^c dcBA|e2fd ed^cB|Adde d=cBA| (3BcB cA B2AG|FGAB cBcA|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| |:GF|G2=f2 e2f2|G2=fe fdcA|G2g2 ^f2g2|d2ga gfdc|A2=f2 e2f2|d^cde fefg| afge fde^c|d2eg fdcA|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| "variations:" |:dc|(3BcB cA BdcA|BdcA BAGB|(3ded e^c d2ec|dfe^c dcBA|e2fd ed^cB| Add^c d=cAc|BGcA B2AG|FGAB cdcA|G2eg fdcA|FGAB cAFG|AGGF G2 FG|AGGF G2:| |:GF|G2=f2 e2f2|G=ffg fdcA|G2g2 ^f2g2|d^cdg fd=cA|=F2=f2 e2f2|d^cde fd (3efg| agfa gfdc|BdcA B2AF|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| X:229 T:Acrobatic Reel S:Fiddle-L, Paul Tyler,6/97 M:C| L:1/8 N:An octogenarian from Hastings, Michigan, Les learned the tune from notation N:sent to him by a fiddler/collector from Midland, Michigan. R:Breakdown A:Michigan K:A e2|a2ed cBAc|BAGB A2A2|EFGA BcdB|cecA B2e2| a2ed cBAc|BAGB A2A2|EFGA Bcde|cABc A2:| f2|:ecAc ecfc|ecAc e2f2|ecAc ecfc|dcBc d2ef| ecAc ecfc|ecAc e2f2|agfe dcBA|1Bcde f2ef:|2BAGB A2|| X:230 T: Ad or haboker L:1/8 O: Israel I:choreographer, M. Eskayo M:4/4 Q:1/4=144 K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm" A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2|\ z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 d4| X:231 T:Ad or haboker M:4/4 L:1/8 Q:1/4=144 O:Israel K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 "F" cB A2| "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm " A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm " A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2| z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 "F" cB A2| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 d4| X:232 T: Ad or haboker L:1/8 O: Israel I:choreographer, M. Eskayo M:4/4 Q:1/4=144 K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm" A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2|\ z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 d4| X:233 T:Adam Hickey R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:F AG|F2 C DFC|Ddc Aag|fdc dfc|AGF GAG|! =462 C DFC|Ddc Aag|fdc dfc|AFF F:|! |:fg|a2 f a2 f|gec ceg|fdc dfc|[1AGF Gfg|! a2 f a2 f|gec ceg|fdc dfc|AFF F:|! [2 AGF GAG|F2 C DFC|Ddc Aag|fdc dfc|AFF F|]! X:234 T:Adam Hickey R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:6/8 K:F AG|F2 C DFC|Ddc Aag|fdc dfc|AGF GAG|! F2 C DFC|Ddc Aag|fdc dfc|AFF F:|! |:fg|a2 f a2 f|gec ceg|fdc dfc|[1AGF Gfg|! a2 f a2 f|gec ceg|fdc dfc|AFF F:|! [2 AGF GAG|F2 C DFC|Ddc Aag|fdc dfc|AFF F|]! X:235 T:Adana O:Macedonia M:2/4 L:1/8 Q:1/4=120 K:DMix %%MIDI gchord fzzz |:"D"A2 GA|"Cm"GF _E2|"D"D2 _E2|F2 G2|A2 GA|"Cm"GF _E2|"D"D2 A,2|D2 z2:| |:"D"D_ECD|"Cm"CB,A,2|"G"B,2C2|"D"D2_E2|"Cm"_EDC2|GF_E2|"D"D2 A,2|D2 z2:| "Cm"_EDC2|GF_E2|_EDC2|GF_E2|_EDC2|GF_E2|"D"D2 A,2|D2 z2| Q: 1/4=180 "Cm"_EDC2|GF_E2|_EDC2|GF_E2|_EDC2|GF_E2|"D"D2 A,2|D2 z2| |:"D"F3G|A2B2|"Cm"cdc_B|"D"A2G2|A_BAG|[1"D"F2G2|A4|A2 z2:|\ [2 "D"F2 _E2| D2 A,2| D2 z2|\ "D"z4|D_EDC|"G"B,2C2|z4| Q: 1/4=120 "Cm"_EDC2|GF_E2|"D"D2 A,2|D2 z2| X:236 T:Adele - bourree C:Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D F3/2E/2 DE|F2 A2|B3/2A/2 Bc|dc BA| F3/2E/2 DE|F2 A2|B3/2d/2 ce|1Ad2A:|2A3d|| |:B2 Gd|dG Bc|A2 d2|F3/2G/2 AB| G2 BE|EF GA|1F2 E2|D3/2E/2 FA:|2B3/2A/2 Bc|dc BA|] X:237 T:Adele Blanc-Sec M:4/4 L:1/8 C:Frederic Paris R:Schottische Z:Steve Mansfield 12/3/200 K:Dm FEFA GFGB|A2E4FG|A3A BABc|A6G2|FEFA GFGB|A2E4FG|A2GF EFGA|1D8:|2D6FA| :d2cB ABcd|GABcA3A|B2AG E3B|AGEG F2D2|d2cB ABcd|GABcA3A|B2AG E3B|AGEF D4 :| X:238 T:Adele Blanc-Sec - scottish/schottisch/schottische C:Frédéric Paris Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm FEFA GFGB|A2E2 E2FG|A3c BABc|A4A4| FEFA GFGB|A2E2 E2FG|A2GF EFGA|1D4-D4:|2D2EF GABc|| |:d2cB ABcd|GABcA4|B2AG E3B|AGEG F2D2| d2cB ABcd|GABcA4|B2AG E3B|AGEFD4:| X:239 T:Adew Dundee S:Skene MS via Dauney N:I play the fast runs dotted; the MS doesn't say you can't M:6/4 L:1/8 Q:3/4=70 K:DDor [A2A,2] d2 d2 [d4D4] d2 |[c4C4] d2 e2 g4 | [a4A4] c'2 [a4A4] c'2 | a2 g2 e2 [d4D4] D2:| a2 c'2 c'2 [c'4c4] c'2 |[c4C4] d2 e2 g4 | [a4A4] c'2 [a4A4] c'2 |[a2A2] g2 e2 d6 :| dcAc d2 dcAc d2 | edcd e2 edcd e2 | ageg a2 [aA]geg a2 | gac'age d6 :| c'bc'd' c'2 c'bc'd' c'2 | cBcdef [g4G4] g2 | d'^c'd'e' d'2 d'^c'd'e'd'2 | d'2 e'd'c'b [a6A6] | c'bc'd' c'2 c'bc'd' c'2 | cBcdef [g4G4] g2 | ageg a2 ageg a2 | gac'age [d6D6] |] X:240 T:Adieu donc ma mie C:trad A:Haute Bretagne O:France Z:S Piron M:2/4 L:1/8 Q:1/4=140 K:D D|DF AA|AA Ad|| M:3/4 Q:140 dd B2 G2|BB A3 D|| M:2/4 Q:70 DF AA|AA Ad|| M:3/4 Q:140 dd B2G2|BB A3A|AF D2E2|FG FE DA|AF D2E2|| M:2/4 Q:70 FG FE|D2 z2|| W:Adieu donc ma mie je m'en vas W:Adieu donc ma mie je m'en vas W:Puisque ton bâtiment s'en va W:Puisque ton bâtiment s'en va W:Je m'en vas faire un tour à Nantes W:Puisque le roi me le demande ! X:241 T:Adieu My Native Land Adieu.(bottom line). JC.049 M:C L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A|F3d (dc)(ed)|(AG)(FE)F3F|G2B2F2A2|c/(B/A/B/ c)d{d}c3A|! F3d (dc)(ed)|(AG)(FE)F3F|(G/A/B/A/ c/)(B/A/G/)F2(df)|B2GEF3|! |d|c2(Bd)c3d|c2(Bd){d}c3^e|(fc)(dA) BFGz|! AAAA AAAA|AAAA AAAz|e3d{d}c3d|E3DA3|] X:242 T:Adieu My Native Land Adieu.(top line). JC.049 M:C L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A|d3f (fe)(gf)|(fe)(dc)d3A|B2d2A2d2|e/d/(c/d/ e)f{f}e3A|! d3f (fe)(gf)|(fe)(dc)d3A|(B/c/d/c/ e/)d/(cB) Ad(fa)|geBcd3|! |f|eA^GBA3f|eA^GB{B}A3^e|(fc)(dA) BFGG|!g3fe3d| c3de3A|g3f{f}e3d|"DC"c3dA3|] W:Song text exists. See Deacon. X:243 T:Adios, conceyu d'Ayer (CT 207) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Entonaban esta canción los mozos del concejo de Quirós cuando regresaban a sus casas, una vez terminada la temporada de trabajo en la cuenca minera de Ayer. N:De octubre a marzo apenas se ejecutan en Quirós labores de campo, debido a lo crudo del otozo e invierno, durante los cuales la nieve es casi permanente en este concejo, y por tal causa los hombres emigraban en dicha época en busca de jornal con que sostener a sus familias, mientras las mujeres se quedaban en el hogar, ocupándose en hilar y tejer lana con que confeccionan vestidos para sí y sus familiares. N:Ha desaparecido ya esta costumbre de emigración, debido al hallazgo y explotación de minas carboníferas dentro del concejo de Quirós. O:Quirós A:Asturies Z:Cancioneru de Torner 207 M:3/8 L:1/8 Q:1/4=63 W:Adios, concejo de Ayer, (bis) W:adios, nobles ayeranos, (bis) W:tenéis criar los fíos W:de los mozos quirosanos. K:G z/B/ B/c/ |(d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G3-)|G z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G2) A| ccB|A c2-|c(B3/4c/8B/8 A/B/8A/8G/8F/8|G/)G/-G2-|G z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G/)G/-G2|G) z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G/) G/-GA| ccB|A c2-|c (B3/4c/8B/8 A/B/8A/8G/8F/8|G/)G/-G2-|G|| X:244 T:Admiral Mitchel's Reel. WM.129 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N: D: H: Z:vmp.Chris Partington W: K:G d|BFGD B,G,GB,|CA,AF FDAc|BGGD B,G,DB,|CEDF GG,G,d|! (B/A/G/F/) GD B,G,DB,|CEAG FDAc|(Bc/d/) GB EFcE|FDcA BGG||! d|(g/f/g/a/) gd BGdB|ceag fddf|(g/f/g/a/) gd edcB|cAdc BGGd|! (g/f/g/a/) gd BGdB|cAag fddf|gbab gdeB|cAdc BGG|] X:245 T:Admiral Mitchel's Reel. WM129 M:C L:1/8 Q:180 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N: D: H: Z:C.G.P W: K:G d|BFGD B,G,GB,|CA,AF FDAc|BGGD B,G,DB,|CEDF GG,G,d|! (B/A/G/F/) GD B,G,DB,|CEAG FDAc|(Bc/d/) GB EFcE|FDcA BGG||! d|(g/f/g/a/) gd BGdB|ceag fddf|(g/f/g/a/) gd edcB|cAdc BGGd|! (g/f/g/a/) gd BGdB|cAag fddf|gbab gdeB|cAdc BGG|] X:246 T:Adson's Saraband M:4/4 L:1/8 Q:160 C:PLayford O:Manuscript A:English K:F agfe f2 c2| defg e2 ag | fe d2 d3 c| d6 A2| d2 e2 f3 f| g2 a2 b3 b| ag f 2 e3 d| d6:: c2 de f3 A |Bc d2 c3 c| de f2 e3 f| g6 a2 | b2 a2 g3 f| e3 d c3 c| de f2 e3 f f6:| X:247 T:Adsons Saraband M:6/8 L:1/8 Q:110 R:Jig H:John Adson (d. 1640) may have written the original music for the dance. H: English-born, he began his career in France, but eventually joined the H:English court band in 1625. He also played several instruments at the H:Blackfriar's Theatre. In 1634 he was appointed music teacher to H:Charles I. K:D f2f e2d|fga e2d|cde fBc|dcB A2G|FGF FFA|Bcd c2B|Aef gBc|def e2d|| X:248 T:Advice to the ladies M:6/8 L:1/8 R:Jig O:Bcd d2 H:via Cock and Bul K:G G2B AGF|G2B ABc|B3d3|ABc cBA|G2B AGF|G2B ABc|B3d3|cBA G3:| :B2B dBG|ABA Adc|BcB Bcd|e2d efg|B2B dBG|ABA Adc|B3d3|cBA G3:| :gfe dcB|ABc def|gfg efg|fdd def|g2de2c|d2B ABc|B3d3|cBA G3:|! X:249 T:Advice to the ladies - countermelody M:6/8 L:1/8 C:Jean-Pierre Rasle / Steve Mansfield R:Jig K:G Bcd efg|d6|gfg d3|cBc A3|Bcd efg|d6|gfg d3|edc B3:| :BGB BGB|AFA AFA|BGB d3|cde efg|BGB BGB|AFA AFA|BGB d3|edc B3:| Bcd d2g|gfe dcB|Bcd GAB|BAA ABc|d2B c2A|B2G ABc|gfg d3|edc B3:| X:250 T:Advil Fragment, The S:Irtrad-l, P. Mulvaney, 10/97 N:(Possibly copyright, fair use claimed for comment) N:North American Broadcast TV, 1997 M:6/8 L:1/8 R:Jig K:G g2| gfe deB|cdd cBA| BF2 X:251 T:AEROPLANE D'ACIGNE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |:D/2D/2D/2G/2BA GBD3/2 z/2 |E3/2 z/2 FE/2F/2 AAG3/2 z/2:| d/2d/2d/2d/2Bd e/2d/2c/2B/2cA|c/2c/2c/2c/2AA/2c/2 edB3/2 z/2 | d/2d/2d/2d/2Bd e/2d/2c/2B/2cA|ceA3/2c/2 edG3/2 z/2 | B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED|B,/2B,/2B,/2D/2ED CB,A,3/2 z/2 | B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED|A/2A/2A/2A/2F/2F/2F/2F/2 EFG3/2 z/2 | B,DG3/2F/2 GFE3/2 z/2 |B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED| B,DG3/2F/2 GFE3/2 z/2 |A/2A/2A/2A/2F/2F/2F/2F/2 EFG3/2| X:252 T:AEROPLANE DE COUERON Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=93 K:G % 1 sharps |DBB3/2A/2 GFF2|Dcc3/2A/2 GddB|DBB3/2A/2 GFe2|dcBA/2G/2 AGG2| B,DG3/2B,/2 DCC2|A,CE3/2D/2 DCB,2|B,DG3/2B,/2 DCA3/2G/2|FDBA GBG2| X:253 T:AEROPLANE de PLEBOULLE Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:C |ee/2d/2cB/2c/2 ddA2|G/2A/2B/2c/2dd c/2B/2c/2d/2ec|ee/2d/2cB/2c/2 ddA2|G /2A/2B/2c/2dd/2d/2 cec2| G/2A/2B/2c/2dd c/2B/2c/2d/2ec|G/2A/2B/2c/2dd/2d/2 ceg2|G/2A/2B/2c/2dd c/ 2B/2c/2d/2ec|G/2A/2B/2c/2dd/2d/2 cec2| X:254 T:Aforras de Puerte Grave R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Samartín d'Ozcos (Os Ozcos) A:Asturies Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Cm |CEF G3-|GAG F2 =E|FGF F3-|FEE D2 C-|C2 z4|CEF G3-|GAG F2 z|GGF E3-|EFE D2 C-|C2 z4| X:255 T:Aforras de Puerte Grave C:Trad. Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Eb |CEF G3-|GAG F2 =E|FGF F3-|FEE D2 C-|C2 z4|CEF G3-|GAG F2 z|GGF E3-|EFE D2 C-|C2 z4| X:256 T:After Midnight Waltz R:Waltz C:Bruce Osborne -- Apr.30 1991 M:3/4 L:1/8 K:D AG|F3 EFA|B3 GBd|c3 Ace|d3 Adf|! e3 cBA|[F2d2][F2d2][d2f2]|[c2e2][c2e2](3[Be][ce][Be]|[A4e4]AG|! F3 EFA|B3 GBd|c3 Ace|d3 Adf|! e3 cBA|[F2d2][F2d2][A,2F2]|[A,2F2][A,2F2][G,2E2]|[F4d4]:|! |:Ad|[A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2A2]|[B,2G2][B,2G2][G2B2]|[F3A3] FAd|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2d2]|[c2e2][c2e2](3[Be][ce][Be]|[A4e4]Ad|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2A2]|[B,2G2][B,2G2][G2B2]|[F3A3] FAd|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2d2]|[A,2F2][A,2F2][G,2E2]|[F4d4]:|! X:257 T: After the Ball R: waltz Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 3/4 L: 1/4 K: G [| "G"Bd>B | "C"G2E | "G"G3 | D3 | "G"Bd>B | "C"G2E | "D7"F3- | F3 | | "Am"ce>c | B2A | "Bdim"^G3 | "Am"A3 | "D7"AB>A | F2D | "G"d3- | d3 | | "G"Bd>B | "C"G2E | "G"G3 | D3 | "E7"E^GB | e2d | "A"^c3- | c3 | | "D7"dAA | ABc | "G"B3 | "E7"D3 | "A7"E3 | "D7"F2D | "G"G3- | G3 |] X:258 T:After the Battle of Aughrim S:Charlie Menzies R:Polka O:Scotland O:Ireland M:2/4 K:ADor E2A2 ABcd | e2d2 c3A | B2G2 GFGA | B2AG E2D2 |\ E2A2 ABcd | e2d2 e2ag | e2d2 BedB | A4 A4 :|* |:\ a2e2 e2fg | abag e2fg | abaf g3e | dedB G4 | \ a2e2 e2fg | abag e2d2 | B2e2 d2B2 | A4 A4 :|** X:259 T:After the Duck M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry 16th. April 1990 R:Polka K:G G2BDG2BD|GBAGE2D2|DEFGA2G2|FGEF DEFD|! G2BDG2BD|GBAGE2D2|DEFG AGFE|DEFAG4:|! B2Bd cBAG|FAEA DEFD|B2Bd cBAG|FAGF GFED|! B2Bd cBAG|FAEA DEFD|FADA EADA|DEFAG4:| X:260 T:After the Fire R:pipe reel C:Brenda Stubbert, SOCAN Q:333 L:1/8 M:6/8 K:Ador B|eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|dgfa gedB|! eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|gedB A2 A:|! |:b|ae e/e/e gfed|eAAB c2 BA|BG G/G/G DGBd|1egfa gedb|! ae e/e/e gfed|eAAB c2 BA|BG G/G/G DGBd|gedB A2 A:|! [2egfa gedg|eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|gedB A2 A:|! X:261 T:After the Storm R:lament and march C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:196 L:1/8 M:6/4 K:D z AG|F2 D2 FA B2 A2 dc|B2 A2 AF A3 B AG|F2 D2 FA B2 A2 AF|G2 BA GF E3:|! G FE|D2 d2 ef e2 d2 ef|afedAF A3 B AG|F2 d2 ef e2 d2 AF|G2 BA GF E3 G FE|! D2 d2 ef e2 d2 ef|afedAF A3 B AF|G2 e2 EG Fd A3 d|BAGFEA D3|| Q:176 L:1/8 M:2/4 |:A/G/|FD DF/A/|BA Ad/c/|BA AA/F/|A2 A/B/A/G/| FD DF/A/|BA AG/F/|GG/A/ B/A/G/F/|[1E2 E:|[2E2 E/G/F/E/|| |:Dd de/f/|ed de/f/|a/f/e/d/ e/d/A/F/|[1A2 A/B/A/G/|! Fd de/f/|ed dA/F/|GG/A/ B/A/G/F/|E2 E/G/F/E/:|! [2A2 A/B/A/F/|Ge EE/G/|Fd A>A|B/A/G/F/ A/G/F/E/|D2 D|]! X:262 T:After the Storm R:lament and march C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:196 L:1/8 M:6/4 K:D z AG|F2 D2 FA B2 A2 dc|B2 A2 AF A3 B AG|F2 D2 FA B2 A2 AF|G2 BA GF E3:|! G FE|D2 d2 ef e2 d2 ef|afedAF A3 B AG|F2 d2 ef e2 d2 AF|G2 BA GF E3 G FE|! D2 d2 ef e2 d2 ef|afedAF A3 B AF|G2 e2 EG Fd A3 d|BAGFEA D5|| Q:176 L:1/8 M:2/4 |:A/G/|FD DF/A/|BA Ad/c/|BA AA/F/|A2 A/B/A/G/| =46D DF/A/|BA AG/F/|GG/A/ B/A/G/F/|[1E2 E:|[2E2 E/G/F/E/|| |:Dd de/f/|ed de/f/|a/f/e/d/ e/d/A/F/|[1A2 A/B/A/G/|! =46d de/f/|ed dA/F/|GG/A/ B/A/G/F/|E2 E/G/F/E/:|! [2A2 A/B/A/F/|Ge EE/G/|Fd A>A|B/A/G/F/ A/G/F/E/|D2 D|]! X:263 T:Agadelcha O:Israeli S:Israel Yakovee, Yemenite Jewish Folklore and Dance for educational purposes L:1/8 M:4/4 Q:1/4=120 K:Am |:"Am"e4 e4| e e6 c/c/|e3 d c3 B | A6 z2|\ a4 e2 de|"Dm"f3 e d2 cd| "Am"e3 d c3 B | A8 :| e2 ga"C"gf e z| "C"e2 g3 f e2| "Dm"g2 f3 e d2|"Am"f f e4 z2|\ "Dm"e2 f3 e d2| "Am"f2 e3 d c2| "Dm"d2 e2 d2 c2 | "Am"B2 A4 z2| |: "Am"a6 e2| "Dm"f4 "Am"a4| "Em"b2 a2 "E"^g2 a2| "Am"e8 :|\ |: "Dm"z e f3 e d2| "Am"z f e3 d c2| "Dm"d2 e2 d2 c2|[1 "Em"B2 A2 "Am"c2 e2 :| [2 "Em"B2 "Am" A6 | X:264 T:Agadelcha O:Israeli S:Israel Yakovee, Yemenite Jewish Folklore and Dance for educational purposes L:1/8 M:4/4 Q:1/4=120 K:Am |:"Am"e4 e4| e e6 c/c/|e3 d c3 B | A6 z2|\ a4 e2 de|"Dm"f3 e d2 cd| "Am"e3 d c3 B | A8 :| e2 ga"C"gf e z| "C"e2 g3 f e2| "Dm"g2 f3 e d2|"Am"f f e4 z2|\ "Dm"e2 f3 e d2| "Am"f2 e3 d c2| "Dm"d2 e2 d2 c2 | "Am"B2 A4 z2| |: "Am"a6 e2| "Dm"f4 "Am"a4| "Em"b2 a2 "E"^g2 a2| "Am"e8 :|\ |: "Dm"z e f3 e d2| "Am"z f e3 d c2| "Dm"d2 e2 d2 c2|[1 "Em"B2 A2 "Am"c2 e2 :| [2 "Em"B2 "Am" A6 | X:265 T:Agora non (Arrg.) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:La pieza está en LAb A:Asturies G:Arrg. Z:Les cuarenta principales M:6/8 L:1/8 Q:3/8=30 K:Fm V:1 C/C/ |"Fm"F2 =E/F/ A2 G/A/|"Bbm"BBB "Fm"A A2-|"Fm"A3-A2 C/C/| |"Fm"F2 =E/F/ A2 G/A/|"Eb"BAG "Fm"F2 G/F/|"C"=E6-|"C"=E3 C"Fm"FA| |"Fm"c3-c2 c|"Bbm"B2 c/B/ "Fm"A3-|"Fm"A3 "C"G3|"Fm"A3 "C"G2 A/G/|"Fm"F6-|"Fm"F3-F2 X:266 T:Ah, Surely! T:Killaghbeg House R:reel D:Mary Bergin: Feadoga Stain Z:id:hn-reel-381 M:C| K:G ~A3c BG~G2|BG (3Bcd g2fg|eA~A2 BG (3Bcd|(3ege dc BG~G2| ~A3c BG~G2|BG (3Bcd ~g3a|agag (3efg fa|gedc BG~G2:| |:bg~g2 agef|~g3e dega|bg~g2 aged|eaag a2ga| bg~g2 agef|~g3e dega|agag (3efg fa|gedc BG~G2:| "Variations:" AFAc BG~G2|BGBd gedB|AFAc BGBd|(3efg dc BGdB| AFAc BG~G2|BGBd ~g3a|bgag egfa|gedc BG~G2:| |:bggb agea|gfge dega|bggb aged|eaag ea~a2| bggb agea|gfge dega|(3bag ag egfa|gedc BG~G2:| X:267 T:Ahavat Hadassa C:Yemenite Tune S:Songs and Folk Dances arranged by Haim Kirsch. Book 4 (c) 1961 NEGEN S:chords by seymour (with the help of abcmus) O:Israel Q:1/4=72 L:1/8 M:2/4 K:F |: "F"CF FF | G/A/F/G/ A>A| c B/A/ "C"GB| "F"A>G F2:|\ "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA GF| c4| "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA "C"GE| "F"F4| X:268 T:Ahavat Hadassa C:Yemenite Tune S:Songs and Folk Dances arranged by Haim Kirsch. Book 4 (c) 1961 NEGEN S:chords by seymour (with the help of abcmus) O:Israel Q:1/4=72 L:1/8 M:2/4 K:F |: "F"CF FF | G/A/F/G/ A>A| c B/A/ "C"GB| "F"A>G F2:|\ "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA GF| c4| "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA "C"GE| "F"F4| X:269 T:Ai vis lou loup R:Bourrée 3 M:3/8 L:1/8 K:C fef|d2f|ec2|fef|dec|d3:|\ |:ABc|d2c/B/|Ad2|ABc|ded|c3:| X:270 T:Ai vist lou loup C:MCTB 2/43 M:3/8 L:1/8 K:C fef|d2f|ec2|fef|dec|d3:|\ |:ABc|d2c/B/|Ad2|ABc|ded|c3:| X:271 T:Aida de La Fuente R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:Cm GG |: c3 =B|c3 =B|d2 c2-|c2 B=A|B3 =A|B3 =A|c2 B2-|B2 z G/A/| |BB AG|FF z F/F/|BB BA|GG GF|E3 E|C2-ED|C2 C2-|[1 C2 GG :|[2 C2 z2| X:272 T:Aiken Drum S:via PR L:1/4 M:4/4 K:D % transposed from A by Alf warnock@magma.ca d/2e/2|"D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"D"A3/2B/2 dA|"E7"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"A7"AA Bc|"D"d3:| |:d/2e/2|"D"ff fe/2d/2|"G"gg b3/2g/2|"D"fa fd|"Em"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"A7"AA Bc|"D"d3:| X:273 T:Aiken Drum % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A A/2B/2|"A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"A"E3/2F/2 AE|"B7"cB "E7"BA/2B/2|\ "A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"E7"EE FG|"A"A3:: A/2B/2|"A"cc cB/2A/2|"D"dd f3/2d/2|"A"ce cA|"Bm"cB "E7"BA/2B/2|\ "A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"E7"EE FG|"A"A3:| X:274 T:Aiken Drum M:4/4 L:1/4 Q:1/4=200 K:D d/2e/2|"D"ff g/2f/2e/2d/2|"G"B2 d>B|"D"A>B dA|"E7"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d>B|"A7"AA Bc|"D"d3:| |:d/2e/2|ff fe/2d/2|"G"gg b>g|"D"fa fd|"Em"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d>B|"A7"AA Bc|"D"d3:| X:275 T:Aiken Drum M:4/4 L:1/8 K:G GA|B2B2A2G2|E4G4|D2D2 DEFG|B2A2A2 GA|B2B2A2G2|E4G4|D2D2E2F2|G6||GA|B2B2 BAGA|B2e2e4|d2B2 BAGA|B2A2A2GA|B2B2A2G2|E4G4|D2D2E2F2|G6|| X:276 T:Aikendrum Polka, The C:Rick Gagne, 1997 N:IrTrad, 6/99 R:polka M:2/4 L:1/8 K:D fg|:~a2 af|gb bg|fd df|ec AG|FA df|gB Bg|fd ec|1 de fg:||2 d2 dB|| ~A2 Ag|fd df|eA Ag|fd dB|~A2 Ag|fd df|eA gf|1 d2 dB:||2 de fg|| X:277 T:Ain't Nobody's Business C:Andy De Jarlis M:2/4 L:1/8 K:D fg|a3/2a/ ab|f2 d2|GG/G/ GB|e2 d2|! A3/2A/ ce|a (3a/b/a/ ea|f4 -|f2 fg|! a3/2a/ ab|f2 d2|GG/G/ GB|e2 d2|! A3/2A/ ce|a (3g/a/g/ ef|d4 -|d2:|! |:z2|c3/2B/ cd|ec (3B/c/B/ A|d3/2c/ de|f3 f|! e2 e3/2f/|eB cd|e4 -|ec B^A|! A3/2A/ de|f d2 d|B3/2B/ ef|g3 g|! A3/2A/ cd|ef ge|d4 -|d2:|! X:278 T: Aino Kchume O: Assyria M: 4/4 L: 1/8 Q: 1/4=180 K:Am %%MIDI gchord f2fff2f2 "A" z8| z8 |\ G2 A2 G2 c2|cABG A2 c2|cABG A4| G2 A2 G2 c2|cABG A2 c2|cABG A4|\ G2 A2 G2 d2| cB BA A2 d2|cB BA A4| X:279 T: Aino Kchume O: Assyria M: 4/4 L: 1/8 Q: 1/4=180 K: Am %%MIDI gchord f2fff2f2 "A" z8| z8 |\ G2 A2 G2 c2|cABG A2 c2|cABG A4| G2 A2 G2 c2|cABG A2 c2|cABG A4|\ G2 A2 G2 d2| cB BA A2 d2|cB BA A4| X:280 T:Air M:6/8 L:1/8 C:Pleyel N:Probably Ignaz Joseph Pleyel 1757 - 183 K:G major dzd d>ed|(c3B2)B|c2d e>dc|(B3A2)z|dzd d>ed|(c3B)zB|c>deB2A|(A3G2)z:||:Az A A>Bc|{c}B2AA2B|^c2de2f|(d3d2)d|dzd d>e d|(c3B)zB|c>de B2A2|)A3G2)z:|| X:281 T:Air R:Other O:Ireland M:3/4 K:Bm f2 ed cB | (3cde AB ce | d2ce dc | BA FE FA |\ f2 ed cB | (3cde AB ce | d2 ce dc | d2 B2B2 :|* F2 Bc d2 | F2 Bc d2 | c2 AB ce | dc BA FE |\ F2Bc d2 | F2 Bc d2 | c2 AB ce | d2 B2B2 :|** X:282 T:Air & mouuements de la pauane d'Espagne R:Pavane C:Trad. S:Thoinot Arbeau N:0195.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:C d2c3/2A B2 c2 d3/2 edBcd e4 e2 e2 e3/2 g f2e2d3/2 cdfed | c2d2 B2c2d3/2 cBcded2 z2 :: X:283 T:Air Allegro. TLY.029 M:3/8 L:1/16 Q:60 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:There is a bar 9 in the B part which I have assumed is an error N:rewritten in the next bar. TT H:1860. Z:vmp.Taz Tarry. K:D D2F2A2|dcdede|fagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|! |:fagfed|egfedc|dfedcB|cAdAeA|fAeAdA|! cAdAeA|fAeAdA|cea2^g2|a6|afdafd|bgebge|! afdafd|bgebge|bagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|] X:284 T:Air Allegro. TLY.029 M:3/8 L:1/16 Q:60 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:There is a bar 9 in the B part which I have assumed is an error N:rewritten in the next bar. TT H:1860. Z:Taz Tarry. K:D D2F2A2|dcdede|fagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|! |:fagfed|egfedc|dfedcB|cAdAeA|fAeAdA|! cAdAeA|fAeAdA|cea2^g2|a6|afdafd|bgebge|! afdafd|bgebge|bagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|] X:285 T:Air By Mr. Arne,(Harmony). BC.51b M:C L:1/4 Q:25 C:Thomas Arne S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:John Bagnall K:D d d d d | A A A A | d A B G | A A D2|!| d d B B | A e c/A/B/c/ | d e f F | E D A2 |! L:1/16 Q:100 (f/e/d3) d2d2 d4 f4 | (e/d/c3) c2c2 c8| L:1/4 Q:100 d A B G | A A D2 :|] X:286 T:Air By Mr. Arne,(Harmony). BC.51b M:C L:1/4 Q:25 C:Thomas Arne S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:vmp.John Bagnall K:D d d d d | A A A A | d A B G | A A D2|!| d d B B | A e c/A/B/c/ | d e f F | E D A2 |! L:1/16 Q:100 (f/e/d3) d2d2 d4 f4 | (e/d/c3) c2c2 c8| L:1/4 Q:100 d A B G | A A D2 :|] X:287 T:Air By Mr.Arne,(Melody). BC.51a M:C L:1/16 Q:100 C:Thomas Arne,1710-1778 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Or his son Michael Arne,1740-1786.who was also a composer to theatres N:and pleasure gardens. Z:vmp.John Bagnall K:D (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 e8 | (f/e/d3) (c/d/e3) d4 b4 | (a/g / f3) (e/d/c3) d8|! |(f/e/d3) d2d2 a4 d'4 | (c'/b/a3) (^g/a/b3) a6 "tr"=g2| (f/e/d3) (g/f/e3 ) a4 d4 | cdef g2f2 e8|! (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 "tr"e8 | (f/e/d3) c/d/e3) d4 b4 | (a/g/f3) (e/d/c3) d8:|] X:288 T:Air By Mr.Arne,(Melody). BC.51a M:C L:1/16 Q:100 C:Thomas Arne,1710-1778 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Or his son Michael Arne,1740-1786.who was also a composer to theatres N:and pleasure gardens. Z:John Bagnall K:D (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 e8 | (f/e/d3) (c/d/e3) d4 b4 | (a/g / f3) (e/d/c3) d8|! |(f/e/d3) d2d2 a4 d'4 | (c'/b/a3) (^g/a/b3) a6 "tr"=g2| (f/e/d3) (g/f/e3 ) a4 d4 | cdef g2f2 e8|! (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 "tr"e8 | (f/e/d3) c/d/e3) d4 b4 | (a/g/f3) (e/d/c3) d8:|] X:289 T:Air d'un branle double. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F GGBB AGFF | BcdB ccBB | GGBB AGFF | BBAG GFGG | X:290 T:Air d'un branle hault Barrois. R: C:Trad. S:Thoinot Arbeau N:vérifier la signature (K:F) N:0149.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F cdef efcc | BBAA BAGF | X:291 T:Air d'un branle simple. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F GGBB AGFB | BABB | GGBB AGFG | GFGG | X:292 T:Air d'une volte R: C:Trad. S:Thoinot Arbeau N:0132.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=160 K:C DDD A2A | GGF E2D | GGF E2D | DDC D2D || X:293 T:Air de Chasse M:6/8 Z:repeat A::B|| K:A c|\ A2c A2c| (e2d) B3| c2c BAB| A3 A2:| B|\ B2c A2B| (d2c) B3| cde edc| c3 B2c|\ A2c A2c| e2d B3| c2c BAB| A3 A2|] X:294 T:Air de gaillarde. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C G/F/E E/F/ FFzF | c/B/A G/A/ Bczc :: X:295 T:Air de l'Allemande, pour la première et seconde partie. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:F FF/F/ GG/G/ A/F/G/A/ BB | Bdc3/2 B/A/ F/G/G/ FF | B/A/G/F/ B/A/G/F/ | Bdc3/2 B/A/F/G/G/ FF || X:296 T:Air De L'Opera Francoise. HSJJ.054 T:Baa Baa Black Sheep. HSJJ.054 T:Twinkle,Twinkle,Little Star. HSJJ.054 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:Chris Partington. K:G G2G2d2d2|efged4|c2c2B2B2|AGABG2G2:|! |:d2d2c2c2|B2B2A4|d2d2c2c2|B2B2A4|G2G2d2d2|efged4|c2c2B2B2|AGABG4:|! |:BGBG dBdB|efged4|cAcA BGBG|AGABG4:|! |:dBdB cAcA|BGBGB2A2|dBdB cAcA|BGBG ~B2A2|! BGBG dBdB|efged4|cAcA BGBG|AGABG4:|] X:297 T:Air De L'Opera Francoise. HSJJ.054 T:Baa Baa Black Sheep,aka. HSJJ.054 T:Twinkle,Twinkle,Little Star,aka. HSJJ.054 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G2G2d2d2|efged4|c2c2B2B2|AGABG2G2:|! |:d2d2c2c2|B2B2A4|d2d2c2c2|B2B2A4|G2G2d2d2|efged4|c2c2B2B2|AGABG4:|! |:BGBG dBdB|efged4|cAcA BGBG|AGABG4:|! |:dBdB cAcA|BGBGB2A2|dBdB cAcA|BGBG ~B2A2|! BGBG dBdB|efged4|cAcA BGBG|AGABG4:|] X:298 T:Air de la Courante R: C:Trad. S:Thoinot Arbeau N:0135.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:16/2 L:1/2 Q:1/2=150 K:C ABcd edce dcBA AGAAA :| X:299 T:Air de la gaillarde appellee Anthoinette R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) N:il existe deux partitions : la seconde a pour armature K:F O:France Z:Frank Nordberg (http://www.musicaviva.com) Z:(adapted) eric.forgeot@caramail.com M:6/2 L:1/2 Q:1/2=130 K:C AdG A2 A ddc B2A :: ccc A>AG GFE E2z :: DCD E>FG AFG E2D :| X:300 T:Air de la gaillarde appellee Anthoinette R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) N:il existe deux partitions : la seconde a pour armature K:F O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=130 K:F AdGA zA | ddcB zA | ccBA zA | GFFE zE | DCDE zG | AFGE zD || X:301 T:Air de la gaillarde appellee Baisons nous belle R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F F F F D z D | G G G A z A | F G A B z G | F F E F z F || X:302 T:Air de la gaillarde appellee I'aymerois mieulx dormir seulette. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F FFFFFF | GGG AzA | BBB AAA | AGG ^Fz^F | FGA BBA | AGG ^FzF | FGA BBA | GG^F GzG || X:303 T:Air de la gaillarde appellee L'ennuy qui me tourmente. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C DDD FFF | FGG AzF |\ K:F AAA AAG | FFE FzF | K:C FFG AAF | AAA GzE | GGG FFD | AGF EzE | FFG AAF/F/ | A/A/AA GzE | GAG FFE/E/ | D/D/DC DzD || X:304 T:Air de la gaillarde appellee La fatigue. R:Gaillarde C:Trad. S:Thoinot Arbeau N:0117.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F ccB AzG | FFG AzF | X:305 T:Air de la gaillarde appellee La Milannoise. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C z F/ G/ A G/ F/ G A/ B/ A G/ F/ G A/ B/ A z | G2 F2 z F | z G/A/B A/G/A B/c/B A/G/A B/c/B 3/2 A2 G2 z F || X:306 T:Air de la gaillarde appellee Si i'ayme ou non. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F A A A z A A | F G A z B B | A G A F z G | F F E F z F | A G A F z F | D E F G z G | A G A F z G | F F E F z F || X:307 T:Air de la gaillarde appellee, La traditore my fa morire R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F d d c B2 A | A G G F2 D | d d c B2 A | G G F G2 z :: A A A c2 c | c c c d2 d | d d c B2 A | G G F G2 z :: X:308 T:Air de la Gauotte R:Gavotte C:Trad. S:Thoinot Arbeau N:0189.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:F A3/2 G/F/G/A/B/ c2 c2 | d/e/ fed c2 :: BAGAF3/2G/AF | BAG c F2F2 :: X:309 T:Air de Morisques R: C:Trad. S:Thoinot Arbeau N:0191.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/4 Q:1/2=220 K:F cccd c4 AFFG E2C2 :: AFFG AFFG AFFG E2C2 :: X:310 T:Air des Bouffons R: C:Trad. S:Thoinot Arbeau N:0200.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:F FGAA B4 | AGAF G4 | FGAA B4 | AFGG F4 | c2dc B4 | AGAB c4 | c2dc B4 | AFGG F4 || X:311 T:Air des Canaries R: C:Trad. S:Thoinot Arbeau N:0193.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/4 Q:1/2=220 K:F G2AB G2AB c2dB A2BG :: G2dc B2cd c2cB A2AG :| X:312 T:Air du branle couppé appellé Aridan. R: C:Trad. S:Thoinot Arbeau N:0158.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C Bcdd eedc BzAzGz :: A2B2 GdcB A2GG AFGA B2G2 | Bcdd eed2 ezdz ccBB AAG2 | _A B G3/2 d/c/B/A/A/ G z :: X:313 T:Air du branle couppé appellé Charlotte. R: C:Trad. S:Thoinot Arbeau N:vérifier 3ème mesure : cABc ou c3/2 ABc ? N:0154.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=170 K:F GGBB ccd2 | gz dz | cABc d2 G2 :: Gddd cdB2 | dz cz | GABc AG | dz cz | GABc AG | dz ez | dcBB AA G2 || X:314 T:Air du branle couppé de la guerre R: C:Trad. S:Thoinot Arbeau N:vérifier rythme p.157.gif N:0156.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C c/B/c/d/ cc A2 Fc | BAGF E2 C2 | G2 A B c2 cc d cc B c2c2 :: cccA cccA B/G/ A2 B/ G AG FAG A/F/ G A/ F/ GFF EF A/F/ G FF E F2F2 | X:315 T:Air du branle couppé nommé Cassandre. R: C:Trad. S:Thoinot Arbeau N:0151.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=195 K:C c2cc c2c2 | d/e/fcd A2A2 :: f2dd e2cc | ddcd A3/2A/cc | F2F2 | G/A/_BGA D2D2 :| X:316 T:Air du branle couppé nommé Pinagay. R: C:Trad. S:Thoinot Arbeau N:0152.gif N:vérifier s'il n'y a pas un Fa dièse à la dernière mesure. Et un Bb ? A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=170 K:C GGGG AABd/c/ Bz | GGGG AABd/c/ | Bd/c/B d/c/ Bz | BAGA FGAG | BBAG GFG2 :| X:317 T:Air du branle de Bourgoigne. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F BBGG AAFD | ddBB cAGz | X:318 T:Air du branle de Poictou R: C:Trad. S:Thoinot Arbeau N:0160.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C Bcdd2d c2A | BAGGAF G2z | N:Mouuements plus decouppés. Bcdd2d c2A | BAGGAF G2z || X:319 T:Air du branle gay. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=160 K:F GGd B2B | c2c d2d | c2B A2G | G2F G2z | X:320 T:Air du premier branle d'Escosse. R: C:Trad. S:Thoinot Arbeau N:0162.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=200 K:F GABG ABc2 | cBAG Bcd2 | dfed cBAG | GABG ABc2 | cBAG Bcd2 | cBAG AFG2 || X:321 T:Air du second branle d'Escosse. R: C:Trad. S:Thoinot Arbeau N:0163.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=200 K:F d2defgfe d2d2cBA2 d2cBA2G2 | d2defgfe d2d2cBAG AFG2 || X:322 T:AIR I. O'er Bogie with my Love. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:the anacruses for each part are written (GA) in the book M:C| L:1/8 K:AMin (G/A/)|c>d (cA c)GGA | cc (d/c/B/A/ A)Gz G |Addc deg>a |(g/a/)(g/e/) (g/e/d/c/) (cA2) || (G/A/)|c2 (e/f/)g c2 (e/f/)g| c2 (d/c/)(B/A/) (AG) z G |Addc deg>a |(g/a/)(g/e/) (g/e/d/c/) (cA2) |] X:323 T:AIR II. Logan Water. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin GA|c2A2 A3c|GEDE G2AB|c2A2 A3c|G>Ac>d e3e|f2ed e2dc|d>cB>A G3 B|A>Bc>d e3d|c2A2 A2|| eg|a2A2 A3c|G>ED>E G2eg|a2A2 A3c|G>Ac>d e3e|f2ed e2dc|dcBA GABG|ABcd e3d|c2A2 A2|] X:324 T:AIR III. Nanny-O. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin (F>G)|A3 c (Ac)(AG)|F2(ED) D2C>D |(F3G) (AB)(cA)|(d2 G>A)G2 (FG) |A2c2 (BA)(GF)|G2A2 f3 e | d3c AcGA | d2 DE D2|| AB |c3 d c2 (BA)|f2c2 c2(fe)| d3e (fe)(fg)|(f/g/a) d2 d2 cB |A2f2 (cA)(GF)|G2A2 f3 e | d3c (Ac)(GA)| d2 (D>E)D2|] X:325 T:Air in Perseus and Andromeda. BC.11 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:* Si The closest I have been able to get has been Peree By N:Jean-Baptiste Lully,1682, but this doesn't rule out there being other N:contenders.CGP,. Z:vmp.John Bagnall K:G d | G G G G | (dB) g2 | G G B A/G/ | F/G/ A A2 |! G G G G | d B g/f/e/d/| ^c/d/ e A ^c | "*"d2 :|! |:a | d d d d | a f d'2 | d/e/f/g/ a b | a d g d |! e d g d | c B e G | F/G/ A D F | G3 |] X:326 T:Air in Perseus and Andromeda. BC.11 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:* Si The closest I have been able to get has been Peree By N:Jean-Baptiste Lully,1682, but this doesn't rule out there being other N:contenders.CGP,. Z:John Bagnall K:G d | G G G G | (dB) g2 | G G B A/G/ | F/G/ A A2 |! G G G G | d B g/f/e/d/| ^c/d/ e A ^c | "*"d2 :|! |:a | d d d d | a f d'2 | d/e/f/g/ a b | a d g d |! e d g d | c B e G | F/G/ A D F | G3 |] X:327 T:AIR IV. Bob of Dumblain. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:CMin G|c2c e2e|gfe d2B|cdc efg|BGG G2|| B|GEE A2F|BGG c2B|GEE AFF|BGG c2 B|GEE AFF|BGG eef|gfe dcB|Gcc c2|] X:328 T:AIR IX. Last time I came o'er the Muir. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:first anacrusis is a crotchet in the original M:C| L:1/8 K:F c | A2 GF f3 g |(f/g/a) (gf) e3 c | d3 c (AG)(Ac)|(d3e) f3 c | A2 (GF) f3 g |(f/g/a) (gf) e2(dc)|(de)(fg) (ag)(fe)|(d3e) f3 (e/f/)| g2 c2 c3 a |(ge)(de) c3 d |(cA)(GA) (FG)(AB)| c4 f3 c |(dc)(df) d2(cA)|(GA)(cd) f3 g |(ag)(fd) (fd)(cA)| G4 F3|] X:329 T:AIR L. Winchester Wedding. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:9/8 L:1/8 K:Bb B,|DEF GFE DCB,|DEF BG2 c2F|DEF GFE DEF|GAB cAF B2:| g |fdB f2B c2G |cde GcB A2F|BGE GBG cAF|Ged c2B B2:| X:330 T:AIR LI. Good Night, and God be wi ye. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:the ending (including this tune) is missing from the NLS copy M:C| L:1/8 K:G BA| G2 G2 D3 G |E2G2 e3 d |(Bd)(ed) (Bd)(ed)|B2(AG) G3 e |(dB)(AG) (DE)(GD)|E2G2 e3 d |(Bd)(ed) (Bc)(ed)|B2(AG) G3|| B | A2 A2 A2 (GE)|G2GA B2 AG |(AG)(AB) (cB)(cd)|e2 A2 A2 Bd| e3 d B3 A |G3 A B2(AG)| A2 E2 G3 A |B2 G2 G2|] X:331 T:AIR V. Bush aboon Traquair. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:D D| F2 A2 d3 f|(ed) (e/f/g) e3G| F2 A2 (d>e d)(c/B/)|(A3 B) D3 D|(GF) A2 (d2 e)f|(ed) (e/f/g) e3A|(GF) A2 (d>e d)(c/B/)|(A3 B) D3|| d|(cB)(AB) (cd)(ef)|(ga/g/ f>)g e3A|(de)(fg) (a>ba>)g |(f3 g/e/) d3 d|(cB)(AB) (cd)(ef)|(ga/g/ f>)g e3G|(GF) A2 (f>e d)(c/B/)|(A3 B) D3|] X:332 T:AIR VI. Give me a Lass with a Lump of Land. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:No repeat marked in the music, but needed to fit the text. M:6/8 L:1/8 K:G g>ag fge|f2g a2f|g>ag f2e |deg (dB)G:| ABd e2d|g2d e2d|ABd e>fe/f/|gfe dBG :| X:333 T:AIR VII. Bonny Broom. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C L:1/8 K:Fmix E|E3 G B3 c|(BG)(FG) E2 (eB) |c2 (e>f) (e/f/g) f>e|c6 e2| (B>c)(e>f) g2 (g/f/)e| e2 E>F G2 G/(F/E)|A2 (B>c) (B>c)(B>G) |F6 |] X:334 T:AIR VIII. Jockey's fu, and Jenny's fain. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:D DDFD cD E2 |(D/E/D) FD dD A2 |\ DDFD (F/A/)(G/F/) E>F| DdAB Fd D2|| Dd (d/c/)(B/A/) (B/A/)(G/F/) E>F| DdAB Fd A2 |\ Dd (d/c/)(B/A/) (B/A/)(G/F/) E>F|(D/E/)(F/G/) (A/B/)(c/A/) dD D2|| X:335 T:AIR X. Bonnie Lassie, take a Man. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:F F3 A G2 (G/A/B)| G2 (FD) G2 z2|F2(F/G/A) G2 AB | G2F2 f2z2|\ (ag)(fd) (cd)(fA) |(BA)(GF) G2 z2|f2 ed (cd)(fA)| G4 F2z2| f3 a g2 (ag) | f2 d2 g2 z2|f2(f/g/a) g2 ag | f2d2 f2z2|\ (ag)(fd) (cd)(fA) |(BA)(GF) G2 z2|f2(ed) (cd)(fA)|(G3 F) F4 |] X:336 T:AIR XI. Fy gar rub her o'er with Strae. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:GDor A|B3 A G3 d |(cd)(Bc) A2 F2 |B3 A G3 d |(cB)(AB) G2z A|B3 A G3 d |(cd)(Bc) A2(GF)|B3 c d2 g2 |(dc)(BA) G3|| e|f2d2 d2(cB)|(AB)(cB) A2(GF)|f2d2 d2(ef)|(gf)(df) g3 a|f2d2 d2(cB)|(AB)(cB) A2(GF)|B3 c d2 g2 |(dc)(BA) G3|] X:337 T:AIR XII. My Mother's ay glowrin o'er me. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:DMin D|D>ED CB,A,| F3 E2G|A>BA GFE |c3 A2 z|F>GA/B/ (cBA) | GEc C2C|D>ED CB,A,|F3 E2|| d|ded c2A |(de)f e2d|cdc AGF |c3 d2 d|cAF cAF | GEC GEC|DED CB,A,|F3 E2|] X:338 T:AIR XIII. Katharine Ogie. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin A| E2 A2 A2(GA)| B2 A2 A2(Bc)| d3 e (dB)(AG)| G3A B2(AG)| E2 A2 A2(GA)| B2 (AG) g3 a |(ba)(ge) (ge)(dB)| A4 e3 || d|(cd)(ef) g3 a |(ge) (dB) g3 d | B2 g2 (dB)(AG)|(G3A) B3 B | c2 (Bc) d2(cd)| e2 (de) g3 a |(ba)(ge) (ge)(dB)| A4 e3 |] X:339 T:AIR XIV. Sowr Plumbs of Gallashiels. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:G G2 | B3 c B2 ge |(dB)(AG) A3 B | G3 A (BA)(Bd)| e3 d B2 d>g|(e>dB>)e (d>BA>)d|(B>A)(G>B) A2(dB)| G3 d (e>fg>)c| B2 (A>B) G3||\ d |(e>f)(g>a) g2 G2 | g2 (de/=f/) e2(dc)| B2 d>e =f2 (gf)| e4 d2 z d |(e>f)(g>a) g2 G2 |(g>b)(a>g) e2(dc)| B2(d>e) (=fa)(gf)| e4 d2 z d |(e>f)(g>a) g2 G2 | g2 (de/=f/) e2(dc)|(BA) B2 (dB) d2 |(e>d e2) =f3 f |(ge) g2 (ed)e2 |(dB) d2 (BA)B2 | g3 (f/e/) d2 (cB)|(A3 G) G3|] X:340 T:AIR XIX. Johny, Lad, cock up your Beaver. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/4 L:1/4 K:F d/d/|ccF A>GF|GAG B2d|c2B A2G |Ffc A>Bc | dcd fcA |GAG B2f|c2B AAA/G/|Ffc A2 A | B/A/B/c/d/e/ fFA |GAG B2f|c2B A2G |Ffc A2(G/F/)|] X:341 T:AIR XL. Wat ye wha I met ystreen. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:EMin EEFE FAB2|ABdF EDB,2|D>EFE DEF2|A,B,DE FEE2|| e>feE GBd2|d>efe dBAB |d>edD FAd2|B2AF GEE2|] X:342 T:AIR XLI. My Wife's a wanton Wi Thing. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:there's no natural sign in bar 4 in the book, but there is a N:sharp - presumably the previous natural was meant to persist M:6/4 L:1/4 K:D d2A (B/c/)dA|d3 A2B |=c>dc cGE|=c3 C2 ^c |d2A B/c/ dA|d3 A2G | FDF ECE| D3-D2|| F/G/|A>BA FDF |A3 F2E/F/| G>AG ECE| G3 E2 F/G/|A>BA FDF |A3 a2g | fdf ece| d3-d2|] % At this point in the action a drunk sings fragments of songs with % their original words. The words quoted are (in full): % Oe'r the Hills and far away... % Wou'd they had not been, % Or we had never seen % Such a parcel of Rogues in the Nation... % Saw you not my Maggy? % Saw you not my Maggy? % Saw you not my Maggy? % Coming over the Lee?... X:343 T:AIR XLII. I wish my Love were in a Mire. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin (GA)| c2 (c/d/e) c3 E |(DC) (DE) A3 G |c2 G2 (cd)(ed)|(d/c/B/d/ c)(B/A/) A2 (ed)| c2 (c/d/e) c3 E |(DC) (DE) A3 c |G3 A (GE)(DC)|(AB/c/) (BA) A2||\ (ed)| c2 (GA) G3(e/d/)|(c/B/c/d/) c(B/A/) G2 (c/d/e)|f2 (ga) (ge)(dc)| f2 (ed) d2 (ef)|(ge)(ce) g3 E |(DC) (DE) A2 (A/B/c)|G3 A (GE)(DC)| A/B/c BA A2|] X:344 T:AIR XLIII. Hap me in thy Peticoats. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin f| cAGF D>CDF |c>d (c/d/)(c/A/) c3 f|(c/d/)(c/A/) (B/A/)(G/F/) D>CDF |d>f (d/f/)(d/c/) d3|| f| cdf>g (f/g/)a gf|c>d (c/d/)(c/A/) c3 d| cdfg fagf |da (b/a/)(g/f/) d3|] X:345 T:AIR XLIV. The Lass of Livingstone. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin (CD)| F3 G A3 f |(cA)(cd) (cA)(GF)|A2 G2 G2 (FG)|(F/G/A) G2 G2 (FD)|(CD)(FG) (Ac)(GA)|(FE)(FG) (AB)(cA)|d2 D2 (DF)(CD)| F2 (ED)D2||\ c2 | f3 g (fg)(ag)|(fc)(df) (cA)(GF)|A2 G2 G2 (FG)|(FG/A/) G2 G2 zc | f3 g (fg)(ag)|(fc)(df) (cA)(GA)|F2(ED) (DF)(CD)| F2 (ED)D2|] X:346 T:AIR XLIX. How can I be sad on my Wedding-Day? B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:C E/F/|G>AG E2C |E2G c2G |A>BA F2D|EFG c>dc| C>DC c>de|edc B>AG|ABA F2D|GAB c2 |] X:347 T:AIR XLV. Polworth on the Green. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack